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Arts & Crafts > Fine Art Supplies > Canvas
The Primed Smooth cradled panels have a semi-absorbent acid-free ground that is excellent for painting in oils, acrylics, watermedia and also for drawing. Consisting of top quality 3mm MDF, these panels are coated with an acrylic gesso primer and fully supported with solid pine wood cradle support frames. This panel is completely primed on the surface and on the sides of the cradle—g reat if you want to wrap your images over the edge without the extra prep work. The Primed Smooth panel is ideal for all painting styles especially highly detailed paintings and drawings. Ampersand quality, affordably priced and ready to use. Available in a 3mm uncradled version made with Ampersand quality hardboard that is sealed with super smooth acid-free acrylic gesso. It’s perfectly suited for all painting mediums and for mounting papers, giclees and canvas. Use with standard framing or also frameless clips. Ampersand Artist Panel Smooth Primed • Fully primed on top and sides• Super smooth acrylic gesso finish • No fibre show-through on coating Many Fine Art and Craft Uses:• Accepts all artists’ paints including oils, acrylics and watercolour• Ready to paint and draw on• Great for fluid lines and fine detail• Perfect for mounting canvas & giclees
The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar
The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar
Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.
The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar
Ampersand Museum Series Aquabord is an acid-free textured clay surface that absorbs watercolours like a fine paper. Colours retain their purity and vibrancy in a way that even the finest of watercolour papers can never match. When compared with watercolour paper, this multimedia panel simulates the absorbency and texture of a cold pressed surface, but allows colour to be lifted back to white easily while also leaving the richest, most vibrant colour possible. This workable surface provides natural looking highlights, fluid glazes, transparent subtle layers, and the ability to lift colour while the surface is wet or even after it is dry. Uniquely absorbent Aquabord is perfect for watercolours and gouache, but is also ideal for casein and acrylics. It will not tear, shrink or buckle even under heavy water application. Ampersand Aquabord is archival and eco-friendly. Seal finished watercolours or gouache with several light coats of spray varnish (or fixative), being careful to spray outdoors during warmer months or in a well ventilated and heated area during colder times of the year. Aquabord is available in a 3mm flat panel for standard framing behind glass and in a 22mm cradle profile for either frameless presentation or for use with floater frames. For best results, it’s a good idea to first “flush out” the surface of the panel with water using a large flat watercolour brush to release trapped air. Once the surface is slightly damp, it is ready to use. Rewetting may be needed as you work. Note that heavy water applications may release more air. Use a blow dryer to dry and also to dissipate air if needed.
Gesso panels made in Italy suitable for a wide variety of techniques thanks to the high absorbancy of the surface. They are handmade and finished with a smooth surface. The 7mm thick wooden base is poplar multi-ply which is stable and lightfast.
The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting. It is excellent for varied work, from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar
Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.
Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding. The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on. Specifications..The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only
Gallery Cotton Stretched Canvas is a very popular style with a clean deep edge. These stretchers give great support and strength with a perfect painting surface. The cotton canvas is attached only to the reverse of the stretched canvas, which gives an attractive clean edge suitable for exhibition in any gallery. The bars have a width of 28mm and depth of 43mm from the wall.
Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.
Crescent Professional Grade Cold Press (NOT) Illustration Boards have a textured surface designed primarily for pencil, pastel, ink, airbrush, washes, light collage and wet media.
The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar
These Simply Range canvases come pre-stretched and stapled at the back on to a stable, pine frame. The canvases are 280gsm triple-primed, giving a ready-to-use painting surface.
Gesso panels made in Italy suitable for a wide variety of techniques thanks to the high absorbancy of the surface. They are handmade and finished with a smooth surface. The 7mm thick wooden base is poplar multi-ply which is stable and lightfast.
The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar
Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.
Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.
Winsor & Newton Artists' Canvas Boards are excellent for work in the studio, and because they are light and portable, they are a particular favourite of plein air painters. They consist of a strip of medium grain, lightweight canvas which has been sized and universal primed for a balanced absorbency. The canvas is laminated onto a rigid and stable board.
Jackson's Wooden Panels are made of smooth, sanded light plywood, reinforced on the reverse to prevent warping. Sturdy yet lightweight, they are perfect for plein air painting projects and work in the studio.
Gesso panels made in Italy suitable for a wide variety of techniques thanks to the high absorbancy of the surface. They are handmade and finished with a smooth surface. The 7mm thick wooden base is poplar multi-ply which is stable and lightfast.
Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.
Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding. |
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