This alluring, enlightening assemblage of tattoo art demystifies the personalities of today's top tattoo models and offers a fresh take on the modern pin-up. The impressive body art shown here is just the beginning of a fascinating look into the minds and hearts of gorgeous, intelligent, and confident women hailing from around the world. In candid interviews these inked beauties open up to the author about their upbringings, first tattoos, favorite and most challenging modeling experiences, and more. Enjoy a colorful variety of photos that include hypnotic portraits, provocative poses, and interesting themes, creatively and tastefully showcasing mesmerizing body art. Also read about how each model was discovered, who their most trusted tattoo artists are, and how they launched their careers. This includes work by professional photographers with experience shooting for Skin & Ink, Playboy, and other publications.

The great pin-up illustrators of the '30s through the '60s have inspired a whole new generation of digital photographers. Replacing the artist's palette with myriad photo editing tools, the modern photographer has kept the pin-up tradition alive. This book is a visual delight with more than 300 photos from 25 photographers nationwide. The vintage images from cheesecake pin-up to Hollywood glamour will surely take you back in time, as will classic military nose art and authentic WWII bomber jackets. The pin-up models were photographed in the most scenic locations in the United States.

Originally published in 1977 this book is a collection of photos, recipes and artwork.

Text in English, German & French. In the garden of Heaven, there already was a snake. As for the little juicy fruit Eve gave to humanity, it probably was, already, the carefully shaven genitals, pulpy and plump, that the girls display in this book with a smile. They offer themselves to be seen, self-confident, without hiding anything of their slit genitalia, like a tempting fruit. When they spread their thighs, they may unveil the little hill of their vulva but their cheeky looks and postures are always playful. Here we are in the realm of pretense, a world of fantasy where Eves daughters become elusive fairies.

This book is the follow-up to the groundbreaking Chocolate Cheesecake, and is a new collection of modern black pin-up photography. Modern black pin-ups are becoming more popular as more photographers and models seek to expand the genre of pin-up photography beyond its historical limitations. This second book showcases over a dozen of today's best pin-up photographers and their work with over fifty of the most beautiful black pin-up models. With images that embody black glamour and feminine empowerment, Chocolate Cheesecake 2 displays the range of flavors found in contemporary black pin-up culture. Redefining modern notions of beauty through the styles of the past, Chocolate Cheesecake 2 continues the celebration of modern black pin-up beauty.

Blending the style of the past with the women of the present, this book is a first-of-its-kind celebration of modern black pin-up beauty. Black pin-ups existed during the "Golden Age of Pin-ups," but like other black artists of the time, they often did not receive the same attention as their white contemporaries. Although still rare, modern black pin-up models are getting more attention thanks to models and photographers who understand that pin-up has evolved to include all backgrounds and ethnicities. This new book shines the spotlight on ten of today's best pin-up photographers and their work with over 50 of today's most beautiful black pin-up models. With images ranging from classic pin-up glamour to retro-inspired fetish photography, this collection of works shows the diversity of flavors found in contemporary black pin-up culture.

This body of work is a contemplation of human beings' passage on earth and their intimate interrelation with the environment. This book attempts to bring humour to the things we are getting attached to. It points at the invisible within the visible, the immaterial within the material or the vertical nature of being (and its mirror-like quality) within our horizontal way of living (where our mind, time, and space condition our experiences). The naked body is seen as our primary indivisible unit of perception which is usually pushed and pulled by our thinking mind's desire to either get less or more. In other words, our lives are coloured by our minds and since body-mind is a single entity, most of the colours painted on the body are an allusion to the range of our changing desires from being invisible or transparent to wanting to be singular and the centre of attention. The book's Interviews (the interviewers are from Russia, Colombia, Korea, Germany, and the US) stanzas, and photographs are not seen as being subservient to one another but can be seen as an assemblage of three independent directions that may or may not intersect following each reader.

