This book investigates the 'series' in children's literature. The works of several well-known children's authors - UK and the US, traditional and contemporary - are analyzed, and using these examples, the book explores the special nature and appeal of series writing for children. As well as providing an historical overview of the series, the author raises important questions about the nature of literary criticism applied to children's literature.

This book investigates the 'series' in children's literature. The works of several well-known children's authors - UK and the US, traditional and contemporary - are analyzed, and using these examples, the book explores the special nature and appeal of series writing for children. As well as providing an historical overview of the series, the author raises important questions about the nature of literary criticism applied to children's literature.

In this, the first modern study of the ancient fairytale, Graham Anderson asks whether the familiar children's fairytale of today existed in the ancient world. He examines texts from the classical period and finds many stories which resemble those we know today, including:
* a Jewish Egyptian Cinderella
* a Snow White whose enemy is the goddess Artemis
* a Pied Piper at Troy.
He puts forward many previously unsuspected candidates as classical variants of the modern fairytale and argues that the degree of violence and cruelty in the ancient tales means they must have been meant for adults.

In this, the first modern study of the ancient fairytale, Graham Anderson asks whether the familiar children's fairytale of today existed in the ancient world. He examines texts from the classical period and finds many stories which resemble those we know today, including:
* a Jewish Egyptian Cinderella
* a Snow White whose enemy is the goddess Artemis
* a Pied Piper at Troy.
He puts forward many previously unsuspected candidates as classical variants of the modern fairytale and argues that the degree of violence and cruelty in the ancient tales means they must have been meant for adults.

A collection of Japanese children's literature in translation spans three decades with contributions by major authors as well as familiar lullabies.

Every child is entranced by the magic of story, regardless of national boundaries. Many of the most memorable childhood stories have their origins in other countries. Exposing children to this multi-national body of literature introduces them to the great diversity of people and cultures that populate the world at a young age, enabling them to become more thoughtful and generous individuals. Children's Books from Other Countries is a complete and current guide to international children's literature. The concept of a bibliography of international children's literature is not new. In the past, many books have accomplished this task. The last two decades, however, have not yet produced a current reference source devoted to international children's books. Children's Books from Other Countries wonderfully rectifies this lack of attention. An introductory essay provides an overview of the field including a discussion on the rationale of sharing international books with children, a brief history of the children's literature movement, related books and awards, and basic information about the International Board on Books for Young People (IBBY) and its American branch, the United States Board on Books for Young People (USBBY). An annotated bibliography contains over 700 titles from 29 different countries printed between 1950 and 1996. All titles are available in English; many have been translated and others have originated in other English-speaking countries. The titles are organized by genre and have been selected for their high quality. They are primarily targeted for children ages 0-14, although a few outstanding young adult titles are included. Winners of the Mildred Batchelder Award and the Hans Christian Andersen Medal are listed in the appendix. Indexes include Author-Title Index, Country of Origin Index, and Subject Index. Affordable and readable, this timely resource is certainly a "must" for librarians and teachers, and other professionals working with children. Sponsored by the United State

Title no. 83 in the series Studies in Jungian Psychology by Jungian Analysts. Unique insights into cat symbolism and individual psychology. Edited transcript of lectures presented at the C.G. Jung Institute in Zurich. THE CAT is a Romanian fairy tale of some complexity and great charm. It is the story of a princess who, at the age of 17, is bewitched and turned into a cat. Along with those in her palace, she is cursed until an emperor's son from another kingdom, searching for fine linen, finds her and accomplishes the necessary task to free the princess and her people from the curse. With erudition and earthy humor, Dr. von Franz deftly dissects the disparate archetypal themes involved in this tale, relating the themes to both individual and collective psychology.

