Includes hymnody from medieval plain chant to the early twentieth-century classics. This work includes hymns that are grouped according to theme and contains material suitable for any festival or occasion in the life of a church.

Songs of Praise was first published in 1925, and is still an immensely popular hymnbook, particularly in schools. The compilation falls into two parts: Book 1 contains hymns grouped by subject and theme, together with a selection of verses, canticles and doxologies; Book 2 contains general hymns listed alphabetically by first line.

First published in 1913, this book provides an index of early Latin hymns, found in hymnaries from before 1100. Entries contain the following information, where applicable: the incipit, followed by the subject of the hymn, followed by the author, then references to where the text of the hymn can be found in print and manuscript form. The text was originally intended to be the chief feature of a book on Hymns and Canticles in the series of Handbooks of Liturgical Study edited by Professor H. B. Swete and Dr J. H. Srawley, but when completed it proved to be so large that it was necessary to publish it as a separate volume. This book will be of value to anyone with an interest in religious music and the history of Christianity.

First published in 1914, this book provides information on the Canticles of the Eastern and Western Church in early and medieval times. The text is divided into two broad sections: the first covers Greek and Eastern Canticles; the second covers Latin and Western Canticles. Additional material includes illustrative plates and an index of manuscripts. This is a highly informative book that will be of value to anyone with an interest in religious music and the history of Christianity.

This book provides a study and critical edition of the corpus of hymns sung by monks and canons in their services in England before the Norman Conquest. When Christianity was introduced into Anglo-Saxon England at the end of the sixth century, the practice of singing hymns in the liturgy of the Office was already well established. The hymnal that the missionaries brought with them was replaced during the Benedictine Reform in the tenth century by another body of hymns, itself introduced from the Continent. This edition assembles textual evidence of these early hymns, some of it hitherto unpublished, based on all extant manuscripts. Of these, an eleventh-century Latin manuscript known as the 'Durham Hymnal' (and in particular its accompanying Old English interlinear gloss) provides the core of the edition and its base manuscript. An introduction and commentary include descriptions of the manuscripts concerned and discussions of the sources, liturgical use and music of the hymns, as well as the phonology and vocabulary of the Old English gloss. The text of the hymns is accompanied by a translation of the Latin into modern English prose.

A brand new edition of the ultimate combination of traditional hymns and modern worship songs. 'Mission Praise' is a much-loved hymn book, and has remained so since its outset in 1984. Initially used for Billy Graham's Mission England rallies - where thousands of people converted to Christianity - it has become a staple of worship throughout the UK and across the world. It was the first hymn book of its kind, introducing more modern styles of music into worship yet retaining the best of traditional hymnody loved by churchgoers of every age. This new, expanded edition of 'Complete Mission Praise' includes the whole of the existing collection of over 1000 songs and hymns, and adds the best new songs in various styles from the past few years. This brand new edition has been put together by 'Mission Praise''s original editorial team of Peter Horrobin and Greg Leavers, and contains - in this 30th anniversary year - over 100 new songs and has, by popular request, been split into two volumes in order to be more user-friendly.

This is an anthology of the writings of Charles Wesley. Best known for his hymns, such as `Hark! the Herald Angels Sing', and `Jesus, Lover of My Soul', Charles was the younger brother of John Wesley and the co-founder of Methodism. Despite his importance in the history of Protestantism, there is no collection of his writings in print, and indeed, little work has been done specifically on Charles in the last two generations. Tyson presents a chronologically arranged selection of the journals, sermons, letters, hymns, and poems in such a way as to both outline Wesley's life and illuminate the leading elements of his thought.

This 1996 book provides a study and critical edition of the corpus of hymns sung by monks and canons in their services in England before the Norman Conquest. It assembles textual evidence, some of it hitherto unpublished, based on all extant manuscripts. Of these, an eleventh-century Latin manuscript known as the 'Durham Hymnal', with its accompanying Old English interlinear gloss, provides the core of the edition and its base manuscript. An introduction and commentary include descriptions of the manuscripts concerned and discussions of the sources, liturgical use, and music of the hymns, as well as the phonology and vocabulary of the Old English gloss. The text of the hymns is accompanied by a translation of the Latin into modern English prose.

