"I lived the same life as everyone else, the life of ordinary people, the masses." Sitting in a prison cell in the autumn of 1944, Hans Fallada sums up his life under the National Socialist dictatorship, the time of "inward emigration." Under conditions of close confinement, in constant fear of discovery, he writes himself free from the nightmare of the Nazi years. His frank and sometimes provocative memoirs were thought for many years to have been lost. They are published here for the first time.

The confessional mode did not come naturally to Fallada the writer of fiction, but in the mental and emotional distress of 1944, self-reflection became a survival strategy. In the "house of the dead" he exacts his political revenge on paper. "I know that I am crazy. I'm risking not only my own life, I'm also risking the lives of many of the people I am writing about," he notes, driven by the compulsion to write. And write he does: about spying and denunciation, about the threat to his livelihood and his literary work, about the fate of many friends and contemporaries such as Ernst Rowohlt and Emil Jannings. To conceal his intentions and to save paper, he uses abbreviations. His notes, constantly exposed to the gaze of the prison warders, become a kind of secret code. He finally succeeds in smuggling the manuscript out of the prison, although it remained unpublished for half a century.

These revealing memoirs by one of the best-known German writers of the 20th century will be of great interest to all readers of modern literature.

'The ultimate Camp statement: it's good because it's awful.' These two classic essays were the first works of criticism to break down the boundaries between 'high' and 'low' culture, and made Susan Sontag a literary sensation. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

"These are stories about culture," writes J. Kenji Lopez-Alt in his introduction. "About how food shapes people, neighbourhoods, and history." This year's Best American Food Writing captures the food industry at a critical moment in history - from the confrontation of abusive kitchen culture, to the disappearance of the supermarkets, to the rise and fall of celebrity chefs, to the revolution of baby food. Spanning from New York's premier restaurants to the chile factories of New Mexico, this collection lifts a curtain on how food arrives on our plates, revealing extraordinary stories behind what we eat and how we live. The Best American Food Writing 2020 includes Burkhard Bilger, Kat Kinsman, Laura Hayes, Tamar Haspel, Sho Spaeth, Tim Murphy and others.

This book examines the career and publications of the French architect Julien-David Leroy (1724-1803) and his impact on architectural theory and pedagogy.

Despite not leaving any built work, Leroy is a major international figure of eighteenth-century architectural theory and culture. Considering the place that Leroy occupied in various intellectual circles of the Enlightenment and Revolutionary period, this book examines the sources for his ideas about architectural history and theory and defines his impact on subsequent architectural thought. This book will be of key interest to graduate students and scholars of Enlightenment-era architectural history.

Economic growth is a constant mantra of politicians, economists and the media. Few understand what it is, but they love and follow it blindly. The reality is that since the global financial crisis, growth has vanished in the more industrialised economies and in the so-called developing countries. Politicians may be panicking, but is this really a bad thing? Using real-life examples and innovative research, acclaimed political economist Lorenzo Fioramonti lays bare society's perverse obsession with economic growth by showing its many flaws, paradoxes and inconsistencies. He argues that the pursuit of growth often results in more losses than gains and in damage, inequalities and conflicts. By breaking free from the growth mantra, we can build a better society that puts the wellbeing of all at its centre. A wellbeing economy would have tremendous impact on everything we do, boosting small businesses and empowering citizens as the collective leaders of tomorrow. Wellbeing Economy is a manifesto for radical change in South Africa and beyond.

A very short book about writing is about how joining a small writing group and writing every day helped the author cope with the anxiety and fear he felt as the pandemic worsened and his world fell in and out of lockdowns. But it is also about friendship and family, mental health, understanding and love. Deeply personal and real, inside you will find a small collection of short pieces taken from moments in his life, including Jonathan's touching coming out story, as well as notes on the activities and writing games that inspired them in the hope that by being open and honest about his experiences, it may help others to do the same.

In this extraordinary essay, Virginia Woolf examines the limitations of womanhood in the early twentieth century. With the startling prose and poetic licence of a novelist, she makes a bid for freedom, emphasizing that the lack of an independent income, and the titular 'room of one's own', prevents most women from reaching their full literary potential. As relevant in its insight and indignation today as it was when first delivered in those hallowed lecture theatres, A Room of One's Own remains both a beautiful work of literature and an incisive analysis of women and their place in the world. This Macmillan Collector's Library edition of A Room of One's Own by Virginia Woolf features an afterword by the British art historian Frances Spalding. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

During a period of twenty years--from his start as a young writer for H. L. Mencken's classic pulp magazine The Black Mask in the early 1930s, through the publication of his novels The Big Sleep and Farewell, My Lovely, to his career as a Hollywood screenwriter in the 1940s--Raymond Chandler kept a series of private notebooks.Drawn from those journals, The Notebooks of Raymond Chandler offers an intimate view of the writer at work, revealing early ideas, descriptions, and anecdotes that would later be used in The Long Goodbye, The Blue Dahlia, and other classics.Filled with both public and private writings, The Notebooks of Raymond Chandler includes "Marlowesque" particulars such as pickpocket lingo, San Quentin jailhouse slang, a "Note on the Tommygun," and musings on "Craps." Here, too, are surprising, lesser known essays on Hollywood, the mystery story, British and American writing, and a wicked parody of Hemingway. This sampler--by turns whimsical, provocative, irreverent, and fascinating--also contains a list of possible story titles; "Chandlerisms;" and his short work "English Summer: A Gothic Romance," which the writer viewed as a turning point in his career.

