Belle Arti surfaces are Italian-made, offering a fantastic range of traditional stretched linen and cotton canvases.

Using the finest linen thread from France, the woven linen is primed and stretched to the highest standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity is used to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension.

The linen stretched canvases are ready to use and available in three variations: Oil Primed Extra Fine (suitable for oil painters requiring a smooth surface), Universal Primed Fine Grain (suitable for all mediums) and Universal Primed Medium grain (ideal for the painter who wishes for a more pronounced texture to work on).

Please note: linen is a natural product and its properties may vary for different reasons - exposure to moisture or the temperature of the environment where it's stored, for example. For this reason, sometimes the canvas might not appear properly stretched. If this has occured, please use the corner wedges provided.

Specifications:
The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.
Wedges: Hardwood
Assembly: Stapled on reverse only

Please note: linen is a natural product and its properties may vary for different reasons - exposure to moisture or the temperature of the environment where it's stored, for example. For this reason, sometimes the canvas might not appear properly stretched. If this has occured, please use the corner wedges.

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding. The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on. Specifications..The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding. The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on. Specifications..The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.

Specifications.Texture: Medium cotton or 3 grades of linenCotton is medium grain universal primed, linen is available in extra fine grain oil primed or fine and medium grain in universal primed.Stretcher thickness: 18mm x 43mm for up to size 40x50cm size, 21 x 58 for the 40x60cm and largerWedges: HardwoodAssembly: Stapled on reverse only

Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.

Specifications.Texture: Medium cotton or 3 grades of linenCotton is medium grain universal primed, linen is available in extra fine grain oil primed or fine and medium grain in universal primed.Stretcher thickness: 18mm x 43mm for up to size 40x50cm size, 21 x 58 for the 40x60cm and largerWedges: HardwoodAssembly: Stapled on reverse only

The Unprimed Basswood panel is handcrafted using a non-flexible basswood top, sanded perfectly smooth and ready to seal and prime with the ground of your choice. Compared with other wood panels on the market, the Unprimed Basswood is sanded perfectly smooth and lacks plywood seams, knots or raised fibres providing the cleaner, more professional look artists’ want. The support frames are made with quality solid pine strips that can be finished with paint or stain. Unprimed Basswood is great for encaustic, mixed media, collage and wood engraving. All wood should be sealed and primed. Available in two standard cradled profiles, 22mm and 38mm, both are simple to hang or frame. Ultra-stable, these wood panels will not give, bend or flex and like all Ampersand’s panels, they are made with quality materials that have been tested not only for durability, but also for performance with artists’ paints. Ampersand uses true high density hardboard made from US-grown renewable and FSC Certified Aspen wood fibers. Ampersand brand Hardbord is made without formaldehyde or harmful VOC’s (volatile organic compounds) unlike other hardboards and MDF boards. Both their domestic and imported panels are made from FSC certified forest products that promote sustainable forests. Artist Panel Unprimed Basswood Panel• Ultra-stable premium Basswood top• Sanded perfectly smooth• Free of knots, seams and excess wood grain• Supported with solid pinewood cradles Many Fine Art and Craft Uses:• Accepts all types of painting grounds• Great for encaustic, mixed media, collage and wood engraving• Perfect for mounting canvas & giclees

Belle Arti Cradled Gesso panels are handmade in Italy, and suitable for a wide variety of techniques including oil, acrylic, pencil, watercolour and ink. The extremely stable poplar 6mm plywood base is finished with a very smooth, absorbent acrylic gesso surface. The fine surface is ideal for detailed work. The unprimed cradled frame behind the panel makes a work feel more modern, as well as allowing a 3-D effect. It also means a work can be hung professionally without the addition of a frame, if you so desire. The external depth of the cradle is 38mm with the frame measuring 12mm in width.They are very absorbent so you may wish to use extra oil if using oil paint. May not be absorbent enough for use with egg tempera which usually needs genuine gesso (made with rabbit skin glue and whiting). If the surface isn't absorbent enough the egg tempera paint may lift off the first layer when you apply a second glaze.Belle Arti’s poplar multi-ply is ecologically friendly since all the products come from renewable sources and well-maintained plantations that minimise the company's carbon footprint.This panel measures 30cm x 30cm.

