Whats a young ghost couple to do when their quaint New England home isoverturned by trendy New Yorkers? They hire a freelance bio-exorcist tospook the intruders. And everyone gets more than he, she or it bargainedfor...

Adrift in the Depression-era Southwest, Clyde Barrow and Bonnie Parker embark on a life of crime. They mean no harm. They crave adventure - and each other. Soon we start to love them  too.  

But nothing in film history has prepared us for the cascading violence to follow.

Bonnie and Clyde turns brutal. We learn they can be hurt - and dread they can be killed.

Bonnie and Clyde balances itself on a knife-edge of laughter and terror, thanks to vivid title-role performances by Warren Beatty and Faye Dunaway and superb support from Michael J. Pollard, Gene Hackman and Estelle Parsons.

Sting and his wife Trudie Styler, along with an ensemble of actors, singers and musicians, bring to life the tragic love between the composer Robert Schumann and his pianist wife Clara Wieck. Reflecting the separation that came to be such a central theme of their lives, the performers are divided into male and female groups. Sting reads the letters of Robert Schumann, with his songs sung by Iain Burnside, while Trudie Styler reads Clara's letters, with her songs being sung by Rebecca Evans.

Classic documentary drama based on Walter Lord's book about the sinking of the Titanic in 1912. Told from the perspective of Second Officer Charles Lightoller (Kenneth More), the story follows the supposedly 'unsinkable' ship as she embarks on her maiden voyage and ultimately founders in the North Atlantic Ocean. The ship leaves port and soon Captain Smith (Laurence Naismith) is given several ice warnings but decides not to decrease the Titanic's speed. When the ship hits an iceberg late at night on April 14th the situation looks bleak, especially with the realisation that there are not enough lifeboats to carry all on board. The Titanic's distress call is received by the Carpathia but she is four hours away and unlikely to reach the ship before it sinks. Chaos breaks out both above and below deck as the passengers and crew race against time for their survival.

Classic drama starring Celia Johnson as a married woman whose life is thrown into turmoil when she unexpectedly falls in love with a stranger. Laura Jesson (Johnson) appears to be the very embodiment of a respectable, happily-married British housewife and mother. Equally, the man who comes to her assistance when a passing train blows grit into her eye, Dr Alec Harvey (Trevor Howard), enjoys a settled and comfortable life. Neither of the pair are prepared for the emotions the encounter will evoke in them. Unable to forget each other, they begin meeting covertly in the railway cafe. Given that both are married with children, pursuing a romantic relationship seems impossible, but will the power of their love overwhelm all other concerns?

David Lean directs this classic adaptation of Dickens's novel about a young orphan who develops 'great expectations' after a mysterious benefactor pledges to sponsor his transformation into a gentleman. Pip (Anthony Wager) is visiting the graves of his deceased parents when he finds himself confronted by an escaped convict, Magwitch (Finlay Currie). Unfortunately for Pip, Magwitch isn't the only frightening adult he becomes acquainted with. When Miss Havisham (Martita Hunt), an eccentric old woman still dressed for the wedding at which she was abandoned by her groom years ago, seeks a playmate for her charge, Estella (Jean Simmons), it is Pip who is sent for. The boy quickly falls in love with Estella, though his hopes seem forlorn due to the gap in social standing between the two. When an older Pip (John Mills) discovers that he has a benefactor, he feels that Estella may be won, but has he read the situation correctly?

James Cameron's epic action, sci-fi masterpiece starring Schwarzenegger in his most iconic role, has been stunningly restored by Cameron himself and is loaded with special features. First hitting our screens in 1991 with ground-breaking special effects, this version will take the seminal blockbuster to the next level of effects and into the 21st century for a new generation of fans.

It has been 10 years since the events of Terminator. Sarah Connor's ordeal is only just beginning as she struggles to protect her son John, the future leader of the human resistance against the machines, from a new Terminator, sent back in time to eliminate John Connor while he's still a child. Sarah and John don't have to face this terrifying threat alone however. The human resistance have managed to send them an ally, a warrior from the future ordered to protect John Connor at any cost.

The battle for tomorrow has begun.

In 1880s Kansas, ageing gunslinger-turned-farmer William Munny reluctantly agrees to come out of retirement to help old friend Ned Logan collect the bounty on two wanted murderers.

The cowboys in question cut up a prostitute in a lawless town in Wyoming lorded over by the corrupt Sheriff Daggett, and if Munny and Logan want to catch them they are going to have to deal with Daggett first.

The film won four Academy Awards including Best Picture, Best Director, Best Actor in a Supporting Role (Hackman) and Best Film Editing.

