A treasured read. I learned, laughed, and cried. I will pass on this remarkable resource. - Dawn Eger Rizzo, Thyroid Cancer SurvivorUnflappable, witty, honest, and inspirational describe Lorna's exploration of her journey. As a survivor of kidney cancer, I was awed, captivated, and encouraged by the positive nature of Lorna's personal philosophy. - Marsha E. Bergquist, Cancer SurvivorHaving suffered much loss from this disease, Lorna's narrative about dealing with thyroid cancer is not only filled with useful and practical information, but was cathartic for my own repressed emotions. I laughed, I cried, and I healed. - Ellie Osborne Lorna has the innate gift of bringing light, laughter, and hope while sharing her journey with readers. I was pulled in by her honesty and even laughed out loud at times. - Linda Joy, PublisherMain Entry: dirty bomb-shellFunction: nounDate: 2005: a former bombshell beauty fighting thyroid cancer in the Nuclear Medicine Department of a hospital about to ingest a purple radioactive radiation pill that will make her a contagious toxic human dirty bomb. Dirty Bombshell is the poignant and brave story of a 33 year old girl who is fighting her way back to wellness. Her triumphant story sheds light on a cancer most Americans are in the dark about. This story of faith, forgiveness, strength, hope, courage, tolerance, and self-discovery will change the way you tackle hardship, leaving you with the power to survive and thrive. Dirty Bombshell will help you find your way back to FABULOUS As an actor, singer, writer, producer, and teacher, Lorna J. Brunelle has always had a passion for the arts. A tireless volunteer, with an indelible commitment to bring positive change, she is dedicated to a range of causes.

Agostino Agazzari (c. 1580-c. 1642) has long been recognized as one of the most prominent theorists of the early Baroque. The enduring fame of his 1607 treatise on the basso continuo has, however, overshadowed his equally significant contributions as a composer. And for all his renown, relatively little has been written about his professional career in Siena. This book not only provides the first comprehensive study of his life and sacred works, it also opens a window on musical culture in Siena during the late sixteenth and early seventeenth centuries. Through the use of archival materials, the author documents Agazzari's long association with the Sienese Cathedral and furnishes valuable information on the personnel, repertory, and performance practices there. She argues for a reassessment of the influences that shaped the composer's style and challenges the generally held view that Sienese culture stagnated after the fall of the Republic in 1555. The book contributes significantly to our knowledge of musical life in the Tuscan 'City of the Virgin'.

Winner of the Academy Award for Best Actress for three films in 1927-28, Seventh Heaven, Sunrise, and Street Angel, Janet Gaynor may be better known for her roles as the endearing orphan, Judy Abbott, in Daddy Long Legs (1931) and the small town girl-turned actress, Esther Blodgett, in A Star Is Born (1937). Her entire acting career is presented here, from bit parts in 1924 to a final appearance on ABC-TV's Love Boat in 1981. The opening biography assesses her lifework, which is then documented in separate chapters on her work in film, radio, stage, and television. The biography further details her recognition as a talented painter, her many philanthropic activities, and her interests in travel, food, and fashion. An extensive bibliography includes critical studies and reviews and reveals her immense popularity in fan magazines, particularly of the 1920s and 1930s. Interesting photographs--some rare--illustrate her versatile career.

'David Katz's in-depth portrayal of his genius is to be commended and is an essential addition to any serious music fan's collection' David Rodigan MBE OD 'For the complete picture of this musical genius you can't get better than David Katz's People Funny Boy - if you're into Scratch, it's essential' Don Letts Arguably the most influential force in Jamaican music, Lee Perry brought Bob Marley to international stardom and has since collaborated with artists such as Sir Paul McCartney, The Clash and The Beastie Boys. The book delves behind the myth of Perry to give a fuller examination of his life and work through extensive interviews with family members, fellow artists, friends, lovers, enemies, as well as the man himself to present a complex portrait of a unique soul driven by unseen spiritual forces. This revised and expanded edition has been thoroughly updated and completely overhauled to render a more nuanced, accurate and accessible read, with new information on Perry's later years, including his Grammy Award, cessation of herb smoking and final passing, as well as previously unpublished information about his early life, his unique relationship with Marley, and his fabled Black Ark studio.

