In The Image Business, Steve Powell's autobiography lifts the lid on the development of sports photography and photojournalism. With a no holds barred account of his life as a working photographer and business innovator, he tells of covering world-beating sporting successes and occasional failures, and of how he built the Allsport Photographic agency into an industry leader that made him a millionaire. "The authors' experiences are so vast and often outrageous that it's easy to forget that this is a true story." L Lemay. He has worked with everyone from world beating powerboat racers to Olympic greats such as Seb Coe and Daley Thompson. Muhammad Ali, Bjorn Borg, Seve Ballesteros and Diego Maradona have all been his subjects during a lifetime of capturing iconic images. "In a book market full of often told stories, this is a unique and compelling read." MarcoVB. Unique insights into the athletes and administrators who shaped sport over thirty years could only come from a true insider. He gives a fascinating and fast-paced narrative of a career that began on the gritty streets of London and took him to every global arena where sport is played, working with every major publication and sponsor as he developed ways to help them deliver their messages. - "This book is right up there with Phil Knight's "Shoe Dog"." Anonymous Powell reveals the struggles of an emerging independent agency as it fought to gain recognition, how it helped break the union stranglehold on Fleet Street and established Allsport and its photographers as the go-to source for all that was best in the emerging sports photography industry. - "This is a thoroughly entertaining book and, I believe, an important one." R Bundy. Follow his riveting personal narrative as he describes how he overcame personality clashes that almost brought the agency to its knees and how riding the tide of advancing technologies helped create a unique business model. Always just one step ahead of the opposition, his career mirrors how he harnessed fast moving changes in the industry to create his own unique place in sports media history. "(The author) has you feeling as if you are right there living it alongside him." Anonymous. This is the story of the man who built the world's biggest and most famous sports photography business and under whose guidance, became the first official photographer to the International Olympic Committee and worked with every major sporting organisation, governing body and athlete in Europe, and North America. "A truly inspiring read, by a truly inspiring guy. His life, his travels keep you reading until the end. What a life, great read." J Tilley. Finally, the book traces with engaging candour his learning curve in preparing the company for sale, turning the business of capturing images into capitalising images as a business. The buyer was Mark Getty and guided by Powell, Allsport became a bedrock in the rapidly emerging Getty Images and made Powell more successful than he could have imagined.

Until now, there hasn't been one single-volume authoritative reference work on the history of women in film, highlighting nearly every woman filmmaker from the dawn of cinema including Alice Guy (France, 1896), Chantal Akerman (Belgium), Penny Marshall (U.S.), and Sally Potter (U.K.). Every effort has been made to include every kind of woman filmmaker: commercial and mainstream, avant-garde, and minority, and to give a complete cross-section of the work of these remarkable women. Scholars and students of film, popular culture, Women's Studies, and International Studies, as well as film buffs will learn much from this work. The Dictionary covers the careers of nearly 200 women filmmakers, giving vital statistics where available, listings of films directed by these women, and selected bibliographies for further reading. This is a one-volume, "one-stop" resource, a comprehensive, up-to-date guide that is absolutely essential for any course offering an overview or survey of women's cinema. It offers not only all available statistics, but critical evaluations of the filmmakers' work as well. In order to keep the length manageable, this volume focuses on women who direct fictional narrative films, with occasional forays into the area of the documentary and is limited to film production rather than video production.

Journey of an American Muslim is an epic journey into the life of the author. It's a biography that is uncompromising in its authenticity and honesty. Muslims and non-Muslims will appreciate its candor as the author shares his experiences in the four phases of his development into his life as a Muslim in America. In this book you will discover: -The major influences that encouraged the Author to study and later become a Muslim. -How the Author transitioned from being a very "zealous" Muslim in the beginning; to discovering "spirituality" while taking more risks in his practice of the Muslim life; to becoming an open minded "truth seeker" who happens to be Muslim. -In candid detail how the Author survived multiple marriages (learning experiences), the loss of two good paying professional jobs, foreclosure of his home and working at Wal-Mart for 3 1/2 years earning what he considers "survival income." Journey of an American Muslim is a personal journey and an odyssey of major proportions for any human being. Muslim or non-Muslim, to have to experience. One wonders how on could survive such a personal drama, financial upheaval and professional setbacks. This author not only experienced the epic journey, but lived to tell about it.

Rock Hudson rose to stardom as the virile hero of adventure films, and he then gained a flurry of female fans by starring in melodramas, like Magnificent Obsession. He earned an Oscar nomination for his role in Giant, starred in successful romantic comedies, and had a productive television and stage career. This book provides full information about his many performances and charts his life and career up to his death from AIDS. Rock Hudson was a movie giant, one of the biggest stars Hollywood ever produced. He gained early fame as the romantic hero of adventure films and melodramas such as Magnificent Obsession (1954). He then tackled serious drama in Giant (1956), for which he earned an Academy Award nomination. With the success of Pillow Talk (1959), he entered a new genre for which he would become best known-the sex comedy. He also had a successful stage and television career. This book charts Rock Hudson's rise as a celebrity until his death from AIDS. A biography opens the volume, followed by chapters which chronicle his work in film, television, radio, and the stage. Each chapter contains descriptions of Hudson's individual performances, with entries providing cast and credit information, plot summaries, excerpts from reviews, and critical commentary. The volume also includes a listing of Hudson's awards and an annotated bibliography of additional sources of information.

