Love, Please is a memoir of a timeless love story between a man and a woman from opposite sides of the world. They meet in Tokyo when she is there on tour, and each immediately realizes they are soul-mates. Their story unfolds over a period of seventeen years, from the mid seventies to the early nineties, chronicling the extraordinary adventure of their lives together. Satoru Oishi is a architect and sculptor who works with Jasper Johns and Phillip Johnson. Susana Hayman-Chaffey is a soloist with the Merce Cunningham Dance Company. The backdrop is their Manhattan loft, from which they travel around the world making a living any way they can, and learning about life through dramatic, often humorous, ups and downs. It is a voyage of love between two people, their families, friends and children. It encourages and inspires us to keep faith in the midst of what seems to be an impossible life journey, proving that, with courage and determination, anything can be accomplished. It is a human story told simply and honestly about life and love.

Fans of classic comedy and Old Time Radio will be enthralled by Fred Allen's autobiographical tale of his early days in radio. From the host of a small comedy-variety show to national fame with Allen's Alley, here is the story of his trials, tribulations, and ultimate successes as one of the great radio comedians -- not to mention one of the great wits -- of the 20th century!

For over four centuries, California has been an ever-changing landscape of innovation and revolution, triumph and tragedy. In Fascinating True Tales from Old California, author Colleen Adair Fliedner mines the history of the Golden State to collect more than fifty tales of famous Californians and their escapades from 1542 through 1940. For many, like James Lick, Leland Stanford, and John Downey, California was a place to strike it rich. Others sought freedom and a new beginning, including Chinese immigrants and African Americans, like philanthropist and freed slave, Biddy Mason. And still some characters just wanted to live their lives outside of society's rules, like swindler James Reavis or the cross-dressing stagecoach driver, Charley Parkhurst. Readers will be entertained and enlightened as they take a trip through California's colorful past.

Tiberio Fiorilli, also known as Scaramouche, (November 9, 1608 - December 7, 1694) was an Italian actor of commedia dell'arte, popular in France for his role of Scaramouche. He was the director of the troop of the Comediens Italiens, which shared with the troop of his friend Moliere the Theatre of the Petit-Bourbon, and the Theatre of the Palais-Royal. This biography of Fiorilli by his fellow-actor Angelo Constantini was published in Paris in 1695, shortly after the actor's death. The English translation by the dance scholar and historian Cyril W Beaumont, presented here, includes detailed explanatory notes and background information.

SHOWTIME is the follow-up book to Monologues: Dramatic Monologues For Actors. It is contains 16 hilarious comedic scenes for two actors that range from one to ten minutes in length. All of the scenes are original and are taken from selected plays, films, and television pilots from Gregory's body of work. Like Monologues, SHOWTIME was written to fill a much needed void for comedic scenes for black and minority actors; although this book was written for actors of all races. There are the many unique characteristics in this book that separates it from similar books. The characters can be performs by anyone and there are plenty of scenes for males and females, males and males, older males and younger males, and so on. There are scenes that are appropriate for middle school actors all the way to professional actors. It is the perfect book to produce a show consisting of short comedic scenes for two actors. Also, it is the perfect book for directing funny scenes or shows at high school, colleges, or professional level. SHOWTIME was written to be a comedic actor and director's dream. The characters in each scene allow the actors to explore a different character through: researching, exploring, and understanding the motivation and objective necessary to bring the character to life. For the director, it allows him/her to utilize, enhance, broaden, and develop many of their skills necessary for directing full-scale productions. As a literary resource for educators, SHOWTIME includes: a chapter on vernacular, commonly used vernacular terms, a chapter on copyright infringement, a chapter on stage terminology, a chapter on film/television terminology and more. It is an excellent resource to teach: acting, scene study, and character development. SHOWTIME is original, the characters are diverse, very funny and lots of fun for acting, directing, or teaching.

