This ethnography explores the community of believers in a series of Marian apparitions in rural Emmitsburg, Maryland, asking what it means to call oneself a Catholic and child of Our Lady in this context, what it means to believe in an apparition, and what it means to communicate with divine presence on earth. Believers fashion themselves as devotees of Our Lady in several ways. Through autobiography, they look backward in time to see their lives as leading up to their participation in the prayer group or in some cases moving to Emmitsburg. By observing and telling miracle stories, they adopt an enchanted worldview in which the miraculous becomes everyday. Through relationships with Our Lady, their lives are enriched and even transformed. When they negotiate institutional loyalty and individual autonomy, they affirm their own authority and Catholic identity. Finally, through social media, they expand their devotional networks in ways that shift authority structures and empower individuals. Individuals engage beliefs, practices, and attitudes both arising from and resisting elements of modernity, religious pluralism and religious decline, empowerment and perceived disempowerment, tradition and innovation, and institutional loyalty and perceived disloyalty to reveal one way of understanding Catholic identity amidst the shifts and flows of modern change.

Recipient of an Honourable Mention in the 2001 God Uses Ink Contest "Lord, please give me a parking space " That prayer sounds right on your third time around the block, frustrated and late for an appointment. But is it consistent with how God works in the world? Does prayer change God's mind or only our feelings? Does God do things because we ask him to? Or do we ask him because he prompts us to do so? How much control does God really have in the world, anyway? If he has given us free will, can he always guarantee that things will happen as he intends or wishes? Is our need for parking spaces important enough to bother God, or is he only concerned about things that advance his program of salvation? If God has already decided how things will turn out, what use is it to pray? On the other hand, if our freedom limits God's ability to achieve his wishes all the time, how much could he do even if we asked for help? How much does God know about the future, and how does this factor into the way our prayers affect the outcome? And how does God's relationship to time enter into the whole equation? With such questions in mind, Terrance Tiessen presents ten views of providence and prayer--and then adds an eleventh, his own. He describes each view objectively and then tackles the question, If this is the way God works in the world, how then should we pray? The result of his investigation is a book that puts us at the intersection between theological reflection and our life and conversation with God. It prods and sharpens our understanding, making us better theologians and better prayers.

Explore with children and for yourself why we celebrate the Eucharist Breaking bread with others is central to our faith. This book is an invitation to learn and wonder about why we worship and celebrate the Holy Eucharist. Although grounded in the Episcopal liturgical tradition, it is an accessible and inviting introduction to worship for children and families of many Christian traditions. While learning what occurs during worship and the Holy Eucharist, readers of all ages will be guided through the sacramental and communal aspects of the celebration and how in the breaking of bread we are called into the world. The beautiful full-color illustrations reflect the diversity of God's people, and a dedication page encourages personalization. A family section offers questions and suggests ways for all ages to engage in worship and family rituals. Reflecting some of the spirit, beauty, and vocabulary of the Episcopal liturgy, this will be a treasured volume for parents, godparents, grandparents, and other important adults in the life of a child who is wondering about worship.

Using light as fil rouge reuniting theology and ritual with the architecture, decoration, and iconography of cultic spaces, the present study argues that the mise-en-scene of fifth-century baptism and sixth-century episcopal liturgy was meant to reproduce the luminous atmosphere of heaven. Analysing the material culture of the two sacraments against common ritual expectations and Christian theology, we evince the manner in which the luminous effect was reached through a combination of constructive techniques and perceptual manipulation. One nocturnal and one diurnal, the two ceremonials represented different scenarios, testifying to the capacity of church builders and willingness of Late Antique bishops to stage the ritual experience in order to offer God to the senses.

We know that the earliest Christians sang hymns. Paul encourages believers to sing "psalms, hymns, and spiritual songs." And at the dawn of the second century the Roman official Pliny names a feature of Christian worship as "singing alternately a hymn to Christ as to God." But are some of these early Christian hymns preserved for us in the New Testament? Are they right before our eyes? New Testament scholars have long debated whether early Christian hymns appear in the New Testament. And where some see preformed hymns and liturgical elements embossed on the page, others see patches of rhetorically elevated prose from the author's hand. Matthew Gordley now reopens this fascinating question. He begins with a new look at hymns in the Greco-Roman and Jewish world of the early church. Might the didactic hymns of those cultural currents set a new starting point for talking about hymnic texts in the New Testament? If so, how should we detect these hymns? How might they function in the New Testament? And what might they tell us about early Christian worship? An outstanding feature of texts such as Philippians 2:6-11, Colossians 1:15-20, and John 1:1-17 is their christological character. And if these are indeed hymns, we encounter the reality that within the crucible of worship the deepest and most searching texts of the New Testament arose. New Testament Christological Hymns reopens an important line of investigation that will serve a new generation of students of the New Testament.

A little God time is what all mothers need but can rarely find in the craziness of everyday life. This daily devotional encourages mothers of all ages to carve out some time for the refreshment and renewal found in God's presence. When life demands your attention, find some time in your day to reflect on the God who truly desires to be with you.

The Eucharist is at the heart of Christian worship and at the heart of the Eucharist are the curious phrases, 'This is my body' and 'This is my blood'. James M. Arcadi offers a constructive proposal for understanding Christ's presence in the Eucharist that draws on contemporary conceptual resources and is faithful to the history of interpretation. He locates his proposal along a spectrum of Eucharistic theories. Arcadi explores the motif of God's presence related to divine omnipresence and special presence in holy places, which undergirds a biblical-theological proposal concerning Christ's presence. Utilizing recent work in speech-act theory, Arcadi probes the acts of consecration and renaming in their biblical and liturgical contexts. A thorough examination of recent work in Christology leads to an action model of the Incarnation that borrows the notion of enabling externalism from philosophy of mind. These threads undergird a model of Christ's presence in the Eucharist.