I WILL NOT SING ALONE is a deliberately eclectic collection of words and music from different ages fused in contemporary arrangements. There are ancient texts and modern texts, simple and sophisticated. There are choral anthems, folk tunes and contemporary syncopated melodies. The songs include, exclamations of praise, meditative reflections on the love of God, and laments for the loss of a child and for countries at war. These are songs of faith which are intended for everybody: Not a high octane choral album or a selection of psuedo-celtic escapist ditties, but songs of engagement with life and with God, all grounded in the passion and pain of Christian love.

Presents over six hundred hymns from the American tradition of religious song, including folk hymns, patriotic songs, and spirituals, with explanatory notes and biographies of their composers.

Eight years of inspired work by a committee of more than 30 musicians and pastors, all leaders in African American worship and gospel music, have resulted in this compendium representing the common repertoire of African American churches across the United States. For the first time in an African American hymnal, traditional hymns and songs are notated to reflect performance practices found in the oral tradition of the black church in America. At a time when such traditions are falling victim to modern technology, this book strives to preserve this rich heritage for future generations. Presented are litanies for "Fifty-Two Sundays of Worshipful Celebration" outlining an African American church year, including such special days as Martin Luther King Sunday, Elders' Day, Mother's Day, and Men's Day. Also included are 52 responsive scripture readings from the Old and New Testaments and an extensive index that includes scriptural and thematic cross-references.

Includes general hymns; hymns for feasts, seasons and saints' days; office hymns for the liturgical year; an enlarged eucharistic section; responsorial psalms, and a new English folk mass setting.

This text includes both traditional and new carols that have become popular through radio, TV or schools; black music; Taize; pop music; and music from modern composers. It includes the three extra verses of Silent Night, discovered in 1997.

The Methodist Church, with its distinctive musical inheritance by which the worldwide Church has been enriched, famously expresses its theology through its singing. Its authorised hymnbook therefore means more than a hymn book does in other traditions - it expresses the central beliefs of the Church itself and is commended to congregations as their core worship resource. Seven years in development, Singing the Faith is authorised by the Methodist Conference and replaces Hymns and Psalms, published almost 30 years ago. Containing the classic, best loved hymns of the Christian tradition it also incorporates many bold and exciting elements including hymns, songs and liturgical chants from the world church. A large proportion of its 830+ items are 20th and 21st century compositions, offering congregations a feast of musical choices spanning centuries and continents. It is arranged thematically in three parts: God's Eternal Goodness - the Trinity, praise and adoration, creation, gathering for worship, Scripture and revelation God's Redeeming Work - the life of Christ revealed throughout the Christian year God's Enduring Purposes - the Holy Spirit, our life in God, prayer, the sacraments, our human journeys, the saints and the life to come. Many helpful indexes enable fitting choices to be made that will enrich all occasions of worship.

This book charts the life of Arthur Sullivan-the best loved and most widely performed British composer in history. While he is best known for his comic opera collaborations with W. S. Gilbert, it was his substantial corpus of sacred music which meant most to him and for which he wanted to be remembered. His upbringing and training in church music, and his own religious beliefs, substantially affected both his compositions for the theatre and his more serious work, which included oratorios, cantatas, sacred ballads, liturgical pieces, and hymns. Focusing on the spiritual aspects of Sullivan's life-which included several years as a church organist, involvement in Freemasonry, and an undying attachment to Anglican church music-Ian Bradley uses hitherto undiscovered letters, diary entries, and other sources to reveal the important influences on his faith and his work. No saint and certainly no ascetic, he was a lover of life and enjoyed its pleasures to the full. At the same time, he had a rare spiritual sensitivity, a sincere Christian faith, and a unique ability to uplift through both his character and his music that can best be described as a quality of divine emollient.

This collection is an inexpensive, words-only edition of favorite hymns and songs from "El Himnario, " together with translations of other hymns that are familiar to Hispanic congregations.

The full-music edition of "El Himnario" was an ecumenical project sponsored by the Episcopal Church and several other mainline denominations. It is available for use by musicians who accompany worship.

Hymns Ancient and Modern was first published in 1861, and has sold in excess of 160 million copies. The New Standard Edition was introduced in 1983, and has already sold over a million copies. 533 hymns included. Melody and Words edition.

