This book makes a unique contribution to the literature on Pan-Africanism by providing biographical essays of major Pan-African figures, both well known and less known. In so doing, it analyses Pan-Africanism as a school of thought, and connects this intellectual thinking to the lived experiences of those who practised and promoted such a world view.

It covers well known Pan-Africanists such as W.E.B. Du Bois, George Padmore, Kwame Nkrumah and Frantz Fanon, as well as well-known figures not typically identified with Pan-Africanism in the mainstream, such as Maya Angelou and Mariama Ba.

The book also covers other areas, including the history of Pan-Africanism and the quest for reparations, pioneers, politicians and activists of Pan-Africanism, and Pan-Africanism in the humanities and social sciences, making it a great introductory reader for those interested in the subject. The book chapters are short, concise and easy to read. The authors are engaging and cover both historical and contemporary topics of interest to a wide audience, including university students. Attention has been directed at inclusive geographical and gender representation.

The importance of A. W. N. Pugin (1812-52) in the history of the Gothic Revival, in the development of ecclesiology, in the origins of the Arts and Crafts Movement, and in architectural theory is incontestable. A leading British architect who was also a designer of furniture, textiles, stained glass, metalwork, and ceramics, he is one of the most significant figures of the mid-nineteenth century and one of the greatest designers. His correspondence is important because it provides more insight into the man and more information about his work than any other source. In this volume, the third of five, which spans the years 1846 to 1848, Pugin's two most important churches are completed and the first part of the House of Lords is opened. He makes his only trip to Italy, and he marries for the third time. His correspondence sheds light too on the religious life of the time, especially ecclesiastical politics.

The correspondence from the most successful Irish-American trading firm of the colonial period forms a remarkable archive for economic historians of the eighteenth century. This is an edition of a letterbook that contains the first nine months of correspondence from this New York trading house. The letters to commercial contacts throughout the North Atlantic region offer a vivid picture of the transatlantic economy. And the private communications of Waddell Cunningham to his partner, Thomas Greg in Belfast, allow a rare behind-the-scenes look at the management and operation of an overseas merchant house. Guided by Professor Truxes's authoritative introduction, we can see in these letters the difficulties of decision-making over long distances, the problems of over-stretched resources, and the impact of the Seven Years War on the evolution of a vigorous enterprise.

Isobel Wylie Hutchison was many things: a botanist, traveller, poet and artist. She travelled solo throughout the arctic collecting plant samples, wrote and published extensive volumes of essays and poetry, and was - in short - one of the most remarkable Scottish figures of her time. However, since her death in 1982 her legacy has been forgotten compared with her male counterparts. Now Isobel can speak for herself again. While better known for her solo journeys across the Arctic, these essays detail Isobel's journeys across Scotland, including visits to Skye, John O' Groats and the various literary shrines across the country. Written with characteristic wit and a keen interest in both science and myth and folklore, the essays serve as important cultural markers not just of Scotland as it was and has developed, but of a woman's experience of travelling alone and a testament to the importance of cultural connection, exploration and communication.

The Editors of Irish Pages - Chris Agee, Cathal O Searcaigh, Kathleen Jamie and Meg Bateman - have assembled a new issue of the journal, entitled "The Anthropocene." It aims to evoke the escalating global ecological crisis in the round, through many of its key components, including climate change, deforestation, the treatment of animals, oceanic pollution and over-fishing, the melting of glaciers, extinctions, land-use, plastic pollution and the waste crisis, the eco-vandalism of mining and the fashion industry, the extermination of indigenous peoples and languages, biodiversity and ecocide generally, and so on - and on. * A certain amount of poetry and prose deals with humanity and human consciousness more generally, in their historical, cultural, psychological, artistic and religious dimensions. * There is also a special section devoted to writing on the Pandemic. * As with other issues, however, there is also work included that does not bear explicitly on the theme of the issue.

