This book makes a unique contribution to the literature on Pan-Africanism by providing biographical essays of major Pan-African figures, both well known and less known. In so doing, it analyses Pan-Africanism as a school of thought, and connects this intellectual thinking to the lived experiences of those who practised and promoted such a world view.

It covers well known Pan-Africanists such as W.E.B. Du Bois, George Padmore, Kwame Nkrumah and Frantz Fanon, as well as well-known figures not typically identified with Pan-Africanism in the mainstream, such as Maya Angelou and Mariama Ba.

The book also covers other areas, including the history of Pan-Africanism and the quest for reparations, pioneers, politicians and activists of Pan-Africanism, and Pan-Africanism in the humanities and social sciences, making it a great introductory reader for those interested in the subject. The book chapters are short, concise and easy to read. The authors are engaging and cover both historical and contemporary topics of interest to a wide audience, including university students. Attention has been directed at inclusive geographical and gender representation.

Die geliefde en gevierde kortverhaalskrywer Hennie Aucamp is op 21 Maart 2014, slegs twee maande na sy 80ste verjaardag oorlede. In hierdie herinneringsboek word verskillende fasette van sy lewe deur familie, vriende en medeskrywers belig. Onder die familielede wat bydraes tot die boek gelewer het, is sy suster Rina wat herinneringe aan hulle kinderjare op die familieplaas Rus-mijn-ziel opdiep en sy neef Inus Aucamp wat meer vertel van die vestiging van die Aucamp-familie in die Stormberge. Die skryfster Margaret Bakkes, wat ook sy kleinniggie is en op 'n buurplaas grootgeword het, vertel hoe sy en Hennie reeds as kinders teenoor mekaar bely het dat hulle wil skryf. Daar is ook bydraes deur Marius en Christiaan Bakkes, wat oor Hennie se belangstelling in die natuur. Daar is besondere opstelle deur medeskrywers Lina Spies, Aletta Lubbe (gebore Aucamp), Danie Botha en Abraham de Vries, terwyl Daniel Hugo en Joan Hambidge gedigte opgedra aan Hennie gelewer het. Die radiopersoonlikhede Monica Breed en Margot Luyt skryf oor Hennie se ruimhartigheid en sy vriend Nico Loubser oor Hennie se laaste dae. Foto’s van Philip de Vos en Marius Bakkes skep 'n visuele beeld van die woordman Aucamp.

In sy honderdjarige bestaan – vanaf sy beskeie begin in 1908, met een professor, drie lektore en twee en dertig studente, tot die reuse instelling wat dit vandag is - het die Universiteit van Pretoria rigting en dimensie gegee aan talle mense se lewe. Amfiteater gee 'n blik op die talent van gevestigde en minder bekende skrywers wat eens UP se kampus bewandel het – en verenig so die stemme van oud-Tukkies uit verskeie lewensterreine. Die essays in Amfiteater sal nie net by Tuks-Alumni reg oor die ouderdom spektrum byval vind nie, maar ook by enige leser met waardering vir kort prosa. Die trant van die meerderheid essays is lig en vermaaklik en daarom nie op 'n suiwer akademiese gehoor afgestem nie. Bydraers is almal Tuks-alumni, en sluit bekendes in uit die wereld van skrywers, joernaliste politici, historici en verhoogkunstenaars: Marius Ackermann, Johan Bakkes, Chris Barnard, Louise Boshoff, Martjie Bosman, Paul Bosman, Pik Botha, Terence Carney, Louis Changuion, T.T. Cloete, Neil Cochrane, Johann de Jager, Engemi Ferreira, Jeanette Ferreira, Joan Hambidge, Karin Hougaard, Neels Jackson, Carie Maas, Annamarie Marais, Johann Lodewyk Marais, Lizz Meiring, Fransjohan Pretorius, Wessel Pretorius, Dalena van Jaarsveld, Dolf van Niekerk, Cas Vos, George Weideman.