This new book contains the most comprehensive bibliography of Ethel Merman's work and materials written on this great American entertainer. She dominated the American musical stage as no other performer has, yet she appeared in only fifteen Broadway productions between 1930 and 1970. The book details the 55-year career encompassing cabaret, vaudeville, recordings, radio, televisions, films and the concert stage. This reference book presents the facts and some observations about Merman's life and career in an easily accessible format. The first section consists of a narrative biographical essay. A chronology of the major episodes of the Merman story precedes sections devoted to her work in films, the stage, radio and television, and recordings. The largest components of the book, however, is the annotated bibliography which represents the most extensive list of materials on Merman yet published. An index completes the volume.

What did CBS and ABC not know about Steve Fleischman during his thirty years in network news and why did they not know it? In A Red in the House, Stephen Fleischman tells of the political landmines in the mainstream media that marked the Cold War era. Although the Communist Party disintegrated out from under me in the mid-1950s, I found Marxism a valuable tool for analyzing the political and economic world around me. During those thirty years, I worked with the best in mainstream broadcast journalism--Walter Cronkite, Ed Murrow, Fred Friendly, Dan Rather, Howard K. Smith, Eric Sevareid, Peter Jennings, Charles Kuralt, Harry Reasoner, Roone Arledge, Bill Redeker, Brit Hume, and more. --Stephen Fleischman A Red in the House is replete with anecdotes and sidebar stories relating to the inner conflicts in the making of the TV news documentary. A Red in the House portrays a graphic picture of how the mainstream media arrived at the sorry state it's in today. With five corporate media giants controlling most of what we see, hear and read, this story is even more relevant today.

Joy Postle Blackstone was best known for her vivid murals, often depicting the jubilant wading birds of Florida. When she died in 1989, the world lost a wonderful artist but Joy was much more than a painter. Joy s father died when she was only three; her childhood was spent nurtured by her mother and brother, until she began her career at the Chicago Art Institute.

After graduation, her life changed, as she and her family moved to rural Idaho to live on the family homestead. There, she met her husband, Bob, and so began their three-year honeymoon, in the midst of the Great Depression. Joy painted and Bob promoted. They lived a vagabond life. They eventually settled in Florida, where Joy made friends with the birds who would make her murals legend.

"Joy Cometh in the Morning" traces an artist s life from 1896 through to her death in 1989. Joy Postle Blackstone harbored the psychological scars of abortion, infidelity, childlessness, death, and the eventual limitations of advanced age; yet, as the Bible says, Weeping may endure for a night, but joy cometh in the morning. Through feast or famine, hope or despair, Joy persevered, and she did it with a smile.

Now available as an ebook for the first time
No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into Hollywood's inner sanctums...on and behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films...into the plush offices of Hollywood producers...into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and into his own professional experiences and creative thought processes in the crafting of screenplays. You get a firsthand look at why and how films get made and what elements make a good screenplay. Says columnist Liz Smith, "You'll be fascinated.

From colorful threads found on the floor of an ancient Georgian cave to the Indian calicoes that fueled the Industrial Revolution, The Golden Thread illuminates the myriad and fascinating histories behind the cloths that came to define human civilization-the fabric, for example, that allowed mankind to shatter athletic records, and the textile technology that granted us the power to survive in space. Exploring the enduring association of textiles with "women's work," Kassia St. Clair "spins a rich social history . . . that also reflects the darker side of technology" (Rachel Newcomb, Washington Post).

Aristocrat and Marxist, master equally of harsh realism and sublime melodrama, Luchino Visconti (1906-1976) was without question one of the greatest European film directors. His career as a film-maker began in the 1930s when he escaped the stifling culture of Fascist Italy to work with Jean Renoir in the France of the Popular Front. Back in his native country in the 40s he was one of the founders of the neo-realist movement. In 1954, with Senso, he turned his hand to a historical spectacular. The result was both glorious to look at and a profound reinterpretation of history. In "Rocco and His Brothers" (1960) he returned to his neo-realist roots and in "The Leopard" (1963), with Burt Lancaster, Claudia Cardinale and Alain Delon, he made the first truly international film. He scored a further success with "Death in Venice" (1971), a sensitive adaptation of Thomas Mann's story about a writer (in the film, a musician) whose world is devastated when he falls in love with a young boy. A similar homo-erotic theme haunts "Ludwig" (1973), a bio-pic about the King of Bavaria who prefers art to politics and the company of stableboys to the princess he is supposed to marry.
Geoffrey Nowell-Smith's classic study of the director was first published in 1967 and revised in 1973. It is now updated to include the last three films that Visconti made before his death, together with some reflections on the "auteur" theory of which the original edition was a key example.

George Whitefield Chadwick was one of the most prolific composers that the United States ever produced. During a career that spanned over 50 years, he was considered the Dean of American Composers from the 1880s until after World War I. He composed in nearly every genre, including opera/stage works (seven), orchestral music (17 major works), songs (over 100), and dozens of choral and chamber works. Chadwick benefited from numerous performances of his music-particularly by the Boston Symphony Orchestra-and many of his works were published during his lifetime. He was also considered one of the foremost teachers of his era. He began teaching composition at the New England Conservatory of Music, and became its Dean in 1897, a post he held for more than 30 years. Chadwick and his music are currently enjoying a revival.