When it comes to the trials and triumphs of becoming a grown up, journalist Dolly Alderton has seen and tried it all. In her memoir, she vividly recounts falling in love, wrestling with self-sabotage, finding a job, throwing a socially disastrous Rod-Stewart themed house party, getting drunk, getting dumped, realising that Ivan from the corner shop is the only man you've ever been able to rely on, and finding that that your mates are always there at the end of every messy night out. Glittering, with wit and insight, heart and humour, this is a book about the struggles of early adulthood in all its grubby, hopeful uncertainty.

For years, Laurence Bounds has been pestering some of the most patient customer service departments from coffee companies to television studios and shaving companies to travel agents, with his maddening of letters. From HMV to AEG, the Met Office to the Royal Philharmonic Orchestra - everyone is a target. Discover years of hilarious letters sent from the Etruria Lodge estate by the eccentric but highly-educated, Laurence Bounds (B.A, B.Sc). So who is Laurence Bounds, we hear you ask? A part-time gamekeeper, Bachelor of Fine Arts, Bachelor of Science, inventor of the WaspZapper 838 (TM), producer of the famous Bombardier Potato, founder of The Mobile Judge Programme, dog food pioneer, betting tycoon, playwright supremo, wine magnate, children's life-size Henry VIII doll designer, poet, astrologer, published author and aspiring television producer, to name but a few. Upon buying this educational book, you may learn some of Laurence's tips and become a serial entrepreneur just like him. Discover how to complain the Bounds way, how to communicate effectively with some of the world's biggest companies, and how to deal with organisations when they are not keen on your ideas. Join him on a side-splitting journey, guaranteed to have you in stitches, as you meet his friends, relatives, and his beloved thoroughbred black Labrador, Alexander IX. This is Laurence Bounds, his life in his own words...

Essays and poems exploring the diverse range of the Arab American experience. This collection begins with stories of immigration and exile by following newcomers' attempts to assimilate into American society. Editors Ghassan Zeineddine, Nabeel Abraham, and Sally Howell have assembled emerging and established writers who examine notions of home, belonging, and citizenship from a wide array of communities, including cultural heritages originating from Lebanon, Palestine, Iraq, and Yemen. The strong pattern in Arab Detroit today is to oppose marginalization through avid participation in almost every form of American identity-making. This engaged stance is not a by-product of culture, but a new way of thinking about the US in relation to one's homeland. Hadha Baladuna ("this is our country") is the first work of creative nonfiction in the field of Arab American literature that focuses entirely on the Arab diaspora in Metro Detroit, an area with the highest concentration of Arab Americans in the US. Narratives move from a young Lebanese man in the early 1920s peddling his wares along country roads to an aspiring Iraqi-Lebanese poet who turns to the music of Tupac Shakur for inspiration. The anthology then pivots to experiences growing up Arab American in Detroit and Dearborn, capturing the cultural vibrancy of urban neighborhoods and dramatizing the complexity of what it means to be Arab, particularly from the vantage point of biracial writers. Included in these works is a fearless account of domestic and sexual abuse and a story of a woman who comes to terms with her queer identity in a community that is not entirely accepting. The volume also includes photographs from award-winning artist Rania Matar that present heterogenous images of Arab American women set against the arresting backdrop of Detroit. The anthology concludes with explorations of political activism dating back to the 1960s and Dearborn's shifting demographic landscape. Hadha Baladuna will shed light on the shifting position of Arab Americans in an era of escalating tension between the United States and the Arab region.

From the best-selling author of Americanah and We Should All Be Feminists comes a powerful new statement about feminism today - written as a letter to a friend. A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking her how to raise her baby girl as a feminist. Dear Ijeawele is Adichie's letter of response. Here are fifteen invaluable suggestions-compelling, direct, wryly funny, and perceptive-for how to empower a daughter to become a strong, independent woman. From encouraging her to choose a helicopter, and not only a doll, as a toy if she so desires; having open conversations with her about clothes, makeup, and sexuality; debunking the myth that women are somehow biologically arranged to be in the kitchen making dinner, and that men can "allow" women to have full careers, Dear Ijeawele goes right to the heart of sexual politics in the twenty-first century. It will start a new and urgently needed conversation about what it really means to be a woman today.

