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Books > Humanities > History > European history
The place of religion in the Enlightenment has been keenly debated
for many years. Research has tended, however, to examine the
interplay of religion and knowledge in Western countries, often
ignoring the East. In Enlightenment and religion in the Orthodox
World leading historians address this imbalance by exploring the
intellectual and cultural challenges and changes that took place in
Orthodox communities during the eighteenth century. The two main
centres of Orthodoxy, the Greek-speaking world and the Russian
Empire, are the focus of early chapters, with specialists analysing
the integration of modern cosmology into Greek education, and the
Greek alternative 'enlightenment', the spiritual Philokalia.
Russian experts also explore the battle between the spiritual and
the rational in the works of Voulgaris and Levshin. Smaller
communities of Eastern Europe were faced with their own particular
difficulties, analysed by contributors in the second part of the
book. Governed by modernising princes who embraced Enlightenment
ideals, Romanian society was fearful of the threat to its
traditional beliefs, whilst Bulgarians were grappling in different
ways with a new secular ideology. The particular case of the
politically-divided Serbian world highlights how Dositej
Obradovic's complex humanist views have been used for varying
ideological purposes ever since. The final chapter examines the
encroachment of the secular on the traditional in art, and the
author reveals how Western styles and models of representation were
infiltrating Orthodox art and artefacts. Through these innovative
case studies this book deepens our understanding of how Christian
and secular systems of knowledge interact in the Enlightenment, and
provides a rich insight into the challenges faced by leaders and
communities in eighteenth-century Orthodox Europe.
A dedicated career soldier and excellent division and corps
commander, Dominique Vandamme was a thorn in the side of
practically every officer he served. Outspoken to a fault, he even
criticized Napoleon, whom he never forgave for not appointing him
marshal. His military prowess so impressed the emperor, however,
that he returned Vandamme to command time and again.In this first
book-length study of Vandamme in English, John G. Gallaher traces
the career of one of Napoleon's most successful midrank officers.
He describes Vandamme's rise from a provincial youth with neither
fortune nor influence to an officer of the highest rank in the
French army. Gallaher thus offers a rare look at a Napoleonic
general who served for twenty-five years during the wars of the
French Revolution and Napoleonic Empire. This was a time when a
general could lose his head if he lost a battle. Despite Vandamme's
contentious nature, Gallaher shows, Napoleon needed his skills as a
commander, and Vandamme needed Napoleon to further his career.
Gallaher draws on a wealth of archival sources in France - notably
the Vandamme Papers in Lille - to draw a full portrait of the
general. He also reveals new information on such military events as
the Silesian campaign of 1807 and the disaster at Kulm in 1813.
Gallaher presents Vandamme in the context of the Napoleonic command
system, revealing how he related to both subordinates and
superiors. Napoleon's Enfant Terrible depicts an officer who was
his own worst enemy but who was instrumental in winning an empire.
This is the first book for over twenty years to undertake a
holistic examination of the Donatist Controversy, a bilious and
sometimes violent schism that broke out in the North African
Christian Church in the early years of the century AD and which
continued up until the sixth century AD. What made this religious
dispute so important was that its protagonists brought to the fore
a number of issues and practices that had empire-wide ramifications
for how the Christian church and the Roman imperial government
dealt with the growing number of dissidents in their ranks. Very
significantly it was during the Donatist Controversy that Augustine
of Hippo, who was heavily involved in the dispute, developed the
idea of 'tough love' in dealing with those at odds with the tenets
of the main church, which in turn acted as the justification for
the later brutal excesses of the Inquisition. In order to
reappraise the Donatist Controversy for the first time in many
years, 14 specialists in the religious, cultural, social, legal and
political history as well as the archaeology of Late Antique North
Africa have examined what was one of the most significant religious
controversies in the Late Roman World through a set of key contexts
that explain its significance the Donatist Schism not just in North
Africa but across the whole Roman Empire, and beyond.
An Open Access edition of this book is available on the Liverpool
University Press website and through Knowledge Unlatched. In Race
on Display in 20th- and 21st-Century France Knox turns the tables
France's rhetoric of 'internal otherness', asking her reader not to
spot those deemed France's others but rather to deconstruct the
very gazes that produce them. Weaving together a vast corpus of
colonial French children's comics, Francophone novels, and African
popular music, fashion, and dance, Knox traces how the ways
colonial 'human zoos' invited their French spectators to gaze on
their colonized others still inform the frameworks through which
racial and ethnic minorities are made-and make themselves-visible
in contemporary France. In addition to analyzing how literature and
music depicting immigrants and their descendants in France make
race and ethnicity visible, Knox also illustrates how the works she
analyzes self-reflexively ask whether they, as commodities sold
within wider cultural marketplaces, perpetuate the culture of
exoticism they seek to contest. Finally, Knox contends that to take
seriously the way the texts interrogate the relationship between
power, privilege, and the gaze also requires reconsidering the
visions of normalcy from which racial and ethnic minorities
supposedly depart. She thus concludes by exposing a critical 'blind
spot' in French cultural studies-whiteness-before subjecting it to
the same scrutiny France's 'visible minorities' face.
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