Wanneer ’n mens aan die ervarings van Boerevroue en -kinders tydens die Anglo-Boereoorlog dink, is die outomatiese konnotasie die van konsentrasiekamplyding. ’n Fassinerende en grotendeels onbekende buitebeentjie in hierdie genre is die dagboek van Anna Barry, waaruit ’n unieke en veelkantige beeld van die oorlog na vore kom. Aan die een kant van Anna se oorlogservaring staan haar broer Japie – ’n begeesterde jong soldaat wat uiteindelik as krygsgevangene op Ceylon sterf. Hierteenoor le haar geliefde pa Thomas (aanvanklik ’n gerespekteerde veldkornet) al in 1900 die eed van neutraliteit af, en wag hy die grootste gedeelte van die oorlog in die neutrale Basoetoland uit. Vir die tienderjarige Anna is die oorlog as gevolg hiervan ’n uiters verwarrende ervaring en haar dagboek bied ’n sonderlinge blik op die gefragmenteerdheid en buigbaarheid van konsepte soos “identiteit”, “nasie” en “volk”. Die feit dat die dagboek eers in 1960 vir die eerste keer gepubliseer is en daarna grotendeels in die vergetelheid verval het, is verder veelseggend in terme van hoe Anna self verwag het haar ervarings kort na die oorlog ontvang sou word – maar ook in terme van hoe blinde lojaliteit aan sekere groepe so dikwels in die geskiedenis van Suid-Afrikaners vereis is. Die dagboekteks, geboekstut deur Ena Jansen se insiggewende en verhelderende voor- en nawoord, bied nie slegs ’n sonderlinge blik op die Anglo-Boereoorlog nie, maar is verweef met kwessies van taal, politieke mag en sosiale status wat vandag nog net so relevant is soos toe die dagboek geskryf is.

Africa Writes Back was published in 2008 to coincide with the 50th anniversary of the publication of Chinua Achebe's Things Fall Apart - the novel which provided the impetus for the foundation of the Heinemann African Writers Series in 1962 with Chinua Achebe as the Editorial Adviser. With the 50th anniversary of the AWS being celebrated in 2012, James Currey's book has a new resonance. '... not only the story of a publishing enterprise of great significance; it is also a large part of the story of African literature and its dissemination in the latter half of the twentieth century. The manuscript is full of the drama of that enterprise, the drama of dealing with the mother house, William Heinemann, of dealing with the often intractable political constraints dominating the intellectual space across Africa, and not least of all dealing with the writers themselves - with their ambitions, their temperaments, their financial needs and, at time, their perception of a colonial relationship between themselves and a European publishing house.' - Clive Wake, Emeritus Professor of Modern Languages, University of Kent at Canterbury. North America: Ohio U Press; South Africa: Wits U Press; Nigeria: HEBN; Kenya: EAEP; Zimbabwe: Weaver Press

A personal and powerful essay from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun. 'I would like to ask that we begin to dream about and plan for a different world. A fairer world. A world of happier men and happier women who are truer to themselves. And this is how to start: we must raise our daughters differently. We must also raise our sons differently...' What does "feminism" mean today? In this personal, eloquently argued essay - adapted from her much-admired Tedx talk of the same name - Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century, one rooted in inclusion and awareness. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author's exploration of what it means to be a woman now - an of-the-moment rallying cry for why we should all be feminists.

Caustically humorous and polemically compulsive, Trump Rant is a work of meticulous political portraiture: a deep-delving and epoch-spanning investigation into the nature of power in American life, made luminous by Agee's nuanced, exploratory understanding of authoritarian drift and thwarted democratic aspiration in a number of world-historical contexts, from Belfast to the Balkans to the formerly Confederate South. Free-roaming in its breadth of reference and tonal range, the Rant is at once viscerally personal and unsettlingly resonant, infused throughout with an almost hypnotic sense of scale, largesse, and historical moment. Already renowned as a poet of emotional delicacy and singular stylistic vision, Agee's hallmark gifts of writerly intimacy and ethical resolve are here expanded and reconfigured on a panoramic canvas - moving from a pared-back opening section to the accelerating pace and barrage-like linguistic assaults of the latter addenda. But for all its freewheeling furies, shifting emotional registers and Kubrick-like black humour, it remains a remarkably formal work, moored to the relentlessly dangerous drumbeat of Donald J. Trump. The result is a combination of long-form radicalism and eclectic satire, startingly unique in its blend of aphorism, acuity and epic cultural imagining. Composed chronologically for nearly four years (from early 2017 until Election Day 2020), Trump Rant is a triumph of artistic witness and denunciation; an urgent retort to a global culture of imperilled legal standards and depleted literary response; and an incisive model of enlightenment and outrage in a "post-truth" world being visibly darkened by its criminal shadows.