Hazel Hendry is a remarkable woman. She worked tirelessly raising money for charities, and particularly for TEARFUND, including walking the form of a cross from John Oa Groats to Lands End and from Ramsgate to Fishguard in Wales. When the Croatian War began, the founder of TEARFUND, George Hoffman, told her, a Hazel, the people of Croatia need your helpa . So she raised money to send over 50 lorries, full of much needed supplies of food, furniture, medical equipment and toiletries, into Croatia. She travelled personally with many of them during and after the war. Hazel delivered aid right to the Front Line risking her life to help people who had lost their homes, livelihoods, and families. This book is about her experiences during those dangerous years, and the people who helped her and those that she helped. It is based on journals which she kept at the time and later recollections of particular people and events. As such, it is a vivid account of how the Croations in the War Zone suffered at the hands of the Chetniks who would attack their villages while leaving neighbouring villages in Croatia where Serbs lived unscathed. Some of the details that she recalls are not for the squeamish, but the way in which her faith supported her throughout this period shines through on every page.

Griefseed is a gift, an offering from the pen of Malika Ndlovu that seeks to transform the ways we think about and process grief.

Multidisciplinary in scope, the text includes poems, personal essays, images, and reflections on grief that punctuate the life story of the poet, offered here as medicine. These creative pieces function as both window onto an individual woman’s life as she has journeyed with, through and beyond grief; as well as a mirror, inviting the reader to see their own lives and losses reflected within Ndlovu’s.

This invitation to sit with grief, hold it, look it in the eye, and tend to it, is also an invocation to consider multigenerational relationships – how grief cements our relationships to the past, to ancestors, to descendants. To note where grief echoes along kinship lines, spreading itself throughout the branches of family trees. How centuries of grief from our grandmothers and grandfathers lodge themselves in our own bodies, crying out for release, relief and processing. If we dare to take up this visceral knowing, grief can transform us, becoming a generative site for renewal, rethinking, recasting.

'Stand. Breathe. Look. Try to empty my mind. Somehow, for some reason, I have been brought to this place to tell this story, now. So tell it. That's all.' When Lin-Manuel Miranda's groundbreaking musical Hamilton opened in London's West End in December 2017, it was as huge a hit as it had been in its original production off- and on Broadway. Lauded by critics and audiences alike, the show would go on to win a record-equalling seven Olivier Awards - including Best Actor in a Musical for Giles Terera, for his portrayal of Aaron Burr. For Terera, though, his journey as Burr had begun more than a year earlier, with his first audition in New York, and continuing through extensive research and preparation, intense rehearsals, previews and finally opening night itself. Throughout this time he kept a journal, recording his experiences of the production and his process of creating his award-winning performance. This book, Hamilton and Me, is that journal. It offers an honest, intimate and thrilling look at everything involved in opening a once-in-a-generation production - the triumphs, breakthroughs and doubts, the camaraderie of the rehearsal room and the moments of quiet backstage contemplation - as well as a fascinating, in-depth exploration of now-iconic songs and moments from the musical, as seen from the inside. It is also deeply personal, as Terera reflects on experiences from his own life that he drew on to help shape his acclaimed portrayal. Illustrated with dozens of colour photographs, many of which are shared here for the first time, and featuring an exclusive Foreword by Lin-Manuel Miranda, this book is an essential read for all fans of Hamilton - offering fresh, first-hand insights into the music and characters they love and know so well - as well as for aspiring and current performers, students, and anyone who wants to discover what it really felt like to be in the room where it happened. Hamilton and Me was featured as Book of Week on BBC Radio 4 in August 2021.