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Arts & Crafts > Fine Art Supplies > Drawing > Drawing Pads
Snowdon acid-free cartridge paper, with a matt white surface. Made with wood pulp. Ideal for watercolour, drawing and many printing processes including etching, silkscreen (including water-based silk-screen) and offset lithography. Paper weight: 130 gsm / 62 lbs Size: A3 / 297 x 420 mm / 11.7 x 16.5 in Sheets: 100
Woodfree, acid free, cream shade matt surface.Drawing cartridge paper, 200gsmDimensions: A1
One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and finished work. Medium surface readily accepts pencil, charcoal and sketching sticks. Also good for soft pastel, oil pastel, marker and pen & ink. Smooth surface, with its non-reflective finish and uniform formation, is especially suited for line drawing and technical detail work. Suitable media applications for medium surface include: graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel. Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. The 4in x 6in and 6in x 8in pads are not micro-perforated but sheets are Actual Size when removed at the wire binding. Size: 4in x 6in Weight: 80lb / 130gsm Sheets: 24 Surface: Medium Pad: Wire bound
Strathmore 400 Series Bristol Pad is a high-quality multi-ply bristol available in two surfaces/finishes. Smooth finish is excellent for fine line drawings using pen & ink or marker. Vellum finish is excellent for pencil, charcoal, and pastel, as well as airbrush and light washes. Not recommended for traditional watercolour techniques. Suitable media applications for smooth surface: graphite pencil, colored pencil, pen & ink, marker, mixed media and collage. Size: 18in x 24in Sheets: 15 Surface: 2-Ply Smooth Pad: Tape bound
Surface: Medium
These sketchbooks are vegan friendly and use 300gsm acid-free, artist grade, 100% cotton cold press paper. They open flat and have a landscape format. The paper is ideal for a range of dry and wet media, especially watercolour, ink, markers, acrylic, and gouache. Cold Press/ ’Not' surface - slightly textured surface. It is the most popular surface for watercolour painters as it allows for a little texture in your work. Good for large areas of wash but also for detail.
Rhodia No.18 Staplebound Pads are made with superfine 80gsm vellum paper. The dot paper enables you to write neatly, design layouts and draw freely, making them incredibly versatile. Each page is micro perforated along the top for easy and clean removal. The covers are coated to make the pad durable and water resistant. The front cover is scored so it neatly folds back and the stiff back cover makes writing or sketching easy. This pad is made with reinforced staples for extra strength. This Rhoda No.18 Staplebound Pad has an orange cover and contains 80 sheets. It measures 21 x 29.7cm.
Rhodia Graph Pads are made with superfine 80gsm vellum paper. The graph paper is perfect for capturing perspectives or designing layouts. Each page is micro perforated along the top for easy and clean removal. The covers are coated to make the pad durable and water resistant. The front cover is scored so it neatly folds back and the stiff back cover makes writing or sketching easy. This pad is made with reinforced staples for extra strength. This Rhoda No.13 Graph Pad has an orange cover and contains 80 sheets. It measures 10.5 x 14.8cm.
Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours
Enhanced wet strength suitable for mixed media renderings. Paper shade: Ivory. Surface: Rough. Sheet count: 26 sheets/52 pages. With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours
Weight: 180 lb. - 270 gsm Shade: Natural White Surface: Smooth Media: Multi-Media Artwork With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours
Weight: 180 lb. - 270 gsm Shade: Natural White Surface: Smooth Media: Multi-Media Artwork With both internal and surface sizing, these papers have exceptional wet strength that supports the application of multiple washes. Similarly, just as the paper's sizing retards water absorption, pigment stays on the surface of the sheet. The result: remarkably glowing colour. Stillman & Birn bindings are equally rugged. The hardbound bindings - stiff when new - are designed to be broken in. The spines get eased in and then lay completely flat, accomodating both two-page drawing layouts and flatbed scanning. Bound in the United States, this sketchbook system offers artists a choice of three paper surfaces: • Vellum - distinctive tooth, suitable for all dry media, and will also accept multiple washes• Cold Press - Substantial tooth, enhanced wet and tear strength, suitable for multi-media artwork• Smooth - Suitable for pen & ink, coloured pencils, water-based markers as well as watercolours
Ideal for creative use around the studio or on the go, Jackson's Sketchbooks are an indispensable companion for artists, graphic designers and illustrators. Made with 25% acid-free cotton rag, the paper can be used on both sides,offering more possibilities to explore dry and water-based media.
