Great Expectations was first published as a weekly serial in All the Year Round, December 1860 - August 1861. Its first appearance in volume form was as three-volume novel, without illustrations, in July 1861. A one-volume edition, the next year, preceded its inclusion in the collected editions of Dickens's lifetime. The three-volume 1861 edition is the basis of the present text: variant readings, including those in manuscript and extant proofs, are recorded in the textual apparatus, providing an unusually rich source of information on Dickens's methods of composition. The Introduction traces this process of composition and draws attention to the two unperformed dramatic adaptations: the reading version and the 1861 play version, made as a safeguard of copyright. Appendices include the original ending, the author's notes, and two textual examinations, one of the five so-called `editions' of 1861, the other a comparison of the one-volume 1862 edition with the 1864 Library edition.

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The animals at Manor Farm have had enough of Farmer Jones – he’s drunk, reckless and cares little for their welfare. When the boar, Old Major, shares his revolutionary plans, the animals are convinced they can thrive on their own once the despot Jones is overthrown. But as the pigs vie for power, they begin to bear an uncanny resemblance to the tyrants they have overthrown…

George Orwell’s renowned fable became an instant success on publication after the Second World War. The novel has continued to captivate readers of all ages, and has secured Orwell’s position as one of the great writers of the twentieth century.

For the first time a major novel by Charlotte Bronte appears in an edition based directly on the author's manuscript. Like her other mature work, The Professor owes much to her relationship with M. Heger, her Brussels schoolmaster. The first of her full-length novels, it is of special interest since it was written comparatively soon after her experiences in Brussels in the early 1840s, but not published until 1857, after her death. A full introduction gives an account of its composition, analyses the manuscript, and describes the circumstances of its eventual publication, in an inaccurate form, under the editorship of A. B. Nicholls. Appendices include an unused `Preface' - one of Charlotte Bronte's attempts to `recast' the novel - and a list of substantive variants between the manuscript and the first edition. Her last fragmentary novel, `Emma', begun after Villette, is now transcribed directly from the author's rough draft, instead of from the polished and revised text produced by Nicholls, George Smith, and Thackeray for the Cornhill Magazine in 1860. The volume contains full indexes to Biblical and literary allusions in Charlotte Bronte's four major novels, thus giving a fascinating guide to the nature and extent of her reading. The editors also make use of continuing research by providing a list of additions and corrections to all previous volumes in the Clarendon Bronte series.

This volume collects more than forty detective tales published in the same years that Sherlock Holmes earned his formidable reputation as the Great Detective. It includes stories by Edgar Allan Poe, Charles Dickens, Robert Louis Stevenson, and others that broke ground for the detective story, as well as featuring lady sleuths in stories by Wilkie Collins, Richard Marsh, Anna Katherine Green, and others. Also included are Sherlockian Satires and Homages, in the form of respectful and comic riffs on Sherlock Holmes and his methods by Henry, Bret Harte, Mark Twain, and others.

The eighth novel of Charles Dickens, which was first published serially between May 1849 and November 1850, "David Copperfield", is viewed as one of the most autobiographical of all the author's novels. A classic coming-of-age story, it is the tale of its titular character from childhood to maturity which chronicles the struggle between the emotional and moral aspects of his life. Central to the theme of the novel is the idea of the disciplined heart. Dickens suggests that people basically fall into three categories: those who have one, those who don't, and those who seek to cultivate one. It is this development of a disciplined heart inside David Copperfield which establishes the principal context of his relationships throughout the novel. David's story is one filled with trials and tribulations which he struggles to overcome in his pursuit of a happy and fulfilled life. Considered by many as one of Dickens's greatest works, "David Copperfield" remains as popular today as when it was first published. This edition is printed on premium acid-free paper.

This edition of one of Dickens's earlier novels is based on the accurate Clarendon edition of the text and includes the prefaces to the 1850 and 1867 editions and Dickens's Number Plans.

Pride and Prejudice, which opens with one of the most famous sentences in English Literature, is an ironic novel of manners. In it the garrulous and empty-headed Mrs Bennet has only one aim - that of finding a good match for each of her five daughters. In this she is mocked by her cynical and indolent husband. With its wit, its social precision and, above all, its irresistible heroine, Pride and Prejudice has proved one of the most enduringly popular novels in the English language.