ECPA Top Shelf Book Cover Award Can a one-time crosscultural experience truly be life-changing? Veteran trip leader and intercultural guide Cory Trenda says yes-if we let the trip launch a journey of integrating the experience into our ongoing life. In After the Trip Trenda provides a unique guide for individuals and teams to make the most of a crosscultural trip after returning home. Readers will find help with navigating the crucial reentry process, remembering and sharing key stories, interweaving new insights into everyday life, and engaging in continuing learning and service. Combining practical tips, reflections, and stories from Trenda's own decades of crosscultural travel, this is an essential resource for organizations, churches, schools, and all travelers who want crosscultural trips to be a catalyst for lasting good. The trip itself is just the beginning; real life change happens after the trip.

Singing the same song is a central part of the worship practice for members for the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media-hymn books and cassette tapes-and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today.

Singing the same song is a central part of the worship practice for members for the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media-hymn books and cassette tapes-and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today.

What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once 'foreign' become 'indigenous'? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be 'local' and 'Christian'. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be 'local' and 'Christian'. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.

Intercessions for Years A, B and C is a collection of prayers to accompany the Church of England Common Worship Lectionary. Wholly relevant to our everyday world, the intercessions do not sidestep the challenges of living faithfully in difficult circumstances; they do seek to inspire our minds and expand our hearts, as we offer up all we have and all we are, to the grace and mercy of God. The prayers are compatible with the traditional pattern of interceding for the Church, political governance and world concerns; the neighbourhood and local community; those who are sick or in special need and the deceased. As the author has drawn primarily on the Gospel for inspiration, the prayers will be relevant however many readings are used in a given service.

Throughout history, Christians have prayed for the dead - both for continual growth of the faithful and for their advancement from purgatory, and sometimes, even, for the deliverance of the unsaved from hell. Understanding Prayer for the Dead defends all three kinds of prayer. It challenges Protestants, who seldom pray for the dead, to begin doing so - and Roman Catholics and Eastern Orthodox, who pray only for the Christian dead, to include the unsaved as well. James B. Gould addresses the biblical credentials of prayer for the dead and provides a historical overview of such prayers from ancient Christianity to the current practice of the three main branches of the Church. He also discusses the logical assumptions prayer for the dead requires - that prayer is effective, that the dead are conscious, and that the afterlife involves change - and lays out a theological framework for such prayers. Prayer for the departed raises the most basic of theological questions, matters that go to the centre of God's purpose in creating spiritual beings and redeeming sinful humankind. The argument, while revisionary in some respects, is orthodox, ecumenical, and integrative, engaging a range of academic disciplines so as to be biblically accurate, historically informed, and philosophically reasoned.

How do people experience spirituality through what they see, hear, touch, and smell? Sonja Luehrmann and an international group of scholars assess how sensory experience shapes prayer and ritual practice among Eastern Orthodox Christians. Prayer, even when performed privately, is considered as a shared experience and act that links individuals and personal beliefs with a broader, institutional, or imagined faith community. It engages with material, visual, and aural culture including icons, relics, candles, pilgrimage, bells, and architectural spaces. Whether touching upon the use of icons in age of digital and electronic media, the impact of Facebook on prayer in Ethiopia, or the implications of praying using recordings, amplifiers, and loudspeakers, these timely essays present a sophisticated overview of the history of Eastern Orthodox Christianities. Taken as a whole they reveal prayer as a dynamic phenomenon in the devotional and ritual lives of Eastern Orthodox believers across Eastern Europe, the Middle East, North Africa, and South Asia.

Logos Bookstore Association Award for Christian Living One of the most basic and vital dimensions of the Christian life is the practice of prayer. Frequently our prayers begin with a petition or request, so the content of our prayers is informed by our circumstances. But what if the opposite were true? What if we allowed our prayers to inform our lives? What would our lives be like if prayer altered our living and began to shape the contours and content of our daily experiences? Gordon Smith invites us to learn three movements of prayer-thanksgiving, confession, and discernment-in order to be formed and transformed by prayers that seek God's kingdom "on earth as it is in heaven." Whether you are a beginner in the life of prayer or further along, this small book is a resource for deepening your prayer practice.

The Philokalia is a collection of texts written between the fourth and fifteenth centuries by spiritual master of the Orthodox Christian tradition. First published in Greek in 1782, translated into Salvonic and later into Russian, The Philokalia has exercised an influence far greater than that of any book other than the Bible in the recent history of the Orthodox Church.

There is a clear lack in the Church of England of a coherent and thought through treatment of evil and the devil within the texts which the Church of England traditionally identifies as the repositories of doctrine. Focusing on initiation, healing and deliverance liturgies within the church, "Fight Valiantly" seeks to rectify that deficit, considering the Church of England's liturgical practice in the parishes, and highlighting the present danger of worshippers receiving an inconsistent and potentially incoherent account of the relationship with evil.

Guidance for Leaders Seeking a Richer Way to Employ Worship Music Worship expert Constance Cherry offers comprehensive guidance to Christian leaders seeking a deeper, richer way to employ worship music in engaging ways for twenty-first-century worshipers. Following Cherry's successful book The Worship Architect, this work helps Christian leaders think theologically and act pastorally about worship music in their churches. It addresses larger issues beyond the surface struggles of musical styles and provides tools to critically evaluate worship songs. The book is applicable to all Christian traditions and worship styles and is well suited to both the classroom and the local church. Each chapter concludes with suggested practical exercises, recommended reading, and basic vocabulary terms.