A BBC Radio 4 Book of the Week 'A subject that could not be more important. A compact classic!' Bill McKibben 'I learned something new - and found something amazing - on every page' Anthony Doerr, author of All the Light We Cannot See From Pulitzer Prize winner Annie Proulx - whose novels are infused with her knowledge and deep concern for the earth - comes an urgent and riveting history of wetlands, their ecological role and how the loss of them threatens the planet. Fens, bogs, swamps and marine estuaries are the earth's most desirable and dependable resources, and in four illuminating parts Proulx documents the emergence of their systemic destruction in the pursuit of profit and the consequent release of their stored carbon. Wide-ranging and idiosyncratic, Proulx's explanation of wetlands takes readers to the fens of sixteenth-century England, Canada's Hudson Bay Lowlands, Russia's Great Vasyugan Mire and America's Okefenokee National Wildlife Refuge and introduces the nineteenth-century explorers who launched the ravaging of the Amazon rainforest. Proulx was born in the 1930s, a time, as she says, when 'in the ever-continuing name of progress, Western countries busily raped their own and other countries of minerals, timber, fish and wildlife.' Fen, Bog & Swamp is both a revelatory history and an urgent plea for wetland reclamation from a writer whose passionate devotion to observing and preserving the environment is on glorious display. 'Magnificent, bringing to life hitherto overlooked habitats' Guardian 'Proulx's sparkling book will open your eyes to humanity's reckless trashing of wetlands' Telegraph 'A haunting tribute ... Proulx's poetic description of these places, and peat itself, is a pleasure to read' Financial Times

This is the first book of essays by a major new Irish non-fiction writer from the West of Ireland, comparable to the celebrated Kilkenny essayist Hubert Butler first published by The Lilliput Press and subsequently widely acclaimed. Gerard McCarthy's writing is no less distinguished than Butler's. McCarthy writes of his book: "Perhaps the Philosophers who had the most enduring influence on me were the contrary figures of Nietzsche and Marcus Aurelius. The reading of each was an antidote to the other, but I was drawn to both by an instinctive affinity.They were augmented subsequently by the gargantuan figure of Michel de Montaigne. My interest has continued to be in the region where Philosophy merges into Literature, with a preference for a language of metaphor rather than of abstract reasoning.These eight essays were written over the course of more than a decade.The fact that they have all been published in the one place, by the good offices of Irish Pages, has allowed me see the continuity between them, and to hope that they might be seen by the reader to form a unity."

***THE ORIGINAL MILLION-COPY BESTSELLER AND TIK TOK SENSATION, NOW IN PINK*** For fans of Wreck This Journal Write. Burn. Repeat. Instagram, WhatsApp, Snapchat, TikTok, VSCO, YouTube...the world has not only become one giant feed, but also one giant confessional. Burn After Writing allows you to spend less time scrolling and more time self-reflecting. Through incisive questions and thought experiments, this journal helps you learn new things while letting others go. Imagine instead of publicly declaring your feelings for others, you privately declared your feelings for yourself? Help your heart by turning off the comments and muting the accounts that drive you into jealousy for a few moments a night. Whether you are going through the ups and downs of growing up, or know a few young people who are, you will flourish by finding free expression - even if through a few tears! Push your limits, reflect on your past, present, and future, and create a secret book that's about you, and just for you. This is not a diary, and there is no posting required. And when you're finished, toss it, hide it, or Burn After Writing*. *Matches not included.