This book bridges the fields of Children's Literature and Italian Studies by examining how turn-of-the-century children's books forged a unified national identity for the new Italian State. Through contextualized close readings of a wide range of texts, Truglio shows how the 19th-century concept of recapitulation, which held that ontogeny (the individual's development) repeats phylogeny (the evolution of the species), underlies the strategies of this corpus. Italian fairy tales, novels, poems, and short stories imply that the personal development of the child corresponds to and hence naturalizes the modernizing development of the nation. In the context of Italy's uneven and ambivalent modernization, these narrative trajectories are enabled by a developmental melancholia. Using a psychoanalytic lens, and in dialogue with recent Anglophone Children's Literature criticism, this study proposes that national identity was constructed via a process of renouncing and incorporating paternal and maternal figures, rendered as compulsory steps into maturity and modernity. With chapters on the heroic figure of Garibaldi, the Orientalized depiction of the South, and the role of girls in formation narratives, this book discloses how melancholic itineraries produced gendered national subjects. This study engages both well-known Italian texts, such as Collodi's The Adventures of Pinocchio and De Amicis' Heart, and books that have fallen into obscurity by authors such as Baccini, Treves, Gianelli, and Nuccio. Its approach and corpus shed light on questions being examined by Italianists, Children's Literature scholars, and social and cultural historians with an interest in national identity formation.

A history of children's literature in China, set in the framework of China's revolution and modernization. Lu Xun and his brother Zhou Zhuren were the founding fathers of the idea of the political importance of children and how that connected with literature tailored for them in the 20s and 30s.

This book correlates English-speaking children's brain development and acquisition of language with the linguistic input that comes from children's books. Drawing from the most current research on the developing brain, the author demonstrates how language acquisition is exclusively interactive, and highlights the benefit that accrues when that interaction includes the exploratory language play found in early childhood literature. Through discussions of specific domains of grammar, the relation of these domains to children's literature through scaffolding, and the resultant linguistic and cognitive advantages for the child, this volume offers an innovative approach to early brain maturation.

Voices of the Other offers a variety of approaches to children's literature that includes discussions of cultural appropriation, race theory, pedagogy as a colonialist activity, and multiculturalism. The 18 essays divide into three sections: Theory, Colonialism, and Postcolonialism. Section 1 sets the theoretical framework for postcolonial studies, while section 2 presents discussions of the colonialist mind-set in children's and young adult's texts from 1900 onward. Here, works by writers of animal stories in Canada, The US, and Britain, works of early Australian colonialist literature, and Burnett's A little Princess are scrutinized through postmodern readings. Section 3 deals directly with contemporary texts for children that manifest both a postcolonial and a neocolonial content, and features studies of children's literature from Canada, Australia, Africa, The Caribbean, and The United States.

In this new monograph, author Debra Dudek defines a new era of vampire texts in which vampires have moved from their iconic dark, feared, often seductive figure lingering in alleys, to the beloved and morally sensitive vampire winning the affections of teen protagonists throughout pop culture. Dudek takes a close look at three hugely-popular vampire series for young adults, drawing parallels between the TV series Buffy the Vampire Slayer, the Twilight Saga novels/films, and The Vampire Diaries TV series/book series. By defining a new era of vampire texts and situating these three series within this transition, The Beloved Does Not Bite signals their significance and lays the groundwork for future scholarship on the flourishing genre of paranormal romances for young adults.

This text features a collection of interviews with some contemporary children's writers. Authors such as Neil Ardley, Ian Beck, Helen Cresswell, Gillian Cross, Terry Deary, Berlie Doherty, Brian Moses, Alan Durant, Philip Pullman, Celia Rees, Norman Silver, Jacqueline Wilson and Benjamin Zephaniah talk about the joys and challenges, rewards and demands of the craft, creativity and process of writing for children. By discussing issues such as how the authors approach their writing on a daily basis, how they view the writing process, and how they perceive their visits to schools, this book will enable teachers to gain new ideas on ways to work with these authors' writings in relation to the literacy hour.; After a general introduction, each monologue is divided into individual sections, in which the writer talks about: their reading habits as children and adults; how they came to be published; how they approach their writing on a daily basis; how they view the writing process; the evolution of their titles - either books or poems; how they perceive their visits to schools, and finally, in a "specialist subject" section, the authors explore an issue of interest related to their work.

