The time is 1946. From Georgia O'Keeffe's old hacienda sitting on a bluff in Abiquiu, New Mexico, she could see my aunt and uncle, Helen and Winfield Morten's property across the Chama River. Georgia had begun the restoration of her property. The Mortens, in the final stages of purchasing land along the Chama River, had recently completed their restoration of another old hacienda they called Rancho de Abiquiu. As one of few Anglos in the Chama River valley, Georgia ventured over to Rancho de Abiquiu to introduce herself and a private friendship resulted with the Mortens and their family. In this close family circle, Georgia revealed herself and proved that beneath her bare face there was more to her than just an artist of legendary proportions. Nancy Hopkins Reily spent many of her childhood days walking the Abiquiu and Ghost Ranch land. She explored the canyons, the White Place, Echo Amphitheater, the mountains, and the Chama River by walking the trails worn by earlier moccasined feet. In a seamless, clear, and straightforward narrative of excerpts from their lives, Reily presents Georgia in a time-window of her age. The book features Reily's youthful experiences, letters from Georgia, glimpses of the family's memorabilia and photographic snapshots-all gracefully woven into the forces of the contemporaneous scene that shaped their friendship. In addition, there are insights into the land's beauty, times, culture, history and the people who surrounded Georgia, as well as many minute details that should be remembered and which are often overlooked by others when they speak of Georgia O'Keeffe. Nancy Hopkins Reily was born in Dallas, Texas, and attended Gulf Park College in Gulfport, Mississippi, for one year. She graduated from Southern Methodist University with a B.B.A. in Retail Merchandising. Since childhood she has divided her time between Texas, Colorado and New Mexico. At a young age, the colorful New Mexico landscape captured her heart and gave her a sense of place. She continues to enjoy its beauty. Reily makes her home in Lufkin, Texas.

With such seminal movies as The Exorcist and The French Connection, Academy Award-winning director William Friedkin secured his place as a great filmmaker. But his own success story has the makings of classic American film. He was born in Chicago, the son of Russian immigrants. Immediately after high school, he found work in the mailroom of a local television station, and patiently worked his way into the directing booth during the heyday of live TV.

An award-winning documentary brought him attention as a talented new filmmaker and an advocate for justice, and it caught the eye of producer David L. Wolper, who brought Friedkin to Los Angeles. There he moved from television (one of the last episodes of The Alfred Hitchcock Hour) to film (The Birthday Party, The Boys in the Band), displaying a versatile stylistic range. Released in 1971, The French Connection won five Academy Awards, including Best Picture and Best Director, and two years later The Exorcist received ten Oscar nominations and catapulted Friedkin's career to stardom.

Penned by the director himself, The Friedkin Connection takes readers on a journey through the numerous chance encounters and unplanned occurrences that led a young man from a poor urban neighborhood to success in one of the most competitive industries and art forms in the world. From the streets of Chicago to the executive suites of Hollywood, from a passionate new artistic life as a renowned director of operas to his most recent tour de force, Killer Joe, William Friedkin has much to say about the world of moviemaking and his place within it.

There have been many books written on the Hollywood legend, James Dean, but never before have we had a chance to hear from the real Jimmy Dean. Now, for the first time, Dean speaks in his own words as he is channeled through Patricia A. Leone, a long-time admirer of the motion picture star and metaphysical practicioner. James Dean/ The Lost Memoirs is an incrediably realistic look into Dean's life, transporting the reader to another place and time. As you read each entry in his journal you become closer than ever before to the man behind the legend. Five decades ago this farm boy took the world by storm, and the fascination with Dean continues to this very day. Now, through this book, we are privvy not only to this legendary actor's own words, but also his own most private and innermost thoughts. He writes with intensity about his insecurity concerning acting, his stormy relationship with Pierre Angeli, his broken heart over the death of his mother, his constant flirtation with death, and encounters with Hollywood stars like Marilyn Monroe, Shelly Winters, Rock Hudson, Martin Landau, Elizabeth Taylor and Sal Mineo. He also devuleges intimate details about others who had the opportunity to be called his friends. The author, in a remarkable series of channeled sessions with Dean that were conducted over the course of several months, was able to break through to the other side and give Dean this opportunity on the 50th anniversary of his death to share with us his own epiloge to his life. It is the real and intimate side of Jimmy Dean, one that has never been presented to the public before. This remarkable book is must reading for Dean fans. It is written in journal form just as the star, himself, might have written it, and includes his thoughts, memories, and opinions beginning with the death of his mother at age nine until the day just before his fatal motorcycle accident on September 30, 1955.

The extraordinary story of African American composer Edmond Dede, raised in antebellum New Orleans, and his remarkable career in France In 1855, Edmond Dede, a free black composer from New Orleans, emigrated to Paris. There he trained with France's best classical musicians and went on to spend thirty-six years in Bordeaux leading the city's most popular orchestras. How did this African American, raised in the biggest slave market in the United States, come to compose ballets for one of the best theaters outside of Paris and gain recognition as one of Bordeaux's most popular orchestra leaders? Beginning with his birth in antebellum New Orleans in 1827 and ending with his death in Paris in 1901, Sally McKee vividly recounts the life of this extraordinary man. From the Crescent City to the City of Light and on to the raucous music halls of Bordeaux, this intimate narrative history brings to life the lost world of exiles and travelers in a rapidly modernizing world that threatened to leave the most vulnerable behind.

