Crescent Professional Grade Cold Press (NOT) Illustration Boards have a textured surface designed primarily for pencil, pastel, ink, airbrush, washes, light collage and wet media. The textured surface of a Cold Press board permits the medium to be applied without fast absorption, which in turn allows the washes to blend smoothly. Made of 100% cotton fibre acid-free paper on a high quality board to create a balanced tension that prevents warping. The difference between the Professional grade illustration board and the student grade illustration board: Primarily the Professional Boards are thicker and constructed of a higher quality surface paper - 100% cotton fibre acid-free. They are more warp resistant and can accept more aggressive wash applications than the student boards. Crescent Media Usage Recommendations for No. 110 Cold Press Illustration Board:5 — Highly Recommended Oil Pastel, - Airbrush and Tag Art4 — RecommendedWatercolour, Gouache, Student, Professional, Craft Acrylics, - Graphite Pencil, - Soft Charcoal, Water-based Marker, Xylene-based Marker and Alcohol-based Marker3 — Passable PerformancePen-and-Ink, - Soft Pencils, - Coloured Pencil and Watercolour Pencils2 — Marginal PerformanceMechanical Pen, - Technical Pen, - Lettering and Calligraphy Pens, - Watercolour1 — Not RecommendedNone

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

The Primed Smooth cradled panels have a semi-absorbent acid-free ground that is excellent for painting in oils, acrylics, watermedia and also for drawing. Consisting of top quality 3mm MDF, these panels are coated with an acrylic gesso primer and fully supported with solid pine wood cradle support frames. This panel is completely primed on the surface and on the sides of the cradle—g reat if you want to wrap your images over the edge without the extra prep work. The Primed Smooth panel is ideal for all painting styles especially highly detailed paintings and drawings. Ampersand quality, affordably priced and ready to use. Available in a 3mm uncradled version made with Ampersand quality hardboard that is sealed with super smooth acid-free acrylic gesso. It’s perfectly suited for all painting mediums and for mounting papers, giclees and canvas. Use with standard framing or also frameless clips. Ampersand Artist Panel Smooth Primed • Fully primed on top and sides• Super smooth acrylic gesso finish • No fibre show-through on coating Many Fine Art and Craft Uses:• Accepts all artists’ paints including oils, acrylics and watercolour• Ready to paint and draw on• Great for fluid lines and fine detail• Perfect for mounting canvas & giclees

Liquitex Gesso is a premium acrylic gesso used to prepare painting surfaces for acrylic and oil paint.

Linen by nature is stronger and durable than cotton and is proven to stand the test of time. Although more affordable and the most popular today, cotton canvas is not as strong and deteriorates faster than linen. Artfix Linen has been handcrafted for over 30 years in Provence, France by the Narozni family. The warm, dry climate is ideal for slow, even drying of primed canvas surfaces. Artfix Linen has superb archival characteristics: each canvas is guaranteed not to peel, crack or flake, and will not fluctuate or lose stability due to changes in humidity and temperature.

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

Daler-Rowney Premium stretched canvases are made with a high-quality 380gsm, acid-free, 100% cotton, medium grain canvas, and professional stretcher bars for improved strength and optimal stability. The canvases have been given three coats of acrylic primer; triple-priming creates a perfect ready-to-use painting surface for both oils and acrylics. This holds the colour on the surface and prevents seepage through to the back. The canvases are stapled on the back to give clean edges and come complete with wooden wedges to adjust tension in the traditional manner. They are individually wrapped to protect the surface.

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

Canvas fabric mounted onto board offers incredible value for money. Designed for oil and acrylic painting, these boards can also be used for mixed media, collage, impasto and other heavy textures. Ideal for plein-air painting as they can be easily stored.

Jackson's Wooden Panels are made of smooth, sanded light plywood, reinforced on the reverse to prevent warping. Sturdy yet lightweight, they are perfect for plein air painting projects and work in the studio.

