Lights, camera ... kidnap! 'Dreams of stardom; sibling rivalry & a gripping ending, Sister to a Star has it all & I gobbled up the entire book' BONKERS ABOUT BOOKS Evie is forever crossing swords with her twin. While she practises her after-school fencing, Tallulah is winning movie auditions. Neither of them could have imagined how their worlds would collide, but when Tallulah goes to Hollywood Evie goes too - as her sister's identical stand-in. But that changes, when the film needs some all-action sword-play. Soon Evie's the one enjoying the limelight - that is, until Tallulah goes missing ... An action-packed sibling adventure of twin rivalry, glamour and skulduggery set against the bright lights of Hollywood! Written by ex-Olympic fencer, Eloise Smith Features a diverse ensemble cast of brave and spirited kids you can't help but root for!

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Kendo is the modern version of Japanese swordsmanship, and transmits the ancient swordsman tradition and life-view. This practical work offers an insight into this ancient art and philosophy.

Royal Armouries Manuscript I.33, also known as the Tower Fechtbuch or the Walpurgis Manuscript, is the oldest-known manual of swordsmanship in the western canon. Dated to c.1310, it is a stunning work of late medieval art and the Armouries' most treasured manuscript, one so famous it has become known simply by its shelf number: I.33. This new edition includes a critical introduction, transcription and translation by Jeffrey L. Forgeng, the foremost authority on I.33.

English translation of one of the most significant medieval texts on fighting with swords. Completed in 1482, Johannes Leckuchner's Art of Combat with the "Langes Messer" (Messerfechtkunst) is among the most important documents on the combat arts of the Middle Ages. The Messer was a single-edged, one-handed utility sword peculiar to central Europe, but Leckuchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Leckuchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling, with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches. This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content. JEFFREY L. FORGENG is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

Following the success of Jeffrey L. Forgeng's translation of Joachim Meyer's The Art of Sword Combat the author was alerted to an earlier recension of the work which was discovered in Lund University Library in Sweden. The manuscript, produced in Strassburg around 1568, is illustrated with thirty watercolour images and seven ink diagrams. The text covers combat with the longsword (hand-and-a-half sword), dusack (a one-handed practice weapon comparable to a sabre), and rapier. The manuscript's theoretical discussion of guards is one of the most critical passages to understanding this key feature of the historical practice, not just in relation to Meyer but in relation to the medieval combat systems in general. The manuscript offers an extensive repertoire of training drills for both the dusack and the rapier, a feature largely lacking in treatises of the period as a whole but critical to modern reconstructions of the practice. The translation also includes a biography of Meyer, much of which has only recently come to light, as well as technical terminology, and other essential information for understanding and contextualizing the work.

English translation of one of the most significant medieval texts on fighting with swords. Completed in 1482, Johannes Leckuchner's Art of Combat with the "Langes Messer" (Messerfechtkunst) is among the most important documents on the combat arts of the Middle Ages. The Messer was a single-edged, one-handed utility sword peculiar to central Europe, but Leckuchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Leckuchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling, with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches. This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content. Jeffrey L. Forgeng is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

This beautifully-illustrated and detailed book presents one of the world's most influential fencing treatises. Ridolfo Capo Ferro was a legend in his own lifetime and his intricate and exact instructions were copied and emulated throughout a Europe bewitched by his grace and style. The manual, illustrated with striking artwork, gives a very real flavour of the panache of this expert in swordsmanship and mastery of that most lethal of weapons - the rapier. Capo Ferro examines different kinds of swords, their component parts and their suitability, before going on to discuss their actual use. There he expounds his theory as to the timing and direction of thrusts, the essential distances and the need for complete control. He also looks at defensive measures, guards, parries and the importance of quick footwork. Capo Ferro's text is a practical guide to fighting and one which builds on the theory to show exactly how a superior form of swordsmanship could be learned by Europe's elite. His illustrations clearly show the best methods and how a rapier could be lethally effective when used with a dagger or with a cloak. This handsome volume is a vital historical record and is sure to give the modern fencer new insights in technique and a greater appreciation of the history of this exciting sport.

Camillo Palladini's manuscript for his discourse on fencing is housed in the De Walden Library at the Wallace Collection in London. Previously unpublished and largely unknown, it is of central importance to a modern understanding of Italian rapier play in the sixteenth century. This stunning book, a joint endeavour between the Royal Armouries and the Wallace Collection, reproduces the forty-six red chalk illustrations in the manuscript--only three of which have ever been seen in print--together with a transcription and translation of the original Italian text. Perfect for students of fencing, lovers of Italian art, sixteenth-century researchers, and historical reenactors and interpreters, The Art of Fencing: The Forgotten Discourse of Camillo Palladini showcases a striking example of Renaissance swordsmanship.

