Crosville is the story of the Crosville Motor Company and the Leyland Tiger buses they operated during the post-world war II period. As with many other operators nationwide, Crosville Motor Services based in Chester faced difficulties in re-establishing both stage carriage and private hire bus and coach services in the early years following the second world war. The need to support a weakened economy by exporting goods meant the supply of new vehicles was limited while existing fleets had suffered through the war years because of a lack of spares, skilled personnel to fit them, and general maintenance. At the same time, the general public needed to see not only local but long-distance travel re-established. The latter, in terms of holiday travel, was particularly important to Crosville, who in pre-war times had built up a network of services in the Merseyside and North Wales areas, with a special need to provide transport along the North Wales coast. The many resorts there were now beginning to re-establish their status as holiday centers required holidaymakers to be transported to them. In order to fulfil that need Crosville took delivery in 1949/50 of 35 single deck buses, classed as dual-purpose (bus/coach) vehicles. Government intervention had redirected these 35 Leyland Tiger PS1/1 vehicles (originally ordered by Midland General) to Crosville to assist with their vehicle shortage. They were Leyland's first post-war design, but because of nationalisation which occurred in the transport industry at the time of their delivery they would eventually become non-standard in the Crosville fleet. Crosville shows how political decisions enforced changes to the organisation of public transport and vehicle design and the book will appeal to anyone interested in vintage motor vehicles and the history of transport in the United Kingdom.

Originally published in London 1896. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. A thorough knowledge of the art of repairing, mending, or restoring various objects and antiques is of very great value, since there is no antique business or household in which it is not often called for.Contents Include: Materials used in mending. Mending broken China, Porcelain, Crockery, Majolica, Terra Cotta, Brick and Tile Work. Mending Glass. Wood Shavings in mending and making many objects. Repairing Woodwork. Repairing and restoring Books, Manuscripts, and Papers. Papier-Mache. Repairing Toys. Mending Stone-Work, Mosaics, Ceresa Work, Porcelain or Crockery Mosaic. Repairing Ivory. Repairing Amber. Mending India Rubber Shoes and Making Garments waterproof. Mending Metal-Work. Repairing Leather Work. Mending Hats etc by Felting. Invisible Mending of Garments, Lace and Embroideries. Mending Mother of Pearl and Coral. Restoring and Repairing Pictures. General Recipes.

Learn how to create a home you'll love with this illustrated full-colour practical guide from the Sunday Times bestselling author and star of the hit primetime show The Repair Shop, Jay Blades. Even if you've never put up a shelf, repainted a room or fixed a dripping tap, you'll soon have the confidence and skills to tackle these DIY jobs and many more with Jay's help! With tales of his own do-it-yourself escapades and plenty of inspiration from his favourite home fixes, this accessible and entertaining guide will give you all the knowledge you need to choose the right wall plugs, revamp those old dining chairs and give your bathroom a whole new lease of life without breaking the bank. DIY with Jay is a room-by-room guide to doing it yourself: from laying new kitchen flooring and building your own BBQ to making new sofa covers and choosing the right bedroom vibe for the best night's sleep. Based on his own many years of experience as a furniture restorer, this manual provides tips and problem solvers for anyone hoping to embark on a new DIY journey. With tools, terms and expert advice, you'll be able to give new life to your home for years to come.

Tapestry Conservation: Principles and Practice explores current practice and recent research in tapestry conservation, promoting awareness of recent developments among conservators and custodians of tapestries. The book facilitates more informed conservation practice and decision-making, and helps custodians to select the most appropriate method of intervention.

'The Organic Chemistry of Museum Objects' makes available in a single volume, a survey of the chemical composition, properties and analysis of the whole range of organic materials incorporated into objects and artworks found in museum collections. The authors cover the fundamental chemistry of the bulk materials such as wood, paper, natural fibres and skin products, as well as that of the relatively minor components incorporated as paint, media, varnishes, adhesives and dyes. This expanded second edition, now in paperback, follows the structure of the first, though it has been extensively updated. In addition to chapters on basic organic chemistry, analytical methods, analytical findings and fundamental aspects of deterioration, the subject matter is grouped as far as possible by broad chemical class - oils and fats, waxes, bitumens, carbohydrates, proteins, natural resins, dyestuffs and synthetic polymers. This is an essential purchase for all practising and student conservators, restorers, museum scientists, curators and organic chemists.

