This collection of thirty hymns and songs are suitable for all-age Christian worship in a variety of settings -- house churches, small congregations, formal and informal. The contemporary texts by poet David Wright are either based on scripture or highlight such themes as community, Eucharist, hospitality, repentance, justice, healing, and blessing. The music, by composer James Clemens, is fresh and well constructed for congregational singing in a variety of styles from standard hymnody to folk, Native American, gospel, early American, and chant. About a third of the selections may be learned and performed without paper.

This collection of liturgical music for congregations represents Euro-Anglicanism as well as American Anglican and African styles, along with Caribbean, gospel, blues, and jazz. The set consists of the score settings of the two masses ("The St. Mary Mass" and "St. Luke Mass for Healing"), Morning Prayer, and Evensong. Choral and congregational parts along with a full score are included. The accompaniments are fully notated for organ and/or piano.

It may seem unexpected to assert that controversy surrounds the introduction of hymns in religious life in England. Though many scholars have worked to catalog and index hymns, few have investigated the evolution of hymns, and their proposed meaning to religious celebration. A historical as well as a critical project, The Matter and Manner of Praise undermines the compulsion to assume that hymn-making and religion were always considered to coexist effortlessly. Most histories of hymnody and evangelical movements in England have elided the depth of feeling and concern that surrounded the debate over hymns and their use during liturgy. McCart uncovers, reexamines, and comments upon this debate. He illuminates a partly unexplored topic in English church history, by tracing the controversial shift from metrical psalms to hymnody, and also takes into account legal issues and litigation that developed over the introduction of hymns into church life. An insightful study that should be fascinating reading for anyone interested in teasing apart the historical nature of religious ceremonies and hymns.

I WILL NOT SING ALONE is a deliberately eclectic collection of words and music from different ages fused in contemporary arrangements. There are ancient texts and modern texts, simple and sophisticated. There are choral anthems, folk tunes and contemporary syncopated melodies. The songs include, exclamations of praise, meditative reflections on the love of God, and laments for the loss of a child and for countries at war. These are songs of faith which are intended for everybody: Not a high octane choral album or a selection of psuedo-celtic escapist ditties, but songs of engagement with life and with God, all grounded in the passion and pain of Christian love.

This follow-up to the bestselling songbook Come All You People offers 40 previously unpublished songs of similar variety which have been sung in prisons, on pilgrimages, at open air festivals, by cathedral choirs, and teenage and in-house music groups. They are short songs, some from present day Scotland, some from the World Church. They help people to participate and move in worship in a way that conventional hymns cannot and can be used as a tool to help create innovative styles of worship. The book includes hints on using the material and an appendix of readings and prayers for use with the songs. Agnus Dei (Aidan)Alleluia (Duncan)Amen alleluiaAmeniBe still and know (i)Be still and know (ii)Bless the LordBring your best to their worstDeo gratias (PSC)First born of MaryGive thanks, worship and praise the LordGod's eye be within meGoodness is stronger than evilHalle, halle, halle (Caribbean)Hallelujah (Korea)In love you summon, in love I followJesus Christ, Jesus ChristKyrie eleison (Bridget)Kyrie eleison (Chad)Lo, I am with you (to the end of the world)Lord Jesus Christ, lover of allLord of life, we come to youLord, draw nearLord, in your mercy (hear our prayer)Lord, you can turn all mourning into dancingMagnificat (G min)MayenziweMy eyes are dim with weepingNight has fallenNothing in height or in depthO brother Jesus (where have we left you)O Lamb of God (Constantine)O Lamb of God (Moss)On God alone, I wait silentlySanctus (Aidan)Stand firmThe peace of the earth (be with you)There is one among usThis is the body of ChristWe will take what you offer

Presents over six hundred hymns from the American tradition of religious song, including folk hymns, patriotic songs, and spirituals, with explanatory notes and biographies of their composers.

This book presents a textual analysis of the three most popular hymns that have served as important political symbols to African-Americans for many years: (1) Lift Every Voice and Sing (the Negro National Anthem), (2) We Shall Overcome, and (3) Precious Lord, Take My Hand. The major questions probed in the present book are: (1) What salient political presuppositions and implicatures are imbedded in the three texts studied? (2) How can the delineated presuppositions and implicatures be explained? In exploring these questions, the systematic application of discovery procedures well-known in linguistic pragmatics will help to uncover propositions that will illuminate the texts examined for readers.