Nicholas Ray directs this film noir adaptation of the novel by Dorothy B. Hughes starring Humphrey Bogart and Gloria Grahame. Troubled screenwriter Dixon Steele (Bogart) is given the opportunity to reinvigorate his failing career by creating a film adaptation of a trashy novel. After balking at the thought of actually reading it, Dixon hires Mildred (Martha Stewart), who he meets in a bar, to summarise the novel for him. They leave the bar together but when Mildred is found murdered the next day Dixon is the prime suspect. His only forthcoming alibi is from Laurel Gray (Grahame), who testifies to his innocence out of affection, rather than truth. As the pair fall helplessly in love, Laurel is haunted by the possibility that Dixon was the murderer.

Powerful drama about loyalties and the industrial workplace in early 60s Britain. Factory worker Tom Arnold (Richard Attenborough) does not share the same feelings as his fellow workers in a developing industrial dispute and refuses to go on strike with them. This results in him being 'sent to Coventry' by all concerned, including his best friend Joe Wallace (Michael Craig). The newspapers soon hear about this and the story becomes a matter of national concern, with many different parties trying to use Tom's stance to their own ends.

D.W. Griffith co-writes and directs this epic and controversial account of the American Civil War and its aftermath. It tells the story of two families, the pro-Union Stonemans from the North and the pro-Confederacy Camerons from the South, and the way in which they are both caught up in the turmoil which befalls a sleepy Deep South town when Northern Abolitionists threaten to outlaw the slave trade which has existed there for years. Things go from bad to worse when Ben Cameron (Henry B. Walthall)'s little sister dies at the hands of Gus (Walter Long), a black farmhand, and Ben dons a Ku Klux Klan mask both to avenge her death and to come to the rescue of his beloved girlfriend Elsie (Lillian Gish), who has been kidnapped by a corrupt mixed-race governor.

Gregory Peck, Ava Gardner and Fred Astaire star in this apocalyptic sci-fi drama. In 1964, nuclear war has wiped out all life in Earth's northern hemisphere. After discovering San Francisco to be devastated and deserted, US submarine commander Captain Dwight Towers (Peck) and his crew head for Australia where they await the fallout that will inevitably kill them. Meanwhile, Australian scientist Julian Osborn (Astaire) achieves his life's ambition of winning an auto race and Towers finds romance with good-time girl Moira Davidson (Gardner), who is determined to take one last chance at love.

Director Karel Reisz's adaptation of Alan Sillitoe's novel about a hard-living factory worker and the married woman he seduces. Arthur Seaton (Albert Finney) is a young man filled with a rage perhaps even he doesn't fully understand. Working in the tough environment of a Nottingham factory, he compensates for the drudgery and discipline of his weekday life with weekends spent drinking and womanising. His affair with a fellow factory worker's wife, Brenda (Rachel Roberts), seems especially ill-advised - particularly when Brenda informs him that she is pregnant with his child. With abortion illegal at the time, Arthur and Brenda face a difficult dilemma. Will Arthur face up to the kind of domestic responsibilities he openly scorns in his own parents, or run harder than ever?

Julie Christie stars in this adaptation of Thomas Hardy's 19th-century story of a woman's passion. Set in Victorian England, the film follows Bathsheba Everdene (Christie), a beautiful, independent woman who runs the farm she was left by her uncle. She becomes romantically involved with three very different men: handsome and wayward soldier Frank Troy (Terence Stamp); prosperous gentleman William Boldwood (Peter Finch); and ever-patient shepherd Gabriel Oak (Alan Bates).

Julie Christie stars in this adaptation of Thomas Hardy's 19th-century story of a woman's passion. Set in Victorian England, the film follows Bathsheba Everdene (Christie), a beautiful, independent woman who runs the farm she was left by her uncle. She becomes romantically involved with three very different men: handsome and wayward soldier Frank Troy (Terence Stamp); prosperous gentleman William Boldwood (Peter Finch); and ever-patient shepherd Gabriel Oak (Alan Bates).

When a young girl is murdered a Police Inspector is sent to investigate a prosperous Yorkshire household. It emerges that each one of the family has a guilty secret - each one is partly responsible for her murder. Alastair Sim stars in this classic drama.

When a young girl is murdered a Police Inspector is sent to investigate a prosperous Yorkshire household. It emerges that each one of the family has a guilty secret - each one is partly responsible for her murder. Alastair Sim stars in this classic drama.