Series Information:
Children's Literature and Culture

This book offers a comprehensive analysis of character focalization in ten contemporary realistic children's novels. The author argues that character focalization, defined as the location of fictional world perception in the mind of a character, is a prominent textual structure in these novels. He demonstrates how significant meanings are conveyed in a variety of forms related to characters' personal and interpersonal experiences. Through close analysis of each text, moreover, he exposes distinctive perceptual, psychological, and social-psychological patterns in the opening chapters of each novel, which are thereafter developed by the principles of continuation, augmentation, and reconfiguration. This book will appeal to scholars, teachers, and students in the fields of narrative studies, stylistics, children's literature scholarship, linguistics, and education.

Using examples of The Tale of Peter Rabbit by Beatrix Potter to explore the impact of new media and technologies on how children learn about stories and reading, this book investigates nearly 100 re-tellings in a variety of media, some authorized by Potter's publisher Frederick Warne, some unauthorized. It looks at the implications of converging developments in children's literature:
*new media and technologies now readily available to children leading to new conventions and protocols of storytelling
*changing commercial pressures on publishers and an emphasis on producing commodities associated with books and videos
*saturation marketing which targets children and adults in different ways
*and a cultural emphasis on the fragmentation, adaptation, and re-working of texts.
The Tale of Peter Rabbit is now available as picture book, chapter book, board and bath book, pop-up, video (in versions that adhere to the original story and versions that deviate radically to include "new adventures" or Christan messages), ballet, CD-Rom, computer disc, audio tape and filmstrip.
The character of Peter Rabbit may be purchased as toy, clothing, dish, ornament, wallpaper, food, paper doll, and much else. His story and that of his author, Beatrix Potter, reappear in fragmented form in other books for children, in a murder mystery for adults and in a graphic novel for teenagers. This book raises questions about the impact of these developments on young readers.

eBook available with sample pages: HB:0815330944

Talking Books sets out to show how some of the leading children's authors of the day respond to these and other similar questions. The authors featured are Neil Ardley, Ian Beck, Helen Cresswell, Gillian Cross, Terry Deary, Berlie Doherty, Alan Durant, Brian Moses, Philip Pullman, Celia Rees, Norman Silver, Jacqueline Wilson, and Benjamin Zephaniah.
They discuss with great enthusiasm:
*their childhood reading habits
*how they came to be published
*how they write on a daily basis
*how a particular book came together
*a type of writing that they are especially known for.
Through in-depth interviews, they each reveal their approach to their craft. Much is know and spoken of the product that is the children's book, but it is rare that writers are given the opportunity to talk at length about the process of writing for children. Talking Books redresses the balance by presenting a wide selection of authors (of fiction, non-fiction and poetry) reflecting upon the joys and challenges of the craft, creativity and process of writing for children.

Contents:
Introduction 1. Reading at different ages 2. Favourite books Endpiece: Roald Dahl and Enid Blyton 3. Periodical reading Endpiece: Teenage magazines 4. Boy's and Girls' reading Endpiece: gender, reading development and school 5. The influence of family background 6. Children's reading habits 7. Television, computer use and reading 8. Changes in children's reading habits over time Endpiece: questions of quality and children's reading development
Appendix 1 The questionnaire Appendix 2 Project procedures Appendix 3 Categories and coding Appendix 4 The interview schedule