With a raconteur's wit and keen eye for detail, Nelson "Nellie" King spins tales of his journey in professional baseball. From the farm teams of the deep south in the early 1940s, to the pitcher's mound, and then to the Pirates' broadcasting booth in the 1970s, King provides readers with a front row seat to the momentous changes he witnessed in his beloved game. The ball parks, dugouts, and road trips of yesteryear jump to life on these pages, as do the personalities of Pirate legends like Roberto Clemente, Bill Mazeroski, and Willie Stargell. King also has much to say about the business of baseball, from the expansion of franchises to dramatic salary increases. His humor, warmth, and insights will please die-hard Pirates fans as well as baseball history buffs.

This volume in the Greenwood Press series, Bio-Bibliographies in Music, provides new details about the life and works of Polish composer Witold Lutoslawski. It includes a detailed catalogue of the composer's works and performances, including his film music, incidental music for the theatre, music for radio plays, and songs he composed under a pseudonym, as well as a bibliography, discography, and brief biographical sketch. His unique style was distinguished by an individual harmonic system controlled aleatory technique that he developed more fully during the 1960s and 1970s. The discography includes over 300 recordings and the bibliography includes writings the composer and a separate section for the writings about him, including concert and recording reviews, books, articles, dissertations, and interviews.

This research tool will appeal to Lutoslawski fans and to musicologists. Each section is cross-referenced throughout. An appendix provides an alphabetical list of all of the composer's works.

In this remarkable, inspiring collection of essays, acclaimed writer and critic Olivia Laing makes a brilliant case for why art matters, especially in the turbulent political weather of the twenty-first century. Funny Weather brings together a career's worth of Laing's writing about art and culture, examining their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O'Keeffe, reads Maggie Nelson and Sally Rooney, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, she celebrates art as a force of resistance and repair, an antidote to a frightening political time. We're often told that art can't change anything. Laing argues that it can. Art changes how we see the world. It makes plain inequalities and it offers fertile new ways of living.

In August 1970 Elton John achieved overnight fame after a rousing performance at the Troubadour in Los Angeles; over the next five years he was unstoppable, scoring seven consecutive number 1 albums and sixteen Top 10 singles in America. But behind his outre image and comedy glasses lay a desperately shy individual, conflicted about his success, his sexuality, and his narcotic indulgences. In 1975, at the apex of his fame, John attempted suicide twice yet, after announcing his retirement in 1977 at the age of thirty as well as coming out as a gay man, he gradually found his way back to music. Captain Fantastic is an intimate look at the rise, fall and rise again of John's fame-and-drug fuelled decade, with a final section bringing his life up to the present.

Maureen Hughes was first introduced to Countess Marajen Chinigo in the 1980s in a hospital room in Champaign, Illinois. Assigned to provide personal security to the Countess, Hughes knew few details about the woman she was protecting. Little did she know that Countess Chinigo was a woman connected to some of the most notorious and famous-or infamous-people of the twentieth century.

Hughes did not see the Countess again until a few years later at a local art museum. Intrigued by the impeccably dressed woman who strolled through the crowd like a queen, Hughes vowed to find out all she could about the mysterious Countess. As Hughes shares the fascinating story she uncovered after conducting three years of research and in-depth conversations with friends of the Countess, she unveils a time period where mobsters, presidents, celebrities, and countesses all mingled among dark, captivating secrets. Hughes reveals details about the famous figures the Countess hobnobbed with like Frank Sinatra, Joan Crawford, and Lucky Luciano, her marriage to Johnny Rosselli, and her eventual entanglements with the Mafia.

The Countess and the Mob paints a compelling portrait of the kaleidoscopic shapes and colors that made up the extraordinary and unforgettable life of Countess Marajen Stevick Chinigo.