"A Symphony of New Testament Hymns" opens a window of insight into familiar Scripture passages - poetic passages that were later often set to music. By showing that the composers of some of these traditional New Testament, pre-60 C.E. hymns intentionally created passages that are lyrical or hymnic within the prose, this work presents the sometimes hidden depth behind their construction and meaning.

Inspired by Roy Harris' "Folksong Symphony," Father Karris arranges his treatment of Philippians 2:6-11, Colossians 1:15-20, Ephesians 2:14-16, Timothy 3:16, 2 Timothy 2:11-13, Titus 3:4-7, and 1 Peter 3:18-22 in a way that faith-fully addresses today's spiritual concerns, such as spirituality, ecology, reconciliation, baptism, and angels.

The first book in English in thirty years to study New Testament hymns, "A Symphony of New Testament Hymns" brings readers greater enjoyment of these lesser-known Pauline hymns and a deepening of faith. Father Karris contends we have much to learn from what these songs proclaimed about Jesus at a time when the four gospels hadn't been published.

The first chapters, Beginnings" and "Background," address the nature of hymns. Subsequent chapters contain a translation and analysis of the above texts, a study of contexts, key concepts and images, suggestions for reflection on the contemporary significance of the hymn, and an annotated bibliography. The concluding chapter offers a retrospective look at the many Christological themes reflected in the texts.

ViewingPaul's letters and the common New Testament introduction topics from a refreshingly unique perspective, A Symphony of New Testament Hymns is especially appropriate for students and professors of the New Testament. Those looking for biblical spirituality, liturgists and musicians looking for new texts to set, and those in catechetical work - especially those involved in the RCIA - will also benefit from Father Karris' distinctive look at how the earliest Christians lyrically proclaimed Jesus Christ as Lord.

"Robert J. Karris, OFM, taught New Testament for sixteen years at Catholic Theological Union in Chicago. He is a veteran author, known primarily for his studies on Luke. He holds a ThD from Harvard University.""

The most popular schools song and hymn book ever! Combines Come and Praise 1 and 2, giving you the words for 149 traditional and contemporary hymns and songs in one volume.

Includes general hymns; hymns for feasts, seasons and saints' days; office hymns for the liturgical year; an enlarged eucharistic section; responsorial psalms, and a new English folk mass setting.

This new hymnal, widely known as CH4, consists of over 850 hymns and psalms and is the latest in a series published successively in 1898, 1927 and 1972. A considerable number of twentieth century items have been introduced from around the world, primarily the USA and New Zealand, but also translations and adaptations of little known material from such countries as Hong Kong, Singapore, Korea, Japan and Zimbabwe. These compliment the tradional and contemporary hymns and tunes from Uk authors and composers.

Hymns A&M' was first published in 1861. The new standard edition was introduced in 1983 containing 533 hymns including 333 from the 1950 Revised Edition plus 100 Hymns for Today and More Hymns for Today.

Since it was first introduced in the Summer of 2000, Common Praise the new Hymns Ancient & Modern has sold over one hundred thousand copies, and been adopted by parishes in every diocese in England and Wales including eight English cathedrals and in five of the seven dioceses in Scotland. It is also used in numerous schools, colleges, hospitals, residential homes, retreat houses, religious communities, crematoria, missions and military garrison chapels.

Discover the hymns that influenced US presidents. ""Presidential Praise: Our Presidents and Their Hymns"" offers the most comprehensive coverage ever written of the influence of hymns on the lives and administrations of America's presidents. Each chapter begins with Michael Williams' concise presentation of each president's path to the White House and his accomplishments and failures as president. D. Edward Spann then introduces how each president regarded music, whether or not he was musical, and music in the White House during each president's administration. These hymns may be related to developments in the life of the president, including his spiritual journey, major decisions he had to make as president, or even his selection of the inaugural Scripture. Spann then tells the story of how the hymn was written, both the words and the music. Presenting this scholarly material in an inspiring manner is part of the delight of the book. In doing so, the book covers a panorama of hymnody from 1614 to the 1980s. After an interpretation of the words, it is demonstrated why the chosen hymns were meaningful to each president. The format of each chapter reveals this special emphasis that can't be found elsewhere.

