Susie Salmon is just like any other young girl. She wants to be beautiful, adores her charm bracelet and has a crush on a boy from school. There's one big difference though - Susie is dead. Now she can only observe while her family manage their grief in their different ways. Her father, Jack is obsessed with identifying the killer. Her mother, Abigail is desperate to create a different life for herself. And her sister, Lindsay is discovering the opposite sex with experiences that Susie will never know. Susie is desperate to help them and there might be a way of reaching them... Alice Sebold's novel The Lovely Bones is a unique coming-of-age tale that captured the hearts of readers throughout the world. Award-winning playwright Bryony Lavery has adapted it for this unforgettable play about life after loss.

DIALOGUE is the follow-up title to Robert McKee's hugely successful STORY. Divided into four sections (The Art of Dialogue, Flaws & Fixes, Creating Dialogue & Dialogue Design) Dialogue teaches how to craft effective speeches for characters. McKee uses scenes from classic films and television programmes such as Sideways, Casablanca, The Sopranos, Breaking Bad and Frasier to demonstrate how dialogue is constructed and develops and covers the range of dialogue used on page, stage and screen. Readers and students are shown how to ensure dialogue holds the reader's or audience's attention, how to 'time' dialogue and how to retain motivation and to provide productive information within dialogue. The skills outlined allow writers in all spheres to create effective and functional speech. McKee dispels a few myths and shows writers how to eradicate bad habits, use emotion correctly and to avoid 'empty' dialogue which leads a character and a story into the equivalent of a writing 'cul-de-sac'. An insightful work from an author whose guidance can enhance a writer's style and achievements. (This is the UK edition.)

Aeschylus' Oresteia opens with Agamemnon sacrificing his daughter to the gods; an act which sets in motion a bloody cycle of revenge and counter-revenge. When he in turn is killed at the hands of his wife Clytemnestra, their son Orestes takes up the mantle of avenging his father, continuing the bloodshed until peace is ultimately found in the rule of law. Zinnie Harris reimagines this ancient drama, using a contemporary sensibility to rework the stories, placing the women in the centre. Orestes' leading role is replaced by his sister Electra, who as a young child witnesses her father's murder and is compelled to take justice into her own hands until she too must flee the Furies.

The Samarites by Petrus Papeus offers an effective blending of gospel narrative and ancient Roman comedy, combining manner of Plautus and Terence with the didacticism of medieval allegory and morality plays and the poetic diction of Renaissance humanism. In the Samarites they are the ingredients that present both moral and doctrinal teachings related to the gospel parables of the Prodigal Son and Good Samaritan. Papeus' work is an excellent example not only of the early modern school play, but also of the shifting conceptions of drama in Europe at that time. Daniel Nodes presents a critical edition and translation of the play together with a humanist commentary produced in Toledo by Alexius Vanegas three years after the play's first printing in Antwerp.

TC's life is a busy one, filled with the physical demands of her job as a mail carrier and her dreams to play basketball, not to mention the demands of her convoluted love life. Her girlfriend, Samantha, is one beautiful and powerful woman--and a cop. Jealousy seems to be the unavoidable side effect of their open relationship, and though they each have a lover on the side, each fears loss and heartbreak. Are any of them meant to be together? Is Samantha "the one" for TC--or is her true love still out there somewhere?Jay, TC's best friend, supports her, but he has his own issues. A jock and a player, Jay considers himself a real ladies' man, but on the day he meets Carly, everything he thinks he knows about himself is called into question. Carly has only recently started living her life as a woman, and she's got to balance her natural attraction to Jay with her fear that he will reject her when he learns the truth. As Jay does his best to give TC advice on her own love life, he's got some big decisions to make himself. Is Carly his destiny? Is he hers?Things may not always go as planned, but that's the beauty of life and relationships--and this is especially true in The Million Dollar Story.

It's 1950s austerity Britain, and out of the gloom comes Goon mania as men, women and children across the country scramble to get their ear to a wireless for another instalment of The Goon Show. While Harry Secombe and Peter Sellers get down to the serious business of becoming overnight celebrities, fellow Goon and chief writer Spike nds himself pushing the boundaries of comedy, and testing the patience of the BBC. Flanked by his fellow Goons and bolstered by the e orts of irrepressible sound assistant Janet, Spike takes a ourishing nosedive o the cli s of respectability, and mashes up his haunted past to create the comedy of the future. His war with Hitler may be over, but his war with Auntie Beeb - and ultimately himself - has just begun. Will Spike's dogged obsession with nding the funny elevate The Goons to soaring new heights, or will the whole thing come crashing down with the stroke of a potato peeler?

The love between a mother and daughter turns to jealousy and bitterness in this intense and personal drama. Ann Prentice falls in love with Richard Caulfield and hopes for a new life and happiness. Only her daughter, Sarah, takes an instant, jealous dislike to him. Resentment slowly corrodes their relationship as each seeks comfort in the formidable and knowing Dame Laura Whitstable who remarks, "The trouble with sacrifice is that once it's made it's not over and done with." "Christie is beady-eyed and brutally honest on the psychology of the motherdaughter relationship." THE GUARDIAN "The play is a revelation and its emotional intensity is at variance with most of her crime plays. This is Christie writing with her heart rather than her head. She is not concerned with clues and suspects and alibis but with human dilemmas and life choices." THE GUARDIAN

This wonderful show is a dramatization of business letters between a young struggling writer in New York and an antiquarian book store in London. In a sense, these are also love letters. They are about the love of good literature. The play takes place over a twenty year period, beginning in 1949 when Helene Hanff (played on Broadway by Ellen Burstyn) first writes Marks & Co. and ends in 1969 with the death of Frank Doel, the delightfully dusty supplier of so many old volumes to Helen who has shown her gratitude through the years by sending "care packages" to the staff of Marks & Co.

James Brent receives a chilling telephone call seemingly from beyond the grave. His dead wife, Fay, is waiting for him at the very place she met her grisly end. At his new wife's insistence, they go to meet her as requested and in the process discover a terrifying and disturbing truth.