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Books > Fiction > Special features > Classic fiction
Wuthering Heights is a wild, passionate story of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine's father. After Mr Earnshaw's death, Heathcliff is bullied and humiliated by Catherine's brother Hindley and wrongly believing that his love for Catherine is not reciprocated, leaves Wuthering Heights, only to return years later as a wealthy and polished man. He proceeds to exact a terrible revenge for his former miseries. The action of the story is chaotic and unremittingly violent, but the accomplished handling of a complex structure, the evocative descriptions of the lonely moorland setting and the poetic grandeur of vision combine to make this unique novel a masterpiece of English literature.
Jane Austen teased readers with the idea of a 'heroine whom no one but myself will much like', but Emma is irresistible. 'Handsome, clever, and rich', Emma is also an 'imaginist', 'on fire with speculation and foresight'. She sees the signs of romance all around her, but thinks she will never be married. Her matchmaking maps out relationships that Jane Austen ironically tweaks into a clearer perspective. Judgement and imagination are matched in games the reader too can enjoy, and the end is a triumph of understanding.
Little Women is one of the best-loved children’s stories of all time, based on the author’s own youthful experiences. It describes the family of the four March sisters living in a small New England community. Meg, the eldest, is pretty and wishes to be a lady; Jo, at fifteen is ungainly and unconventional with an ambition to be an author; Beth is a delicate child of thirteen with a taste for music and Amy is a blonde beauty of twelve. The story of their domestic adventures, their attempts to increase the family income, their friendship with the neighbouring Laurence family, and their later love affairs remains as fresh and beguiling as ever. Soon after the success of Little Women, Louis May Alcott wrote a sequel called Good Wives. In the U.K. and around most of the world, this has continued to be published as a separate book, but many American editions have incorporated both books under the title of Little Women.
'There he lay looking as if youth had been half-renewed, for the white
hair and moustache were changed to dark iron-grey, the cheeks were
fuller, and the white skin seemed ruby-red underneath; the mouth was
redder than ever, for on the lips were gouts of fresh blood, which
trickled from the corners of the mouth and ran over the chin and neck.
Even the deep, burning eyes seemed set amongst the swollen flesh, for
the lids and pouches underneath were bloated. It seemed as if the whole
awful creature were simply gorged with blood; he lay like a filthy
leech, exhausted with his repletion.'
Pride and Prejudice, which opens with one of the most famous sentences in English Literature, is an ironic novel of manners. In it the garrulous and empty-headed Mrs Bennet has only one aim – that of finding a good match for each of her five daughters. In this she is mocked by her cynical and indolent husband. With its wit, its social precision and, above all, its irresistible heroine, Pride and Prejudice has proved one of the most enduringly popular novels in the English language.
One summer before World War I, a young couple escapes on a romantic weekend getaway to the small German town of Rheinsberg, north of Berlin, in the midst of a rural landscape filled with country houses and castles, cobble-stone streets, lush forests, and dreamy lakes. The story of Wolfie and Claire, told with a fresh, new style of ironic humor, became Kurt Tucholsky s first literary success and the blueprint for love for an entire generation. Kurt Tucholsky was a was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady s man, one of the most famous journalists in Weimar Germany, and an early warner against the Nazis. Erich Kaestner called him a "small, fat Berliner," who "wanted to stop a catastrophe with his typewriter." When Tucholsky began to write, he had five voices in the end, he had none. His books were burned and banned by the Nazis, who drove him out of his country. But he is not forgotten. Rheinsberg is at once a delightful and a deeply disquieting story. The lovers, Claire and Wolfie a silly but harmless pair escape the confines of Berlin for a romantic romp in the countryside. As their brief interlude nears its end, already consigned to memory, there comes with it an end to innocence, to frivolity. It was 1912; Kurt Tucholsky s prescience was uncanny: the holiday is over and soon we will go to war. --Binnie Kirshenbaum, author of Hester Among the Ruins and The Scenic Route Once known as Weimar Germany s greatest political satirist and one of that fabled era s most celebrated literary figures, Kurt Tucholsky is today virtually unknown in America. Now, readers have the chance to discover one of his early pieces of fiction that exhibits the intense wit, charm, and rhetorical verve for which he earned his reputation. Noah Isenberg, author of Between Redemption and Doom: The Strains of German-Jewish Modernism In Rheinsberg, Tucholsky delivers the newness and intensity of young love, sweet, sometimes strident, with repartee juxtaposed against the sylvan landscape of rural Germany. Poignant, biting, tender: a reminder of what love promises and can be. Victoria Zackheim, playwright, novelist, and anthologist A wonderful and charming love story, finally rediscovered and brought to America Claudia Dreifus, Professor of International and Public Affairs at Columbia University, New York Teachers and students of history and literature will welcome this collection of texts by Kurt Tucholsky, an early 20th century master of literary and political criticism, whose incisive and elegant voice will now be more widely available in English. Atina Grossmann, Professor of History at Cooper Union and author of Jews, Germans and Allies: Close Encounters in Occupied Germany Rheinsberg a short story of two unconventional lovers in the last carefree days of Germany before 1914. The first major work by the anti-Nazi journalist and poet Kurt Tucholsky finally appears in a new translation for English speakers. Ian King, Professor of German, Chair of the Kurt Tucholsky Society
Wuthering Heights is a wild, passionate story of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine’s father. After Mr Earnshaw’s death, Heathcliff is bullied and humiliated by Catherine’s brother Hindley and wrongly believing that his love for Catherine is not reciprocated, leaves Wuthering Heights, only to return years later as a wealthy and polished man. He proceeds to exact a terrible revenge for his former miseries. The action of the story is chaotic and unremittingly violent, but the accomplished handling of a complex structure, the evocative descriptions of the lonely moorland setting and the poetic grandeur of vision combine to make this unique novel a masterpiece of English literature.