In 1922, Mildred Pitts Walter was born in DeRidder, Louisiana, to a log cutter and a midwife/beautician. She became the first member of her family to go to college, graduating in 1940. Walter moved to California, where she worked as an elementary school teacher. After being encouraged by a Publisher to write books for and about African American children, Walter went on to become a pioneer of African American children's literature. Most notably, she wrote Justin and the Best Biscuits in the World, which bent preconceptions with tales of black cowboys and men doing "women's work." She was also a contributing book reviewer to the Los Angeles Times. In Something Inside So Strong: Life in Pursuit of Choice, Courage, and Change, Walter recollects major touchstones in her life. The autobiography, divided into three parts, "Choice," "Courage," and "Change," covers Walter's life beginning with her childhood in the 1920s and moving to the present day. In "Choice," Walter describes growing up in a deeply segregated Louisiana and includes memories of school, rural home life, World War II, and participating in neighborhood activities like hog killing and church revivals. "Courage" documents her adjustment to living away from family, her experiences teaching in Los Angeles and her extensive work with her husband for the Los Angeles chapter of the Congress of Racial Equality. The final section, "Change," shows how Walter's writing and activism merged, detailing her work as an education consultant and as an advocate for nonviolent resistance to racism. It also reveals how her world travels expanded her personal inquiry into Christianity and African spirituality. Something Inside So Strong is one woman's journey to self-discovery.

This book introduces the major works and debates in Chinese children's literature within the framework of China's revolution and modernization. It demonstrates that the guiding rationale in children's literature was the political importance of children as the nation's future.

Raising key questions about race, class, sexuality, age, material culture, intellectual history, pedagogy, and gender, this book explores the myriad relationships between feminist thinking and "Little Women".

This chronological guide to the developmental stages, and corresponding literary needs and preferences, of early childhood is hte unique result of combinging the expertise of educational professionals with that of a children's librarian. Each chapter describes a developmental stage of childhood and presents appropriate books for that reading level, providing expert guidance in today's crowded children's book market.

Using examples of The Tale of Peter Rabbit by Beatrix Potter to explore the impact of new media and technologies on how children learn about stories and reading, this book investigates nearly 100 re-tellings in a variety of media, some authorized by Potter's publisher Frederick Warne, some unauthorized. It looks at the implications of converging developments in children's literature:
*new media and technologies now readily available to children leading to new conventions and protocols of storytelling
*changing commercial pressures on publishers and an emphasis on producing commodities associated with books and videos
*saturation marketing which targets children and adults in different ways
*and a cultural emphasis on the fragmentation, adaptation, and re-working of texts.
The Tale of Peter Rabbit is now available as picture book, chapter book, board and bath book, pop-up, video (in versions that adhere to the original story and versions that deviate radically to include "new adventures" or Christan messages), ballet, CD-Rom, computer disc, audio tape and filmstrip.
The character of Peter Rabbit may be purchased as toy, clothing, dish, ornament, wallpaper, food, paper doll, and much else. His story and that of his author, Beatrix Potter, reappear in fragmented form in other books for children, in a murder mystery for adults and in a graphic novel for teenagers. This book raises questions about the impact of these developments on young readers.

eBook available with sample pages: 0203305213

First published in 1992, this book will be an invaluable help to librarians, teachers and parents looking for quality information books for children. Four Hundred and Seventy titles have been selected by an experienced team of reviewers for young people between the ages 3 and 16. Written by teachers and librarians, each review includes full bibliographical details, a succinct assessment of the book and an indication of reader age range. The subjects covered take into account the requirements of the National Curriculum. All areas of knowledge are covered, but no attempt was made to find recommended titles in all subjects - the quality of the book with a specific topic, author or title in mind, detailed subject and author/title indexes are supplied.

Reception studies have transformed the classics. Many more literary and cultural texts are now regarded as 'valid' for classical study. And within this process of widening, children's literature has in its turn emerged as being increasingly important. Books written for children now comprise one of the largest and most prominent bodies of texts to engage with the classical world, with an audience that constantly changes as it grows up. This innovative volume wrestles with that very characteristic of change which is so fundamental to children's literature, showing how significant the classics, as well as classically-inspired fiction and verse, have been in tackling the adolescent challenges posed by metamorphosis. Chapters address such themes as the use made by C S Lewis, in The Horse and his Boy, of Apuleius' The Golden Ass; how Ovidian myth frames the Narnia stories; classical 'nonsense' in Edward Lear; Pan as a powerful symbol of change in children's literature, for instance in The Wind in the Willows; the transformative power of the Orpheus myth; and how works for children have handled the teaching of the classics.