Belle Arti Cradled Gesso panels are handmade in Italy, and suitable for a wide variety of techniques including oil, acrylic, pencil, watercolour and ink. The extremely stable poplar 6mm plywood base is finished with a very smooth, absorbent acrylic gesso surface. The fine surface is ideal for detailed work. The unprimed cradled frame behind the panel makes a work feel more modern, as well as allowing a 3-D effect. It also means a work can be hung professionally without the addition of a frame, if you so desire. The external depth of the cradle is 38mm with the frame measuring 12mm in width.They are very absorbent so you may wish to use extra oil if using oil paint. May not be absorbent enough for use with egg tempera which usually needs genuine gesso (made with rabbit skin glue and whiting). If the surface isn't absorbent enough the egg tempera paint may lift off the first layer when you apply a second glaze.Belle Arti’s poplar multi-ply is ecologically friendly since all the products come from renewable sources and well-maintained plantations that minimise the company's carbon footprint.This panel measures 30cm x 40cm.

Belle Arti Cradled Gesso panels are handmade in Italy, and suitable for a wide variety of techniques including oil, acrylic, pencil, watercolour and ink. The extremely stable poplar 6mm plywood base is finished with a very smooth, absorbent acrylic gesso surface. The fine surface is ideal for detailed work. The unprimed cradled frame behind the panel makes a work feel more modern, as well as allowing a 3-D effect. It also means a work can be hung professionally without the addition of a frame, if you so desire. The external depth of the cradle is 38mm with the frame measuring 12mm in width.They are very absorbent so you may wish to use extra oil if using oil paint. May not be absorbent enough for use with egg tempera which usually needs genuine gesso (made with rabbit skin glue and whiting). If the surface isn't absorbent enough the egg tempera paint may lift off the first layer when you apply a second glaze.Belle Arti’s poplar multi-ply is ecologically friendly since all the products come from renewable sources and well-maintained plantations that minimise the company's  carbon footprint.This panel measures 40cm x 40cm."

Belle Arti Cradled Gesso panels are handmade in Italy, and suitable for a wide variety of techniques including oil, acrylic, pencil, watercolour and ink. The extremely stable poplar 6mm plywood base is finished with a very smooth, absorbent acrylic gesso surface. The fine surface is ideal for detailed work. The unprimed cradled frame behind the panel makes a work feel more modern, as well as allowing a 3-D effect. It also means a work can be hung professionally without the addition of a frame, if you so desire. The external depth of the cradle is 38mm with the frame measuring 12mm in width.They are very absorbent so you may wish to use extra oil if using oil paint. May not be absorbent enough for use with egg tempera which usually needs genuine gesso (made with rabbit skin glue and whiting). If the surface isn't absorbent enough the egg tempera paint may lift off the first layer when you apply a second glaze.Belle Arti’s poplar multi-ply is ecologically friendly since all the products come from renewable sources and well-maintained plantations that minimise the company's carbon footprint.This panel measures 40cm x 50cm.

Belle Arti Cradled Gesso panels are handmade in Italy, and suitable for a wide variety of techniques including oil, acrylic, pencil, watercolour and ink. The extremely stable poplar 6mm plywood base is finished with a very smooth, absorbent acrylic gesso surface. The fine surface is ideal for detailed work. The unprimed cradled frame behind the panel makes a work feel more modern, as well as allowing a 3-D effect. It also means a work can be hung professionally without the addition of a frame, if you so desire. The external depth of the cradle is 38mm with the frame measuring 12mm in width.They are very absorbent so you may wish to use extra oil if using oil paint. May not be absorbent enough for use with egg tempera which usually needs genuine gesso (made with rabbit skin glue and whiting). If the surface isn't absorbent enough the egg tempera paint may lift off the first layer when you apply a second glaze.Belle Arti’s poplar multi-ply is ecologically friendly since all the products come from renewable sources and well-maintained plantations that minimise the company's carbon footprint.This panel measures 50cm x 70cm.

Ampersand Museum Series Gessobord is made with superior quality acrylic gesso ground. This ground does not dull colours and the wonderful lightly sanded surface provides exceptional brush control. Made with Ampersand’s 3mm True Artist Hardboard and Archiva-Seal technology, the surface is acid-free, non-yellowing, and archival. Perfect for all painting styles with oil paints, acrylics and mixed media. Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Choose from 22mm and 38mm deep panels. The 38mm Cradle Profile that offers more flexibility to artists for hanging and framing their work. This cradle profile is handcrafted with premium grade 13-ply birch plywood, designed to fit both standard canvas and floater frames. Gessoboard is also available in a 3mm uncradled profile. No other panel on the market protects an artist’s work like an Ampersand panel. Every Gessobord panel is protected by proprietary Archival-Seal barrier technology, the most advanced formula for sealing wood, that prevents support induced discoloration. Only Ampersand uses true high-density hardboard made from US-grown and renewable Aspen wood fibres. Gessobord is archival, eco-friendly and formaldehyde-free. Ampersand Gessobord Panels • 88% thicker acrylic gesso than other brands • Consistently even, bright white finish • Right level of absorbency, will not dull colours Many Fine Art Uses: • Great for oils, acrylics and mixed media • Excellent for both fine brushwork and palette knife painting • Ideal for thin glazes, alla prima and even impasto

Canvas: 100% Linen Priming: Oil Primed Texture: Fine Grain Width: 210cm Weight: 327gsm Note: This is an entire 210cm x 10m roll.

Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.

Specifications.Texture: Medium cotton or 3 grades of linenCotton is medium grain universal primed, linen is available in extra fine grain oil primed or fine and medium grain in universal primed.Stretcher thickness: 18mm x 43mm for up to size 40x50cm size, 21 x 58 for the 40x60cm and largerWedges: HardwoodAssembly: Stapled on reverse only

These high quality Italian made canvas panels are more solid than regular art panels, they are made from 3.2mm thick MDF board with fine grain 100% cotton canvas glued to the front surface. The canvas has a sheared edge, and is universal primed making it suitable for oils, acrylics, mixed media etc.

Art-K Canvas Panels are part of a special selection of products for art-K, an art club for adults and children between the ages of 6-16 years. Art-K seeks to help everyone explore colour, brush strokes, and the completion of a painting!

This is a canvas board with a depth of 3mm, measuring 10 x 12in.

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on.

Specifications.The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

Acrylic Gesso is a ready to use, high quality liquid ground of acrylic resin and Titanium Dioxide, for priming canvas and any other painting surface such as wood, ceramics, gypsum, metals and cement for all kinds of paints, including oils. High pigment content insures superior covering strength. Dries to a matt white finish which remains flexible, will not yellow and can be sanded when dry. To achieve a smoother and less absorbent surface, Acrylic Gesso may be diluted with a mixture of water and Acrylic Medium.Available in a range of sizes.

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on.

Specifications.The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

Ampersand Museum Series Aquabord is an acid-free textured clay surface that absorbs watercolours like a fine paper. Colours retain their purity and vibrancy in a way that even the finest of watercolour papers can never match. When compared with watercolour paper, this multimedia panel simulates the absorbency and texture of a cold pressed surface, but allows colour to be lifted back to white easily while also leaving the richest, most vibrant colour possible. This workable surface provides natural looking highlights, fluid glazes, transparent subtle layers, and the ability to lift colour while the surface is wet or even after it is dry. Uniquely absorbent Aquabord is perfect for watercolours and gouache, but is also ideal for casein and acrylics. It will not tear, shrink or buckle even under heavy water application. Ampersand Aquabord is archival and eco-friendly. Seal finished watercolours or gouache with several light coats of spray varnish (or fixative), being careful to spray outdoors during warmer months or in a well ventilated and heated area during colder times of the year. Aquabord is available in a 3mm flat panel for standard framing behind glass and in a 22mm cradle profile for either frameless presentation or for use with floater frames. For best results, it’s a good idea to first “flush out” the surface of the panel with water using a large flat watercolour brush to release trapped air. Once the surface is slightly damp, it is ready to use. Rewetting may be needed as you work. Note that heavy water applications may release more air. Use a blow dryer to dry and also to dissipate air if needed.

Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.

Specifications.Texture: Medium cotton or 3 grades of linenCotton is medium grain universal primed, linen is available in extra fine grain oil primed or fine and medium grain in universal primed.Stretcher thickness: 18mm x 43mm for up to size 40x50cm size, 21 x 58 for the 40x60cm and largerWedges: HardwoodAssembly: Stapled on reverse only

Belle Arti surfaces are Italian-made, offering a fantastic range of traditional stretched linen and cotton canvases.Using the finest linen thread from France, the woven linen is primed and stretched to the highest standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity is used to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension.The linen stretched canvases are ready to use and available in three variations: Oil Primed Extra Fine (suitable for oil painters requiring a smooth surface), Universal Primed Fine Grain (suitable for all mediums) and Universal Primed Medium grain (ideal for the painter who wishes for a more pronounced texture to work on).Please note: linen is a natural product and its properties may vary for different reasons - exposure to moisture or the temperature of the environment where it's stored, for example. For this reason, sometimes the canvas might not appear properly stretched. If this has occured, please use the corner wedges provided.Specifications:The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse onlyPlease note: linen is a natural product and its properties may vary for different reasons - exposure to moisture or the temperature of the environment where it's stored, for example. For this reason, sometimes the canvas might not appear properly stretched. If this has occured, please use the corner wedges.Specifications:The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

Belle Arti surfaces are Italian-made, offering a fantastic range of traditional stretched linen and cotton canvases.

Using the finest linen thread from France, the woven linen is primed and stretched to the highest standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity is used to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension.