With the end of the Second World War, it was not long before increasing wealth, cheaper cars, and social pressures made a family car the aspiration of thousands. Ford, Hillman, Standard, Morris and Vauxhall became household names, and the streets of Britain's suburbs began to fill with modern-looking saloon cars, designed to transport mother, father and 2.4 children with ease, if not speed.
This illustrated book looks at the British cars that were available to the post-war family, and also some of the foreign makes that had an important place in the market, and which had a great influence on the British-made cars that followed.

The repair of clocks calls for a variety of skills and crafts, few of which can be 'picked up' by bench work alone. In the horological trade, it is technical practice that the 'prentice hand' is first tried out on clocks, before attempting repair work on watches. Clocks have the advantage of possessing sizeable and robust parts and of being easier to handle. But there the advantage for the repairer ends. The sizes, shapes, complications and even the nationalities of clocks appear to be without end. Every movement has detail difference and, naturally, the defects when due for repair, are as varied. In this book, the author has dealt with the usual faults likely to develop in each type of movement in general use; from the lordly grandfather to the humble alarm. All the tools and equipment are described and illustrated, together with the ways of using them. The craftsman's most important and valuable tools of all - his skilful fingers - are shown in use in the clearest manner. As is usual in N.A.G. Press textbooks, the drawings have been specially made from parts under working conditions. A glance through the book will show their usefulness and clarity. Over 400 line drawings are used throughout and the reader is left in no doubt of what he is asked to do in following the author's clearly written technical and practical instructions.

During the past decade a number of individual museums have found imaginative ways of using their collections and of making them accessible. However, museum collections as a whole are enormous in size and quantity and the question of how can they can be put to best use is ever present. When conventional exhibitions can only ever utilise a tiny proportion of them, what other uses of the collections are possible? Will their exploitation and use now destroy their value for future generations? Should they simply be kept safely and as economically as possible as a resource for the future? Fragments of the World examines these questions, first reviewing the history of collecting and of collections, then discussing the ways in which the collections themselves are being used today. Case studies of leading examples from around the world illustrate the discussion. Bringing together the thinking about museum collections with case studies of the ways in which different types of collection are used, the book provides a roadmap for museums to make better use of this wonderful resource.

An attractive introduction to collecting paper money - a major hobby which has seen an increasing popularity in the last decade. It embraces art and can form a miniature art gallery involving the best engravers in the world and famous artists. For those who like research the field is wide open and new discoveries are being made all the time. Paper money is the history of the world, issued as war-time emergencies, often hand signed by famous men like General Gordon of Khartoum and printed by men who made history, like Benjamin Franklin. From its beginnings in China, hidden in the mists of time, the mulberry bark flying money which avoided transporting heavy cash coins, established paper money through the world. Wars sieges, inflation, forgeries were the breeding ground for paper money, and often help to prove historical events. There are very expensive notes - over a million has been paid for a note, but there are thousands of attractive notes from all over the world at 1-2 pounds or even less. This book sets out to introduce the new collector to the fascinating areas of the hobby.

The legendary Airstream travel trailer, with its unmistakable shiny aluminum airplane fuselage design, has been the world's most recognized RV for over 80 years-also making Airstream the oldest and longest operating producer of RVs. This book is the first-ever to tell the remarkable Airstream success story through the unique medium of collectibles and memorabilia. The book contains some 370 pictures (both color and black-and-white) of more than 425 separate pieces of Airstream memorabilia from the authors' collection, including an amazing group of 285 postcards. Many items shown are quite scarce, and some are truly rare. The book begins with a foreword by Rich Luhr, the Editor and Publisher of Airstream Life magazine. Topics covered include Airstream history, advertising, rallies, international connections, look-a-likes, art, and humor. The unique approach taken here makes this book both an invaluable stand alone resource for information and a source of good old-fashioned entertainment. This book is also a price guide that provides an estimated value for every piece of memorabilia displayed.

