These high quality Italian made canvas panels are more solid than regular art panels, they are made from 3.2mm thick MDF board with fine grain 100% cotton canvas glued to the front surface. The canvas has a sheared edge, and is universal primed making it suitable for oils, acrylics, mixed media etc.

These high quality Italian made canvas panels are more solid than regular art panels, they are made from 3.2mm thick MDF board with fine grain 100% cotton canvas glued to the front surface. The canvas has a sheared edge, and is universal primed making it suitable for oils, acrylics, mixed media etc.

These high quality Italian made canvas panels are more solid than regular art panels, they are made from 3.2mm thick MDF board with fine grain 100% cotton canvas glued to the front surface. The canvas has a sheared edge, and is universal primed making it suitable for oils, acrylics, mixed media etc.

Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.

Specifications.Texture: Medium cotton or 3 grades of linenCotton is medium grain universal primed, linen is available in extra fine grain oil primed or fine and medium grain in universal primed.Stretcher thickness: 18mm x 43mm for up to size 40x50cm size, 21 x 58 for the 40x60cm and largerWedges: HardwoodAssembly: Stapled on reverse only

Italian-made, a fantastic range of traditional stretched linen and cotton canvases. Using the finest linen thread from France, the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The linen stretched canvases are ready to use and available in three variations; Oil Primed Extra Fine suitable for Oil painters requiring a smooth surface, Universal Primed Fine Grain suitable for all mediums and Universal Primed Medium grain ideal for the painter who wishes for a more pronounced texture to work on.

Specifications.The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.Wedges: HardwoodAssembly: Stapled on reverse only

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

Gesso panels made in Italy suitable for a wide variety of techniques thanks to the high absorbancy of the surface. They are handmade and finished with a smooth surface. The 7mm thick wooden base is poplar multi-ply which is stable and lightfast.

Made with acrylic gesso these ultra-smooth boards are very absorbent and you may wish to use extra oil in your oil paint. But, they may not be absorbent enough for use with egg tempera which usually needs genuine gesso (homemade with rabbit skin glue and whiting). If the surface isn't absorbent enough the egg tempera paint may lift off the first layer when you apply a second glaze.

10% discount on boxes of ten.

The Unprimed Basswood panel is handcrafted using a non-flexible basswood top, sanded perfectly smooth and ready to seal and prime with the ground of your choice. Compared with other wood panels on the market, the Unprimed Basswood is sanded perfectly smooth and lacks plywood seams, knots or raised fibres providing the cleaner, more professional look artists’ want. The support frames are made with quality solid pine strips that can be finished with paint or stain. Unprimed Basswood is great for encaustic, mixed media, collage and wood engraving. All wood should be sealed and primed. Available in two standard cradled profiles, 22mm and 38mm, both are simple to hang or frame. Ultra-stable, these wood panels will not give, bend or flex and like all Ampersand’s panels, they are made with quality materials that have been tested not only for durability, but also for performance with artists’ paints. Ampersand uses true high density hardboard made from US-grown renewable and FSC Certified Aspen wood fibers. Ampersand brand Hardbord is made without formaldehyde or harmful VOC’s (volatile organic compounds) unlike other hardboards and MDF boards. Both their domestic and imported panels are made from FSC certified forest products that promote sustainable forests. Artist Panel Unprimed Basswood Panel• Ultra-stable premium Basswood top• Sanded perfectly smooth• Free of knots, seams and excess wood grain• Supported with solid pinewood cradles Many Fine Art and Craft Uses:• Accepts all types of painting grounds• Great for encaustic, mixed media, collage and wood engraving• Perfect for mounting canvas & giclees

Italian-made, a fantastic range of traditional stretched linen and cotton canvas. Using the finest linen thread from France the woven linen is then primed and stretched to the highest of standards. All the linen and cotton canvases are stretched to the reverse giving a clean edge suitable for displaying without a frame. Only renewable wood (red fir) dried to the right degree of humidity, is employed to assure the best stability of stretcher. A special design of joint and stretcher bar assures resistance to torsion and the perfect control of the stretcher's tension. The care that has gone into the production of these canvases is outstanding.

The depth is 18mm for the smaller sizes - 18x24cm to 40x50cm and 21mm for the larger sizes - 40x60cm to 60x70cm.

Specifications.Texture: Medium cotton or 3 grades of linenCotton is medium grain universal primed, linen is available in extra fine grain oil primed or fine and medium grain in universal primed.Stretcher thickness: 18mm x 43mm for up to size 40x50cm size, 21 x 58 for the 40x60cm and largerWedges: HardwoodAssembly: Stapled on reverse only

The 115gsm (4oz) traditional medium texture weave cotton used on these Premium Cotton Canvas Boards is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to 240gsm (7oz) to protect the natural fibres of the cotton. Each board is 4mm thick and extremely rigid, with the canvas wrapped around the edges and glued to compressed cardboard. - This is a single Premium Cotton Canvas Art Board, 4mm, 10x12in (25x30cm) in size

With over 100 years of experience in crafting the finest quality artist canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and production process in order to meet different requirements for artists.First, all raw canvases are sized with a synthetic PVA glue. For universal primed canvases, the next step involves applying a coat of acrylic-bound titanium white paint to the canvas by means of a knife. As the primer and coating are water-based, these universal primed canvases are dried in a hot-air oven, where the water can evaporate more quickly.Universal primed Claessens canvases are suitable for both oil paint and acrylic paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click here

With over 100 years of experience in crafting the finest quality artist canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and production process in order to meet different requirements for artists.First, all raw canvases are sized with a synthetic PVA glue. For universal primed canvases, the next step involves applying a coat of acrylic-bound titanium white paint to the canvas by means of a knife. As the primer and coating are water-based, these universal primed canvases are dried in a hot-air oven, where the water can evaporate more quickly.Universal primed Claessens canvases are suitable for both oil paint and acrylic paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click here