These panels are made from wood and they are not supplied sealed. This means that liquids are absorbed into the surface and if they get too ‘wet’, there could be a swelling of the veneer. If the panel is to be used for painting then you should seal the surface with a quality glue size or an acrylic based primer. When you're applying acrylic gesso primer, avoid thinning it with water.

After sizing we recommend priming with acrylic gesso and sanding the surface to produce a smooth yet slightly absorbent surface.

Jackson's Wooden Panels can also be used for encaustic painting, or as a work support / drawing board.

Available in 20mm (approx. 3/4") and 50mm (approx. 2") deep profiles, in a wide range of sizes.

Please note: as this is a natural product, small cracks can develop on the surface. These can be removed by sanding the surface before applying the sealer or primer.

Professional Stretched Canvas from Belle Arti Linen (36/648) Universal Clear Primed Medium Grain Texture 18X24

The clear priming is just a single layer. This is fine for acrylic colour but is not a sufficient barrier to prevent oil colour penetration. If you wish to paint in oils on these canvases you will probably want to apply an additional layer or two of clear primer. Golden Matte Medium works well and a thin layer should be dry enough to paint on by the next day. The matting solids provide an adequate "tooth" for additional paint layers. In thin applications matte medium appears quite translucent, while darkening the canvas to a small degree, similar to a “wet look”.

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on.

Specifications.The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on.

Specifications.The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

This Multimedia Artboard can be used with a wide range of mediums including acrylic, oil, watercolour, gouache, charcoal, pastel, pencil & more.An innovative combination of paper and epoxy resin means the board will not buckle when wet and can be sanded, scraped and moulded. It can be used on either side, one has a textured finish, the other smoother and flatter. Gesso can be applied for a less absorbent surface

Ampersand Museum Series Claybord is made using 3mm true artist hardboard and features Ampersand’s simply amazing kaolin clay ground formula similar in paintability to the clay gesso grounds used during the Renaissance. The surface is sanded to an ultra-smooth, highly absorbent finish so your paint colours remain true and brilliant. Work the surface by thinly applying paint or ink, then remove it, reapply it, even scratch through it to add contrast, texture and fine details. Claybord is a favourite of both fine and graphic artists. Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge.No other panel on the market protects an artist’s work like an Ampersand panel. Every Claybord panel is protected by our proprietary Archival-Seal barrier technology, the most advanced formula for sealing wood that prevents support induced discoloration. Only Ampersand uses true high-density hardboard made from US-grown renewable Aspen wood fibres. Claybord is archival, eco-friendly, formaldehyde-free and made by hand in the USA.Apply paint and ink using brushes, sponges, palette knives, paper towels, airbrush, technical pens and painting tools. Claybord is also an excellent printing surface and can also be used for image transfers.With Claybord, paints and inks can be manipulated to vary tonal value, create detail and to develop highlights and correct mistakes. Various artist tools can be used such as Ampersand scratchboard tools, hobby knives, razor blades, etching tools, sand paper, oil-free steel wool, and electric erasers. Claybord's clay coating allows for the use of sgraffito techniques to cut into the surface and re-expose the white clay ground. The coating is 7 to 10 dry-mils thick allowing for multiple cut-ins or erasers. The smooth finish and the absorbency of the clay ground allows the use of an abrasive like oil-free steel wool or sand paper to remove pigment without damaging the finish.While Claybord allows the use of traditional materials, tools, and techniques, it is also an ideal surface for mixed media and experimentation. Details can be added, highlights created, and mistakes corrected.Please note: These products have been finished with an industrial sander. If you are planning on doing a very thin glaze or wash, this may reveal usually imperceptible circular marks made by the sanding process. If you need an extremely smooth claybord surface, we suggest using a very fine sandpaper or oil-free steel wool prior to applying paint.Ampersand Claybord Panels• Ultra-smooth absorbent clay ground• Accepts more mediums than any other surface• One of a kind workability with paints and artist toolsMany Fine Art Uses:• Excellent for use with India, pigmented and alcohol inks• Also use with egg tempera, acrylics, collage, pencil, pens, airbrush, photo-transfers, casein, watercolour, gouache and mixed media• Bonds well with adhesives to mount paper and fabrics

Jackson's Wooden Panels are made of smooth, sanded light plywood, reinforced on the reverse to prevent warping. Sturdy yet lightweight, they are perfect for plein air painting projects and work in the studio.

