Never lose sight of your goals. Give organisation an edge with this eye-catching undated weekly planner and darkly humourous journal pages, featuring famous quotes from Disney's most infamous Villains.

Voetstoots is ’n bontgejasde keur uit sestien jaar van Annelie se koerantrubrieke. Die temas is so wyd soos die Heer se genade. Rakende aan die torings van Babel wat ons bou. ’n Kind wat doodgeskok word terwyl hulle jagentjies speel. ’n Begrafnisbrief uit Holland. ’n Boer wat sy plaashek vir oulaas sluit. Toentertyd se poskoets en handsentrale. Die boks langspeelplate in die gryse se waenhuis. Die smart om ’n kind te begrawe. ’n Glips met bensien in die tamatieslaai. ’n Sywurmhart wat sy in haar Bybel bêre. Mense sonder ’n woord van eer.

’n Eensame oom wie se hondjie op ’n sypaadjie doodgebyt is. ’n Lys van moets en moenies vir dames uit 1944. ’n Boks papsakwyn wat suur geword het.

Dis lag, huil, kwaadword, nostalgie, deernis, onbegrip en lewenswette saamgeryg in ’n kleurvolle lappieskombers. En Annelie is bedrewe met die rygnaald.

The 1792 Harpers' Meeting in Belfast was indeed an important event in the history and life of the town. Belfast's reformers and radicals desired a better future, but they also shared an interest in the past. Through their support for the few surviving harpers, they hoped future generations might benefit from the survival of a tradition and an instrument, music, language, and practises that were all fast disappearing. These were challenging times: a period of aspirational ideals, new rights, new freedoms set against the contagious atmosphere of revolution in the US, France, and Poland. The rise of sectarianism, the violence of the 1798 Rebellion, the loss of the Irish Parliament - all led to a sharp reduction in progressive developments and in funding for unfashionable causes. Thank goodness for the Irish soldiers in India who raised money to support a harp school in Belfast for a further 20 years, until once again the money ran out. And thank you Edward Bunting for not giving up.

The New York Times bestselling book that both galvanizes progressives for action and is a balm--from the Pulitzer Prize-winning author "A light in darkness, Alice Walker awakens us to our own power as only she can. . . . Once again, Walker has exceeded our expectations." --The Atlanta Journal-Constitution When the United States recently exploded with unprecedented demonstrations challenging racial violence and hatred, Alice Walker's New York Times bestselling We Are the Ones We Have Been Waiting For was one of the books to which people turned for inspiration and solace. Called "stunningly insightful" and "a book that will inspire hope" by Publishers Weekly, this work by the author of The Color Purple is a clarion call to activism--spiritual ruminations with a progressive political edge, that offer a moment of care and solace. Walker encourages readers to take faith in the fact that, despite our daunting predicaments, we are uniquely prepared to create positive change. Drawing on Walker's spiritual grounding and her progressive political convictions, the book offers a cornucopia of the Pulitzer Prize winner's writings and speeches on advocacy, struggle, and hope. Each chapter concludes with a recommended meditation to teach patience, compassion, and forgiveness. Walker's clear vision and calm meditative voice--truly "a light in darkness"--has struck a deep chord among a large and devoted readership.

Since it first went to press in 1996, "BlackBook" has established itself as an arbiter of style, and a forum for new and dynamic writing. "The Revolution Will Be Accessorized" gathers many of the magazine's strongest pieces, and the result is a star-studded collection that addresses the intersection of pop culture, the arts, politics, and fashion, with provocative contributions from many of today's best writers, including:

Augusten Burroughs on Christmas with his mother

Jonathan Ames on his boyhood sneaker fetish

Meghan Daum on L.A. bourgeois

Also included are pieces by Neal Pollack, Sam Lipsyte, Joan Didion, Naomi Klein, William T. Vollmann, DBC Pierre, Emma Forrest, and Douglas Coupland, among others. Raw, edgy, and always insightful, "The Revolution Will Be Accessorized" is a window on to what's happening outside the mainstream.

Persoonlike briewe van Hennie Aucamp aan familie en vriende, 'n boek waarna Aucamp se duisende aanhangers al lank uitsien. Briewe aan o.a. Amanda Strydom, Breyten Breytenbach, Andre P Brink, Elzabe Zietsman, Margaret Bakkes, Johan Bakkes, Elize Botha, Elisabeth Eybers. Twaalf bladsye foto's. Hierdie bundel is die vyfde in 'n reeks briewe van belangrike skrywers. Vorige titels: 'n Blywende vreugde - Briewe van Audrey Blignault (2008), Briewe van Peter Blum (2008), Briewe van Uys Krige (2010) en Briewe van W.E.G. en N.P. van Wyk Louw (2011).

