Scarcely more than a generation before Octavian (later Augustus) set out to encounter Antony and Cleopatra at the battle of Actium, confidently relying on the firm support of 'all Italy', the Italians were in revolt, with the avowed aim of destroying Rome. The impressive unity displayed in 31 BC was the hard-won product of fifty years of earlier struggle; and that struggle forms the subject of this book. From the second century BC the subject peoples of Italy were motivated by a desire for equality with their powerful sister, Rome. Their reasons were diverse, but once their aspirations intruded on Rome's private life, they were to have a profound effect on her politics. At first it was hoped that equality could be achieved through citizenship but, when the Romans proved obdurate, the Italians sought complete independence. Detailed reconstruction of the consequent 'Social War' is the central feature of the book. The war ended with Rome granting its citizenship to the Italians, though that grant was so hedged about with qualifications that further interventions proved necessary - these on so marked a scale that by the end of the 80s BC Italy and Rome had basically achieved the unity which Octavian was later able to exploit. Arthur Keaveney seeks here to delineate the factors which led to the Italian desire first for citizenship, then for independence; he describes the conflict and he assesses its outcomes. He maintains that Rome's 'Italian question' has to be treated as an essentially political issue.

Who are we? Where did we come from and where are we going? What is the meaning of life and death? Can we abolish death and live forever? These "big" questions of human nature and human destiny have boggled humanity's best minds for centuries. But they assumed a particular urgency and saliency in 1920s Russia, just as the country was emerging from nearly a decade of continuous warfare, political turmoil, persistent famine, and deadly epidemics, generating an enormous variety of fantastic social, scientific, and literary experiments that sought to answer these "perpetual" existential questions. This book investigates the interplay between actual (scientific) and fictional (literary) experiments that manipulated sex gonads in animals and humans, searched for "rays of life" froze and thawed butterflies and bats, kept alive severed dog heads, and produced various tissue extracts (hormones), all fostering a powerful image of "science that conquers death." Revolutionary Experiments explores the intersection between social and scientific revolutions, documenting the rapid growth of science's funding, institutions, personnel, public resonance, and cultural authority in the aftermath of the 1917 Bolshevik Revolution. It examines why and how biomedical sciences came to occupy such a prominent place in the stories of numerous litterateurs and in the culture and society of post-revolutionary Russia more generally. Nikolai Krementsov argues that the collective, though not necessarily coordinated, efforts of scientists, their Bolshevik patrons, and their literary fans/critics effectively transformed specialized knowledge generated by experimental biomedical research into an influential cultural resource that facilitated the establishment of large specialized institutions, inspired numerous science-fiction stories, displaced religious beliefs, and gave the millennia-old dream of immortality new forms and new meanings in Bolshevik Russia.

On January 30, 1889, at the champagne-splashed hight of the Viennese Carnival, the handsome and charming Crown Prince Rudolf fired a revolver at his teenaged mistress and then himself. The two shots that rang out at Mayerling in the Vienna Woods echo still.

Frederic Morton, author of the bestselling Rothschilds, deftly tells the haunting story of the Prince and his city, where, in the span of only ten months, "the Western dream started to go wrong." In Rudolf's Vienna moved other young men with striking intellectual and artistic talents--and all as frustrated as the Prince. Among them were: young Sigmund Freud, Gustav Mahler, Theodor Herzl, Gustav Klimt, and the playwright Arthur Schnitzler, whose La Ronde was the great erotic drama of the fin de siecle. Morton studies these and other gifted young men, interweaving their fates with that of the doomed Prince and the entire city through to the eve of Easter, just after Rudolf's body is lowered into its permanent sarcophagus and a son named Adolf Hitler is born to Frau Klara Hitler.

Rather than being properties of the individual self, emotions are socially produced and deployed in specific cultural contexts, as this collection documents with unusual richness. All the essays show emotions to be a form of thought and knowledge, and a major component of social life - including in the nineteenth century, which attempted to relegate them to a feminine intimate sphere. The collection ranges across topics such as eighteenth-century sensibility, nineteenth-century concerns with the transmission of emotions, early twentieth-century cinematic affect, and the contemporary mobilization of political emotions including those regarding nonstate national identities. The complexities and effects of emotions are explored in a variety of forms - political rhetoric, literature, personal letters, medical writing, cinema, graphic art, soap opera, journalism, popular music, digital media - with attention paid to broader European and transatlantic implications.

The French Enlightenment takes place against a background of State censorship. During the last decade or so of the Ancien regime, the French government fluctuated considerably regarding its approach to banned books: on the one hand, many were not overtly prohibited but were nonetheless seized; on the other, banned books were often allowed through. The inconsistencies of officials provide revealing insights into the innermost workings of the system on the eve of the Revolution and show the scope of changing mentalities during those crucial years. Beyond the customs records, numerous sources have been exploited in order to clarify these inconsistencies of practice, even as the author analyses archival records relevant to the French booktrade and to works considered dangerous. Confiscations at customs focuses on specific issues concerning banned books and their importation into Paris, including works by Voltaire, Fleuriot de Langle and Raynal, as well as discussing piracies and works published or imported by virtue of the tacit permit. Numerous titles can now be added to the recently published lists of books seized at customs based on a close reading of hitherto unpublished archival sources. Substantial appendices complete the discussion; they range from lists of banned books to unpublished letters concerning Voltaire's OEuvres. Several other appendices are freely available online at http://uts.cc.texas.edu/~dawson/index.html.

