The magical Peter Pan comes to the night nursery of the Darling children, Wendy, John and Michael. He teaches them to fly, then takes them through the sky to Never-Never Land, where they find wolves, Mermaids and… Pirates.

The leader of the pirates is the sinister Captain Hook. His hand was bitten off by a crocodile, who, as Captain Hook explains ‘liked me arm so much that he has followed me ever since, licking his lips for the rest of me’.

After lots of adventures, the story reaches its exciting climax as Peter, Wendy and the children do battle with Captain Hook and his band.

Introduction and Notes by Dr David Rogers, Kingston University. 'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.' Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism.

East Berlin 1968: a city recovering from the horrors of WWII and where the state police, the Stasi, cultivate a climate of paranoia and fear. In a place where your closest friend or family member could be a state informer, the threat of violence is ever present and no one knows this more than damaged school teacher Sebastian Metzger. But something evil and ancient is stalking Metzger from the shadows of war–torn buildings–something which threatens the city and perhaps even the future of humanity itself. Tiny Acts of Violence is a stunning horror graphic novel from Martin Stiff, writer and illustrator of the critically acclaimed and award-nominated The Absence. “It’s an erudite indictment of social conditioning - - it goes beyond The Lives of Others in its critique of the Stasi.” Pat Mills (Charley’s War, Spacewarp) “Has the feel of a long-unearthed Hitchcock… A highly effective thriller” Rob Williams (Old Haunts, Judge Dredd) “The atmosphere of menace and state control-induced paranoia drops from it’s pages.” Simon Furman (Transformers, To The Death) “Gorgeously moody, graphically striking and brilliantly cinematic” Andrew Cartmel (The Vinyl Detective, Doctor Who)

Like George Orwell, Franz Kafka has given his name to a world of nightmare, but in Kafka's world, it is never completely clear just what the nightmare is. The Trial, where the rules are hidden from even the highest officials, and if there is any help to be had, it will come from unexpected sources, is a chilling, blackly amusing tale that maintains, to the very end, a relentless atmosphere of disorientation. Superficially about bureaucracy, it is in the last resort a description of the absurdity of 'normal' human nature. Still more enigmatic is The Castle. Is it an allegory of a quasi-feudal system giving way to a new freedom for the subject? The search by a central European Jew for acceptance into a dominant culture? A spiritual quest for grace or salvation? An individual's struggle between his sense of independence and his need for approval? Is it all of these things? And K? Is he opportunist, victim, or an outsider battling against elusive authority? Finally, in his fables, Kafka deals in dark and quirkily humorous terms with the insoluble dilemmas of a world which offers no reassurance, and no reliable guidance to resolving our existential and emotional uncertainties and anxieties.