An affecting and hope-filled posthumous collection of essays and stories from the talented young Yale graduate whose title essay captured the world's attention in 2012 and turned her into an icon for her generation.
Marina Keegan's star was on the rise when she graduated "magna cum laude" from Yale in May 2012. She had a play that was to be produced at the New York Fringe Festival and a job waiting for her at "The New Yorker." Tragically, five days after graduation, Marina died in a car crash.
As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her deeply moving last essay for "The Yale Daily News," "The Opposite of Loneliness," went viral, receiving more than 1.4 million hits.
Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. Her short story "Cold Pastoral" was published by NewYorker.com just months after her death.
"The Opposite of Loneliness "is an assemblage of Marina's essays and stories, which, like "The Last Lecture," articulate the universal struggle that all of us face as we figure out what we aspire to be, and how we can harness our talents to impact the world.

From the self-described 'black, lesbian, mother, warrior, poet', these soaring, urgent essays on the power of women, poetry and anger are filled with darkness and light. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

A detailed account of the extraordinary life of Austin Steward, a black man who lived in the early nineteenth century as both a slave and then later a free man. Originally published in 1861, Austin Steward's memoir has long been a staple source of first-hand evidence about activism against slavery and racism by freed blacks. Long out of print, the narrative is now available with additional biographical information and a critical introduction by historian Graham Hodges. The introduction affords an in-depth discussion of Steward's career - rising from enslavement to success as a self-made businessman in upstate New York and as leader of the ill-fated Wilberforce Colony in Ontario, Canada. Hodges also expands upon previous recognition of Steward's sizable role in free black activism in the antebellum northern states. Replete with images from Steward's life, this new edition of his classic narrative is stocked with details about the author's relationships with antislavery activists Frederick Douglass, William Wells Brown, Nathaniel Paul, and Gerrit Smith. The book offers insight into the creation of African American community life in upstate New York and into the doomed black utopia of Wilberforce.

Franz Kafka's letters to his one-time muse, Milena Jesenska - an intimate window into the desires and hopes of the twentieth-century's most prophetic and important writer Kafka first made the acquaintance of Milena Jesenska in 1920 when she was translating his early short prose into Czech, and their relationship quickly developed into a deep attachment. Such was his feeling for her that Kafka showed her his diaries and, in doing so, laid bare his heart and his conscience. While at times Milena's 'genius for living' gave Kafka new life, it ultimately exhausted him, and their relationship was to last little over two years. In 1924 Kafka died in a sanatorium near Vienna, and Milena died in 1944 at the hands of the Nazis, leaving these letters as a moving record of their relationship.

From one of the most important chroniclers of our time, come two extended excerpts from her never-before-seen notebooks - writings that offer an illuminating glimpse into the mind and process of a legendary writer. Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles Here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through. And from a different notebook: the "California Notes" that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage.

Pull on your wellies, grab your flat cap and join Jeremy Clarkson in this hilarious and fascinating behind-the-scenes look at the infamous Diddly Squat Farm THE NO. 1 SUNDAY TIMES BESTSELLER 'Brilliant . . . laugh-out-loud' Daily Telegraph 'Outrageously funny . . . will have you in stitches' Time Out _________ Welcome to Clarkson's farm. It's always had a nice ring to it. Jeremy just never thought that one day his actual job would be 'a farmer'. And, sadly, it doesn't mean he's any good at it. From buying the wrong tractor (Lamborghini, since you ask . . .) to formation combine harvesting, getting tied-up in knots of red tape to chasing viciously athletic cows, our hero soon learns that enthusiasm alone might not be enough. Jeremy may never succeed in becoming master of his land, but, as he's discovering, the fun lies in the trying . . . _________ 'Very funny . . . I cracked up laughing on the tube' Evening Standard Praise for Clarkson's Farm: 'The best thing Clarkson's done . . . it pains me to say this' GUARDIAN 'Shockingly hopeful' INDEPENDENT 'Even the most committed Clarkson haters will find him likeable here' TELEGRAPH 'Quite lovely' THE TIMES

It is a little-known secret that Arabic literature has a long tradition of erotic writing. Behind that secret lies another - that many of the writers are women. We Wrote in Symbols celebrates the works of 75 of these female writers of Arab heritage who articulate love and lust with artistry and skill. Here, a wedding night takes an unexpected turn beneath a canopy of stars; a woman on the run meets her match in a flirtatious encounter at Dubai Airport; and a carnal awakening occurs in a Palestinian refugee camp. From a masked rendezvous in a circus, to meetings in underground bars and unmade beds, there is no such thing as a typical sexual encounter, as this electrifying anthology shows. Powerfully conveying the complexities and intrigues of desire, We Wrote in Symbols invites you to share these characters' wildest fantasies and most intimate moments.