Many of the wars of the Late Republic were largely civil conflicts. There was, therefore, a tension between the traditional expectation that triumphs should be celebrated for victories over foreign enemies and the need of the great commanders to give full expression to their prestige and charisma, and to legitimize their power. Triumphs in the Age of Civil War rethinks the nature and the character of the phenomenon of civil war during the Late Republic. At the same time it focuses on a key feature of the Roman socio-political order, the triumph, and argues that a commander could in practice expect to triumph after a civil war victory if it could also be represented as being over a foreign enemy, even if the principal opponent was clearly Roman. Significantly, the civil aspect of the war did not have to be denied. Carsten Hjort Lange provides the first study to consider the Roman triumph during the age of civil war, and argues that the idea of civil war as "normal" reflects the way civil war permeated the politics and society of the Late Roman Republic.

Tsar and Sultan offers a unique insight into Russian Orientalism as the intellectual force behind Russian-Ottoman encounters. Through war diaries and memoirs, accounts of captivity and diplomatic correspondences, Victor Taki's analysis of military documents demonstrates a crucial aspect of Russia's discovery of the Orient based on its rivalry with the Ottoman Empire. Narratives depicting the brutal realities of Russian-Turkish military conflicts influenced the Orientalisation of the Ottoman Empire. In turn, Russian identity was built as the counter-image to the demonised Turk. This book explains the significance of Russian Orientalism on Russian identity and national policies of westernisation. Students of both European and Middle East studies will appreciate Taki's unique approach to Russian-Turkish relations and their influence on Eurasian history.

By convention, the likely end of the career of an eighteenth-century actress was marriage, the convent or the gutter. Jeanne Quinault used her talents to shape a most unconventional life. Despite her provincial origins, she was a favourite for over twenty years at the Comedie-Francaise and also carved an identity for herself in literary and salon life. Jeanne Quinault's role as organizer of the societe badine, called the Bout-du-Banc, is what has attracted the most interest, but historians have not generally recognized in her a salonniere as devoted to benevolence and mentorship as her wealthier and better-born contemporaries. From the time of her depiction in the pseudo-memoirs of Mme d'Epinay, the story has been distorted and errors have been handed down. This study offers a fresh assessment of her friendships with Caylus, Piron, Duclos, Maurepas and many other prominent individuals. In the theatrical sphere, Mlle Quinault promoted the development of sentimental comedy, sponsored both authors and actors, and participated in the creation of a number of works, including those of Francoise de Graffigny. Another client was Voltaire, whose letters shed light on the interplay between writers and performers. On a broader scale, the story of Jeanne Quinault is also that of the large acting family to which she belonged and of their aspiration to acceptance in polite society. Drawing on archival resources and unpublished collections of letters, this work offers readers the first detailed study of the actress and her circle.

In this work, the third volume of essays dealing with many understudied aspects of the Hundred Years War, American, British, and European scholars deal with the varied sources that reveal the lives of soldiers in the conflict as well as the development of strategy and generalship in the many theaters of the war. The authors also focus on real heroes and villains of the conflict as well as the war's impact on regions as scattered as Wales, the Low Countries, Italy, Scotland and Spain. Contributors are Adrian Bell, Anne Curry, Adam Chapman, Andy King, David Simpkin, Christopher Candy, Donald Kagay, William Caferro, David Hoornstra, Elena Odio, Daniel Franke, David Green, Philip Morgan, Sean McGlynn, Wendy Turner, Andrew Villalon, Aleksandra Pfau, Kelly DeVries, and Sergio Boffa. Winner of the 2014 Verbruggen Prize of De Re Militari (the Society for the Study of Medieval Military History) given annually for the best book on medieval military history.

One of the youngest survivors of the Warsaw ghetto, author Sahbra Anna Markus lived a life only those who have survived Hitler's hell can imagine. In Only a Bad Dream? she narrates the drama of her early years through her most vivid memories. Sahbra courageously recounts those childhood experiences in her compelling voice, now freed from the repeated warnings: "Don't tell anyone you're a Jew." "Don't forget you're a Jew." "It was only a dream." "Hang on tight, or you'll get lost and die."

She tells of traipsing through forests at night, fleeing certain death, of her parents hiding her in a church, desperate to save her life. A frantic search for surviving family found the Markuses traveling throughout Europe on foot, by rowboat, military train, farm wagon, trucks, and finally the ship Caserta that delivered them to the land of hope, freedom, and new beginnings-the only Jewish homeland, Israel.

Only a Bad Dream shares how, in the midst of hunger and deprivation, Sahbra still found joy in simple things like cats, the moon, wolves, and fireflies. A story of the triumph of the human spirit, this memoir provides strong insight into the courage, strength, and dignity possessed by those who endured the Holocaust.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

Reverberations of Nazi Violence in Germany and Beyond explores the complex and diverse reverberations of the Second World War after 1945. It focuses on the legacies that National Socialist violence and genocide perpetrated in Europe continue to have in German-speaking countries and communities, as well as among those directly affected by occupation, terror and mass murder. Furthermore it explores how those legacies are in turn shaped by the present. The volume also considers conflicting, unexpected and often dissonant interpretations and representations of these events, made by those who were the witnesses, victims and perpetrators at the time and also by different communities in the generations that followed. The contributions, from a range of disciplinary perspectives, enrich our understanding of the complexity of the ways in which a disturbing past continues to disrupt the present and how the past is in turn disturbed and instrumentalized by a later present.