Canvas: 100% Linen Priming: Universal Primed Texture: Fine Grain Width: 210cm Weight: 523gsm Note: This is an entire 210cm x 10m roll.

Canvas: Cotton/Poly (mixed fibres) Priming: Universal Primed Texture: Medium/Fine Grain Height: 210cm Weight: 390gsm Note: Price is per metre, the length you order will be cut as a single piece from a 210cm wide roll, and packed carefully to protect the surface. Also available in 10m rolls.

Canvas: Cotton/Poly (mixed fibres) Priming: Universal Primed Texture: Medium/Fine Grain Height: 210cm Weight: 390gsm Note: This is an entire 210cm x 10m roll.

Canvas: 100% Linen Priming: Universal Primed Texture: Medium Grain Width: 210cm Weight: 475gsm Note: Price is per metre, the length you order will be cut as a single piece from a 210cm wide roll, and packed carefully to protect the surface. Also available in 10m rolls.

Canvas: 100% Linen Priming: Universal Primed Texture: Medium Grain Width: 210cm Weight: 475gsm Note: This is an entire 210cm x 10m roll.

Canvas: Cotton/Poly (mixed fibres) Priming: Universal Primed Texture: Medium Grain (dark reverse) Width: 210cm Weight: 398gsm Note: Price is per metre, the length you order will be cut as a single piece from a 210cm wide roll, and packed carefully to protect the surface. Also available in 10m rolls.

Canvas: Cotton/Poly (mixed fibres) Priming: Universal Primed Texture: Medium Grain (dark reverse) Width: 210cm Weight: 398gsm Note: This is an entire 210cm x 10m roll.

Belle Arti : 596 Fine Linen : 320gm : 2.1m Wide : Per Metre : Unprimed : Sent Folded

Please note that this product is sent folded. If you would like this sent unfolded, please contact customer services before placing your order.

Canvas: 100% Linen Priming: Clear Sized Texture: Extra-Fine Grain Width: 210cm Weight: 207gsm Note: Price is per metre, the length you order will be cut as a single piece from a 210cm wide roll, and packed carefully to protect the surface. Also available in 10m rolls. This surface is single-primed, oil painters will need to add a coat of matt medium (or similar).

Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.

Specifications.Texture: Medium cotton or 3 grades of linenCotton is medium grain universal primed, linen is available in extra fine grain oil primed or fine and medium grain in universal primed.Stretcher thickness: 18mm x 43mm for up to size 40x50cm size, 21 x 58 for the 40x60cm and largerWedges: HardwoodAssembly: Stapled on reverse only

Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.

Specifications.Texture: Medium cotton or 3 grades of linenCotton is medium grain universal primed, linen is available in extra fine grain oil primed or fine and medium grain in universal primed.Stretcher thickness: 18mm x 43mm for up to size 40x50cm size, 21 x 58 for the 40x60cm and largerWedges: HardwoodAssembly: Stapled on reverse only

Belle Arti : 549 Extra Fine Linen : 198gm : 2.1m Wide : Per Metre : Unprimed : Sent Folded

Belle Arti : 549 Extra Fine Linen : 198gm : 2.1m Wide : 10m : Unprimed

Ampersand Museum Series Aquabord is an acid-free textured clay surface that absorbs watercolours like a fine paper. Colours retain their purity and vibrancy in a way that even the finest of watercolour papers can never match. When compared with watercolour paper, this multimedia panel simulates the absorbency and texture of a cold pressed surface, but allows colour to be lifted back to white easily while also leaving the richest, most vibrant colour possible. This workable surface provides natural looking highlights, fluid glazes, transparent subtle layers, and the ability to lift colour while the surface is wet or even after it is dry. Uniquely absorbent Aquabord is perfect for watercolours and gouache, but is also ideal for casein and acrylics. It will not tear, shrink or buckle even under heavy water application. Ampersand Aquabord is archival and eco-friendly. Seal finished watercolours or gouache with several light coats of spray varnish (or fixative), being careful to spray outdoors during warmer months or in a well ventilated and heated area during colder times of the year. Aquabord is available in a 3mm flat panel for standard framing behind glass and in a 22mm cradle profile for either frameless presentation or for use with floater frames. For best results, it’s a good idea to first “flush out” the surface of the panel with water using a large flat watercolour brush to release trapped air. Once the surface is slightly damp, it is ready to use. Rewetting may be needed as you work. Note that heavy water applications may release more air. Use a blow dryer to dry and also to dissipate air if needed.

Ampersand Museum Series Aquabord is an acid-free textured clay surface that absorbs watercolours like a fine paper. Colours retain their purity and vibrancy in a way that even the finest of watercolour papers can never match. When compared with watercolour paper, this multimedia panel simulates the absorbency and texture of a cold pressed surface, but allows colour to be lifted back to white easily while also leaving the richest, most vibrant colour possible. This workable surface provides natural looking highlights, fluid glazes, transparent subtle layers, and the ability to lift colour while the surface is wet or even after it is dry. Uniquely absorbent Aquabord is perfect for watercolours and gouache, but is also ideal for casein and acrylics. It will not tear, shrink or buckle even under heavy water application. Ampersand Aquabord is archival and eco-friendly. Seal finished watercolours or gouache with several light coats of spray varnish (or fixative), being careful to spray outdoors during warmer months or in a well ventilated and heated area during colder times of the year. Aquabord is available in a 3mm flat panel for standard framing behind glass and in a 22mm cradle profile for either frameless presentation or for use with floater frames. For best results, it’s a good idea to first “flush out” the surface of the panel with water using a large flat watercolour brush to release trapped air. Once the surface is slightly damp, it is ready to use. Rewetting may be needed as you work. Note that heavy water applications may release more air. Use a blow dryer to dry and also to dissipate air if needed.

Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.Texture: Medium cotton or 3 grades of linenCotton is medium grain universal primed, linen is available in extra fine grain oil primed or fine and medium grain in universal primed.Stretcher thickness: 18mm x 43mm Wedges: HardwoodAssembly: Stapled on reverse only

Professional Stretched Canvas from Belle Arti Linen (36/648) Universal Clear Primed Medium Grain Texture 18X24

The clear priming is just a single layer. This is fine for acrylic colour but is not a sufficient barrier to prevent oil colour penetration. If you wish to paint in oils on these canvases you will probably want to apply an additional layer or two of clear primer. Golden Matte Medium works well and a thin layer should be dry enough to paint on by the next day. The matting solids provide an adequate "tooth" for additional paint layers. In thin applications matte medium appears quite translucent, while darkening the canvas to a small degree, similar to a “wet look”.

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on.

Specifications.The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on.

Specifications.The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

Professional Stretched Canvas from Belle Arti Linen (36/648) Universal Clear Primed Medium Grain Texture 35X45

The clear priming is just a single layer. This is fine for acrylic colour but is not a sufficient barrier to prevent oil colour penetration. If you wish to paint in oils on these canvases you will probably want to apply an additional layer or two of clear primer. Golden Matte Medium works well and a thin layer should be dry enough to paint on by the next day. The matting solids provide an adequate "tooth" for additional paint layers. In thin applications matte medium appears quite translucent, while darkening the canvas to a small degree, similar to a “wet look”.

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding. The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on. Specifications..The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on.

Specifications:
The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.
Wedges: Hardwood
Assembly: Stapled on reverse only