A love letter to Paris written in iPhone notes and in the troubling intimacy of public transport post-Charlie Hebdo attacks, Lauren Elkin's diary of a year on a Parisian bus pays homage to Georges Perec and Annie Ernaux. In this chronicle of the ordinary makings of a city and its people, the author's own body is a threatened vessel; that of the author as a woman as an author as a pregnant woman on the bus.

A must-have gift for anyone interested in investigative journalism. The Sunday Times Insight team is famous for its investigative journalism. This book profiles the major stories - often a result of years of work and painstaking investigation - that ripped away the shrouds of secrecy, revealing the inconvenient truth. News-breaking stories as reported by The Sunday Times, with commentary setting each investigation in context. Investigations covered in this book include: The Third Man: The Tale of Kim Philby the soviet double agent inside British intelligence Bloody Sunday: The 13 civilians killed by British paratroopers Tracing the 9/11 attackers: The trail of the plane hijackers The FIFA Files: The backroom deals that bought Qatar the World Cup Preparing for a pandemic: The Covid-19 chaos at the heart of government

Previously unseen letters, documents and photographs trace the life and artistic evolution of Elliott Carter, and capture his friendships with fellow musicians and others. Born in New York in December 1908, the venerable but still active American composer Elliott Carter is one of the most highly regarded figures in the music of our time. His works span more than seven decades and have been the subject of many analyses, and most of his writings have appeared in carefully edited collections. In contrast, few of the documents on his life and music, largely preserved at the Paul Sacher Foundation in Basel, are known to the public. This body of material forms the main source of the present volume, which offers a richly annotated selection of Carter's correspondence and other documents, including unpublished writings, facsimiles of music manuscripts, and photographs. The book traces the biographical, intellectual, and artistic evolution of a composer who, building on American modernism and interacting with the latest developments in Europe, has forged a distinctive, highly sophisticated musical language, and captures his friendships with fellow musicians and friends such as Charles Ives, Nadia Boulanger, John Kirkpatrick, Aaron Copland, Nicolas Nabokov, and more recently, Pierre Boulez, Oliver Knussen, Heinz Holliger, Daniel Barenboim, and James Levine. Published in association with the Paul Sacher Foundation.

"To understand why people say 'Dear old Kansas " is to understand that Kansas is no mere geographical expression, but a 'state of mind, ' a religion, and a philosophy in one," writes historian Carl Becker in the classic 1910 essay that leads off this volume. Like Becker, the twelve other essayists and four poets try to map the spiritual topography of Kansas and explain why this particular patch of prairie is so dear. They share the conviction that Kansas represents something powerful, something significant, something noteworthy. The seventeen selections are put into perspective by Thomas Fox Averill's headnotes and introductory essay, which makes its own contribution to our understanding of Kansas. The essays and poems (all previously published except for the last essay) are arranged chronologically, from the earliest (1910) to the most recent (1990). Illustrated with woodcuts from the Prairie Print-makers.

NEW EDITION IN PAPERBACK to coincide with a new project to unveil a statue of the author in Richmond on Thames in 2022 "I ought to be grateful to Richmond & Hogarth, and indeed, whether it's my invincible optimism or not, I am grateful." - Virginia Woolf Although more commonly associated with Bloomsbury, Virginia and her husband Leonard Woolf lived in Richmond-upon-Thames for ten years from the time of the First World War (1914-1924). Refuting the common misconception that she disliked the town, this book explores her daily habits as well as her intimate thoughts while living at the pretty house she came to love - Hogarth House. Drawing on information from her many letters and diaries, as well as Leonard's autobiography, the editor reveals how Richmond's relaxed way of life came to influence the writer, from her experimentation as a novelist to her work with her husband and the Hogarth Press, from her relationships with her servants to her many famous visitors.

This monograph uses the life and work of ground-breaking female classicist, Wilmer Cave Wright, to examine several questions about the rise of women in that discipline. First, what went into the creation of a classics scholar under circumstances that would seem to preclude that? Second, why was it arguably Wright's time in Chicago that was her formative experience and period? Third, why did Wright want so desperately to leave Bryn Mawr, and then stay and pour herself into her students? Fourth, through what lens did she approach the evidence of classical literature, and did it make a difference? Fifth, how did Wright survive the Thomas years at Bryn Mawr? Sixth, why did she abruptly abandon her long-term project on Libanius of Antioch? Seventh, what led her to suddenly switch from classical Greek literature to translating medieval Latin medical texts? Wright's journey from Mason College to Girton College, Cambridge, the University of Chicago, and Bryn Mawr College is placed into historical context. Throughout, the significance of Wright's work, particularly on the life of the Emperor Julian, is assessed. The author is a research fellow at the University of St Andrews, and the author of Julian and Christianity (Cornell) as well as numerous articles in Harvard Studies in Classical Philology, Classical Quarterly, and Classical Philology.