Here are Sappho's songs and poems as English poems, all her famous pieces, all the fragments that can make connected sense, and all the discoveries of 2004 and 2014. These translations set out to be good English poetry first and foremost, and succeed well beyond other current versions. They have been made directly from Sappho's Greek, by a poet with three collections to his credit, and are relatively close to the Greek. Each piece has a concise footnote that explains references and allusions, and suggests critical appreciation. A substantial Afterword says much more about Sappho's themes, her art and style, and her historical setting. Sappho is one of the greatest poets of the western world. She lived on the Greek island of Lesbos around 600 BCE, near the very beginning of western literature, and composed 300 or so poems and songs. Her poems create a woman-centred world in which women and relationships are highly valued, a world of beauty and grace, love and loss, sandals and hairbands, all sometimes exalted and idealised. She opposes women's values to those of the dominant male society around her, and is the first to do this in the western canon. She was famous in her lifetime and has been deeply admired ever since.

How does a newsroom, made up of young journalists, change overnight into a war zone? How do you do your job as a correspondent when the conflict is literally on your doorstep? Reporting the facts as closely as possible is in itself a form of resistance, especially for this editorial staff, at least one of whose members has decided to abandon the pen and don the uniform. One was covering the business world in Ukraine, another was reporting on entertainment, a third was dealing with geopolitics, when suddenly the Russian army crossed the border. Staying is the choice they all made: to face the uncertainty of living and working in an active war zone head on. The power cuts, threat to life, concern for family members, trips to and from shelters while their city or town is subjected to lethal attacks - despite it all, they keep informing. In War Diary of the Ukrainian Resistance, written on the spot, day by day, the journalists of The Kyiv Independent share their work on the war that is ravaging their country. Combining articles published during the conflict with personal accounts, they give us an unprecedented inside look at the reality of the Russian invasion and its consequences on the lives of Ukrainians. Their names are Olga, Daryna, Illia, Jakub, Toma, Anna, Igor, Oleg, Natalia, Artur, Daria, Asami, Thaisa, Dylan, Sergiy, Alexander ... Their lives will never be the same again. Nor will ours.

This long-awaited selection of essays and reviews from one of Ireland's leading critics brings together a wealth of ref lection, observation and astute literary comment. It ranges in time from William Carleton to Edna O'Brien, and in subject matter from recent Irish poetry to ghosts, children's books and MI5. Patricia Craig holds strong opinions on literary mer- it, and some of the essays collected in this book are less than adulatory. For example, she has included a highly critical, but good-humoured and amusing re- assessment of Somerville and Ross; and a couple of recent critical studies come in for a somewhat sharp evaluation.Where the tone is moderately unadmiring it is always justified (if provocative), and contributes to the overall balance of the collection. In short, Kilclief & Other Essays presents an original, diverting, intelligent and thought-provoking assem- bly of essays and reviews. Patricia Craig's latest book should appeal to the general reader as well as to those whose interests are more specialised, and it deserves a wide audience, not only in Ireland but also in the United Kingdom and beyond.

This book of friends (liber amicorum) is a tribute to Professor JC Sonnekus by colleagues and friends from Europe and South Africa to celebrate his more than 40 years in the academy and his contribution to law and its development. Authors from Belgium, the Netherlands, Germany and South Africa make contributions on the multitude of subjects and areas of jurisdiction to which professor Sonnekus contributed over the years. Subjects that are discussed, are divided under a general heading, the recognition and enforcement of judgments, prescription, uncertainty regarding common law rules and how the courts sometimes act in a law-making capacity, conditional cession and `who has the King's voice' - looking back at the convictions of the people and the legal convictions in the nineteenth century and how it could still lead to new insights. The law of delict leads to contributions on accountability of children, the law concerning liability in general and liability for an omission. The law of succession contains contributions on wills and trustees; the section on estoppel and enrichment touches on aspects of estoppel and the Turquand rule, as well as Ponzi schemes and pyramid schemes. International developments are discussed in the section on the law of marriage and family law with contributions on marriage contracts and the consequences of divorce under German law, general matrimonial property law in Europe and the influence of the Belgian constitutional court on family law. Insolvency law includes business rescue and the actio Pauliana and the law of contract contains a potpourri of contributions on the interpretation of contracts, perpetual contracts, evictions and independent warranties. The law of things (property) section contains contributions on property law and habitatio, credit security law, fragmented property, syndicated loans, servitudes and digital assets. This collection of essays concludes with two contributions on insurance law relating to self-steering and distance-steered vehicles and the sources of insurance law.