With Danny Turner, Stansberry uses an epistolary to advance, color, and develop characters created in his two earlier novels, So Sings The Chattahoochee and 234 Whitehall. The book focuses on Danny Turner, high school friend of Dewey Favers, and the Campbellton children whose relationships were so solidly formed back in that magical summer of 1912. Watch for the companion book, Dewey Favers: Aviator Angel which contains the other side of this conversation. Coming soon. The book is a collection of letters detailing a year in the life of minor league baseball star Danny Turner, as he is called up to the majors for a glorious season with the 1926 St. Louis Cardinals......the eventual World Series Champions. Perhaps life, is more important, and surprising, than baseball?

"A vivid page-turner" (NPR) detailing the rise, fall, and redemption of Broadway-its stars, its biggest shows, its producers, and all the drama, intrigue, and power plays that happened behind the scenes. "A rich, lovely, debut history of New York theater in the 1970s and eighties" (Kirkus Reviews, starred review), Razzle Dazzle is a narrative account of the people and the money and the power that turned New York's gritty back alleys and sex-shops into the glitzy, dazzling Great White Way. In the mid-1970s Times Square was the seedy symbol of New York's economic decline. Its once shining star, the renowned Shubert Organization, was losing theaters to make way for parking lots and losing money. Bernard Jacobs and Jerry Schoenfeld, two ambitious board members, saw the crumbling company was ripe for takeover and staged a coup and staved off corporate intrigue, personal betrayals and criminal investigations. Once Jacobs and Schoenfeld solidified their power, they turned a collapsed theater-owning holding company into one of the most successful entertainment empires in the world, spearheading the revitalization of Broadway and the renewal of Times Square. "For those interested in the business behind the greasepaint, at a riveting time in Broadway's and New York's history, this is the ticket" (USA TODAY). Michael Riedel tells the stories of the Shubert Organization and the shows that re-built a city in grand style-including Cats, A Chorus Line, and Mamma Mia!-revealing the backstage drama that often rivaled what transpired onstage, exposing bitter rivalries, unlikely alliances, and inside gossip. "The trouble with Razzle Dazzle is...you can't put the damn thing down" (Huffington Post).

Offers a brief description of the life and career of the popular country and western singer, and includes interviews and an evaluation of Williams' music.

Autobiography. How relationships enhanced my life.

This is a man's journey through addiction and his quest for recovery. It is a story of hope, faith and strength that will lead one man from the pits of despair to the heights of recovery, and through that process find himself and his calling: to help others find their way.

This illustrated biography is the first full-length study of a pioneering Canadian artist and his brief but eventful life (1871-1913).

He was best known for many penetrating and scrupulously accurate portraits of western and northern Canadian Indians. Edmund Montague Morris undertook to record the customs and physical appearance of the last native tribes to ride the great plains. In the summer of 1906, he accompanied the official Treaty Expedition nine to the James Bay Indians to paint the Ojibway of Northern Ontario.

The Black Horn: The Story of Classical French Hornist Robert Lee Watt tells the story of the first African American French Hornist hired by a major symphony in these United States. Today, the number of African Americans who hold chairs in major American symphony orchestras are few and far between, and Watt is the first in many years to write about this uniquely exhilarating and at times painful experience. The Black Horn chronicles the upbringing of a young boy first fascinated by the sound of the French horn. Watt walks readers through the many obstacles presented by the racial climate in the United States both on and off stage in his efforts learn and eventually master an instrument little considered in the African American community, with even the author s own father, who played trumpet, seeking to dissuade the young classical musician in the making. Opposition from within the community--a middle instrument suited only for thin-lipped white boys, Watt s father once chided and from without, Watt document his struggles as a student at an all-white major music conservatory as well as his first job in a major symphony orchestra after his conservatory canceled his scholarship. Watt subsequently chronicles his triumphs and travails as a musician, sometimes alone when confronting the realities of race in America and the world of classical music. This work will surely interest any working classical musician and student, particularly those of color, seeking to grasp firsthand the sometimes troubled history of being the only black horn. "