The linen stretched canvases are ready to use and available in three variations: Oil Primed Extra Fine (suitable for oil painters requiring a smooth surface), Universal Primed Fine Grain (suitable for all mediums) and Universal Primed Medium grain (ideal for the painter who wishes for a more pronounced texture to work on).

Please note: linen is a natural product and its properties may vary for different reasons - exposure to moisture or the temperature of the environment where it's stored, for example. For this reason, sometimes the canvas might not appear properly stretched. If this has occured, please use the corner wedges provided.

Specifications:
The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.
Wedges: Hardwood
Assembly: Stapled on reverse only

Ampersand Museum Series Gessobord is made with superior quality acrylic gesso ground. This ground does not dull colours and the wonderful lightly sanded surface provides exceptional brush control. Made with Ampersand’s 3mm True Artist Hardboard and Archiva-Seal technology, the surface is acid-free, non-yellowing, and archival. Perfect for all painting styles with oil paints, acrylics and mixed media.Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Choose from 22mm and 38mm deep panels. The 38mm Cradle Profile that offers more flexibility to artists for hanging and framing their work. This cradle profile is handcrafted with premium grade 13-ply birch plywood, designed to fit both standard canvas and floater frames. Gessoboard is also available in a 3mm uncradled profile.No other panel on the market protects an artist’s work like an Ampersand panel. Every Gessobord panel is protected by proprietary Archival-Seal barrier technology, the most advanced formula for sealing wood, that prevents support induced discoloration. Only Ampersand uses true high-density hardboard made from US-grown and renewable Aspen wood fibres. Gessobord is archival, eco-friendly and formaldehyde-free.Ampersand Gessobord Panels• 88% thicker acrylic gesso than other brands• Consistently even, bright white finish• Right level of absorbency, will not dull coloursMany Fine Art Uses:• Great for oils, acrylics and mixed media• Excellent for both fine brushwork and palette knife painting• Ideal for thin glazes, alla prima and even impasto 

Ampersand Museum Series Claybord is made using 3mm true artist hardboard and features Ampersand’s simply amazing kaolin clay ground formula similar in paintability to the clay gesso grounds used during the Renaissance. The surface is sanded to an ultra-smooth, highly absorbent finish so your paint colours remain true and brilliant. Work the surface by thinly applying paint or ink, then remove it, reapply it, even scratch through it to add contrast, texture and fine details. Claybord is a favourite of both fine and graphic artists. Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge.Ampersand Claybord panels are available in a 22mm or 38mm Cradle Profile. The new 38mm profiles offers more flexibility to artists for hanging and framing their work. This cradle profile is handcrafted with premium grade 13-ply birch plywood, designed to fit both standard canvas and floater frames. The cradle can easily be painted or stained to complement the artwork or primed with gesso to wrap the image around the edges.No other panel on the market protects an artist’s work like an Ampersand panel. Every Claybord panel is protected by our proprietary Archival-Seal barrier technology, the most advanced formula for sealing wood that prevents support induced discoloration. Only Ampersand uses true high-density hardboard made from US-grown renewable Aspen wood fibres. Claybord is archival, eco-friendly, formaldehyde-free and made by hand in the USA.Apply paint and ink using brushes, sponges, palette knives, paper towels, airbrush, technical pens and painting tools. Claybord is also an excellent printing surface and can also be used for image transfers.With Claybord, paints and inks can be manipulated to vary tonal value, create detail and to develop highlights and correct mistakes. Various artist tools can be used such as Ampersand scratchboard tools, hobby knives, razor blades, etching tools, sand paper, oil-free steel wool, and electric erasers. Claybord's clay coating allows for the use of sgraffito techniques to cut into the surface and re-expose the white clay ground. The coating is 7 to 10 dry-mils thick allowing for multiple cut-ins or erasers. The smooth finish and the absorbency of the clay ground allows the use of an abrasive like oil-free steel wool or sand paper to remove pigment without damaging the finish.While Claybord allows the use of traditional materials, tools, and techniques, it is also an ideal surface for mixed media and experimentation. Details can be added, highlights created, and mistakes corrected.Please note: These products have been finished with an industrial sander. If you are planning on doing a very thin glaze or wash, this may reveal usually imperceptible circular marks made by the sanding process. If you need an extremely smooth claybord surface, we suggest using a very fine sandpaper or oil-free steel wool prior to applying paint.Ampersand Claybord Panels• Ultra-smooth absorbent clay ground• Accepts more mediums than any other surface• One of a kind workability with paints and artist toolsMany Fine Art Uses:• Excellent for use with India, pigmented and alcohol inks• Also use with egg tempera, acrylics, collage, pencil, pens, airbrush, photo-transfers, casein, watercolour, gouache and mixed media• Bonds well with adhesives to mount paper and fabrics