X-radiography of textile objects reveals hidden features as well as unexpected components and materials. This non-destructive technique throws light on construction, manufacturing techniques, use, wear, repair, patterns of decay and dating. X-radiography improves artefact documentation and interpretation as well as guiding conservation approaches by enhancing understanding. This book explores techniques for X-raying textiles. It describes approaches to image interpretation and explains how, through digitisation and digital image manipulation, maximum information can be realised. Case studies include archaeological, ecclesiastical and ethnographic textiles, items of dress and accessories, upholstery, quilts, embroideries, dolls and toys. Museum professionals will find this stimulating book an essential guide for developing their own practice or commissioning textile X-radiographs.

This new edition of Architectural Tiles: Conservation and Restoration continues to inform and educate on appropriate means towards the preservation of this valuable heritage. It not only contains new and up to date information on materials, practical methods, and historical research but also reflects changes in the attitudes, outlook and perceptions within the wider conservation, architectural heritage and construction communities which give a new dimension to the conservation and restoration techniques described in the previous edition. The growing interest in the preservation of post war ceramic tile murals and the subsequent demand for information pertaining specifically to this era is a welcome and useful addition. The new overview of common problems will be helpful in domestic and ecclesiastical situations and will appeal to independent tilers who are in need of information to deal with problems out of the normal run of their work but which are now more commonly being dealt with outside of conservation practice circles. The book has always been and remains an accessible resource to anyone who is interested either professionally or as an enthusiast in the preservation of historic architectural tiles.

Tapestry Conservation: Principles and Practice explores current practice and recent research in tapestry conservation, promoting awareness of recent developments among conservators and custodians of tapestries. The book facilitates more informed conservation practice and decision-making, and helps custodians to select the most appropriate method of intervention.

Gold leaf gilder and restoration artist Ellen Becker brings her years of experience to the table, sharing the long-guarded recipes of this ancient craft along with illustrated, step-by-step instructions for various gold leafing and restoration techniques. This book tells you everything you need to get started and where to find it, it illustrates various techniques for restoring antique frames, and it takes budding craftsmen through a series of projects, starting with simple Dutch metal application through the fine art of water gilding. The artist also shares one of her favorite projects: a gilded box. More than 300 photos provide visual instruction, making this the most comprehensive instructional book for gold leafing on the market today.

During the past decade a number of individual museums have found imaginative ways of using their collections and of making them accessible. However, museum collections as a whole are enormous in size and quantity and the question of how can they can be put to best use is ever present. When conventional exhibitions can only ever utilise a tiny proportion of them, what other uses of the collections are possible? Will their exploitation and use now destroy their value for future generations? Should they simply be kept safely and as economically as possible as a resource for the future?
Fragments of the World examines these questions, first reviewing the history of collecting and of collections, then discussing the ways in which the collections themselves are being used today. Case studies of leading examples from around the world illustrate the discussion. Bringing together the thinking about museum collections with case studies of the ways in which different types of collection are used, the book provides a roadmap for museums to make better use of this wonderful resource.
* Brings together the diverse aspects of this topical subject in one place
* Accessible, readable text in the authors trademark style
* International case studies to illustrate the theory

The Conservation and Restoration of Ceramics brings together the wide range of current information relevant to the practising conservator. The book opens with a discussion of the fundamental nature of the ceramic medium, information which is of primary importance when selecting treatments or considering preventive conservation measures. Details on techniques are given in a series of chapters covering the restoration and conservation processes, but the emphasis is on the basic principles involved in the choice of materials and methods. The nature and properties of materials commonly in use are fully discussed and guidance is given on the facilities and equipment needed. Also covered in the book are old restoration materials and methods, the ethics of ceramics conservation, examination and recording, display treatments and emergency procedures. Now in paperback, this book will be invaluable to practising conservators and readers of conservation as well as of interest to museum curators and collectors.