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Books > Language & Literature > Literature: texts > Drama texts, plays
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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Hamlet
(Paperback, Annotated edition)
William Shakespeare; Introduction by Cedric Watts; Notes by Cedric Watts; Edited by Cedric Watts; Series edited by Keith Carabine
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R125
R100
Discovery Miles 1 000
Save R25 (20%)
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Ships in 9 - 17 working days
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Edited, Introduced and Annotated by Cedric Watts, M.A., Ph.D.,
Emeritus Professor of English, University of Sussex. The Wordsworth
Classics' Shakespeare Series presents a newly-edited sequence of
William Shakespeare's works. The Textual editing takes account of
recent scholarship while giving the material a careful reappraisal.
Hamlet is not only one of Shakespeare's greatest plays, but also
the most fascinatingly problematical tragedy in world literature.
First performed around 1600, this a gripping and exuberant drama of
revenge, rich in contrasts and conflicts. Its violence alternates
with introspection, its melancholy with humour, and its subtlety
with spectacle. The Prince, Hamlet himself, is depicted as a
complex, divided, introspective character. His reflections on
death, morality and the very status of human beings make him 'the
first modern man'. Countless stage productions and numerous
adaptations for the cinema and television have demonstrated the
continuing cultural relevance of this vivid, enigmatic, profound
and engrossing drama.
Victor-Marie Hugo (1802-1885) was a French poet, playwright,
novelist, essayist, visual artist, statesman, human rights activist
and exponent of the Romantic movement in France. His best-known
works are the novels Les Miserables and The Hunchback of
Notre-Dame, though in France, Hugo's literary fame comes first from
his poetry. This volume contains three dramas: The Burgraves,
Torquemada, and Lucretia Borgia.
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Richard III
(Paperback, Annotated edition)
William Shakespeare; Introduction by Cedric Watts; Notes by Cedric Watts; Edited by Cedric Watts; Series edited by Keith Carrabine
1
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R125
R101
Discovery Miles 1 010
Save R24 (19%)
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Ships in 9 - 17 working days
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Edited, introduced and annotated by Cedric Watts, M.A., Ph.D.,
Emeritus Professor of English, University of Sussex. Richard III is
one of the finest of Shakespeare's historical dramas. Although it
has a huge cast, Richard himself, gleefully wicked, charismatically
Machiavellian, always dominates the play: a role to gratify such
leading actors as David Garrick, Laurence Olivier, Anthony Sher,
Ian McKellen and Al Pacino. Since, in real life, political
Machiavellianism is never out of date, Richard III remains
perennially topical. Numerous revivals on stage and screen have
demonstrated the enduring cogency of this drama about the lethally
corrupting quest for power. Richard III is the twenty-first play in
the Wordsworth Classics' Shakespeare Series. The Times Literary
Supplement says: 'Many students and ordinary readers will be
grateful to Watts and his publishers for making such useful
editions available at such low cost.'
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