Translated by Constance Garnett with an Introduction by A.D.P. Briggs. In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave a small group of violent revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of Devils, a title that refers the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people Russian society at the time. The satirical portraits of the revolutionaries, with their naivety, ludicrous single-mindedness and readiness for murder and destruction, might seem exaggerated - until we consider their all-too-recognisable descendants in the real world ever since. The key figure in the novel, however, is beyond politics. Nikolay Stavrogin, another product of rationalism run wild, exercises his charisma with ruthless authority and total amorality. His unhappiness is accounted for when he confesses to a ghastly sexual crime - in a chapter long suppressed by the censor. This prophetic account of modern morals and politics, with its fifty-odd characters, amazing events and challenging ideas, is seen by some critics as Dostoevsky's masterpiece.

The Santa Killer is coming to town...One night less than two weeks before Christmas, a single mother is violently assaulted. It's a brutal crime at the time of year when there should be goodwill to all. When DI Barton begins his investigation, he's surprised to find the victim is a woman with nothing to hide and no reason for anyone to hurt her. A few days later, the mother of the woman attacked rings the police station. Her granddaughter has drawn a shocking picture. It seems she was looking out of the window when her mother was attacked. And when her grandmother asks the young girl who the person with the weapon is, she whispers two words. Bad Santa. The rumours start spreading, and none of the city's women feel safe - which one of them will be next? He's got a list. It's quite precise. It won't matter even if you're nice. Ross Greenwood is back with his bestselling series, perfect for fans of Mark Billingham and Ian Rankin. Praise for Ross Greenwood: 'Ross Greenwood is at the top of his game.' Owen Mullen 'Move over Rebus and Morse; a new entry has joined the list of great crime investigators in the form of Detective Inspector John Barton. A rich cast of characters and an explosive plot kept me turning the pages until the final dramatic twist.' author Richard Burke 'Master of the psychological thriller genre Ross Greenwood once again proves his talent for creating engrossing and gritty novels that draw you right in and won't let go until you've reached the shocking ending.' Caroline Vincent at Bitsaboutbooks blog 'Ross Greenwood doesn't write cliches. What he has written here is a fast-paced, action-filled puzzle with believable characters that's spiced with a lot of humour.' author Kath Middleton

With an Introduction and Notes by David Rampton, Department of English, University of Ottowa. Notes from Underground and Other Stories is a comprehensive collection of Dostoevsky's short fiction. Many of these stories, like his great novels, reveal his special sympathy for the solitary and dispossessed, explore the same complex psychological issues and subtly combine rich characterization and philosophical meditations on the (often) dark areas of the human psyche, all conveyed in an idiosyncratic blend of deadly seriousness and wild humour. In Notes from Underground, the Underground Man casually dismantles utilitarianism and celebrates in its stead a perverse but vibrant masochism. A Christmas Tree and a Wedding recounts the successful pursuit of a young girl by a lecherous old man. In Bobok, one Ivan Ivanovitch listens in on corpses gossiping in a cemetery and ends up deploring their depravity. In A Gentle Spirit, the narrator describes his dawning recognition that he is responsible for his wife's suicide. In short, as a commentator on spiritual stagnation, Dostoevsky has no equal.

Written by Mark Twain during the Philippine-American War in the first decade of the twentieth century, The War Prayer tells of a patriotic church service held to send the town's young men off to war. During the service, a stranger enters and addresses the gathering. He tells the patriotic crowd that their prayers for victory are double-edged-by praying for victory they are also praying for the destruction of the enemy... for the destruction of human life.

Originally rejected for publication in 1905 as "not quite suited to a woman's magazine," this antiwar parable remained unpublished until 1923, when Twain's literary executor collected it in the volume Europe and Elsewhere. Handsomely illustrated by the artist and war correspondent Philip Groth, The War Prayer remains a relevant classic by an American icon.