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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore > Costume, clothes & fashion
It is harder for men isn't it? You can't get together to discuss which outfit suits you, or realise the allure of retail therapy like women can. Just imagine you and your mates down the local pub chatting about your favourite shade of pink. Difficult. It might be a laughing matter but if you don't really care about your image you might be having a harder time at work not to mention on the romance front. Studies have proven that a poor image limits prospects at work, and that others make major judgements based entirely on our appearance. Discover... * How to hide your beer belly * How to make short legs look longer or long legs look shorter * How to make a slight frame look more imposing * Your unique face shape and which glasses/hairstyles suit it best * How to tie half windsor, double windsor and 4-in-hand knots * How to look more youthful or authoritative * What to do when your hair starts to desert you * How choosing the right colour can affect your mood and performance * Your unique body shape and how to make the most of it with the right clothes * Why size matters - getting your scale right * A hit-list of stuff you should chuck out of your wardrobe - right now This book is for you if you want to... * Improve your career and promotion prospects * Make a powerful lasting first impression * Command more respect from your peers * Have more success on the romance front
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
1873. One touch of storytelling may . . . make the whole world kin. So stated Ralston. In England the works of Ralston were the first to deal with the vast field of Slavonic, and more especially of Russian, folklore. His chief endeavor was to show the great amount of information which the unwritten literature of Russia contains as to the early stages of religious development. See other titles by this author available from Kessinger Publishing.
When we look closely at dress in a novel we begin to enrich our sense of the novel's historical and social context. More than this, wealth, class, beauty and moral rectitude can all be coded in fabric. In the modern novel, narratives are increasingly situated within the consciousness of characters, and it is the experience of dress that tells us about the context and the emotional, political and psychological values of the characters. Dressed in Fiction traces the deployment of dress in key fictional texts of the eighteenth and nineteenth centuries, from Daniel Defoe's Roxana to George Eliot's Middlemarch and Edith Wharton's The House of Mirth. Covering a range of topics, from the growth of the middle classes and the association of luxury with vice, to the reasons why wedding dresses rarely ever symbolize happiness, the book presents a unique study of the history of clothing through the most popular and influential literature of the eighteenth and nineteenth centuries.
British fashion is characterized by oppositions: punk versus pageantry, anarchy versus monarchy, Cool Britannia versus Rule Britannia. Why has British fashion come to be so contradictory? How are these contradictions employed to 'sell British'? What do they mean for consumers who 'buy British'? Through an examination of iconic fashion companies Paul Smith and Mulberry, The National Fabric provides telling insights into the culture of contemporary fashion and the dilemmas of 'going global'. Goodrum argues that 'Britishness' is characterized less through a particular look than through its ambiguities. She shows how the apparently straightforward and economically-driven process of globalizing British fashion is, in fact, far more culturally nuanced and locally embedded than has previously been suggested. In examining the interplay between fashion and Britishness, Goodrum redresses a longstanding omission in fashion theory, which has been preoccupied with class, gender and race rather than with national identity.
Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
Fashioning Socialism is the first history of communist fashion in East Germany. Using clothing as a lens to read society, the author unveils wider tensions between the regime and the population and within the regime itself.In telling the surprising - and often bizarre - story of communist haute couture, fashion shows, seasonal clearance sales, the textile and garment industries, and everyday consumer practices, this book explores the paradoxical causes, forms, and consequences of East Germany's attempt to create a communist consumer culture during the Cold War. In attempting to compete with capitalism on the West's terms, East Germany unwittingly bred disgruntled consumers - consumers who ultimately tore down the Wall. Topics covered include gender and consumption, Americanization and Sovietization, women as consumer-citizens, and much more.A rare glimpse into consumerism under state socialism, this book offers unique insights into the Cold War, the dynamics and collapse of communism, and modern consumption.