Audrey Blignault is een van die heel bekendste skrywers in Afrikaans. Vir ongeveer 50 jaar het daar gereeld nuwe boeke uit haar pen verskyn. In 'n Blywende vreugde kan lesers vir die eerste keer haar persoonlike briewe aan vriende, familie en mede-skrywers lees. Sy skryf onder andere aan dr. Elize Botha, M.E.R., Hennie Aucamp, Ernst van Heerden en W.A. de Klerk oor dinge wat haar na aan die hart lê. Die briewe wissel van liriese aanhalings uit die poësie tot selfspot en skaterlag-stoute rympies en grappe. Wanneer geliefdes deur die dood weggeneem word, ontroer haar openhartige ontboeseming. Die omslag van die boek is 'n foto van een van die skrywer se geliefde kledingstukke. En hoe gepas, want dink jy aan Audrey Blignault, dink jy rooi - en spesifiek aan die oulap se rooi wat mooi maak.

'Reads like a mashup of The Godfather and Chinatown, complete with gun battles, a ruthless kingpin and a mountain of cash. Except that it's all true.' Time In this thrilling panorama of real-life events, the bestselling author of Empire of Pain investigates a secret world run by a surprising criminal: a charismatic middle-aged grandmother, who from a tiny noodle shop in New York's Chinatown, managed a multimillion-dollar business smuggling people. In The Snakehead, Patrick Radden Keefe reveals the inner workings of Cheng Chui Ping aka Sister Ping's complex empire and recounts the decade-long FBI investigation that eventually brought her down. He follows an often incompetent and sometimes corrupt INS as it pursues desperate immigrants risking everything to come to America, and along the way he paints a stunning portrait of a generation of undocumented immigrants and the intricate underground economy that sustains and exploits them. Grand in scope yet propulsive in narrative force, The Snakehead is both a kaleidoscopic crime story and a brilliant exploration of the ironies of immigration in America.

A truly original book in every sense of the word, The Dictionary of Obscure Sorrows poetically defines emotions that we all feel but don't have the words to express, until now-from the creator of the popular online project of the same name. Have you ever wondered about the lives of each person you pass on the street, realizing that everyone is the main character in their own story, each living a life as vivid and complex as your own? That feeling has a name: "sonder." Or maybe you've watched a thunderstorm roll in and felt a primal hunger for disaster, hoping it would shake up your life. That's called "lachesism." Or you were looking through old photos and felt a pang of nostalgia for a time you've never actually experienced. That's "anemoia." If you've never heard of these terms before, that's because they didn't exist until John Koenig began his epic quest to fill the gaps in the language of emotion. Born as a website in 2009, The Dictionary of Obscure Sorrows has garnered widespread critical acclaim, inspired TED talks, album titles, cocktails, and even tattoos. The Dictionary of Obscure Sorrows "creates beautiful new words that we need but do not yet have," says John Green, bestselling author of The Fault in Our Stars. By turns poignant, funny, and mind-bending, the definitions include whimsical etymologies drawn from languages around the world, interspersed with otherworldly collages and lyrical essays that explore forgotten corners of the human condition-from "astrophe," the longing to explore beyond the planet Earth, to "zenosyne," the sense that time keeps getting faster. The Dictionary of Obscure Sorrows is for anyone who enjoys a shift in perspective, pondering the ineffable feelings that make up our lives, which have far more in common than we think. With a gorgeous package and beautifully illustrated throughout, this is the perfect gift for creatives, word nerds, and people everywhere.