Star-crossed Romeo and Juliet are Shakespeare's most famous lovers. A staple of high school reading lists, the tragedy especially resonates with young adult readers who, like Romeo and Juliet, have experienced the exhilarating and perilous phenomenon of being "in love." Given the tragic ending of the play, what does Shakespeare illustrate about his teen protagonists: Are they the hapless victims of fate, or are they responsible for the poor choices they make? Is their love the "real thing," or is it self-indulgent passion run amok? These are some of the ever relevant questions discussed in this critical edition of Romeo and Juliet.

The first collection of its kind, The Oberon Book of Queer Monologues chronicles over one hundred years of queer and trans performance. Combining stage plays with spoken word and performance art, this anthology features over forty extracts from some of the most exciting stage works in the English-speaking world. Originally published as The Oberon Book of Queer Monologues, it is an essential tool for artists seeking monologues for auditions or training; a comprehensive guide through the hidden histories of queer theatre; and a celebration of the LGBTQIA+ community. Curated by award-winning artist Scottee, it features work from artists including Neil Bartlett, Mae West, Emma Donoghue, Split Britches, Chris Goode and Travis Alabanza.

Translated by Constance Garnett Three Plays" "by Turgenev includes A Month in the Country, " "A Provincial Lady and" "A Poor Gentleman.

Turgenev wrote" "A Month in the Country in France between 1848 and 1850. Published in 1855 and first staged in 1872 the plot revolves around Natalya Petrovna, the 29-year-old wife of older landowner Arkadi Islaev. Set in Islaev's country estate in the 1840s the play pivots around the character of Natalya and her pursuit of attention, first from Mikhailo Rakitin and then with handsome young Aleksei Belyaev, her son's tutor. Problems arise when Vera, her 17-year-old foster daughter, also falls in love with Aleksei. Exploring themes of love, jealousy, rivalry and ennui A Month in the Country is just one example of Turgenev's brilliance.

A Provincial Lady, written in 1851, was a comedy in one act. As Richard Freeborn wrote in 1994, 'Turgenev's comedy has often been called Chekhovian, even though it preceded Chekhov's mature work by more than forty years'.

A Poor Gentleman (1840s) was a two-act play whose themes were compared to the works of Nikolai Gogol, a writer that Turgenev greatly admired and was influenced by. It was for writing an obituary for Gogol that Turgenev found himself arrested and imprisoned for a month, having managed to publish the obituary despite its being banned by the censor.

I board a plane marked with the swastika and take the noon postal service flight from Stockholm to Berlin. In the final days of World War II, a secret meeting takes place between a member of the World Jewish Congress and one of the most powerful Nazis in Germany - without the knowledge of the Fuhrer. Dr Felix Kersten, Himmler's trusted personal physiotherapist, uses his unique position of influence to facilitate a meeting between the architect of the Holocaust and Swedish Jew Norbert Masur. A meeting which could turn Himmler's thoughts away from the fading Fuhrer and towards a course of action that could save thousands of lives. With battle lines crumbling and lives in the balance, the two men must try to find a way to persuade Himmler to release the last surviving concentration camp prisoners contrary to Hitler's orders that no Jew should outlast the regime. Based on a remarkable true story, Ben Brown's The End of the Night opened at The Park, London, in April 2022.

Die drama speel af in die Karoodorpie Willowmore. Die rol van die kerk, verkragting, verlies en familie is van die temas wat aangeraak word.

Lekas kyk na 'n kind se weerloosheid en na die familie se verantwoordelikheid om na haar om te sien. Die watermeid (waternimf of meermin) is die mitiese figuur wat tot die dorpie se redding moet kom en drie kinders in die stuk hoop sy sal hulle kom red.

Dit raak egter gekompliseerd wanneer die skuldige persoon 'n belangrike figuur in die gemeenskap is - die dominee.

The Clangers memorably spoke in a language played on swannee whistles. No one expected them to have scripts. But they did. Within an ancient barn nestled in the heart of the Kent countryside, Smallfilms founders Oliver Postgate and Peter Firmin created one of the most beloved BBC children's series of the twentieth century: Clangers. Clangers: The Complete Scripts 1969-1974 is the ultimate compendium of scripts from the original two series of the show in one lavishly illustrated volume. These previously unseen scripts sit alongside original writing from Daniel Postgate - son of the original creator Oliver Postgate - exploring the inspiration for and lasting cultural impact of the show, new and historical photographs, Peter's original illustrations, Oliver's handwritten musical notations and more. The joyful revelation that the Clangers' often colourful words were scripted in English brings an exciting new dimension to the Smallfilms legacy.

I can't take care of you anymore. I can't take it. It's like an endless boxing match. Mia is at boarding school. She has access to drugs. They are Martha's. Henry is preparing for art college. He has access to alcohol. From Martha. Martha controls their lives. Martha is their mother. That Face premiered at the Royal Court Theatre, London, in April 2007, and won the TMA Award 2007 for Best New Play. Polly Stenham received both the Charles Wintour Award 2007 and the Critics' Circle Award 2008 for Most Promising Playwright.