Academy Award-winning actress, producer, and entrepreneur Reese Witherspoon invites you into her world, where she infuses the southern style, parties, and traditions she loves with contemporary flair and charm. Reese Witherspoon's grandmother Dorothea always said that a combination of beauty and strength made southern women "whiskey in a teacup." We may be delicate and ornamental on the outside, she said, but inside we're strong and fiery. Reese's southern heritage informs her whole life, and she loves sharing the joys of southern living with practically everyone she meets. She takes the South wherever she goes with bluegrass, big holiday parties, and plenty of Dorothea's fried chicken. It's reflected in how she entertains, decorates her home, and makes holidays special for her kids--not to mention how she talks, dances, and does her hair (in these pages, you will learn Reese's fail-proof, only slightly insane hot-roller technique). Reese loves sharing Dorothea's most delicious recipes as well as her favorite southern traditions, from midnight barn parties to backyard bridal showers, magical Christmas mornings to rollicking honky-tonks. It's easy to bring a little bit of Reese's world into your home, no matter where you live. After all, there's a southern side to every place in the world, right?

In her intimate memoir, More Myself, Alicia Keys shares her quest for truth: about herself, her past, and her shift from sacrificing her spirit to celebrating her worth. One of the most celebrated musicians of our time, Alicia Keys has enraptured the nation with her heartfelt lyrics, extraordinary vocal range, and soul-stirring piano compositions. Yet away from the spotlight, Alicia has grappled with private heartache over the challenging and complex relationship with her father, the people-pleasing nature that characterized her early career, the loss of privacy surrounding her romantic relationships, and the oppressive expectations of female perfection. Since her rise to fame, Alicia's public persona has belied a deep personal truth: she has spent years not fully recognizing or honoring her own worth. After withholding parts of herself for so long, she is at last exploring the questions that live at the heart of her story: Who am I, really? And once I discover that truth, how can I become brave enough to embrace it? More Myself is part autobiography, part narrative documentary. Alicia's journey is revealed not only through her own candid recounting, but also through vivid recollections from those who have walked alongside her. The result is a 360-degree perspective on Alicia's path: from her girlhood in Hell's Kitchen and Harlem, to the process of self-discovery she's still navigating. With the raw honesty that epitomizes Alicia's artistry, More Myself is at once a riveting account and a clarion call to readers: to define themselves in a world that rarely encourages a true and unique identity.

When Esther Schure's mother decided that her daughter would become a violinist, there was no stopping this determined woman. The immigrant family moved from Hamilton, Ontario, to Rochester, New York (Eastman School of Music), and then to New York City-all in the interest of furthering Esther's musical education and subsequent career. From the beginning, as a four-year old, Esther developed her natural talent, and with the help of patrons and outstanding teachers she became a professional violinist. Her career spans most of the twentieth century, from the 1930's to her retirement in 1994. She played under the batons of some of the most renowned conductors of the era, including Leonard Bernstein and Leopold Stokowski. Her memoirs are a rare view from the inside of many professional orchestras. She has a talent for reproducing the personae of players, conductors, and the whole backstage. She recounts studying at the Institute of Musical Art, New York, (which later would become a part of Juilliard School of Music), and with Leopold Auer, teacher of the most famous violinists, including Jascha Heifetz and Mischa Elman. She was concertmaster on tour with the American Ballet Theatre, the British Royal Ballet, the St. Louis Symphony, and finally a thirty-seven year stint as first violinist/assistant concertmaster with the New Jersey Symphony Orchestra. The characters she describes on her journey are funny, temperamental, and talented-but of all the musicians, Esther herself is the personification of a true violinist.

Internationally recognized American composer Elliott Cook Carter, Jr. has composed over three dozen substantial pieces, ranging from stage and choral works to ballets, symphonies, and chamber music. Even at age 85, he continues to pioneer trails into new territory in modern American music. Carter has been the recipient of two Guggenheim Fellowships, two Pulitzer Prizes for Music, and numerous other awards and honors. This book contains a listing of all compositions by Carter with detailed information on premiere performances, a complete discography, and annotated citations of Carter's writings and writings about Carter and his music.