The first book to analyze and celebrate Baltimore's underappreciated jazz tradition, Music at the Crossroads shines new light on legends such as Eubie Blake and Cab Calloway, honors neglected figures such as Ellis Larkins, Hank Levy, and Ethel Ennis, pays tribute to the legacies of Pennsylvania Avenue and the Left Bank Jazz Society, and analyzes the current Baltimore jazz scene.

Though chiefly remembered as the dance partner of Fred Astaire, Ginger Rogers had many other significant achievements in the entertainment world. She was a dancer, singer, comedienne, and Academy Award winning dramatic actress, as well as the highest paid Hollywood star in 1942. Miss Faris provides a detailed record of Ginger Roger's life and career, painting a picture of her as one of the most versatile performers in the United States. The volume begins with a short biography of Ginger Rogers, along with a succinct chronology of the major events in her life and career. These portions of the book provide a context for the chapters that follow, which contain annotated entries for her stage, film, radio, and television performances. The entries provide production information and cast listings, along with excerpts from reviews and critical commentaries. An extensive annotated bibliography lists books, magazine and newspaper articles, and movie trade publications that provide further information about Ginger Rogers's fascinating career.

Jimi Hendrix, Princess Diana and Syria's Asma Al-Assad rub shoulders with Auden, Eliot and Shelley - and with the Trouser Thief Clive met during ten long weeks locked up in a closed psychiatric ward - in this offbeat and affectionate poetic biography. Since 2010, when Clive was told he had three separate life-threatening conditions, he has poured out a stream of fine poems - sometimes light, witty and paradoxical, sometimes sad, heartfelt and regretful. Some, like `Japanese Maple', an instant Internet sensation, have already made it into the anthologies. Others, like his book-length epic, The River in the Sky, are more demanding. All are packed with the unexpected ideas, inventive imagery and breathtaking wordplay that have helped him achieve his avowed ambition of becoming `a fairly major minor poet'.

View, through the eyes of a child and teenager, the scene of growing up in the glamorous Hollywood of the 1930s and 1940s During childhood, the author visited or auditioned at almost every major movie studio in Tinseltown. What was it like to work on the set of Hal Roach's Little Rascals? To be given a screen test with one of Hollywood's greatest directors? To be told "never again to call" the office of Columbia Pictures studio boss, Harry Cohn? To receive from one of the Marx Brothers, the gift of a camera? Author Laura June Kenny experienced all this and more. Her memoir provides a unique look at a Hollywood and a Southern California that is no more, and cannot be replaced. Born disadvantaged in the worst year of the Great Depression, her fate was to be discovered and to be loved by a disparate group of people who inspired her to reach for the "real stars," and thereby find her stardom. Filled with rare photos from the author's own collection, this is the story of a Hollywood moppet turned teacher, writer, public speaker, emcee, wife, mother, grandmother, and what she learned along the way

For more than eight years, I lived and worked in the dark underworld of Las Vegas as an exotic dancer. Some things are worth repeating--others you try to forget. Unfortunately, you never forget. I decided it was time that somebody told the truth about what really happens in Las Vegas strip clubs and their VIP rooms. Is there "sex in the champagne room?" With the right dancer and for right price, there is anything you want in the champagne room! This book gives a lot of insight into what really happens when men are turned loose on the Las Vegas scene. I think men and women alike will be interested in reading about what really happens in Vegas. See what the dark twenty-four-hour world of Vegas is really like. See what an insider has to say about the life of an exotic dancer.

Peter Sellers's explosive talent made him a beloved figure in world cinema and continues to attract new audiences. With his darkly comic performances in Dr. Strangelove and Lolita and his outrageously funny appearances as Inspector Clouseau in the Pink Panther films, he became one of the most popular movie stars of his time. Sellers himself identified most personally with the character he played in Being There--an utterly empty man on whom others projected what they wanted, or needed, to see. In this lively and exhaustively researched biography, Ed Sikov offers unique insight into Sellers's comedy style. Beginning with Sellers' lonely childhood with a mother who wouldn't let go of him, through his service in the Royal Air Force and his success on BBC Radio's The Goon Show, Sikov goes on to detail his relationships with co-stars such as Alec Guinness, Sophia Loren, and Shirley MacLaine; his work with such directors as Stanley Kubrick, Billy Wilder, and Blake Edwards; his four failed marriages; his ridiculously short engagement to Liza Minnelli; and all the other peculiarities of this eccentric man's unpredictable life. The most insightful biography ever written of this endlessly fascinating star, Mr. Strangelove is as comic and tragic as Peter Sellers was himself.

