Winner! TMA/Barclays Equity Award for Best Show for Children and Young People 2002. Tuesday 17 September 1940: two fifteen-year-old child evacuees, Bess Walder and Beth Cummings, are fast asleep on board a steam passage ship, The City of Benares, sailing away from World War Two torn Britain and relentless German bombing. Just before midnight they are violently awoken when the ship is hit by a German torpedo and starts to sink. Bess and Beth join the stampede to the lifeboats. Then begins their desperate battle to survive, clinging on to an upturned lifeboat for a night and a day, in the icy waters of the North Atlantic. Out of ninety children on board The City of Benares, Bess and Beth were among only a few who survived. Based on an extraordinary true story, Lifeboat is a tale of courage in the face of overwhelming danger, lifelong friendship and the will to survive.

Andre and Madeleine have been in love for over fifty years. This weekend, as their daughters visit, something feels unusual. A bunch of flowers arrive, but who sent them? A woman from the past turns up, but who is she? And why does Andre feel like he isn't there at all? Christopher Hampton's translation of Florian Zeller's The Height of the Storm was first performed at Richmond Theatre, London, and opened in the West End at Wyndham's Theatre in October 2018.

Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what? I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premiered at the Kiln Theatre, London, in February 2019.

Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. Much Ado About Nothing has long been celebrated as one of Shakespeare's most popular comedies. The central relationship, between Benedick and Beatrice, is wittily combative until love prevails. Broader comedy is provided by Dogberry, Verges and the watchmen. The drama ranges between the destructively sinister and the lyrically romantic, giving the whole a complex and sometimes problematic character. Numerous revivals, in the theatre and on screen, have displayed the lively variety and interpretative openness of this engaging comedy.

What happens when a Rangers fan and Celtic fan are locked in a prison cell together on the day of an Old Firm Match? It is through Billy and Tim that Des Dillon explores sectarianism, bigotry, how it becomes part of one's identity and is inculcated by family and society. However, the book is not limited to Scotland but refers to every peace process in the world, where common ground and a shared humanity is found through responding to the needs of others. Now it is up to these two fans to start their personal peace process to find some common ground to slowly let go of their bigotry.

'Sometimes it feels so exposing just walking in the village. I told Jimmy to ignore it at first, he tried to, but it's isolating he said, eyes on you, not a word spoken. Even when you meet their eyes they don't look away. Like they have a right to, like you're a spectacle, an object.' Olivia has recently moved into her great-uncle's farmhouse. She's not local, but she knows her way around. Matty is a gamekeeper, but he doesn't often tell anyone. He's wary of newcomers. These unlikely strangers find themselves beside a stream on the longest night of the year. Pentabus and Theatre by the Lake present a brilliant new drama from award-winning playwright Lorna French that explores loss, love, prejudice, race and belonging.

The small Buckinghamshire village of Cresdon Green is still suffering under the yoke of alien invasion. Well, we say 'suffering', quite a lot of the villagers don't seem bothered. But with this being a pilot scheme for a full-scale invasion of Earth, Katrina Lyons feels they ought to knock it on the head while they've got the chance, and then she can finally move out of her Mum and Dad's house and go back to her old life in London. But her entire resistance movement still consists of herself and local teenage stoner Lucy Alexander. In the process of trying to outwit the alien commander Uljabaan, Katrina and Lucy are drawn into a sinister gardening project, must face a fate worse than death and prevent the invasion force's Computer falling in love with a virus. Can they get this minor part of the Genon military strategy cancelled? Is the Earth doomed if they can't? Or will the whole situation just sort of drag on and on? The complete second series of the BBC Radio 4 sitcom about an alien invasion of a small village.