This book is a fictional account of the life of German film and theatre actor Werner Krauss, eponymous star of the classic silent film The Cabinet of Doctor Caligari. Upon gaining worldwide recognition in this film, Krauss was co-opted into the Nazi hate campaign of the 1930s and 1940s. He featured in the vicious propaganda film Jud Suss, and he was complicit in giving anti-Semitic performances onstage, most notably as Shylock in Shakespeares The Merchant of Venice. The book focuses on three distinct eras in Krauss life: the struggling, exuberant actor of the 1920s; the philandering pragmatist of the 1930s; and the elderly, neurotic outcast of the 1940s. Despite his honourable intentions, Krauss was all-too-often undermined by his inability to say no to women, alcohol and the egregious Joseph Goebbels. In this fictional re-imagining of his life, Krauss motives and decisions are explored in an attempt to discover why he collaborated with the Nazis in the way that he did, as well as demonstrating the personal and political consequences of his actions. As someone who was influenced by the Nazi regime, and, in turn, influential in perpetuating their message, Krauss story tells the wider story of the role of the arts and media in Nazi Germany. Extensively researched, including contemporary news stories, archived film material, critical essays on Krauss and translated passages from his autobiography, Das Schauspiel Meines Lebens, this fictional reconstruction of Krauss life and career is preceded by a substantive Introduction by the author, setting the novel in the context of the genre of Holocaust fiction, emulating and reminiscent of Christopher Isherwood's Goodbye to Berlin and Thomas Keneally's Schindler's Ark.

A thrilling biography of Benito Mussolini's favourite daughter, and a heart-stopping account of the unravelling of the Fascist dream in Italy 'Engrossing... Moorehead has a spirited turn of phrase, a keen eye for the telling detail and pungent quote, and a gift for marshaling complex material' Jenny Uglow, New York Times Book Review Edda Mussolini was Benito's favourite daughter: spoilt, venal and uneducated but also clever, brave, and ultimately loyal. She was her father's confidante during the 20 years of Fascist rule and married Foreign Secretary Galeazzo Ciano, making them the most celebrated couple in Roman fascist society. Their fortunes turned in 1943, when Ciano voted against Mussolini in a plot to bring him down. In a dramatic story that takes in hidden diaries, her father's fall and her husband's execution, we come to know a complicated, bold and determined woman who emerges not just as a witness but as a key player in some of the twentieth century's defining moments. 'Vividly told, engrossing history' CLARE MULLEY, author of The Women Who Flew for Hitler 'Precise, empathic . . . a profoundly satisfying, albeit wistful, read and . . . a worryingly relevant one' GUARDIAN

Fascism was one of the twentieth century's principal political forces, and one of the most violent and problematic. Brutal, repressive and in some cases totalitarian, the fascist and authoritarian regimes of the early twentieth century, in Europe and beyond, sought to create revolutionary new orders that crushed their opponents. A central component of such regimes' exertion of control was criminal law, a focal point and key instrument of State punitive and repressive power. This collection brings together a range of original essays by international experts in the field to explore questions of criminal law under Italian Fascism and other similar regimes, including Franco's Spain, Vargas's Brazil and interwar Romania and Japan. Addressing issues of substantive criminal law, criminology and ideology, the form and function of criminal justice institutions, and the role and perception of criminal law in processes of transition, the collection casts new light on fascism's criminal legal history and related questions of theoretical interpretation and historiography. At the heart of the collection is the problematic issue of continuity and similarity among fascist systems and preceding, contemporaneous and subsequent legal orders, an issue that goes to the heart of fascist regimes' historical identity and the complex relationship between them and the legal orders constructed in their aftermath. The collection thus makes an innovative contribution both to the comparative understanding of fascism, and to critical engagement with the foundations and modalities of criminal law across systems.

In Revolutionary Nativism Maggie Clinton traces the history and cultural politics of fascist organizations that operated under the umbrella of the Chinese Nationalist Party (GMD) during the 1920s and 1930s. Clinton argues that fascism was not imported to China from Europe or Japan; rather it emerged from the charged social conditions that prevailed in the country's southern and coastal regions during the interwar period. These fascist groups were led by young militants who believed that reviving China's Confucian "national spirit" could foster the discipline and social cohesion necessary to defend China against imperialism and Communism and to develop formidable industrial and military capacities, thereby securing national strength in a competitive international arena. Fascists within the GMD deployed modernist aesthetics in their literature and art while justifying their anti-Communist violence with nativist discourse. Showing how the GMD's fascist factions popularized a virulently nationalist rhetoric that linked Confucianism with a specific path of industrial development, Clinton sheds new light on the complex dynamics of Chinese nationalism and modernity.

A revelatory look at the residences of Adolf Hitler, illuminating their powerful role in constructing and promoting the dictator's private persona both within Germany and abroad Adolf Hitler's makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator's preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler's bachelor life stirred rumors, and the Nazi regime relied on the dictator's three dwellings-the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on the Obersalzberg-to foster the myth of the Fuhrer as a morally upstanding and refined man. Author Despina Stratigakos also reveals the previously untold story of Hitler's interior designer, Gerdy Troost, through newly discovered archival sources. At the height of the Third Reich, media outlets around the world showcased Hitler's homes to audiences eager for behind-the-scenes stories. After the war, fascination with Hitler's domestic life continued as soldiers and journalists searched his dwellings for insights into his psychology. The book's rich illustrations, many previously unpublished, offer readers a rare glimpse into the decisions involved in the making of Hitler's homes and into the sheer power of the propaganda that influenced how the world saw him.