"BRILLIANT." --Ada Limon, U.S. poet laureate An intimate and electrifying collection of essays from the New York Times bestselling author of The Book of Delights. A Publishers Weekly Best Book of 2022 In these gorgeously written and timely pieces, prizewinning poet and author Ross Gay considers the joy we incite when we care for each other, especially during life's inevitable hardships. Throughout Inciting Joy, he explores how we can practice recognizing that connection, and also, crucially, how we can expand it. In "We Kin," Gay thinks about the garden (es pecially around August, when the zucchini and tomatoes come in) as a laboratory of mutual aid; in "Share Your Bucket," he explores skateboard ing's reclamation of public spaces; he considers the costs of masculinity in "Grief Suite"; and in "Through My Tears I Saw," he recognizes what was healed in caring for his father as he was dying. In an era when divisive voices take up so much airspace, Inciting Joy offers a vital alternative: What might be possible if we turn our attention to what brings us together, to what we love? Taking a clear-eyed look at injustice, political polarization, and the destruction of the natural world, Gay shows us how we might resist, how the study of joy might lead us to a wild, unpredictable, transgressive, and unboundaried solidarity. In fact, it just might help us survive.

When President Habyarimana's jet was shot down in April 1994, Rwanda erupted into a hundred-day orgy of killing - which left up to a million dead. The world's media showed the shocking pictures, and then largely moved on. Fergal Keane travelled through the country as the genocide was continuing, and his powerful account reveals the terrible truths behind the headlines.

He takes us to the scene of the appalling massacre at Nyarubuye, to the camp in Tanzania where the chief perpetrator lives like a prince, to the orphanages and Red Cross hospital, through territory controlled by Hutu extremists, and behind the siege lines, as Kigali is about to fall. Yet his searing descriptions are matched by trenchant political and historical analysis. This book offers a few brief glimpses of hope - of individual decency and heroism - but is essentially the story of an encounter with evil. It offers an unforgettable portrait of one of the century's greatest man-made catastrophes.

This is the fourth of six parts of a facsimile reprint of a compendium of cookery, gardening, animal husbandry and general household medicine which was published in two volumes in about 1760, having first been offered to the public in 41 weekly parts in 1756. The author claimed "upwards of Thirty Years Experience" as housekeeper or cook, possibly in the service of a Lady Hewit, whose manuscript receipt book - cookery and medicinal - is copied into the published work. The work is arranged as a calendar discussing marketing, cooking, preserving, brewing, medicines for men and animals, and tending the orchard, the herb and vegetable garden and the pleasure garden, month by month. Among its features are descriptions of foods bought - spices, sugar, anchovies, olives, soy sauce - as well as foods grown or cooked. Other hints about marketing - buying fish, for instance - are more detailed than in many other manuals of the period, and there are lists of specific varieties of fruits as they are ready for the table.

'Gripping ... A remarkable achievement' TLS On his deathbed in 19 BCE, Vergil asked that his epic, the Aeneid, be burned. If his wishes had been obeyed, western literature - maybe even western civilization - might have taken a different course. The Aeneid has remained a foundational text since the rise of universities, and has been invoked at key points of human history - whether by Saint Augustine to illustrate the fallen nature of the soul, by settlers to justify manifest destiny in North America, or by Mussolini in support of his Fascist regime. In this fresh and fast-paced translation of the Aeneid, Shadi Bartsch brings the poem to the modern reader. Along with the translation, her introduction will guide the reader to a deeper understanding of the epic's enduring influence.

Longlisted for the Baillie Gifford Prize for Non-Fiction 2019 Longlisted for the Orwell Prize for Political Writing 2020 'If you have even the slightest interest in Orwell or in the development of our culture, you should not miss this engrossing, enlightening book.' John Carey, Sunday Times George Orwell's last novel has become one of the iconic narratives of the modern world. Its ideas have become part of the language - from 'Big Brother' to the 'Thought Police', 'Doublethink', and 'Newspeak' - and seem ever more relevant in the era of 'fake news' and 'alternative facts'. The cultural influence of 1984 can be observed in some of the most notable creations of the past seventy years, from Margaret Atwood's The Handmaids Tale to Terry Gilliam's Brazil, from Alan Moore and David Lloyd's V for Vendetta to David Bowie's Diamond Dogs - and from the launch of Apple Mac to the reality TV landmark, Big Brother. In this remarkable and original book. Dorian Lynskey investigates the influences that came together in the writing of 1984 from Orwell's experiences in the Spanish Civil War and war-time London to his book's roots in utopian and dystopian fiction. He explores the phenomenon that the novel became on publication and the changing ways in which it has been read over the decades since. 2019 marks the seventieth anniversary of the publication of what is arguably Orwell's masterpiece, while the year 1984 itself is now as distant from us as it was from Orwell on publication day. The Ministry of Truth is a fascinating examination of one of the most significant works of modern English literature. It describes how history can inform fiction and how fiction can influence history.