In "The Sexual Night," renowned French writer and critic Pascal Quignard meditates on a remarkable collection of illustrations of sexual imagery. He moves from the annals of global art to ancient and modern, from Bosch and Durer to Rembrandt and Tintoretto, from Caspar David Friedrich and Caravaggio to Bacon and Jean Rustin. The meditations are wonderfully woven together, presenting a reflection on the sexual image that psychoanalysis calls "the primal scene"--a concept introduced by Freud as the first sexual scene witnessed by a child; a scene that is unexplained, unforgettable, and ultimately haunting.
Throughout the course of twenty-seven chapters that draw on the mythological and artistic resources of Western and Far Eastern culture--including the tragic love of Dido and Aeneas; the scandalous figure of Mary Magdalene; Lascaux and Golgotha; voyeurism and melancholy; Saint Augustine and Freud--the book is a disquisition on vision, temporality, generation, and creation in all its forms. Forty-eight brilliant and sensual color images accompany the text, as Quignard questions the origin of our being and explains the unexplainable, while noted translator Chris Turner lends a crisp voice to the entire collection.

David Vance is first an artist, a person who expresses himself through a medium - and David Vance's medium is the camera. In "Emotion - Photographs by David Vance" the critically acclaimed photographer shares his particular vision of emotions with us. "As a beauty addict, I am compelled photographing beautiful subjects. When I see something that is beautiful, I want to show it to the world the way I have experienced it," says Vance. Influenced by the great movie star portraits of George Hurrell and the great fashion photographers of the 1950s, Richard Avedon and Irving Penn, Vance creates an image world of its own: beautiful, sensual, and emotional.

Religion and sex, body and soul, sacred and profane: In "Closet Devotions," Richard Rambuss traces the relays between these cultural formations by examining the issue of "sacred eroticism," the literary or artistic expression of devotional feelings in erotic terms that has repeatedly occurred over the centuries. Rather than dismissing such expression as mere convention, Rambuss takes it seriously as a form of erotic discourse, one that gives voice to desires that, outside the sphere of sacred rapture, would otherwise be deemed taboo.
Through startling rereadings of works ranging from the devotional verse of the metaphysical poets (Donne, Herbert, Crashaw, and Traherne) to photographer Andres Serrano's controversial "Piss Christ," from Renaissance religious iconography to contemporary gay porn, Rambuss uncovers the highly charged erotic imagery that suffuses religious devotional art and literature. And he explores one of Christian culture's most guarded (and literal) closets--the prayer closet itself, a privileged space where the vectors of same-sex desire can travel privately between the worshiper and his or her God.
Elegantly written and theoretically astute, "Closet Devotions" illuminates the ways in which sacred Christian devotion is homoeroticized, a phenomenon that until now has gone unexplored in current scholarship on religion, the body, and its passions. This book will attract readers across a wide array of disciplines, including gay and lesbian studies, literary theory and criticism, Renaissance studies, and religion.

Text in English, French & German. By removing their pubic hair, these young women seem to be wanting to stay forever young, suspended in a state of disquieting purity. This is the extraordinary effect these naked pictures have on us: they are showing us "indecency" as a supreme form of innocence. They convert the brazenness into an ideal of ingenuousness and turn sexy models into icons of chastity.

Text in English, French & German. How beautiful are these pilose vulvas that are natural and hairy and not shaven bald. I feel happy whenever I see something beautiful. Many past cultures worshipped vulvas. And its no small wonder that today, vulvas have started again to unfold their magical charms, at least within the world of fine art. So it is that Paramonov's angels appear unashamed of their hairiness, act rather proud of their unshaven, natural beauty.

Pin-ups are a classic American art form that have enthralled several generations since first gaining widespread popularity in the 1920s. Today, internationally acclaimed photographer Celeste Giuliano has developed a style of photography that masterfully pays homage to the sweet and sexy look of the classic pin-up girl illustrations from WWII America. With a focus on details, authenticity, lighting, studio techniques, and poses, she has made a career of transforming everyday women into pin-up queens and making both men and women alike fall in love with their classic beauty all over again. In this, her first definitive collection, Celeste reminds us why men "pinned up" these lovely ladies and why their timeless beauty is still as sexy as ever. Each of the 130 portraits takes you back to the time when a flirtatious smile or a peek at a garter was what made the girl next door the ultimate bombshell.