Fencing, Form and Cognition on the Early Modern Stage reveals an underexplored archive of Italian, English and German fencing texts, which were designed explicitly to teach tempo and judgement. This intervention in Shakespeare and Jonson scholarship provides critical new insights into the plots, pacing and characterisation of drama and attends to the ethical and pedagogical work displayed and accomplished by fencing and dramatic devices. It yields a robust theory of active waiting and brings the imbrications of appropriate timing and ethical decision-making to the fore.

With the exciting sport of fencing steadily becoming more mainstream in the UK, US and around the world, parents are spending thousands each year to help and encourage their children to train and excel in this unique Olympic sport. Fencing can be a mysterious world to the uninitiated, and parents and young fencers will have many questions about the sport, the fencer's potential and the dos and don'ts. From Last to First aims to answer all these questions and many more. Written by a team comprising Jon Salfield, a leading Youth Development and High Performance coach (London Olympics 2012), and Daniela I. Norris, an experienced author and fencing-parent of an international youth fencer, with input from Strength and Conditioning and Psychology experts, and a foreword from a multiple champion and highly-regarded author, it is meant for anyone who wants to know how to support their young fencer from the start of their fencing adventure, all the way through to success at international competitions.

This open access book is the first publication to provide a comparative framework for the study of martial culture and historical martial arts in Europe and Asia, in particular in Italy and China. Due to the interdisciplinary nature of martial studies, contributors to this volume include historians, archeologists, art historians, scholars of fencing literature, metallurgists, as well as contemporary master swordsmiths and masters-of-arms in historical martial arts. Assembling researchers from these diverse fields, this book offers a multi-perspectival and dynamic view of martial culture across time and space. The cross-cultural and interdisciplinary significance of this book cannot be overemphasized. Whereas a number of contributors are internationally recognized and, indeed, leading authorities in their respective fields; for example, Jeffrey Shaw has been a world-leading new media artist and scholar since the 1970s, while Ma Mingda is a well-known historian and the contemporary founder of Chinese martial studies; and while there are significant overlaps in their research interests, this book brings their research within a single volume for the first time. Equally significant, the book is structured in such a way to reflect the various core aspects of martial studies, particularly in relation to the study of historic sword culture, including history, culture, philosophy, literature and knowledge transmission, material culture, as well as the technical aspects of historical fencing. As one of the first titles on martial studies, this book becomes a reference not only for scholars taking an interest in this subject, but also for historians; scholars with interest in Chinese and/or Italian history (particularly of the Medieval or early modern periods), the history of international relations in Asia / Far East; anthropologists; scholars of martial (arts) studies and researchers in sword-making and/or historic metallurgy.

Robert Childs' book seeks to bestow not just mechanical advice, but also to provide a philosophy of fencing that shows the swordsman not only the how, but why. There are a number of "how-to" rapier manuals now available; both those written centuries ago and now presented in modern English translation, or those composed by modern maestri of the sword in emulation of those by-gone works. But there has always been the parallel tradition of the martial treatise. It is this category of work that 30+ year fencer and currently top-ranked rapier fencer, Rob Childs, emulates. After explaining the basics of his own, eclectic system of rapier combat, he walks students through a wide variety of topics: how to choose the proper sword for you; how to fence students of different sizes; physical qualities and emotional temperaments; how to adapt your approach to different contexts (casual matches, competitions and medals matches) while maintaining martial reality; the use of sound, body displacement to deceive the opponent, and the most common tells fencers give and how to train them out of yourself-while using them against your opponent. Interwoven with personal anecdotes, you will gain both a look into the mindset and training paradigm of a world-class competitor, the sort of advice athletes for generations have sought from highly-skilled coaches, and be entertained at Childs' own adventures through the evolving world of historical swordsmanship. Although centred on the rapier, this work is really about fencing writ large and will be of value to anyone who has held a blade and heard the words 'en garde'! Illustrated with colour photographs throughout.

Joachim Meyer (ca. 1537 - 1571) was one of the most influential fencing masters of the Renaissance--a prolific writer of fencing manuals. In this training guide, Robert Rutherfoord unpacks the complex and elegant art of Meyer's rapier in word and image, including over 200 easy to follow illustrations to bring the art to life. Meyer's monumental "A Thorough Description of the Free, Chivalric, and Noble Art of Fencing, Showing Various Customary Defenses, Affected and Put Forth with Many Handsome and Useful Drawings" was reprinted, adapted and outright plagiarized for over a century after his death. As a martial artist, he was both the last great master of the medieval Liechtenauer fencing tradition and a young innovator, who combined his native, German traditions with those of the Italian and Spanish fencing masters to create a wholly unique systems of fighting with a vast number of weapons. The centrepiece of his work, however, was the cut-and-thrust "sidesword" or "early rapier" which was rapidly eclipsing the knightly two-handed longsword in popularity. Meyer's synthesis not only adapted his native art to this Mediterranean weapon, but in some cases, his innovations prefigured the developments of rapier fencing that Italian masters would promote in the next quarter century after his untimely death.