Translated by Constance Garnett, with an Introduction and Notes by Agnes Cardinal, Honorary Senior Lecturer in Comparative Literature at the University of Kent. Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.

"This Side of Paradise" was published in 1920. The novel explores the lives and morality of post-World War I youth and the theme of love corrupted by greed. "The Beautiful and the Damned" is about a 1920s socialite and his relationship with his wife, his service in the army and his alcoholism. It explores the themes of love, money and decadence. "The Great Gatsby" was first published in 1925 and quickly became a classic novel. The Modern Library named it the second best English-language novel of the 20th Century. Set in 1922 America is enjoying the roaring twenties, however Prohibition has made alcohol an illegal substance and hence the bootleggers are making a killing. "Tender Is the Night" is the final complete novel that F. Scott Fitzgerald wrote, it was published in 1934. It explores complex relationships and mental health issues, it is quite dark at times.

With an Introduction and Notes by David Herd, Lecturer in English and American Literature at the University of Kent at Canterbury and co-editor of 'Poetry Review'. Moby Dick is the story of Captain Ahab's quest to avenge the whale that 'reaped' his leg. The quest is an obsession and the novel is a diabolical study of how a man becomes a fanatic. But it is also a hymn to democracy. Bent as the crew is on Ahab's appalling crusade, it is equally the image of a co-operative community at work: all hands dependent on all hands, each individual responsible for the security of each. Among the crew is Ishmael, the novel's narrator, ordinary sailor, and extraordinary reader. Digressive, allusive, vulgar, transcendent, the story Ishmael tells is above all an education: in the practice of whaling, in the art of writing. Expanding to equal his 'mighty theme' - not only the whale but all things sublime - Melville breathes in the world's great literature. Moby Dick is the greatest novel ever written by an American.

Generally considered to be F. Scott Fitzgerald's finest novel, The Great Gatsby is a consummate summary of the "roaring twenties", and a devastating expose of the 'Jazz Age'. Through the narration of Nick Carraway, the reader is taken into the superficially glittering world of the mansions which lined the Long Island shore in the 1920s, to encounter Nick's cousin Daisy, her brash but wealthy husband Tom Buchanan, Jay Gatsby and the mystery that surrounds him. The Great Gatsby is an undisputed classic of American literature from the period following the First World War and is one of the great novels of the twentieth century.

With an Introduction and Notes by David Rampton, Department of English, University of Ottowa. Notes from Underground and Other Stories is a comprehensive collection of Dostoevsky's short fiction. Many of these stories, like his great novels, reveal his special sympathy for the solitary and dispossessed, explore the same complex psychological issues and subtly combine rich characterization and philosophical meditations on the (often) dark areas of the human psyche, all conveyed in an idiosyncratic blend of deadly seriousness and wild humour. In Notes from Underground, the Underground Man casually dismantles utilitarianism and celebrates in its stead a perverse but vibrant masochism. A Christmas Tree and a Wedding recounts the successful pursuit of a young girl by a lecherous old man. In Bobok, one Ivan Ivanovitch listens in on corpses gossiping in a cemetery and ends up deploring their depravity. In A Gentle Spirit, the narrator describes his dawning recognition that he is responsible for his wife's suicide. In short, as a commentator on spiritual stagnation, Dostoevsky has no equal.

Join a young Ghanaian woman on her journey into Europe's heart of whiteness to meet the natives in this iconoclastic modern classic.

Sissie is leaving Ghana for the first time. Arriving in Europe on a scholarship to experience the glories of a Western education, she plunges into this new continent's heart of whiteness, observing the strange customs of the natives.

Drinking cocktails at the German Embassy, she cringes at her countrymen. In a Bavarian castle, she is seduced by the lonely mother of Little Adolf. In freezing London, she witnesses 'been-tos' sharing myths of an overseas idyll. In between continents, she writes a letter on the plane to her exiled former lover. But it is not sent. She will tell these tales back at home.

Ama Ata Aidoo's landmark debut Our Sister Killjoy exploded into the world in 1977. With its blistering feminist satire of the West African diaspora, colonial legacies and toxic racism, expressed in a radical literary form - prose poetry, letter, manifesto - its provocative impact remains unmatched half a century on.