In this wise, stimulating, and deeply personal book, an eminent jazz chronicler writes of his encounters with four great black musicians: Dizzy Gillespie, Clark Terry, Milt Hinton, and Nat "King" Cole. Equal parts memoir, oral history, and commentary, each of the main chapters is a minibiography, weaving together conversations Gene Lees had with the musicians and their families, friends, and associates over a period of several decades.
Lees begins the book with an essay that tells of his introduction to the world of jazz and his reaction to racism in the United States when he emigrated from Canada in 1955. The underlying theme in his book is the impact racism had on the four musicians' lives and careers and their determination to overcome it. As Lees writes, "No white person can even begin to understand the black experience in the United States. . . . All of the four jazz makers] are men who had every reason to embrace bitterness--and didn't."

"The biography is as good an introduction to Chaplin's life and films as has been published. The bibliographical essay . . . offers clear and reliable evaluations of the works considered. The filmography carefully lists everyone involved in each Chaplin film." Choice

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Follows the life of French anthropologist Francoise Heritier, who had a lasting impact on a generation of French anthropologists that continues to this day. A great intellectual figure, Francoise Heritier succeeded Claude Levi-Strauss as the Chair of Anthropology at the College de France in 1982. She was an Africanist, author of magnificent works on the Samo population, the scientific progenitor of kinship studies, the creator of a theoretical base to feminist thought and an activist for many causes. "I read this intellectual biography of Francoise Heritier with great pleasure. Though highly regarded in France, she is not yet well known in English-language academic circles, but she certainly should be. This book will be a revelation to many anthropologists and feminist scholars."-Adam Kuper, London School of Economics From the Forword by Michelle Perrot: I came to know her at the National Council for HIV, that she chaired from 1989 to 1994.... Her theoretical concerns were also crucial to the understanding of pandemics, but we did not then realise that HIV/AIDS was also a precursor and a warning of pandemics to come. She grasped the importance of conceptions of bodily 'humours'-blood, semen, milk-that seemed to play a role in the horrific spread of an epidemic of which we knew nothing, except that it resulted in an appalling mortality rate, particularly among young men.... she was a remarkable chair, concerned to share her insights into the illness and to anchor-necessary-interventions within a framework that would be respectful of human rights.

This book contains a selection of non-academic materials on a wide range of topics related to Malaysian culture. Several of them deal with traditional Malay theatre genres, particularly mak yong, recognised by UNESCO as an item of the Oral and Intangible Heritage of Humanity in 2005, the shadow play and bangsawan. Others record the contributions of prominent personalities as practitioners, preservers, teachers and transmitters of oral traditions. The author touches upon issues related to the precarious situation in the arts in a rapidly changing Malay society which has in general neglected traditional performing arts forms under pressures exerted by modenisation and the simultaneous wave of Islamicisation. His own involvement in teaching, research, documentation as well as preservation of many of these arts provides unique personal insights into some of the problems and pertinent issues. Other essays of a more general nature, touch upon the continuing and at times controversial relationships between Malay cultural manifestations and those in neighbouring countries, contributions of the minority Indian-Muslim community in Malaysia, and upon the role of the administration in the preservation of heritage. The brief accounts contained in this volume are presented in a direct and readable manner for the non-expert enthusiast of culture and the arts from the perspective of someone deeply and passionately involved.

In this book, Jeremy Nicholas reappraises Godowsky's important contribution to the piano, sheds new light on his enigmatic personality and suggests the soubriquet given him by the critic J.G. Huneker was amply justified: Godowsky was, more than any other, "a pianist for pianists." This edition contains a new foreword by the author and some updates and corrections.

A young man from a wealthy New England family attends private schools, goes to a Prep School, and as a teenager becomes disenchanted with his background. Embarrassed by the materialistic people he sees around him, he takes himself out of this protected lifestyle and spirals into an odyssey of poverty that is compounded by his compulsive behavior patterns with gambling, alcohol and other drugs.

A personal revolution takes place that leads him to a sanctuary within the eye of his own storm where he finds salvation and meaning as an artist.

Until now, there hasn't been one single-volume authoritative reference work on the history of women in film, highlighting nearly every woman filmmaker from the dawn of cinema including Alice Guy (France, 1896), Chantal Akerman (Belgium), Penny Marshall (U.S.), and Sally Potter (U.K.). Every effort has been made to include every kind of woman filmmaker: commercial and mainstream, avant-garde, and minority, and to give a complete cross-section of the work of these remarkable women. Scholars and students of film, popular culture, Women's Studies, and International Studies, as well as film buffs will learn much from this work. The Dictionary covers the careers of nearly 200 women filmmakers, giving vital statistics where available, listings of films directed by these women, and selected bibliographies for further reading. This is a one-volume, "one-stop" resource, a comprehensive, up-to-date guide that is absolutely essential for any course offering an overview or survey of women's cinema. It offers not only all available statistics, but critical evaluations of the filmmakers' work as well. In order to keep the length manageable, this volume focuses on women who direct fictional narrative films, with occasional forays into the area of the documentary and is limited to film production rather than video production.