What makes Canada a different kind of society from the United States? In this book-length essay, Philip Resnick argues that, in more ways than one, Canada has been profoundly marked by its European origins. This is most apparent where the European historical underpinnings both of English-speaking and French-speaking Canada are concerned, but it is no less true when one examines Canada's multiple national identities, robust social programs, increasingly secular values and multilateral outlook on international affairs today. As the war in Iraq brought home, and the 2004 federal election reinforced, Canada is a more European-type society than is our neighbour to the south. This does not come without its own complexities or problems. On the contrary, there are significant parallels between the ambiguous versions of national identity that one finds in Canada and what one finds on the European continent. There are parallels, too, between the elements of self-doubt that characterize Canadians overall when they think about their country and those of Europeans caught up in their own, often fractious, attempts to forge a more integrated Europe. The author argues that Canada needs Europe as an effective counter-weight to the influence of the United States. He further argues that, at a deeper existential level, Canadians need relevant European references to better understand what makes them the kind of North Americans that they are.
If fashion is an expression of individuality, why do we all dress alike? Can modernity be described as the experience of 'feeling modern' and, if so, what part does fashion play? Answering these intriguing questions and many more, this pioneering book shows how the concepts of fashion and modernity are intimately linked. It argues that capitalism and identity construction as social processes both have symbiotic relationships with the fashion system. Technology, the body, nationality and gender are informed and shaped by modernity, and vice versa. Drawing on key modernist texts as well as fashion theory and practice, this book seeks broadly to cover the history of fashion and modernity, a topic that has been surprisingly overlooked. Tackling themes including court masques in seventeenth-century London, Paris couturiers and forensic laboratories in twentieth-century Washington, the authors show how fashion throughout history has been a cornerstone in the construction of a modern self.
Japanese tales, translated by Lafcadio Hearn.
Volume 1 of 4. Jacob Grimm was perhaps the first man who commanded a wide enough view of the whole field of Teutonic languages and literature to be able to bring into focus the scattered facts which show the prevalence of one system of thought among all the Teutonic nations from Iceland to the Danube. In this he was materially aided by his mastery of the true principles of philology, which he was the first to establish on a firm scientific basis, and which enabled him to trace a word with certitude through the strangest disguises. As a storehouse of facts within the special province of Teutonic mythology, and as a clue to the derivation and significance of the names of persons and things in the various versions of myth, this work has never been superseded and perhaps it never can be. Partial Contents: God; worship; temples; priests; gods; goddesses; condition of gods; heroes; wise women.
Volume 3 of 4. Jacob Grimm was perhaps the first man who commanded a wide enough view of the whole field of Teutonic languages and literature to be able to bring into focus the scattered facts which show the prevalence of one system of thought among all the Teutonic nations from Iceland to the Danube. In this he was materially aided by his mastery of the true principles of philology, which he was the first to establish on a firm scientific basis, and which enabled him to trace a word with certitude through the strangest disguises. As a storehouse of facts within the special province of Teutonic mythology, and as a clue to the derivation and significance of the names of persons and things in the various versions of myth, this work has never been superseded and perhaps it never can be. Contents: poetry; specters; translation; devil; magic; superstition; sicknesses; herbs and stones; spells and charms.
Volume 4 of 4. Jacob Grimm was perhaps the first man who commanded a wide enough view of the whole field of Teutonic languages and literature to be able to bring into focus the scattered facts which show the prevalence of one system of thought among all the Teutonic nations from Iceland to the Danube. In this he was materially aided by his mastery of the true principles of philology, which he was the first to establish on a firm scientific basis, and which enabled him to trace a word with certitude through the strangest disguises. As a storehouse of facts within the special province of Teutonic mythology, and as a clue to the derivation and significance of the names of persons and things in the various versions of myth, this work has never been superseded and perhaps it never can be. Contents: supplement collected from the author's posthumous notes; Anglo-Saxon genealogies; superstitions; spells; index.
This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
Provincial or local words are of three kinds, the first, either Saxon or Danish, in general grown obsolete from disuse, and the introduction of more fashionable terms; and, consequently, only retained in countries remote from the capital, where modern refinements do not easily find their way and are not readily adopted. The second sort are words derived from some foreign languages, as Latin, French or German; but so corrupted, by passing through the mouths of illiterate clowns as to render their origin scarcely discoverable. The third are mere arbitrary words, not deducible from any primary source or language. The Local Proverbs section of this book all allude to the particular history of the places mentioned or some ancient customs respecting them, and Popular Superstitions tend to illustrate our ancient poems and romances.