HarperCollins is proud to present its incredible range of best-loved, essential classics. Three francs will feed you till tomorrow, and you cannot think further than that... As a young man struggling to find his voice as a writer, George Orwell left the comfort of home to live in the impoverished working districts of Paris and London. He would document both the chaos and boredom of destitution, the eccentric cast of characters he encountered, and the near-constant pains of hunger and discomfort. Exposing the grim reality of a life marred by poverty, Down and Out in Paris and London, part memoir, part social commentary, would become George Orwell's first published work.

A new collection of Shaw's major political writings presents an opportunity to reflect on his influential role as a public intellectual. At the forefront of economic and political debate from the 1880s to the 1950s, George Bernard Shaw was once the most widely read socialist writer in the English language, and his lifelong crusade against inequality and exploitation is far from irrelevant today. The thorough interpenetration of Shaw's literary and political engagements is an unusual story in modern literature, and this volume offers a portrait of Shaw as a political artist in the purest possible sense: that is, as a writer of essays, articles, pamphlets, and books with explicitly and expressly political aims. The selected writings in this volume showcase Shaw's most influential and most accomplished political work, but also provide a cross-section that is representative of the whole of his long career. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"I wrote five days a week for a year, no more than a page, writing only for the length of the analytic hour, fifty minutes, following Freud's model of train travel for his theory of free association, acting 'as though, for instance, [you were] a traveller sitting next to the window of a railway carriage and describing to someone inside the carriage the changing views [...] outside'. Many of my women character's names begin with A: their first names; there are few surnames, save those of the secondary male characters. . Some of these women exist or existed, others are from fiction, or write fiction. Some are friends or acquaintances. None are credited but a keen reader could recognise many of them. I invented nothing. I am the aleph."

The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. At a moment in which basic rights are once again imperilled, Olivia Laing conducts an ambitious investigation into the body and its discontents, using the life of the renegade psychoanalyst Wilhelm Reich to chart a daring course through the long struggle for bodily freedom, from gay rights and sexual liberation to feminism and the civil rights movement.

Drawing on her own experiences in protest and alternative medicine, and travelling from Weimar Berlin to the prisons of McCarthy-era America, she grapples with some of the most significant and complicated figures of the past century, among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag and Malcolm X.

Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Everybody is an examination of the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.

Following the story wherever it goes can take you to some unexpected places Wokelore is a thought-provoking collection of more than fifty articles, essays and stories you won't find anywhere else. The first book from the independent and fearless newspaper Byline Times, it transports you from 1970s Europe to Putin's Russia, from the days of empire in Kenya to Brexit Britain, shedding light on America's political crisis and exposing the UK's disastrous handling of COVID-19. The work collected here - from an impressive range of writers including Anthony Barnett, Otto English, Misha Glenny, Bonnie Greer, Salena Godden, Peter Oborne and Musa Okwonga - explores race, identity, disinformation, populism, the state of journalism, threats to our democracy and more, each piece offering a fresh take and new ideas.

When it comes to the trials and triumphs of becoming a grown up, journalist Dolly Alderton has seen and tried it all. In her memoir, she vividly recounts falling in love, wrestling with self-sabotage, finding a job, throwing a socially disastrous Rod-Stewart themed house party, getting drunk, getting dumped, realising that Ivan from the corner shop is the only man you've ever been able to rely on, and finding that that your mates are always there at the end of every messy night out. Glittering, with wit and insight, heart and humour, this is a book about the struggles of early adulthood in all its grubby, hopeful uncertainty.

"I try to write something every day even though I am not writing poetry, just to get myself in touch with language."-Edwin Morgan Edwin Morgan (1920-2010) is one of the giants of modern literature. Scotland's national poet from 2004 to his death, throughout his long life he produced an astonishing variety of work, from the playful to the profound. Edwin Morgan: In Touch With Language presents previously uncollected prose - journalism, book and theatre reviews, scholarly essays and lectures, drama and radio scripts, forewords and afterwords - all carefully moulded to the needs of differing audiences. Morgan's writing fizzes with clarity and verve: the topics range from Gilgamesh to Ginsberg, from cybernetics to sexualities, from international literatures to the changing face of his home city of Glasgow. Everyone will find surprises and delights in this new collection.

