Soon after 1900 in both North America and Europe the evolution
from the tradition of Mediterranean and Gallic architectural styles
to modernism began. This phenomenon was due, in part, to American
industrial architecture and the work of Frank Lloyd Wright.
Wright's building and architectural treatises of 1898-1908, with
the additional help of Dutch propaganda on his behalf,
significantly influenced European practitioners and theorists.
European architecture within and outside of Holland reflects an
adaptation of Wright's theories along with the structural
determinism of American industrial buildings. With new evidence and
fresh analysis culled from Dutch and American archives, personal
correspondence, and professional material, this study examines the
weight of Wright's works and words and those of the Dutchmen H.P.
Berlage, Theo van Doesburg, Jan Wils, J.J.P. Oud, William Dudok,
and Hendrik Theodor Wijdeveld.
This new insight on the effects of Wright's architectural
theories and designs, coupled with an extensive guide for further
research, will attract art and architecture scholars and historians
on both sides of the Atlantic and will also be of interest to
social historians, artists, and architects. Events and new
theories, including the assertion that Hendrik Theodor Wijdeveld
was the catalytic source behind Wright's Taliesin Fellowship
established in 1932, are presented in clear accessible language.
Tied to the text are numerous visual presentations of significant
designs and buildings.
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