With over 100 years of experience in crafting the finest quality artist canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and production process in order to meet different requirements for artists.First, all raw canvases are sized with a synthetic PVA glue. For universal primed canvases, the next step involves applying a coat of acrylic-bound titanium white paint to the canvas by means of a knife. As the primer and coating are water-based, these universal primed canvases are dried in a hot-air oven, where the water can evaporate more quickly.Universal primed Claessens canvases are suitable for both oil paint and acrylic paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click here

With over 100 years of experience in crafting the finest artist quality canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and process to meet different requirements for artists.First, all raw canvases are sized with a synthetic PVA glue. For oil primed canvases, the next step involves applying a primer of zinc white paint bound with linseed oil to the glued linen, by means of two knives. The canvas is then put into a drying room for three days where it air-dries naturally.After this first initial drying time, the canvas is then sanded and a coating layer based on titanium white is applied to the canvas by means of two knives and a roller. The canvas is then placed in the drying room for another ten days.Claessens' Oil Primed Canvases are suitable for oil paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click herePlease note: the oil prepared cloths are finished with 2 layers of oil paint based on linseed oil. Linseed oil tends to turn yellow in the dark: for example on the roll or when another object is placed against it. However, if you put it back in the light, any discolouration will disappear. This is a known and normal phenomenon. This does not prevent painting on the canvas, it only has an optical effect.

With over 100 years of experience in crafting the finest artist quality canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and process to meet different requirements for artists.First, all raw canvases are sized with a synthetic PVA glue. For oil primed canvases, the next step involves applying a primer of zinc white paint bound with linseed oil to the glued linen, by means of two knives. The canvas is then put into a drying room for three days where it air-dries naturally.After this first initial drying time, the canvas is then sanded and a coating layer based on titanium white is applied to the canvas by means of two knives and a roller. The canvas is then placed in the drying room for another ten days.Claessens' Oil Primed Canvases are suitable for oil paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click herePlease note: the oil prepared cloths are finished with 2 layers of oil paint based on linseed oil. Linseed oil tends to turn yellow in the dark: for example on the roll or when another object is placed against it. However, if you put it back in the light, any discolouration will disappear. This is a known and normal phenomenon. This does not prevent painting on the canvas, it only has an optical effect.

With over 100 years of experience in crafting the finest quality artist canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and production process in order to meet different requirements for artists.First, all raw canvases are sized with a synthetic PVA glue. For universal primed canvases, the next step involves applying a coat of acrylic-bound titanium white paint to the canvas by means of a knife. As the primer and coating are water-based, these universal primed canvases are dried in a hot-air oven, where the water can evaporate more quickly.Universal primed Claessens canvases are suitable for both oil paint and acrylic paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click here

With over 100 years of experience in crafting the finest quality artist canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and production process in order to meet different requirements for artists.First, all raw canvases are sized with a synthetic PVA glue. For universal primed canvases, the next step involves applying a coat of acrylic-bound titanium white paint to the canvas by means of a knife. As the primer and coating are water-based, these universal primed canvases are dried in a hot-air oven, where the water can evaporate more quickly.Universal primed Claessens canvases are suitable for both oil paint and acrylic paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click here

With over 100 years of experience in crafting the finest quality artist canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and process to meet different artists' requirements.First, all raw canvases are sized with a synthetic PVA glue. For universal primed canvases, the next step involves applying a coat of acrylic-bound titanium white paint to the canvas by means of a knife. As the primer and coating are water-based, these universal primed canvases are dried in a hot-air oven, where the water can evaporate more quickly.Universal primed Claessens canvases are suitable for both oil paint and acrylic paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click here

With over 100 years of experience in crafting the finest quality artist canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and process to meet different artists' requirements.First, all raw canvases are sized with a synthetic PVA glue. For universal primed canvases, the next step involves applying a coat of acrylic-bound titanium white paint to the canvas by means of a knife. As the primer and coating are water-based, these universal primed canvases are dried in a hot-air oven, where the water can evaporate more quickly.Universal primed Claessens canvases are suitable for both oil paint and acrylic paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click here

With over 100 years of experience in crafting the finest artist quality canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and process to meet different requirements for artists.First, all raw canvases are sized with a synthetic PVA glue. For oil primed canvases, the next step involves applying a primer of zinc white paint bound with linseed oil to the glued linen, by means of two knives. The canvas is then put into a drying room for three days where it air-dries naturally.After this first initial drying time, the canvas is then sanded and a coating layer based on titanium white is applied to the canvas by means of two knives and a roller. The canvas is then placed in the drying room for another ten days.Claessens' Oil Primed Canvases are suitable for oil paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click herePlease note: the properties of the weave on this particular canvas means that the priming may have tiny pinholes on its surface, but they don't cause any issues when painting on the canvas.

With over 100 years of experience in crafting the finest quality artist canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and process to meet different requirements for artists.First, all raw canvases are sized with a synthetic PVA glue. For oil primed canvases, the next step involves applying a primer of zinc white paint bound with linseed oil to the glued linen, by means of two knives. The canvas is then put into a drying room for three days where it air-dries naturally.After this first initial drying time, the canvas is then sanded and a coating layer based on titanium white is applied to the canvas by means of two knives and a roller. The canvas is then placed in the drying room for another ten days.Claessens' Oil Primed Canvases are suitable for oil paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click herePlease note: the properties of the weave on this particular canvas means that the priming may have tiny pinholes on its surface, but they don't cause any issues when painting on the canvas.