This is the OCR-endorsed publication from Bloomsbury for the Latin AS and A-Level (Group 1) prescription of Annals Book I sections 16-30 and the A-Level (Group 2) prescription of Annals Book I sections 3-7, 11-14 and 46-49, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed text to be read in English for A Level. Annals I starts with the death of Augustus and the beginning of Tiberius' principate. Tacitus chronicles the uneasy and unprecedented transition from one to the other, in the context of a political elite shaken by years of civil war and unsure as to how best to protect their own interests and the stability Augustus had brought to Rome. With damning references to the servile nature of the new regime, Tacitus vividly paints scenes of confused senatorial debates, and Tiberius' own uncertainty over his own position and the best decisions to make. Opportunistic rebellions in the army are described with dramatic brilliance.

'Here I am once more in this Scene of Dissipation and vice, and I begin to find already my Morals corrupted.' Much loved for the romantic plot lines of her novels and witty observations on relationships, Jane Austen was also a prolific letter writer and penned many acerbic, ironic and poignant commentaries on a range of subjects. To her sister Cassandra she wrote with candid humour about the effects of the Peninsular War, on her dislike of parties and social obligations, and about her impressions of London. Her characters speak often, sometimes with bitter sarcasm, of women's inequality, ageing and the disappointments of marriage. Drawing together fifty quotations from Jane Austen's letters and novels with vibrant illustrations which illuminate everyday aspects of life in the Georgian era, this beautifully produced volume is the perfect gift for Janeites everywhere.

'I mean who cares about opinions, gossip, whatever, when bodies are so vulnerable, in search only of love and breath.' The body frequently escapes her, but is always very much present in these compellingly vivid, clear-eyed essays on an embodied self in flight through the world, from the brilliant young writer Ellena Savage. In Portuguese police stations and Portland college campuses, in suburban Melbourne libraries and wintry Berlin apartments, Savage shows bodies in pain and in love, bodies at work and at rest. She circles back to scenes of crimes or near-crimes, to lovers or near-lovers, to turn over the stones, re-read the paperwork, check the deeds, approach from another angle altogether. These essays traverse cities and spaces, bodies and histories, moving through forms and modes to find a closer kind of truth. Blueberries is ripe with acid, promise, and sweetness.

Translated by George Chapman, with Introductions by Jan Parker. Hector bidding farewell to his wife and baby son, Odysseus bound to the mast listening to the Sirens, Penelope at the loom, Achilles dragging Hector's body round the walls of Troy - scenes from Homer have been reportrayed in every generation. The questions about mortality and identity that Homer's heroes ask, the bonds of love, respect and fellowship that motivate them, have gripped audiences for three millennia. Chapman's Iliad and Odyssey are great English epic poems, but they are also two of the liveliest and readable translations of Homer. Chapman's freshness makes the everyday world of nature and the craftsman as vivid as the battlefield and Mount Olympus. His poetry is driven by the excitement of the Renaissance discovery of classical civilisation as at once vital and distant, and is enriched by the perspectives of humanist thought.

Just like the best walks, The Joy of Walking takes you on a journey with lots to surprise and enjoy along the way. Through the best of classic writing, this inspiring anthology shows how the simple act of walking goes to the heart of life itself.

Part of the Macmillan Collector’s Library; a series of stunning pocket size classics, this edition is edited and introduced by Suzy Cripps.

Whether walking through awe-inspiring countryside or weaving your way through crowds in the hustle and bustle of great cities, we take thousands of steps a day. Finding meaning in movement can be difficult in today’s frenetic world. This may seem like a modern problem, but putting one foot in front of the other is something that authors have been writing about for centuries. Some like Gaskell, Wordsworth and Whitman extol the virtues of walking in the countryside, be it on one’s own connecting with nature or as the means to really good conversation with friends. Others like Dickens and E. M. Forster explore the thrill and dangers of moving about the city, by day or by night.

In The Joy of Walking you’ll find a wealth of essays, poetry and fiction celebrating and exploring the joy of walking.

