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Books > Fiction > Special features > Classic fiction
ONE MAN - ONE PLANET - ONE CHANCE 2557 Humans have been banished from Earth. Forced to live in huge space colonies close to the moon. Earth has become Heaven. The course of mankind has been set towards colonising the universe. The Pax Humana is in full effect. Giant corporations overseen by The Powers control every human necessity from birth until death, those that fail to adhere to the system are summarily executed. Genesis is the new beginning...Xavier Miro is a space rigger, graffiti artist and dissident. A series of dreams leads to an adventure where he will meet Moon Dudes, Shamanic Space Pirates, Galactic Ravers, Zugbots and fall foul of the sinister Shadows. And where he will not only find out the answers to why mankind was expelled from Earth, but why he is the one person that can save humanity.
HarperCollins is proud to present its incredible range of best-loved, essential classics. "For a time I believed that mankind had been swept out of existence, and that I stood there alone, the last man left alive." When a strange, meteor-like object lands in the heart of England, the inhabitants of Earth find themselves victims of a terrible attack. A ruthless race of Martians, armed with heat rays and poisonous smoke, is intent on destroying everything that stands in its way. As the unnamed hero struggles to find his way across decimated wastelands, the fate of the planet hangs in the balance . . . H. G. Wells was a pioneer of modern science fiction. First serialised in the UK in 1897, The War of the Worlds is one of the earliest stories to depict conflict with an extraterrestrial race, and has influenced countless adaptations and sequels.
Title: The Crown of Life.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Gissing, George; 1899. 360 p.; 8 . 012622.f.54.
'Powerful and impressive ...there is a fine inevitability in the plot structure which gives it true tragic quality' - Dorothy L. SayersAdrian Gray was born in May 1862 and met his death through violence, at the hands of one of his own children, at Christmas, 1931. Thus begins a classic crime novel published in 1933, a riveting portrait of the psychology of a murderer. Each December, Adrian Gray invites his extended family to stay at his lonely house, Kings Poplars. None of Gray's six surviving children is fond of him; several have cause to wish him dead. The family gathers on Christmas Eve - and by the following morning, their wish has been granted. This fascinating and unusual novel tells the story of what happened that dark Christmas night; and what the murderer did next.
Since it was first published in 1954, William Golding's classic debut novel has remained a stark allegory of civilization, survival, and human nature. As dystopian stories like Hunger Games and Battle Royale surge in popularity, this haunting tale of a group of young boys stranded on a desert island still captivates schoolchildren around the world, raising timeless and profound questions about how easily society can slip into chaos and savagery when rules and order have been abandoned. When a plane crashes on a remote island, a small group of schoolboys are the sole survivors. From the prophetic Simon and virtuous Ralph to the lovable Piggy and brutish Jack, each of the boys attempts to establish control as the reality- and brutal savagery-of their situation sets in. A teacher himself, Golding clearly understood how to interest children with a gripping story and strong, sympathetic characters. The novel serves as a catalyst for thought-provoking discussion and analysis of universal issues, not only concerning the capabilities of humans for good and evil and the fragility of moral inhibition, but beyond. The boys' struggle to find a way of existing in a community with no fixed boundaries invites readers to evaluate the concepts involved in social and political constructs and moral frameworks. Symbolism is strong throughout, revealing both the boys' capacity for empathy and hope, as well as illuminating the darkest corners of the human spirit. Ideas of community, leadership, and the rule of law are called into question as the reader has to consider who has a right to power, why, and what the consequences of the acquisition of power may be. Often compared to Catcher in the Rye, Lord of the Flies also represents a coming-of-age story of innocence lost.
HarperCollins is proud to present its range of best-loved, essential classics. 'I am no bird; and no net ensnares me; I am a free human being with an independent will.' Bronte's infamous Gothic novel tells the story of orphan Jane, a child of unfortunate circumstances. Raised and treated badly by her aunt and cousins and eventually sent away to a cruel boarding school, it is not until Jane becomes a governess at Thornfield that she finds happiness. Meek, measured, but determined, Jane soon falls in love with her brooding and stormy master, Mr Rochester, but it is not long before strange and unnerving events occur in the house and Jane is forced to leave Thornfield to pursue her future.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
The Little Prince is a modern fable, and for readers far and wide both the title and the work have exerted a pull far in excess of the book’s brevity. Written and published first by Antoine de St-Exupéry in 1943, only a year before his plane disappeared on a reconnaissance flight, it is one of the world’s most widely translated books, enjoyed by adults and children alike. In the meeting of the narrator who has ditched his plane in the Sahara desert, and the little prince, who has dropped there through time and space from his tiny asteroid, comes an intersection of two worlds, the one governed by the laws of nature, and the other determined only by the limits of imagination. The world of the imagination wins hands down, with the concerns of the adult world often shown to be lamentably silly as seen through the eyes of the little prince. While adult readers can find deep meanings in his various encounters, they can also be charmed back to childhood by this wise but innocent infant. This popular translation contains the author’s own delightful illustrations, bringing to visual life the small being at the tale’s heart, and a world of fantasy far removed from any quotidian reality. It is also a sort of love story, in which two frail beings, the downed pilot and the wandering infant-prince who has left behind all he knows, share their short time together isolated from humanity and finding sustenance in each other. This is a book which creates a unique relationship with each reader, whether child or adult.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
I am a ridiculous man. They call me mad now. That would be a promotion
in rank
When millions suffer under oppression, when resentment boils into bloody insurrection, when triumph leads to savage vengeance - can one individual life matter? In A Tale of Two Cities, Charles Dickens sets the intensely personal dramas of Lucie Manette, Charles Darnay, and Sydney Carton against the backdrop of the French Revolution and its terror and chaos. The result is a powerful story of love, sacrifice, and redemption.
The year is 2349. Pirate Ben Long and crew face trouble. Chased by the Space Navy, they fall through a black hole. Their ship Lion survives, piloted by Sugar, Ben's android, but in a new dimension adventures crowd them. They rescue Terri, an alien warrior in an escape pod and go to her planet Xenaria. Bugs have taken control of it. With Terri driven by revenge, she, Ben, Sugar and Ahmad, Lion's First Lieutenant, land to fight. Captured by bugs, they escape, steal an enemy ship and head back to Lion only to find her hijacked. When they recover the ship, Sugar and Terri duel over Ben. Then it's on to a meeting with bugs - and an unforeseeable proposal. More surprises follow -
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. |
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