With an Introduction and Notes by David Herd, Lecturer in English and American Literature at the University of Kent at Canterbury and co-editor of 'Poetry Review'. Moby Dick is the story of Captain Ahab's quest to avenge the whale that 'reaped' his leg. The quest is an obsession and the novel is a diabolical study of how a man becomes a fanatic. But it is also a hymn to democracy. Bent as the crew is on Ahab's appalling crusade, it is equally the image of a co-operative community at work: all hands dependent on all hands, each individual responsible for the security of each. Among the crew is Ishmael, the novel's narrator, ordinary sailor, and extraordinary reader. Digressive, allusive, vulgar, transcendent, the story Ishmael tells is above all an education: in the practice of whaling, in the art of writing. Expanding to equal his 'mighty theme' - not only the whale but all things sublime - Melville breathes in the world's great literature. Moby Dick is the greatest novel ever written by an American.
The Thought Police, Doublethink, Newspeak, Big Brother - 1984 itself: these terms and concepts have moved from the world of fiction into our everyday lives. They are central to our thinking about freedom and its suppression; yet they were newly created by George Orwell in 1949 as he conjured his dystopian vision of a world where totalitarian power is absolute. In this novel, continuously popular since its first publication, readers can explore the dark and extraordinary world he brought so fully to life. The principal characters who lead us through that world are ordinary human beings like ourselves: Winston Smith and Julia, whose falling in love is also an act of rebellion against the Party. Opposing them are the massed powers of the state, which watches its citizens on all sides through technology now only too familiar to us. No-one is free from surveillance; the past is constantly altered, so that there is no truth except the most recent version; and Big Brother, both loved and feared, controls all. Even the simple act of keeping a diary - as Winston does - is punishable by death. In Winston's battle to keep his freedom of thought, he has a powerful adversary in O'Brien, who uses fear and pain to enter his very thought processes. Does 2+2 = 4? Or is it 5? We find out in Room 101. Nineteen Eighty-Four was Orwell's last novel; but the world he created is always with us, as successive generations of readers find within it a mirror for their own times and a warning for the future. Our edition also includes the following selection of Orwell's essays, column extracts and broadcasts: A Hanging; Spilling the Spanish Beans; Reviews of Jack London, The Iron Heel; H. G. Wells, When the Sleeper Awakes; Aldous Huxley, Brave New World; Ernest Bramah, The Secret of the League ; England Your England; Looking Back on the Spanish War; Arthur Koestler; The Prevention of Literature; Politics and the English Language; Why I Write; Politics Vs Literature; Sir Walter Raleigh; The Three Super-States of the Future; Persecution of Writers in USSR; Literature and Totalitarianism; Imaginary Interview: George Orwell and Jonathan Swift
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage. She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester. However, there is great kindness and warmth in this epic love story, which is set against the magnificent backdrop of the Yorkshire moors. Ultimately the grand passion of Jane and Rochester is called upon to survive cruel revelation, loss and reunion, only to be confronted with tragedy.
The Little Prince is a modern fable, and for readers far and wide both the title and the work have exerted a pull far in excess of the book’s brevity. Written and published first by Antoine de St-Exupéry in 1943, only a year before his plane disappeared on a reconnaissance flight, it is one of the world’s most widely translated books, enjoyed by adults and children alike. In the meeting of the narrator who has ditched his plane in the Sahara desert, and the little prince, who has dropped there through time and space from his tiny asteroid, comes an intersection of two worlds, the one governed by the laws of nature, and the other determined only by the limits of imagination. The world of the imagination wins hands down, with the concerns of the adult world often shown to be lamentably silly as seen through the eyes of the little prince. While adult readers can find deep meanings in his various encounters, they can also be charmed back to childhood by this wise but innocent infant. This popular translation contains the author’s own delightful illustrations, bringing to visual life the small being at the tale’s heart, and a world of fantasy far removed from any quotidian reality. It is also a sort of love story, in which two frail beings, the downed pilot and the wandering infant-prince who has left behind all he knows, share their short time together isolated from humanity and finding sustenance in each other. This is a book which creates a unique relationship with each reader, whether child or adult.