The Spanish Civil War, fought between 1936 and 1939, was the first battle against fascism in Europe. Five months after the victory of dictator Francisco Franco in Spain the conflict moved to Europe with the outbreak of the Second World War. Fascism and anti-fascism again faced each other on the battlefield. Amid the heat of the Nazi invasions in Europe, anti-fascist resistance groups formed by ordinary citizens emerged in virtually all European countries. Although the Franco dictatorship was not directly involved in the world war, in Spain an anti-Franco resistance movement was organised in 1939 and lasted until 1952. Although the Spanish resistance constituted the first and last anti-fascist resistance movement in Europe, the Spanish case has been consistently overlooked by international studies. This book inserts the Spanish anti-Franco resistance into the European context, proposing a new narrative of anti-fascist resistances in Europe. At the same time, the book offers a new interpretation of guerrilla phenomena with a strongly peasant character, as was the case of the resistance in Spain. The author underlines the importance of primary groups (kinship, neighbourhood, friendship) and secondary groups (camaraderie and political loyalties) in the mobilisation and organisation of armed groups. For this study, Jorge Marco establishes twelve variables that permit him to distinguish between 'neighbours in arms' and 'modern guerrilla'. The studied combinations of groups and types demonstrates the plurality of the identities and cultures of the anti-fascist resistance in Spain. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

Spanish by birth, Parisian by adoption, Semprun (1923-2011) was a legendary figure on the front lines of twentieth-century European history. During the first half of his life he was an exile of the Spanish Civil War, a member of the French Resistance, a Nazi camp survivor, and clandestine agent for the Spanish Communist Party. After repeatedly risking his life from the 1930s to the 1960s, he reinvented himself as a prolific writer who turned the extraordinary material from his own life into a series of autobiographical novels, beginning with The Long Voyage, his 1963 masterpiece about his deportation to Buchenwald. Semprun was equally at home amongst the madrilenos of his childhood, fellow prisoners of the Buchenwald concentration camp, politicians, and artists and writers, such as his close friend Yves Montand or Gabriel Garcia Marquez. He is best known internationally as a prize-winning novelist and memoirist, and an Oscar-nominated screenwriter. In collaboration with Alain Resnais and Costa-Gavras he wrote the screenplays for, respectively, La guerre est finie and Z. In Spain, his extraordinary achievements were recognised when in 1988 he was named Minister of Culture. The research for this biography draws on archival materials from Spain, France, Germany, the United States and Russia; it includes many interviews with family members, close friends, politicians, and artists including former Spanish Prime Minister Felipe Gonzalez, and film director Costa Gavras. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

Spanish by birth, Parisian by adoption, Semprun (1923-2011) was a legendary figure on the front lines of twentieth-century European history. During the first half of his life he was an exile of the Spanish Civil War, a member of the French Resistance, a Nazi camp survivor, and clandestine agent for the Spanish Communist Party. After repeatedly risking his life from the 1930s to the 1960s, he reinvented himself as a prolific writer who turned the extraordinary material from his own life into a series of autobiographical novels, beginning with The Long Voyage, his 1963 masterpiece about his deportation to Buchenwald. Semprun was equally at home amongst the madrilenos of his childhood, fellow prisoners of the Buchenwald concentration camp, politicians, and artists and writers, such as his close friend Yves Montand or Gabriel Garcia Marquez. He is best known internationally as a prize-winning novelist and memoirist, and an Oscar-nominated screenwriter. In collaboration with Alain Resnais and Costa-Gavras he wrote the screenplays for, respectively, La guerre est finie and Z. In Spain, his extraordinary achievements were recognised when in 1988 he was named Minister of Culture. The research for this biography draws on archival materials from Spain, France, Germany, the United States and Russia; it includes many interviews with family members, close friends, politicians, and artists including former Spanish Prime Minister Felipe Gonzalez, and film director Costa Gavras. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

Colin Jordan and Britain's Neo-Nazi Movement casts fresh light on one of post-war Britain's most notorious fascists, using him to examine the contemporary history of the extreme right. The book explores the wide range of neo-Nazi groups that Colin Jordan led, contributed to and inspired throughout his time as Britain's foremost promoter of Nazi ideology. In a period stretching from the close of the Second World War right up to the 2000s, Colin Jordan became politically engaged with a multitude of Nazi-inspired extremist groups, either as leader or as a key protagonist. Moreover, Jordan also developed critical relationships with larger, competitor extreme-right organisations and parties, including the Mosley's Union Movement, the National Front and the most recent incarnation of the British National Party. He fostered a number of transnational links throughout his years of activism as well, especially with American neo-Nazis. In recent years, his writings and somewhat idealised profile have been adopted by more contemporary extremist organisations, such as the British People's Party and a rekindled British Movement, who look to Jordan as an inspirational figure for their own reconfigurations of a National Socialist agenda. By examining this history, drawing on a wide range of fresh primary sources, Colin Jordan and Britain's Neo-Nazi Movement offers a new analysis on the nature and workings of Nazi-inspired political extremism in post-war Britain. It is an important study for anyone interested in the history of fascism, extreme ideologies and the political and social history of Britain since the Second World War.

