Title: The Crown of Life.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Gissing, George; 1899. 360 p.; 8 . 012622.f.54.

With an exclusive introduction and notes by David Stuart Davies. Translation by Louis Mercier. Professor Aronnax, his faithful servant, Conseil, and the Canadian harpooner, Ned Land, begin an extremely hazardous voyage to rid the seas of a little-known and terrifying sea monster. However, the "monster" turns out to be a giant submarine, commanded by the mysterious Captain Nemo, by whom they are soon held captive. So begins not only one of the great adventure classics by Jules Verne, the 'Father of Science Fiction', but also a truly fantastic voyage from the lost city of Atlantis to the South Pole.

When millions suffer under oppression, when resentment boils into bloody insurrection, when triumph leads to savage vengeance - can one individual life matter? In A Tale of Two Cities, Charles Dickens sets the intensely personal dramas of Lucie Manette, Charles Darnay, and Sydney Carton against the backdrop of the French Revolution and its terror and chaos. The result is a powerful story of love, sacrifice, and redemption.

Agatha Christie's famous murder mystery, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers. Poirot had been present when Jane bragged of her plan to 'get rid of' her estranged husband. Now the monstrous man was dead. And yet the great Belgian detective couldn't help feeling that he was being taken for a ride. After all, how could Jane have stabbed Lord Edgware to death in his library at exactly the same time she was seen dining with friends? And what could be her motive now that the aristocrat had finally granted her a divorce?

A unique anthology for crime aficionados - six 'perfect murder' stories written by the most accomplished crime writers of the 1930s, designed to fox real-life Scotland Yard Superintendent Cornish, who comments on whether or not these crimes could have genuinely been solved. Is the 'perfect murder' possible? Can that crime be committed with such consummate care, with such exacting skill, that it is unsolvable - even to the most astute investigator? In this unique collection, legendary crime writers Margery Allingham, Anthony Berkeley, Freeman Wills Crofts, Ronald Knox, Dorothy L. Sayers and Russell Thorndike each attempt to create the unsolvable murder, which Superintendent Cornish of the CID then attempts to unravel... This clever literary battle of wits from the archives of the Detection Club follows The Floating Admiral and Ask a Policeman back into print after more than 75 years, and shows some of the experts from the Golden Age of detective fiction at their most ingenious.

A healthy young man dies in his sleep, despite the ringing of eight separate alarm clocks... Gerry Wade had proved himself to be a champion sleeper; so the other house guests decided to play a practical joke on him. Eight alarm clocks were set to go off, one after the other, starting at 6.30 a.m. But when morning arrived, one clock was missing and the prank had backfired with tragic consequences. For Jimmy Thesiger in particular, the words 'Seven Dials' were to take on a new and chilling significance...

An old widow is brutally killed in the parlour of her cottage... Mrs McGinty died from a brutal blow to the back of her head. Suspicion fell immediately on her shifty lodger, James Bentley, whose clothes revealed traces of the victim's blood and hair. Yet something was amiss: Bentley just didn't look like a murderer. Poirot believed he could save the man from the gallows - what he didn't realise was that his own life was now in great danger...

A repugnant Amercian widow is killed during a trip to Petra... Among the towering red cliffs of Petra, like some monstrous swollen Buddha, sat the corpse of Mrs Boynton. A tiny puncture mark on her wrist was the only sign of the fatal injection that had killed her. With only 24 hours available to solve the mystery, Hercule Poirot recalled a chance remark he'd overheard back in Jerusalem: 'You see, don't you, that she's got to be killed?' Mrs Boynton was, indeed, the most detestable woman he'd ever met...

A young woman found murdered A scandal in the making When Mrs Bantry wakes to find a body in her library, there's only one woman to call: her good friend Jane Marple. But she hasn't called her old friend for comfort. The body in her library has been murdered and Miss Marple is so very good at solving murders. Her investigations uncover a scandal far darker than either of them could have imagined, and this time she may be out of her depth. Never underestimate Miss Marple 'Christie always defied expectations, not only in her legendary twists and reveals, but also in the underestimated detectives she created as her heroes. The villains never see these sleuths coming - and that's half the fun.' Leigh Bardugo 'One of the most ingeniously contrived of all her murder stories.' Birmingham Post

A collection of macabre mysteries, including the superlative story Witness for the Prosecution... Twelve unexplained phenomena with no apparent earthly explanation... A dog-shaped gunpowder mark; an omen from 'the other side'; a haunted house; a chilling seance; a case of split personalities; a recurring nightmare; an eerie wireless message; an elderly lady's hold over a young man; a disembodied cry of 'murder'; a young man's sudden amnesia; a levitation experience; a mysterious SOS. To discover the answers, delve into the supernatural storytelling of Agatha Christie.

'All his stories are amusing, intriguing, and he is a master of the final twist' - Agatha Christie'One of the most stunning trick stories in the history of detective fiction' - Julian SymonsGraham and Joan Bendix have apparently succeeded in making that eighth wonder of the modern world, a happy marriage. And into the middle of it there drops, like a clap of thunder, a box of chocolates.Joan Bendix is killed by a poisoned box of liqueur chocolates that cannot have been intended for her to eat. The police investigation rapidly reaches a dead end. Chief Inspector Moresby calls on Roger Sheringham and his Crimes Circle - six amateur but intrepid detectives - to consider the case. The evidence is laid before the Circle and the members take it in turn to offer a solution. Each is more convincing than the last, slowly filling in the pieces of the puzzle, until the dazzling conclusion.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

'If much of the action is set in a bookshop or a library, it is a bibliomystery, just as it is if a major character is a bookseller or a librarian.' - Otto Penzler A bookish puzzle threatens an eagerly awaited inheritance; a submission to a publisher recounts a murder that seems increasingly to be a work of non-fiction; an irate novelist puts a grisly end to the source of his writer's block. There is no better hiding place for clues - or red herrings - than inside the pages of a book. But in this world of resentful ghost writers, indiscreet playwrights and unscrupulous book collectors, literary prowess is often a prologue to disaster. With Martin Edwards as librarian and guide, delve into an irresistible stack of tales perfect for every book-lover and armchair sleuth, featuring much-loved Golden Age detectives such as Nigel Strangeways, Philip Trent and Detective Chief Inspector Roderick Alleyn. But readers should be warned that the most riveting tales often conceal the deadliest of secrets...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.