Fables of the East is the first anthology to provide textual examples of representations of oriental cultures in the early modern period drawn from a variety of genres: travel writing, histories, and fiction. Organized according to genre in order to illustrate the diverse shapes the oriental tale adopted in the period, the extracts cover the popular sequence of oriental tales, the pseudo-oriental tale, travels and history, and letter fictions. Authors represented range from the familiar - Joseph Addison, Horace Walpole, Montesquieu, Oliver Goldsmith - to authors of great popularity in their own time who have since faded in reputation such as James Ridley, Alexander Dow, and Eliza Haywood. The selection has been devised to call attention to the diversity in the ways that different oriental cultures are represented to English readers. Readers of this anthology will be able to identify a contrast between the luxury, excess, and sexuality associated with Islamic Turkey, Persia, and Mughal India and the wisdom, restraint, and authority invested in Brahmin India and Confucian China. Fables of the East redraws the cultural map we have inherited of the eighteenth century, demonstrating contemporary interest in gentile and 'idolatrous' religions, in Confucianism and Buddhism especially, and that the construction of the Orient in the western imagination was not exclusively one of an Islamic Near and Middle East. Ros Ballster's introduction addresses the importance of the idea of 'fable' to traditions of narrative and representations of the East. Each text is accompanied by explanatory head and footnotes, also provided is a glossary of oriental terms and places that were familiar to the texts' eighteenth-century readers.

One summer before World War I, a young couple escapes on a romantic weekend getaway to the small German town of Rheinsberg, north of Berlin, in the midst of a rural landscape filled with country houses and castles, cobble-stone streets, lush forests, and dreamy lakes. The story of Wolfie and Claire, told with a fresh, new style of ironic humor, became Kurt Tucholsky s first literary success and the blueprint for love for an entire generation. Kurt Tucholsky was a was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady s man, one of the most famous journalists in Weimar Germany, and an early warner against the Nazis. Erich Kaestner called him a "small, fat Berliner," who "wanted to stop a catastrophe with his typewriter." When Tucholsky began to write, he had five voices in the end, he had none. His books were burned and banned by the Nazis, who drove him out of his country. But he is not forgotten. Rheinsberg is at once a delightful and a deeply disquieting story. The lovers, Claire and Wolfie a silly but harmless pair escape the confines of Berlin for a romantic romp in the countryside. As their brief interlude nears its end, already consigned to memory, there comes with it an end to innocence, to frivolity. It was 1912; Kurt Tucholsky s prescience was uncanny: the holiday is over and soon we will go to war. --Binnie Kirshenbaum, author of Hester Among the Ruins and The Scenic Route Once known as Weimar Germany s greatest political satirist and one of that fabled era s most celebrated literary figures, Kurt Tucholsky is today virtually unknown in America. Now, readers have the chance to discover one of his early pieces of fiction that exhibits the intense wit, charm, and rhetorical verve for which he earned his reputation. Noah Isenberg, author of Between Redemption and Doom: The Strains of German-Jewish Modernism In Rheinsberg, Tucholsky delivers the newness and intensity of young love, sweet, sometimes strident, with repartee juxtaposed against the sylvan landscape of rural Germany. Poignant, biting, tender: a reminder of what love promises and can be. Victoria Zackheim, playwright, novelist, and anthologist A wonderful and charming love story, finally rediscovered and brought to America Claudia Dreifus, Professor of International and Public Affairs at Columbia University, New York Teachers and students of history and literature will welcome this collection of texts by Kurt Tucholsky, an early 20th century master of literary and political criticism, whose incisive and elegant voice will now be more widely available in English. Atina Grossmann, Professor of History at Cooper Union and author of Jews, Germans and Allies: Close Encounters in Occupied Germany Rheinsberg a short story of two unconventional lovers in the last carefree days of Germany before 1914. The first major work by the anti-Nazi journalist and poet Kurt Tucholsky finally appears in a new translation for English speakers. Ian King, Professor of German, Chair of the Kurt Tucholsky Society

Dickens had already achieved renown with The Pickwick Papers. With Oliver Twist his reputation was enhanced and strengthened. The novel contains many classic Dickensian themes - grinding poverty, desperation, fear, temptation and the eventual triumph of good in the face of great adversity. Oliver Twist features some of the author's most enduring characters, such as Oliver himself (who dares to ask for more), the tyrannical Bumble, the diabolical Fagin, the menacing Bill Sikes, Nancy and 'the Artful Dodger'. For any reader wishing to delve into the works of the great Victorian literary colossus, Oliver Twist is, without doubt, an essential title.