Jazz Italian Style explores a complex era in music history, when politics and popular culture collided with national identity and technology. When jazz arrived in Italy at the conclusion of World War I, it quickly became part of the local music culture. In Italy, thanks to the gramophone and radio, many Italian listeners paid little attention to a performer's national and ethnic identity. Nick LaRocca (Italian-American), Gorni Kramer (Italian), the Trio Lescano (Jewish-Dutch), and Louis Armstrong (African-American), to name a few, all found equal footing in the Italian soundscape. The book reveals how Italians made jazz their own, and how, by the mid-1930s, a genre of jazz distinguishable from American varieties and supported by Mussolini began to flourish in northern Italy and in its turn influenced Italian-American musicians. Most importantly, the book recovers a lost repertoire and an array of musicians whose stories and performances are compelling and well worth remembering.

Here is the story, in his own words, of how Cesare Mori, with the support of Italian Fascist leader Benito Mussolini, took on the might of the Sicilian Mafia. It was a struggle that earned Mori much criticism of his methods from the liberal media, but much praise not only from Mussolini himself but from the people of Sicily who had for decades lived in fear of this criminal secret society which had become the scourge of ordinary Sicilians. There was nothing of a flashy nature about the Mafia in Sicily. Operating in a non-industrialised society, the Mafioso in Sicily made their wealth not from drugs, prostitution and gambling, but from the theft of horses and livestock, kidnapping, and the extortion of money from simple town and country folk and large landowners alike, and like their American colleagues the Sicilian Mafia enforced their rule through violence and murder. However, with the Allied invasion of Sicily in 1943, the U.S. Military enlisted the help of the American Mafia in re-establishing Mafia activity in Sicily, with the aim of undermining Fascist rule - a tactic that not only had far reaching consequences for Sicily, but for the whole of Italy for decades to come.In another time or place Cesare Mori's struggle against the Mafia would have been remembered alongside Elliott Ness, but it is now a story largely forgotten, because, like much else, it was an achievement of the Mussolini era, and as such is to be written out of history. Cesare Mori's story of his struggle against the Mafia not only deserves to be told, but it provides an insight into Sicilian society and a rural way of life that has for the most part now disappeared.

'Exquisitely written... haunting... Few books, I think, capture so well the sense of a life broken for ever by trauma and guilt' Sunday Times 'An unsparing, honest and insightful memoir, that shows how private failure becomes national disaster' Hilary Mantel Twenty years after the end of the war, Horst Kruger attempted to make sense of his childhood. He had grown up in a quiet Berlin suburb. Here, people lived ordinary lives, believed in God, obeyed the law, and were gradually seduced by the promises of Nazism. He had been 'the typical child of innocuous Germans who were never Nazis, and without whom the Nazis would never have been able to do their work'. With tragic inevitability, this world of respectability, order and duty began to crumble. Written in accomplished prose of lingering beauty, The Broken House is a moving coming-of-age story that provides a searing portrait of life under the Nazis.

Helen Graham here brings together leading historians of international renown to examine 20th-century Spain in light of Franco's dictatorship and its legacy. Interrogating Francoism uses a three-part structure to look at the old regime, the civil war and the forging of Francoism; the nature of Franco's dictatorship; and the 'history wars' that have since taken place over his legacy. Social, political, economic and cultural historical approaches are integrated throughout and 'top down' political analysis is incorporated along with 'bottom up' social perspectives. The book places Spain and Francoism in comparative European context and explores the relationship between the historical debates and present-day political and ideological controversies in Spain. In part a tribute to Paul Preston, the foremost historian of contemporary Spain today, Interrogating Francoism includes an interview with Professor Preston and a comprehensive bibliography of his work, as well as extensive further readings in English. It is a crucial volume for all students of 20th-century Spain.

The prevailing sentiment of contemporary intellectuals is that the human condition has never been better. History is regarded as lengthy episode of oppression that human beings have gradually but steadily fought to overcome with considerable success. Evidence of these successes that are commonly offered include increased material consumption, better health and longer life expectancy, technological development and, above all, the ongoing triumph of "democracy" and "human rights." However, the nineteenth and twentieth century produced an array of dissident thinkers that expressed a great skepticism of modern civilization. Their individual critiques were often vastly different from one another. Yet the common idea that emerges from work of these genuine intellectual mavericks is one that laments the loss of traditional societies, and pessimism about the new world that modernity has brought. Instead, the modern project has been regarded by thinkers as different as Nietzsche, G.K. Chesterton and Alain De Benoist to have been a cultural and spiritual degeneration that diminished rather than elevated the nobility of man. This work by Keith Preston examines the ideas of these thinkers, and considers the potential relevance of their insights in the postmodern age.