Isaac Watts was an important but relatively unexamined figure and this volume offers a description of his theology, specifically identifying his position on reason and passion as foundational. The book shows how Watts modified a Puritan inherence on both topics in the light of the thought of his day. In particular there is an examination of how he both took on board and reacted against aspects of Enlightenment and sentimentalist thought. Watts' position on these foundational issued of reason and passion are then shown to lie behind his more practical works to revive the church. Graham Beynon examines the motivation for Watts' work in writing hymns, and the way in which he wrote them; and discusses his preaching and prayer. In each of these practical topics Watts's position is compared to earlier Puritans to show the difference his thinking on reason and passion makes in practice. Isaac Watts is shown to have a coherent position on the foundational issues of reason and passion which drove his view of revival of religion.

A new edition of the popular 'office' hymn book, Hymns for Prayer and Praise provides carefully-selected hymns for the daily monastic office, the Calendar of Saints and the seasons of the Christian year. First published in 1996, this new edition has been updated in light of Common Worship: Daily Prayer. A 'chant' and 'melody' form are provided for each hymn, allowing the material to be used in both community and congregational contexts. Available in both Full Music and Melody editions, Hymns for Prayer and Praise draws on ancient patterns of worship to meet present day needs.

Common Praise is the first major revision of Hymns Ancient and Modern for almost fifty years. With 630 items, this comprehensive collection includes some of the very best of the church's music, from earliest sources to the present day. Where appropriate, inclusive language has been introduced.

Older Christians have sought large-print hymnals and songbooks for many years. This hymnbook includes familiar ecumenical hymns suitable for worship. The simplified arrangements are set in lower keys for easier unison singing. Not only is this collection sensitive to the physical needs of older Christians, it is sensitive to language issues present within the church today.

Despite the presence of many beautiful Advent songs in many of our hymnals, most of us would prefer to skip right to singing our favorite Christmas carols. But in our rush to get to the joy of Christmas, we forget what Advent is all about--watching and waiting for the coming of a promised king. It is not about shopping, partying, gift wrapping, and vacationing. It is about resting, trusting, praying, and seeking. Through the words of moving Advent hymns and the powerful words of Scripture, Songs for the Waiting will help readers reclaim a sense of the beautiful anticipation and preparation that is central to Advent.

Every December churches find themselves putting on many carol services and concerts both within the church and in the local community. But the provision of words and music for carols can be problematic. Many hymn books and paper carol sheets often have a limited selection, while specialist choir volumes are too complex for community use. Carols Ancient & Modern aims to full this gap with a comprehensive new selection of carols, published to A&M's high production standards and yet inexpensive and durable. It offers 120 items, combining traditional carols with newer favourites by composers such as Malcolm Archer, plus folk and children's classics like Mary's Boy Child and Little Donkey that rarely get into hymn books. There is also a selection especially suited to small choirs and unaccompanied singers. Carols Ancient & Modern will meet the real and varied needs of churches, cathedrals and schools seeking one volume that holds all their Advent and Christmas favourites.

Hymns Ancient and Modern was first published in 1861, and has sold in excess of 160 million copies. The New Standard Edition was introduced in 1983, and has already sold over a million copies. 533 hymns included. Melody and Words edition.

Previously titled "The New St Paul's Cathedral Psalter" this new edition with its new name reflects its wider purpose of resourcing parish churches in their regular worship. Use of the "Psalms" in worship is growing since the introduction of the Common Worship lectionary and Psalter has placed renewed emphasis on them. Here, using Coverdale's translation of the "Psalms" from the "Book of Common Prayer," the very best of Anglican chant is married to texts that have been used to sing the transcendent glory of God in temple, synagogue and church for three thousand years. At the same time, the "Psalms" are ruthlessly honest in their portrayal of conflicting human emotions. Many psalters have excised the verses that speak of vengeance, hatred and anger, yet as CS Lewis wrote, these are the same feelings we find in our own hearts so here they are retained, to be included or omitted as local preference or the occasion dictates. It includes work by renowned composers past and present including Elgar, Parry, Stanford, Stainer, Wesley, Malcolm Archer, David Willcocks, John Barnard, and many more.