Being a collection of legends; traditions; folk tales, myths, etc. centered around the bells of all lands. Illustrated throughout.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
Latin American fashion's recent gain in popularity can be seen most obviously in mass-market ranges throughout the industrialized West. From the tango-inspired dress of Argentina and guerrilla chic in downtown Buenos Aires to swimwear on Copacabana Beach and the rainbow that adorns Mayan women, Latin America has long been a source of inspiration for designers throughout the world. Until now, however, the pivotal role played by dress in this region has surprisingly been overlooked. This book is a long overdue assessment of Latin America's influence on global fashion. The authors examine the significance of textiles and dress to Latin American culture and the reasons behind it from fashion history to popular culture and the (re)making of traditional garments, such as the poncho, the guayabera and maguey-fiber sandals. This book also considers fashion icons such as Frida Kahlo and Eva Peron, women who have been worshipped and transformed into marketable symbols of exoticism and passion, as well as the key role that dress played in their rise to celebrity on the international stage. Providing a first and definitive overview of Latin American fashion, this book is essential reading for anyone interested in Latin American cultural studies or fashion history. Winner of the 2006 Arthur P. Whitaker Prize, awarded by the Middle Atlantic Council of Latin American Studies.
This book puts the material back into clothing. In recent years social scientists have become increasingly interested in theories of fashion, but have rarely directly addressed the material qualities of clothing. By contrast, traditional studies of dress have focused on textiles but often neglect the larger cultural context within which dress becomes consumed as clothing. This book fills a major gap by combining these two 'camps' through an expressly material culture approach to clothing. In sustained case studies, Kchler and Miller argue that cloth and clothing are living, vibrant parts of culture and the body. From the recycling of cloth in Africa and India and the use of pattern in the Pacific, to the history of 'wash and wear' and why women wear the wrong clothes to restaurants in London, this book shows the considerable advantage gained by seamlessly combining material and social aspects of dress and textiles.
Americans began the twentieth century standing in Europe's sartorial shadow, yet ended by outfitting the world in blue jeans, T-shirts and sneakers. How did this come about? What changes in American culture were reflected in fashion? What role did popular culture play?This important overview of American fashion in the twentieth century considers how Americans went from imitating British and French fashion to developing their own sense of style. It examines such influences on dress as class, jazz and hip hop, war, the space race, movies, television and sports. Further, the book shows how gender, psychology, advertising, public policy, shifting family values, the American design movement and expertise in mass production profoundly influenced an American style that has been exported across the globe. From New York City's Bohemians to Hollywood's stars, Twentieth-Century American Fashion reveals the continuing importance of clothing to American identity and individual experience.
According to some legends, the skies pressed so closely and so heavily upon the earth that when the plants began to grow, all the leaves were necessarily flat. According to other legends, the plants had to push up the clouds a little, and thus caused the leaves to flatten out into larger surface, so that they could better drive the skies back and hold them in place. Thus the leaves became flat at first, and have so remained through all the days of mankind.
Prince Houssain, the eldest brother, who had heard wonders of the extent, strength, riches, and splendour of the kingdom of Bisnagar, bent his course towards the Indian coast; and, after three months travelling with different caravans, sometimes over deserts and barren mountains, and sometimes through populous and fertile countries, he arrived at Bisnagar, the capital of the kingdom of that name and the residence of its king. He lodged at a khan appointed for foreign merchants; and having learnt that there were four principal quarters where merchants of all sorts kept their shops, in the midst of which stood the castle, or rather the king's palace, as the centre of the city.
Mother Gruffyd was always so neat, with her black and white striped apron, her high peaked hat, with its scalloped lace and quilled fastening around her chin, her little short shawl, with its pointed, long tips, tied in a bow, and her bright red plaid petticoat folded back from her frock. Her snowy-white, rolling collar and neck cloth knotted at the top, and fringed at the ends, added fine touches to her picturesque costume. |
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