When Cora Lansquenet is savagely murdered with a hatchet, the extraordinary remark she made the previous day at her brother Richard's funeral suddenly takes on a chilling significance. At the reading of Richard's will, Cora was clearly heard to say, "It's been hushed up very nicely, hasn't it.... But he was murdered, wasn't he?" In desperation, the family solicitor turns to Hercule Poirot to unravel the mystery....
Sharp left by the school and down the lane to the gas works. The gasworks? I, a dentist, heading for the gasworks in a small Welsh market town? It was the furnace I wanted... From the dramatic scenery of Snowdonia and the Gower to the stunning coastlines and hushed valleys, the landscapes of Wales have inspired many writers of Golden Age mystery stories - from within and without its borders. Centred around a lost novella by Cledwyn Hughes, this new collection features the best stories from celebrated Welsh authors such as Mary Fitt and Ethel Lina White, as well as short mysteries inspired by or set in the cities and wilds of the country by both beloved Golden Age writers and authors from the 1960s and 70s who continued to push the boundaries of the genre.
The official edition of the beloved classic voted by the British Crime
Writers’ Association as the "Best Crime Novel of all Time," now
featuring a new introduction by Louise Penny, a foreword from Agatha
Christie's great grandson, and exclusive content from the Queen of
Mystery.
Anne Shirley is an eleven-year-old orphan who has hung on determinedly to an optimistic spirit and a wildly creative imagination through her early deprivations. She erupts into the lives of aging brother and sister Matthew and Marilla Cuthbert, a girl instead of the boy they had sent for. Thus begins a story of transformation for all three; indeed the whole rural community of Avonlea comes under Anne’s influence in some way. We see her grow from a girl to a young woman of sixteen, making her mistakes, and not always learning from them. Intelligent, hot-headed as her own red hair, unwilling to take a moral truth as read until she works it out for herself, she must also face grief and loss and learn the true meaning of love. Part Tom Sawyer, part Jane Eyre, by the end of Anne of Green Gables, Anne has become the heroine of her own story.
Dickens had already achieved renown with The Pickwick Papers. With Oliver Twist his reputation was enhanced and strengthened. The novel contains many classic Dickensian themes - grinding poverty, desperation, fear, temptation and the eventual triumph of good in the face of great adversity. Oliver Twist features some of the author's most enduring characters, such as Oliver himself (who dares to ask for more), the tyrannical Bumble, the diabolical Fagin, the menacing Bill Sikes, Nancy and 'the Artful Dodger'. For any reader wishing to delve into the works of the great Victorian literary colossus, Oliver Twist is, without doubt, an essential title.
The Restaurant at the End of the Universe is the second part in Douglas Adams' smash hit sci-fi comedy and cult classic series. This stunning gift edition is illustrated by Costa Award winning Chris Riddell. If you've done six impossible things this morning, why not round it off with breakfast at Milliways, the Restaurant at the end of the Universe? Which is exactly what Arthur Dent and the crew of the Heart of Gold plan to do. There's just the small matter of escaping the Vogons, avoiding being taken to the most totally evil world in the Galaxy and teaching a space ship how to make a proper cup of tea. And did anyone actually make a reservation?
Down the rabbit-hole and through the looking-glass! Alice's Adventures in Wonderland & Other Stories features all of the best-known works of Lewis Carroll, including the novels Alice's Adventures in Wonderland and Through the Looking-Glass, with the classic illustrations of John Tenniel. This compilation also features Carroll's novels Sylvie and Bruno and Sylvie and Bruno Concluded, his masterpiece of nonsense verse "The Hunting of the Snark," and miscellaneous poems, short stories, puzzles, and acrostics.
Finnegans Wake is the book of Here Comes Everybody and Anna Livia Plurabelle and their family - their book, but in a curious way the book of us all as well as all our books. Joyce's last great work, it is not comprised of many borrowed styles, like Ulysses, but, rather, formulated as one dense, tongue-twisting soundscape. This 'language' is based on English vocabulary and syntax but, at the same time, self-consciously designed to function as a pun machine with an astonishing capacity for resisting singularity of meaning. Announcing a 'revolution of the word', this astonishing book amounts to a powerfully resonant cultural critique - a unique kind of miscommunication which, far from stabilizing the world in meaning, constructs a universe radically unfixed by a wild diversity of possibilities and potentials. It also remains the most hilarious, 'obscene', book of innuendos ever to be imagined.
All animals are equal, but some animals are more equal than others. George Orwell's modern fable on the way power corrupts is as apt as ever in the twenty-first century. Educational edition of this much-loved classic from Longman.
The Little Prince describes his journey from planet to planet, each tiny world populated by a single adult. It's a wonderfully inventive sequence, which evokes not only the great fairy tales but also such monuments of postmodern whimsy. The author pokes similar fun at a businessman, a geographer, and a lamplighter, all of whom signify some futile aspect of adult existence. |
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