The world's most famous hymn book has undergone a complete revision and now offers the broadest ever range of traditional hymns and the best from today's composers and hymn/song writers. 150 years since its first publication and after sales of 170 million copies, this brand new edition contains over 840 items, ranging from the Psalms to John Bell, Bernadette Farrell and Stuart Townend. The guiding principles behind this collection are: * congregational singability * biblical and theological richness * musical excellence * liturgical versatility * relevance to today's worship styles and to today's concerns New features include added provision for all the seasons of the Church year, new items for carol services and other popular occasions where the repertoire is in need of refreshing, more choices for all-age worship, fresh translations of some ancient hymnody, beautiful new tunes, short songs and chants - alleluias, kyries, blessings etc. and music from the world church. A full range of indexes (including biblical and thematic) and a helpful guide to choosing hymns for every occasion will help to make Ancient & Modern the premier hymn collection of choice. This is the Full Music edition.

The traditional edition of the English Hymnal, this volume includes the very best hymnody from medieval plain chant to the early twentieth-century classics. The hymns are grouped according to theme and contain material suitable for any festival or occasion in the life of a church.

This interdisciplinary study investigates the divine personas in the so-called magical hymns of the Greek magical papyri which, in a corpus usually seen as a significant expression of religious syncretism with strong Egyptian influence, were long considered to be the 'most authentically Greek' contribution. Fifteen hymns receive a line-by-line commentary focusing on religious concepts, ritual practice, language and style. The overarching aim is to categorise the nature of divinity according to its Greek or Egyptian elements, examining earlier Greek and Egyptian sources and religious-magical traditions in order to find textual or conceptual parallels. Are the gods of the magical hymns Greek or Egyptian in nature? Did the magical hymns originate in a Greek or Egyptian cultural background? The book tries to answer these questions and to shed light on the religious plurality and/or fusion of the two cultures in the treatment of divinity in the Greek magical papyri.

Since it was first introduced in the Summer of 2000, Common Praise the new Hymns Ancient & Modern has sold over one hundred thousand copies, and been adopted by parishes in every diocese in England and Wales including eight English cathedrals and in five of the seven dioceses in Scotland. It is also used in numerous schools, colleges, hospitals, residential homes, retreat houses, religious communities, crematoria, missions and military garrison chapels.

Charles Haddon Spurgeon was passionate about congregational worship. Arising from devout affection, the frustration he found while using the the compilations of hymns available in his day, spurred him to compile this selection of hymns for use in his congregation. Over 1,000 psalms, hymns and spiritual songs include not only direct praise, but doctrine, experience and exhortation, enabling the saints to edify one another in their singing. Cross-references to Spurgeon's other works ensure that this will be a valuable addition to any library. This beautiful gift edition includes a foreword by Spurgeon scholar Tom Nettles added Spurgeon essay 'How Shall We Sing?' elegant hardback cloth bound cover

Edited by early music experts Hugh Keyte and Andrew Parrott, this anthology of Christmas carols is the most comprehensive collection ever made, spanning seven centuries of caroling in Britain, continental Europe, and North America. Containing music and text of 201 carols, many in more than one setting, the book is organized in two sections: composed carols, ranging from medieval Gregorian chants to modern compositions, and folk carols, including not only traditional Anglo-American songs but Irish, Welsh, German, Czech, Polish, French, Basque, Catalan, Sicilian, and West Indian songs as well. Each carol is set in four-part harmony, with lyrics in both the original language and English. Accompanying each song are detailed scholarly notes on the history of the carol and on performance of the setting presented. The introduction to the volume offers a general history of carols and caroling, and appendices provide scholarly essays on such topics as fifteenth-century pronunciation, English country and United States primitive traditions, and the revival of the English folk carol. The Oxford Book of Carols, published in 1928, is still one of Oxford's best-loved books among scholars, church choristers, and the vast number of people who enjoy singing carols. This volume is not intended to replace this classic but to supplement it. Reflecting significant developments in musicology over the past sixty years, it embodies a radical reappraisal of the repertory and a fresh approach to it. The wealth of information it contains will make it essential for musicologists and other scholars, while the beauty of the carols themselves will enchant general readers and amateur songsters alike.

BBC Songs of Praise is a compilation of the greatest traditional hymns, the best hymns from today's writers, and the finest examples of contemporary worship songs. It offers to churches and schools the core music required for worship in a wide range of situations. The breadth and diversity of the material ensures that BBC Songs of Praise can be the key resource for any worshipping community.