Collection of three films from Britain's Ealing Studios all starring Alec Guinness. In 'Kind Hearts and Coronets' (1949) an embittered aristocrat sets out to murder the eight heirs that stand between him and succession to the family title. Louis Mazzini (Dennis Price) holds no love for the aristocratic family he counts as relations, the D'Ascoynes. The family cast his mother out when she decided to marry a 'commoner', Louis's father, and on her death refuse to allow her to be buried in the family vault. An outraged Louis vows revenge and begins working his way into the trust of the family to provide him with the opportunity to bump off the male heirs (all played by Guinness) one by one. However, complications arise when he becomes romantically entangled with one of the widows of his victims, Edith D'Ascoyne (Valerie Hobson). Will Louis be able to stay the course and murder his way to a Dukedom? In 'The Lavender Hill Mob' (1951) Guinness stars as a mild-mannered bank clerk whose sudden compulsion to rob the bank he works for causes all manner of chaos. Henry Holland (Guinness) has been trusted with delivering gold bullion for 20 years and is considered a safe pair of hands by his employers. However, Henry harbours dreams of becoming rich and hatches a plan to steal the gold when he makes the acquaintance of the artist, Alfred Pendlebury (Stanley Holloway). The pair realise that if Alfred melts the stolen gold into miniature statues of the Eiffel Tower, it could be smuggled safely to France and sold on. However, things go awry when the gold statues become mixed in with a group of ordinary statues, leading to a frantic chase as Henry and Alfred try to recover the gold without their crime being detected. The film features a brief cameo from a young Audrey Hepburn. In 'The Man in the White Suit' (1951) eccentric Sidney Stratton (Guiness) is a laboratory cleaner in a textile factory, who invents a material that will neither wear out nor become dirty. Initially hailed as a great discovery, Sidney's astonishing invention is suffocated by the management when they realise that if it never wears out, people will only ever have to purchase one suit of clothing.

Beneath the sewers of the Paris Opera House, a masked figure dwells. He is Enrique (Lon Chaney), the Phantom, a hideously disfigured composer whose dream is to turn chorus singer Christine (Mary Philbin) into a diva. This adaptation of Gaston Leroux's novel gave 'Man of a Thousand Faces' Lon Chaney his most famous role, and is celebrated today as one of the great classics of American silent film.

Elizabeth Taylor and Richard Burton star in this Oscar-winning, epic retelling of the life and loves of the Egyptian queen. Desperate to hold onto her throne in the face of Roman expansion, Cleopatra (Taylor) employs all her charms in an attempt to secure an alliance with Julius Caesar (Rex Harrison). When Caesar is subsequently murdered, however, a vulnerable Cleopatra quickly turns her affections to popular Roman general Mark Antony (Burton).

But although the relationship initially fares well, it's not long before the once proud general, now emasculated by the queen's charms, is reduced to a shadow of his former self that presages the doomed lovers' ultimate fate.

After the destruction of the SS Asia Star in London Docks, Commander 'Robbie' Brennan joins forces with Special Branch and MI5 to investigate an underground terrorist group planning acts of sabotage. They discover that the group's next act of destruction is 'the big one' - an attack on a power station.

Classic Ealing comedy about a group of villagers who, angered by British Rail's decision to close down their local branch line, make a bid to run the service themselves, making use of an antique locomotive liberated from a local museum.

Epic retelling of the story of Moses (Charlton Heston), beginning with him as a baby in the bullrushes, and then moving through his time in the Egyptian court, the struggle with Pharoah (Yul Brynner) to obtain the freedom of his people, the parting of the Red Sea, the receipt of the Ten Commandments, the years of wandering in the desert, and the final arrival in the land of Canaan. Directed by Cecil B. DeMille, this was both his crowning glory and his final film.

Eccentric Sidney Stratton (Alec Guiness) is a laboratory cleaner in a textile factory, who invents a material that will neither wear out nor become dirty. Initially hailed as a great discovery, Sidney's astonishing invention is suffocated by the management when they realise that if it never wears out, people will only ever have to purchase one suit of clothing.

Six classic Arthur Askey comedies. 'Back Room Boy' (1942) follows the antics of Askey and a timid meterologist who are packed off to an Orkney Island lighthouse. After a bit of mucking about they go off hot on the trail of a band of Nazi spies. 'Band Waggon' (1940) is a spin-off movie from Askey's popular BBC radio programme of the same name. After being evicted from Broadcasting House, Arthur and Richard 'Stinker' Murdoch move to a castle where they stumble upon television equipment which they use to put on a show. The show is of course the ideal vehicle for the variety acts from the radio show. In 'Bees in Paradise' (1944), Askey plays a pilot who bales out over Paradise Island, not knowing that he is about to land in a bee-worshipping colony of women and that he is about to become a drone for the queen bee. When he finds out that, as custom demands, he is due to be sacrificed two months after the honeymoon, he soon starts thinking about escape. The women of course have other ideas. In 'King Arthur Was a Gentleman' (1942), Askey is a newly recruited soldier who finds himself stationed in King Arthur County. Naturally when he unexpectedly chances upon a sword he is convinced it belonged to Arthur and that now he is indestructible. In 'Miss London Ltd.' (1943), Askey stars as a man trying to save his flagging escort agency. A new partner suggests getting some new girls in, just in time for the soldiers' leave. The film features English singing favourite of the 1940s, Anne Shelton. In 'I Thank You' (1941), the perils, humiliations and humour of trying to run a second-rate theatrical company are further compounded when financial aid, given by the former famous music-hall star Lady Randall (Lily Morris), is withdrawn. Not to be defeated, the stars decide the show must go on and devise a plan to persuade her to reinvest.