William Howard Schuman, a celebrated figure in 20th-century music, was a composer and a copious writer on music and music education. Early on, as a composer, he received the attention of several musicians and writers such as Nathan Broder, Elliott Carter, and Leonard Bernstein. He was the recipient of numerous prestigious awards, including the Pulitzer Prize, a Guggenheim Fellowship, and the New York Music Critics Circle Award. After teaching at Sarah Lawrence College from 1935 to 1945 and serving as president of the Juilliard School from 1945 to 1962, Schuman assumed the presidency of Lincoln Center, where he successfully implemented that institution's artistic programs. Schuman, who composed in several genres, is perhaps best known for his orchestral compositions and choral music. This reference work provides a biography and a thorough catalog and guide to Schuman's writings and compositions and to the current research available on this gifted and multi-talented musician. An invaluable resource to music scholars interested in William Schuman's career, five sections provide accessible detailed information: a biography, works and performances, discography, bibliography, and bibliography of writings by Schuman. The biography traces Schuman's life and career with an emphasis on illustrating his compositional activity. The bibliography includes books, dissertations, articles, and reviews that chronicle Schuman's activities from his days as a young composer to his death in 1992. An author index, index of compositions, and general index complete this in-depth reference on William Schuman.

The long-awaited autobiography of the guitarist, songwriter, singer, and founding member of the Rolling Stones. Ladies and gentlemen: Keith Richards.
With The Rolling Stones, Keith Richards created the songs that roused the world, and he lived the original rock and roll life.
Now, at last, the man himself tells his story of life in the crossfire hurricane. Listening obsessively to Chuck Berry and Muddy Waters records, learning guitar and forming a band with Mick Jagger and Brian Jones. The Rolling Stones's first fame and the notorious drug busts that led to his enduring image as an outlaw folk hero. Creating immortal riffs like the ones in "Jumping Jack Flash" and "Honky Tonk Women." His relationship with Anita Pallenberg and the death of Brian Jones. Tax exile in France, wildfire tours of the U.S., isolation and addiction. Falling in love with Patti Hansen. Estrangement from Jagger and subsequent reconciliation. Marriage, family, solo albums and Xpensive Winos, and the road that goes on forever.
With his trademark disarming honesty, Keith Richard brings us the story of a life we have all longed to know more of, unfettered, fearless, and true.

I LOVE YOU, MOM-Please Don't Break My Heart is the true story of one boy's journey through a childhood of physical, mental, and emotional abuse. John endured neglect, isolation, physical beatings, mental degradation and malevolent admissions into numerous mental institutions, and eventual attempted murder within the custodial supervision of his unscrupulous mother. This literary work is indeed John's factual account of his small, bruised body clinging to life, his struggle as a teenager fighting and winning against insurmountable odds, and his entrance into young manhood as a warrior for the young and innocent, protecting them from experiencing a similar childhood of hell on earth.

(Amadeus). President of The Juilliard School and then of Lincoln Center for the Performing Arts during the years 1945-1968, Schuman (1910-1992) was an "artistic catalyst" who was instrumental in shaping how America perceived and supported music, dance and drama in the second half of the twentieth century. His influence as an arts administrator, educator and composer caused him to be considered at one time as "probably the most powerful figure in the world of art music." Complex, driven, and filled with a confident optimism that characterized America at the time, Schuman thought of himself as "a part of many different worlds." Those worlds included his life as a composer of more than one hundred works in orchestral, choral, chamber, and operatic settings. His music has been characterized as "full of American directness in its vibrant rhythms and brilliant orchestrations." This first-ever complete biography of Schuman brings the many threads of his life together within the context of the personalities and events that shaped how we experience the arts in America in the twenty-first century.