In 1599, during the period when the Portuguese crown was united to the crowns of Castile and Aragon, the Portuguese master-at-arms Domingo Luis Godinho wrote a manuscript in Spanish entitled Arte de Esgrima (The Art of Fencing). Although his life is largely a mystery and Godinho's text was never published in his lifetime, today his manuscript is of utmost relevance in the study of Renaissance Iberian fencing. It is the only complete treatise discovered so far describing the 'Common' or 'Vulgar' style of Iberian fencing, first documented in the fifteenth century, but by Godinho's day, displaced by the new system of La Verdadera Destreza (the true skill). The work includes instructions for the single sword, a long-bladed, cut & thrust weapon taught alone and with the use of the shield, buckler, dagger, and cape, as well as paired with a second sword. Godinho's instructions also included the longest known text on the use of the montante, or two-handed sword, a devastating weapon that was used by soldiers and body-guards, in duels and battlefields, in crowded streets and aboard galleys. Translator Tim Rivera provides a detailed introduction that explains Godinho's relationship to earlier masters of the 'Common School' of swordsmanship, and a short primer on the various weapons, guards, parries, footwork and terminology of the tradition.

NINE LEVELS, EASY TO EXPERT This book stands apart from other staff training manuals. While most titles focus on forms and twirling, The Art and Science of Staff Fighting emphasizes the dynamics of combat. The author draws on thirty years of martial experience, presenting the best of both Eastern and Western traditions. Joe Varady lays out a comprehensive course of study in nine levels, from beginner to expert. He guides readers through such fundamentals as stances, striking, blocking, and footwork. In advanced lessons, readers learn disarming techniques, groundwork, and facing multiple opponents. But this book is not just for staff enthusiasts. Even those unfamiliar with martial arts can adapt these techniques, increasing their skill and confidence in defending themselves. "Our environment is usually full of improvised weapons," Varady writes. "Staff fighting techniques can be effectively applied in a self-defense situation using a walking stick, coatrack, curtain rod, floor lamp, hockey stick, fallen tree branch, broom, mop, shovel, or rake." Equipped with this knowledge, readers will begin to realize that, in one way or another, they are nearly always armed and capable of defending themselves. This book features: Nine levels of instruction, progressing from easy to expert Over 600 photos with motion arrows A "nondenominational" approach to staff, utilizing the best of Eastern and Western arts A comprehensive, methodical approach to building staff skills If you are already a student of the staff, these lessons will not conflict with your katas or current style. Instead, they will augment your techniques, broadening your options. Whether you are an experienced staff fighter or a layman seeking practical techniques for self-defense, The Art and Science of Staff Fighting will help you develop the skills you need.

Reach for the highest Level of Tai Chi Practice You can achieve the highest level of tai chi practice by including Tai Chi Sword in your training regimen. Here's your chance to take the next step in your Tai Chi journey. Once you have attained proficiency in the bare hand form and have gained listening ad sensing skills from pushing hands, you are ready for Tai Chi Sword. The elegant and effective techniques of traditional Tai Chi Sword Tai Chi sword will help you control your Qi, refine your Tai Chi skills, and master yourself. You will strengthen and relax your body, calm and focus your mind, improve your balance, and develop proper Tai Chi breathing. This book provides a solid and practical approach to learning Tai Chi Sword accurately and quickly. Includes over 500 photographs with motion arrows! Historical overview of Tai Chi Sword Fundamentals including hand forms and footwork Generating power with the sword 12 Tai Chi Sword breathing exercises 30 key Tai Chi Sword techniques with applications 12 fundamental Tai Chi sword solo drills Complete 54-movement Yang Tai Chi Sword sequence 48 martial applications from the Tai Chi Sword sequence 10 Tai Chi Sword 2-person matching drills No matter your age, Tai Chi Sword is a wonderful and fun way to improve your health and well-being.

'This is fencing!' is a rally call heard in training centres around the country. Coined by experienced GB fencing coach, Ziemowit Wojciechowski, it embodies the passion, skill and dedication needed to excel at an international level. As one of the world's most renowned foil coaches, achieving Olympic podium success and top world rankings for his fencers, Ziemowit has sustained a long and successful career, which he now unpacks in this comprehensive guide. Using real life examples and case studies, This is Fencing! offers detailed approaches to training, tactics and exercises in the foil, providing key insights into how to create both individual and club training sessions. Key topics include: the core principles of coaching, training and performance; aspects of an individual lesson; detailed examples of footwork exercises; physical and psychological preparation and practical tactical advice during competitions.

Meyer & Meyer Premium the next level of instructional sports literature with high-quality, full-color books. This teaching and reference book covers the most important concepts of training theory in the sport of fencing and their methodological application. Supplemented by the general teaching methods and experiences of Germany's most successful trainers, findings, theories, and methods of training, science oriented basic concepts are integrated here with application-oriented editing. Through the collaboration of internationally renowned scientists and long-time successful trainers, a fencing book was created that is unique in fencing literature.