Tells the diverse story of four congregations in New York City as they navigated the social and political changes of the late eighteenth and mid-nineteenth centuries. In the fifty years after the Constitution was signed in 1787, New York City grew from a port town of 30,000 to a metropolis of over half a million residents. This rapid development transformed a once tightknit community and its religious experience. Including four churches belonging in various forms to the Church of England, that in some form still thrive today. Rapid urban and social change connected these believers in unity in the late colonial era. As the city grew larger, more impersonal, and socially divided, churches reformed around race and class-based neighborhoods. In Four Steeples over the City Streets, Kyle T. Bulthuis examines the intertwining of these four famous institutions-Trinity Episcopal, John Street Methodist, Mother Zion African Methodist, and St. Philip's (African) Episcopal-to uncover the lived experience of these historical subjects, and just how religious experience and social change connected in the dynamic setting of early Republic New York. Drawing on a wide range of sources including congregational records and the unique histories of some of the churches leaders, Four Steeples over the City Streets reveals how these city churches responded to these transformations from colonial times to the mid-nineteenth century. Bulthuis also adds new dynamics to the stories of well-known New Yorkers such as John Jay, James Harper, and Sojourner Truth. More importantly, Four Steeples over the City Streets connects issues of race, class, and gender, urban studies, and religious experience, revealing how the city shaped these churches, and how their respective religious traditions shaped the way they reacted to the city. This book is a critical addition to the study and history of African American activism and life in the ever-changing metropolis of New York City.

Written by the leading and best-known experts and practitioners

Celebrate A Season of Renewal and Reflection The theme of bitterness runs through the Bible as a sour reminder of sin's presence in our world-yet it's because of this bitterness that Jesus' grace is so sweet and satisfying. As we learn to turn from our vices and crave real beauty, goodness, and truth through the pursuit of virtues, we grow nearer to God and become more like who He made us to be. From Tsh Oxenreider, bestselling author of Shadow and Light: A Journey into Advent, arrives a devotional to help you meditate and rejoice in the transcendent miracle of Easter. You will... uncover what it means to participate in the liturgical traditions of Lent, from fasting to almsgiving experience artwork and music that illuminate the impact-both personal and global-of Jesus's death and resurrection contemplate the wonder of Christ's redemption of all humankind, especially as this time of introspection reveals your human limitations Starting on Ash Wednesday and leading you all the way through Holy Week, Bitter and Sweet is an invitation to better understand Jesus's sacrifice as you delight in His ultimate love for you.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This service book is derived from the Great Book of Needs, and includes the full text, for both clergy and choir for the funeral service of a layperson. A space for special notes is included in the back of the book.

After receiving probation for getting busted for drugs, Gary Froman triesw to straighten up his life and keep a promise he made to his pastor when he was just a young boy. Though, without his new friend Jimmy Barnes, taking him to and from church, it may have never been possible.

How do the arts inform and cultivate our service to God? In this addition to an award-winning series, distinguished philosopher Bruce Ellis Benson rethinks what it means to be artistic. Rather than viewing art as practiced by the few, he recovers the ancient Christian idea of presenting ourselves to God as works of art, reenvisioning art as the very core of our being: God calls us to improvise as living works of art. Benson also examines the nature of liturgy and connects art and liturgy in a new way. This book will appeal to philosophy, worship/liturgy, art, music, and theology students as well as readers interested in engaging issues of worship and aesthetics in a postmodern context, including Christian artists and worship leaders.