Hahnemühle Nostalgie is a 190gsm natural white paper pad with a pleasant texture. It has an attractive, fine grain that permits good colour adherence and gives clear, intensive line and colour.The fine grain of the paper makes the pen slide over the surface virtually on its own. Clearly defined pen control and delicate hatchings allow for every kind of work – from the architectural sketch to fast, vividly coloured sketch. Suitable for use with all dry-painting techniques in addition to wet colours, the paper brings a great sense of versatility and precision to the artistic process. This sketch paper is acid-free and age resistant.For use with pencil, charcoal, crayon, pastel, red ochre and all dry media.
Rhodia Lined Pads are made with superfine vellum paper. Each page is micro perforated along the top for easy and clean removal. The front cover is scored so it neatly folds back and the stiff back cover makes writing or sketching easy. This pad is made with reinforced staples for extra strengthWeight: 80gsm Size: 21 x 29.7cmGrid Size: 7mmPaper Format: A4Sheets: 80
Jackson’s Black Soft Cover Pads contain 20 sheets of 140gsm bright white paper suitable for drawing and sketching.
Jackson’s Black Soft Cover Pads contain 20 sheets of 140gsm bright white paper suitable for drawing and sketching.
A4 landscape - Hardcover with Montana logo embossed on the front. Individually film wrapped for better protection. Printed barcodes and thread stitched with page finder included. 144 pages per book of 120gsm, sketching and marker optimised coated paper for short ink drying time. Ideal for artists, graphic artists and designers. Montana Blackbooks are available in A5 landscape, A4 landscape and A4 portrait.
Daler-Rowney has a worldwide reputation for the finest papers for drawing, sketching and pastel work. The coarseness or “tooth” of cartridge paper has a direct effect on an image drawn in charcoal or pencil. This pad contains 30 sheets of fine-grain heavyweight 200gsm acid-free cartridge paper. Size: A2 / 420 x 594 mm / 16.5 x 23.4 in
Rhodia Lined Pads are made with superfine vellum paper. Each page is micro perforated along the top for easy and clean removal. The front cover is scored so it neatly folds back and the stiff back cover makes writing or sketching easy. This pad is made with reinforced staples for extra strength
Sennelier Le Maxi sketchpads contain 250 sheets of acid-free 70gsm sketching paper in an off white tone. They are designed for use with dry media such as graphite and willow charcoal, and would be especially useful for smaller-scale life drawing or sketching purposes. This sketchbook measures 32x32cm (12.5x12.5in).
Rhodia Graph Pads are made with superfine 80gsm vellum paper. The graph paper is perfect for capturing perspectives or designing layouts. Each page is micro perforated along the top for easy and clean removal. The covers are coated to make the pad durable and water resistant. The front cover is scored so it neatly folds back and the stiff back cover makes writing or sketching easy. This pad is made with reinforced staples for extra strength. This Rhoda No.13 Graph Pad has a black cover and contains 80 sheets. It measures 10.5 x 14.8cm.
Daler-Rowney has a worldwide reputation for the finest papers for drawing, sketching and pastel work. The coarseness or “tooth” of cartridge paper has a direct effect on an image drawn in charcoal or pencil. This pad contains 30 sheets of fine-grain 160gsm acid-free cartridge paper. Size: A3 / 297 x 420 mm / 11.7 x 16.5 in
Yupo Translucent Watercolour Paper will help you see colour from a new perspective. Its ultra-smooth surface is a great starting point for a variety of media including watercolour, alcohol ink, acrylic, monotype, offset printing, oil pastel, and graphite. Yupo Translucent is a non-porous, acid-free, and pH-neutral synthetic paper which is machine-made in the US from 100% polypropylene. It is completely water and stain-proof and has become a unique alternative to traditional art papers due to its strength and durability. This paper resists tearing or buckling and there is no need to stretch or treat the paper before you start work. The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting.
Surface: Medium |
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