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Books > Fiction > Special features > Classic fiction
J.R.R. Tolkien's writings on the Second Age of Middle-earth,
collected for the first time in one volume. J.R.R. Tolkien famously
described the Second Age of Middle-earth as a 'dark age, and not
very much of its history is (or need be) told'. And for many years
readers would need to be content with the tantalizing glimpses of
it found within the pages of The Lord of the Rings and its
appendices, including the forging of the Rings of Power, the
building of the Barad-dur and the rise of Sauron. It was not until
Christopher Tolkien published The Silmarillion after his father's
death that a fuller story could be told. Although much of the
book's content concerned the First Age of Middle-earth, there were
at its close two key works that revealed the tumultuous events
concerning the rise and fall of the island of Numenor. Raised out
of the Great Sea and gifted to the Men of Middle-earth as a reward
for aiding the angelic Valar and the Elves in the defeat and
capture of the Dark Lord Morgoth, the kingdom became a seat of
influence and wealth; but as the Numenoreans' power increased, the
seed of their downfall would inevitably be sown, culminating in the
Last Alliance of Elves and Men. Even greater insight into the
Second Age would be revealed in subsequent publications, first in
Unfinished Tales of Numenor and Middle-earth, then expanded upon in
Christopher Tolkien's magisterial twelve-volume The History of
Middle-earth, in which he presented and discussed a wealth of
further tales written by his father, many in draft form. Now,
adhering to the timeline of 'The Tale of Years' in the appendices
to The Lord of the Rings, editor Brian Sibley has assembled into
one comprehensive volume a new chronicle of the Second Age of
Middle-earth, told substantially in the words of J.R.R. Tolkien
from the various published texts, with new illustrations in
watercolour and pencil by the doyen of Tolkien art, Alan Lee.
Bealby is a young boy who is absolutely determined not to accept
his lot in life as a servant. However, despite having thrown
tantrums and argued with his mother about his future he has not
been able to change his fate. He reluctantly leaves his home for
Shonts, a big country house, to work as a steward's boy. What he
hasn't anticipated, howver, are the guests that are arriving for
the weekend at the big house, or for the arrival of the eccentric
but captivating Lord Chancellor. What follows is an adventure that
Bealby will not soon forget. Although better known for his science
fiction stories, such as The Time Machine or The War of the Worlds
- both of which have been turned into successful films - H. G.
Wells was also a journalist, sociologist and historian and wrote
over a hundred books, about fifty of them novels. First published
in 1915 Bealby was originally entitled Bealby a Holiday.
'A masterpiece of the genre' If you mess with the Glass family,
don't expect to live to tell the tale... What was meant to be a
straightforward jewellery heist goes horribly wrong, and the
thieves are forced to take a hostage to make their escape. But when
they discover their prisoner is the infamous Nina Glass - one of
the bosses of the most dangerous criminal dynasty in London - they
soon realise they have made a terrible mistake. Greed wins out over
good sense and the gang decide to make the best of a bad situation.
They send Luke Glass a ransom note, but they're messing with the
wrong people. The Glass family have other problems. The crooked cop
they have on their payroll - DCI Oliver Stanford - makes an
unwelcome discovery. The insider they had all presumed dead, may in
fact have survived, and still be feeding information to the police.
Under attack from all sides, and desperate to save his sister, Luke
has the reputation and survival of the Glass family in his hands -
is this the end of their empire? Three people can keep a secret -
if two of them are dead... Pacey, explosive and unforgettable,
Hustle is perfect for fans of Martina Cole, Kimberley Chambers and
Mandasue Heller. What readers say about Owen Mullen: 'Owen Mullen
knows how to ramp up the action just when it's needed... he never
fails to give you hard-hitting thrillers that have moments that
will stay with you forever...' 'One of the very best thriller
writers I have ever read.' 'Owen Mullen writes a good story, he
really brings his characters to life and the endings are hard to
guess and never what you expected.'
The story itself, Kafka's most famous, hardly needs describing -
a travelling salesman, Gregor Samsa, wakes up one morning to find
he has been transformed into an enormous bug - but Faber Finds is
offering something rare, the very first English translation which
has been out of print for over sixty years.
This pioneering translation by A. L. Lloyd was first published
in 1937. A. L. Lloyd was multi-talented: ethnomusicologist,
journalist, radio and television broadcaster, and translator. In
this his centenary year (2008) Faber Finds is celebrating him in
his first and last roles. His major work, Folk Song in England, is
being reissued as are his Lorca and Kafka translations. As well as
both being published in 1937 both were firsts; has anyone else had
Spanish and German translations published in the same year?
It should also be mentioned that A. L. Lloyd was a lifelong
communist. It is a delicious irony therefore that one of the first
reviews of the Kafka was by Evelyn Waugh in the short-lived "Night"
"and Day"; it was a good one too.
The Santa Killer is coming to town...One night less than two weeks
before Christmas, a single mother is violently assaulted. It's a
brutal crime at the time of year when there should be goodwill to
all. When DI Barton begins his investigation, he's surprised to
find the victim is a woman with nothing to hide and no reason for
anyone to hurt her. A few days later, the mother of the woman
attacked rings the police station. Her granddaughter has drawn a
shocking picture. It seems she was looking out of the window when
her mother was attacked. And when her grandmother asks the young
girl who the person with the weapon is, she whispers two words. Bad
Santa. The rumours start spreading, and none of the city's women
feel safe - which one of them will be next? He's got a list. It's
quite precise. It won't matter even if you're nice. Ross Greenwood
is back with his bestselling series, perfect for fans of Mark
Billingham and Ian Rankin. Praise for Ross Greenwood: 'Ross
Greenwood is at the top of his game.' Owen Mullen 'Move over Rebus
and Morse; a new entry has joined the list of great crime
investigators in the form of Detective Inspector John Barton. A
rich cast of characters and an explosive plot kept me turning the
pages until the final dramatic twist.' author Richard Burke 'Master
of the psychological thriller genre Ross Greenwood once again
proves his talent for creating engrossing and gritty novels that
draw you right in and won't let go until you've reached the
shocking ending.' Caroline Vincent at Bitsaboutbooks blog 'Ross
Greenwood doesn't write cliches. What he has written here is a
fast-paced, action-filled puzzle with believable characters that's
spiced with a lot of humour.' author Kath Middleton
No observer, ignorant of the situation, would have guessed that
death lurked nearby, and that only a little distance from the
glitter of silver and glass and the hum of voices two victims lay
silent on a studio floor.'On a fine autumn weekend Lord Aveling
hosts a hunting party at his country house, Bragley Court. Among
the guests are an actress, a journalist, an artist and a mystery
novelist. The unlucky thirteenth is John Foss, injured at the local
train station and brought to the house to recuperate - but John is
nursing a secret of his own.Soon events take a sinister turn when a
painting is mutilated, a dog stabbed, and a man strangled. Death
strikes more than one of the house guests, and the police are
called. Detective Inspector Kendall's skills are tested to the
utmost as he tries to uncover the hidden past of everyone at
Bragley Court.This country-house mystery is a forgotten classic of
1930s crime fiction by one of the most undeservedly neglected of
golden age detective novelists.
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