These panels are made from wood and they are not supplied sealed. This means that liquids are absorbed into the surface and if they get too ‘wet’, there could be a swelling of the veneer. If the panel is to be used for painting then you should seal the surface with a quality glue size or an acrylic based primer. When you're applying acrylic gesso primer, avoid thinning it with water.

After sizing we recommend priming with acrylic gesso and sanding the surface to produce a smooth yet slightly absorbent surface.

Jackson's Wooden Panels can also be used for encaustic painting, or as a work support / drawing board.

Available in 20mm (approx. 3/4") and 50mm (approx. 2") deep profiles, in a wide range of sizes.

Please note: as this is a natural product, small cracks can develop on the surface. These can be removed by sanding the surface before applying the sealer or primer.

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

The Primed Smooth cradled panels have a semi-absorbent acid-free ground that is excellent for painting in oils, acrylics, watermedia and also for drawing. Consisting of top quality 3mm MDF, these panels are coated with an acrylic gesso primer and fully supported with solid pine wood cradle support frames. This panel is completely primed on the surface and on the sides of the cradle—g reat if you want to wrap your images over the edge without the extra prep work. The Primed Smooth panel is ideal for all painting styles especially highly detailed paintings and drawings. Ampersand quality, affordably priced and ready to use. Available in a 3mm uncradled version made with Ampersand quality hardboard that is sealed with super smooth acid-free acrylic gesso. It’s perfectly suited for all painting mediums and for mounting papers, giclees and canvas. Use with standard framing or also frameless clips. Ampersand Artist Panel Smooth Primed • Fully primed on top and sides• Super smooth acrylic gesso finish • No fibre show-through on coating Many Fine Art and Craft Uses:• Accepts all artists’ paints including oils, acrylics and watercolour• Ready to paint and draw on• Great for fluid lines and fine detail• Perfect for mounting canvas & giclees

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on.

Specifications.The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

The Primed Smooth cradled panels have a semi-absorbent acid-free ground that is excellent for painting in oils, acrylics, watermedia and also for drawing. Consisting of top quality 3mm MDF, these panels are coated with an acrylic gesso primer and fully supported with solid pine wood cradle support frames. This panel is primed on the surface. The Primed Smooth panel is ideal for all painting styles especially highly detailed paintings and drawings. Ampersand quality, affordably priced and ready to use. Available in a 3mm uncradled version made with Ampersand quality hardboard that is sealed with super smooth acid-free acrylic gesso. It’s perfectly suited for all painting mediums and for mounting papers, giclees and canvas. Use with standard framing or also frameless clips. Ampersand Artist Panel Smooth Primed • Fully primed on top and sides• Super smooth acrylic gesso finish • No fibre show-through on coating Many Fine Art and Craft Uses:• Accepts all artists’ paints including oils, acrylics and watercolour• Ready to paint and draw on• Great for fluid lines and fine detail• Perfect for mounting canvas & giclees

Gesso panels made in Italy suitable for a wide variety of techniques thanks to the high absorbancy of the surface. They are handmade and finished with a smooth surface. The 7mm thick wooden base is poplar multi-ply which is stable and lightfast.

Made with acrylic gesso these ultra-smooth boards are very absorbent and you may wish to use extra oil in your oil paint. But, they may not be absorbent enough for use with egg tempera which usually needs genuine gesso (homemade with rabbit skin glue and whiting). If the surface isn't absorbent enough the egg tempera paint may lift off the first layer when you apply a second glaze.

10% discount on boxes of ten.