Dietrich Bonhoeffer - theologian, pastor, martyr - is one of the most significant Christian witnesses of the twentieth century. His writings challenge us to address the presence of God in the world and history. His courageous resistance against Hitler, his imprisonment and execution dramatize "the cost of discipleship." These selections, with a poignant introduction by Robert Coles, provide a penetrating entry to the heart of Bonhoeffer's message.

Head Above Water takes us into a space of intimate conversations on illness and society's stigmatization of disabled bodies. We are invited in to ask the big questions about life, loss, and the place of the other. The narrative builds a bridge that reminds us of our common humanity and weaves the threads that tie us all together. Through conversations about women's identities, bodies, and our journeys through life, we arrive at a politics of love, survival, and hope.

John T. Farnham, a sharpshooter in the Union Army, wrote a substantial diary entry nearly every day during his three-year enlistment, sent over 50 long articles to his hometown newspaper, and mailed some 600 letters home. He described training, battles, skirmishes, encampments, furloughs, marches, hospital life, and clerkships at the Iron Brigade headquarters and the War Department. He met Lincoln and acquired a blood-stained cuff taken from his assassinated body. He befriended freed slaves, teaching them to read and write and built them a school. He campaigned for Lincoln's re-election. He subscribed to three newspapers and several magazines and devoured 22 books. He attended 23 plays and six concerts during his service. He was gregarious and popular, naming in his diaries 108 friends in the service and 156 at home. Frail and sickly, he died of tuberculosis four years after his discharge. He paints a detailed portrait of the lives of ordinary soldiers in the Union Army, their food, living conditions, relations among officers and men, ordeals, triumphs, and tragedies. Nominated for the Gilder Lehrman Prize

Die Neukery Met Die Appelboom is ’n herdruk van essays van die Suid-Afrikaanse filosoof Marthinus Versfeld, wie se honderdste verjaardag vanjaar herdenk word.

Die fokus van hierdie bundel essays is die mens se verantwoordelikheid teenoor die natuur en die omgewing.

Op sy eiesoortige manier vervleg Marthinus Versfeld sy bespreking egter ook met wetenskapsieninge, geloofsoortuiginge, etiese kwessies, opvattinge oor die staatkunde en ander filosofiese vraagstukke.

Milan Kundera has established himself as one of the great novelists of our time with such books as The Unbearable Lightness of Being, Immortality and The Book of Laughter and Forgetting. In Testaments Betrayed, he proves himself a brilliant defender of the moral rights of the artist and the respect due to a work of art and its creator's wishes. The betrayal of both -- often by their most passionate proponents -- is the principal theme of this extraordinary work. Readers will be particularly intrigued by Kundera's impassioned attack on society's shifting moral judgments and persecutions of art and artists, from Mayakovsky to Rushdie.

Humiliation is not, of course, unique to writers. However, the world of letters does seem to offer a near-perfect micro-climate for embarrassment and shame. There is something about the conjunction of high-mindedness and low income that is inherently comic; something about the very idea of deeply private thoughts -- carefully worked and honed into art over the years -- being presented to a public audience of dubious strangers, that strays perilously close to tragedy. These seventy contributions prove it is possible to reverse Auden's dictum: that art is born out of humiliation.

Part political disquisition, part travel journal, part self-exploration, Seek is a collection of essays and articles in which Denis Johnson essentially takes on the world. And not an obliging, easygoing world either; but rather one in which horror and beauty exist in such proximity that they might well be interchangeable. Where violence and poverty and moral transgression go unchecked, even unnoticed. A world of such wild, rocketing energy that, grasping it, anything at all is possible.

Whether traveling through war-ravaged Liberia, mingling with the crowds at a Christian Biker rally, exploring his own authority issues through the lens of this nation's militia groups, or attempting to unearth his inner resources while mining for gold in the wilds of Alaska, Johnson writes with a mixture of humility and humorous candor that is everywhere present.

With the breathtaking and often haunting lyricism for which his work is renowned, Johnson considers in these pieces our need for transcendence. And, as readers of his previous work know, Johnson's path to consecration frequently requires a limning of the darkest abyss. If the path to knowledge lies in experience, Seek is a fascinating record of Johnson's profoundly moving pilgrimage.