'Well . . .yes, and here we go again' Dr Hunter S. Thompson Indeed we do. Here, in one chunky volume, is the best of gonzo. From Private Thompson in trouble with the air force, to the devastating portrait of the ageing Muhammad Ali. Taking in the Kentucky Derby, Freak Power in the Rockies, Nixon in '68, McGovern in '72, Fear and Loathing at the Watergate, Jimmy Carter and the Great Leap of Faith - and much more. An indispensable compendium of decadence, depravity and horse-sense. 'Hunter Thompson elicits the same kind of admiration one would feel for a streaker at Queen Victoria's funeral' William F. Buckley 'No other reporter reveals how much we have to fear and loathe, yet does it so hilariously. Now that the dust of the sixties has settled, his hallucinated vision strikes one as having been the sanest' Nelson Algren

Alan Rickman remains one of the most beloved actors of all time across almost every genre, from his breakout role as Die Hard's villainous Hans Gruber to his heart-wrenching run as Professor Severus Snape, and beyond. His air of dignity, his sonorous voice and the knowing wit he brought to each role continue to captivate new audiences today.

But Rickman's artistry wasn't confined to just his performances. Rickman's writing details the extraordinary and the ordinary in a way that is anecdotal, indiscreet, witty, gossipy and utterly candid. He takes us behind the scenes on films and plays ranging from Sense & Sensibility, the Harry Potter series, Private Lives, My Name is Rachel Corrie and many more.

The diaries run from 1993 to his death in 2016 and offer insight into both a public and private life. Here is Rickman the consummate professional actor, but also the friend, the traveller, the fan, the director, the enthusiast: in short, the real Alan Rickman. Here is a life fully lived, all detailed in intimate and characteristically plain-spoken prose. Reading the diaries is like listening to Rickman chatting to a close friend.

Madly, Deeply also includes a foreword by Emma Thompson and a selection of Rickman's early diaries, dating from 1974 to 1982, when his acting life first began.

The Gardener's Year is a charming and light-hearted insight into the life of an amateur gardener. Structured loosely around what to plant, grow or cultivate each month, Karel Capek takes us on a rollicking journey through a year in his own small garden. Complete and unabridged. Part of the Macmillan Collector's Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features lively black and white illustrations by Czech artist Josef Capek and is translated by M. and R. Weatherall. From making puddles with an untamable hose to sowing luxuriant weeds instead of grass, Capek reveals how a gardener grows into his surroundings 'spurred on by each new failure'. Subverting the tradition of a 'how to' gardening book, he teaches his readers about the magic of seeds, the perils of planting vegetables and the thrilling surprises of a rock garden. As the year progresses and frail buds turn from flowering stems to drooping bulbs and falling leaves, Capek's small garden buzzes with life, wisdom and humour.

An urgent, stirring reflection on violence and morality. "Recalcati explores the most fundamental of questions-for Cain, Abel, and every human being: can we believe in love?"-La Stampa What lies at the foundation of human history and life in a society? According to Massimo Recalcati, it is not the sentiment of love for one's neighbour preached by Jesus in the Gospels but the brutal hatred and violence depicted in the story of Cain and Abel. As timely as it is brilliant, this essay examines Cain's murderous act through the lens of psychoanalysis, showing how delusions of self-sufficiency and individual perfection lie at the deepest roots of fear and violence in our societies. True completeness can only be achieved through others-not despite them. This, argues Recalcati, is the lesson of Cain, one that resonates powerfully in our time. Praise for Recalcati's A Night in Gethsemane: "A book that reads in less than two hours but stays with you forever."-Il Foglio "Lively and sharp . . . An invitation to look positively at the loneliness of human experience."-Lettera

'It is a clever, well-written book, and I often found myself underlining whole paragraphs as I read. ... wonderfully insightful. ... I've never read accounts of any of these texts that manage to be at once so searching and so wondrously concise, and Lupton made me want to go back to them all' Rachel Cooke, Observer 'Incandescent' Lara Feigel, Guardian 'A subversive, brilliant and beautifully written book about love, play and power in fiction and in the well-read life' - Sarah Moss, author of Summerwater 'A delicious combination of critical thought and passionate personal experience.' - Tanya Shadrick, author of The Cure for Sleep Romantic love was born alongside the novel, and books have been shaping how we experience and think about our most intimate stories ever since. But what do novels give us when our own lives diverge from the usual narrative paths? Christina is a professor used to examining stories with a critical eye; until one day in middle age she finds herself falling in love and leaving her marriage for a romance with another woman. This involves a familiar enough tale, but when her new partner suffers a stroke, Tina begins to reflect on the sorts of love that novels rarely capture. A heady mix of memoir, criticism and storytelling that draws on novels ranging from Pride and Prejudice to Price of Salt, Anna Karenina to Conversations with Friends, to illuminate the ways love and novels work, and show how some types of love, which don't race to a narrative end-point, might be the most important of all.

During her lifetime, Edith Wharton was America's most popular and prolific writer. This book presents the unpublished writings of a canonical author, along with three stage-plays that open up a different field of Wharton studies. It also includes a general introduction, volume introductions, textual variants, headnotes and endnotes.