Johnny Cash was an American icon, known for his level bass-baritone voice and sombre demeanour, for huge hits like "Ring of Fire" and "I Walk the Line." He's one of the best-selling musicians of all time, and his crossover appeal earned him inductions into the Country Music, Gospel Music, and Rock and Roll Halls of Fame. But he was also the most prominent political artist in the United States, even if he wasn't recognized for it in his own lifetime, or since his death in 2003. Then and now, people have misread Cash's politics, usually accepting the idea of him as a "walking contradiction." Cash didn't fit into easy political categories-liberal or conservative, Red state or Blue state, hawk or dove. Like most people, Cash's politics were remarkably consistent in that they were based not on ideology or scripts-but on emotion, instinct, and identification. He supported Richard Nixon in his Vietnam War policies, while also seeming to stand up both for those asked to fight the war and for those who protested against it. Instead of choosing sides, Cash channelled an emotional discontent that bridged America's youth and the "silent majority." Foley traces the political evolution of the Man in Black as a prominent public citizen. Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure.

In Giving Voice to My Music, David Wordsworth's engrossing interviews take us into the world of twenty-four leading composers of choral music, composers for whom writing for choirs is central to their very existence. Here, they give voice to their inspirations, their passions and the challenges they have faced in working through the pandemic of 2020/21. They reveal how their life experiences have influenced their compositions, how they choose and relate to the texts they set, and how they interact with commissioners, singers and conductors alike. Enhanced by an extensive reference section and a revelatory list of the composers' own favourite pieces, readers will discover music that has enriched these composers' lives and encouraged their creativity. Giving Voice to my Music will be relished by singers, composers, conductors and above all audiences, for the new insights it offers into works that are already well-known but also for its introductions to new choral music that deserves to be better known.

First published in English in 1980, this important early memoir of Gustav Mahler is by Natalie Bauer-Lechner (1858-1921), a viola player and close and devoted friend of Mahler until his marriage to Alma Schindler in 1902. She visited him in Hamburg and frequented his circle in Vienna, also accompanying him and his family on a number of the summer vacations during which the Second, Third and Fourth Symphonies came into being, together with many of the Wunderhorn songs. Compiled from Bauer-Lechner's private journal, these Recollections are a vital, invaluable record of Mahler's personal, professional and creative life during the last decade of the nineteenth century. A large part of the book recounts, at first hand, conversations with Mahler concerning his works and his ideas about performance (both in the opera-house and on the concert platform.)

A fascinating exploration of Grieg's visits to England and what the country meant to him, showing how it had a far greater impact on his life and career than has hitherto been recorded. When Edvard Grieg came to give his first concerts in London, he had the world at his feet. As the first composer to transmute the sights and sounds of his own spectacular country into music, he was held to be both prophet and pioneer, and English writers described him as the most popular of all living composers, commenting, when he returned to London the following year, on the 'Grieg fever' that raged in the capital. Between 1862 and 1906 Grieg spent some six months of his life in this country, for most of the time engaged in giving concerts of his own music as conductor, solo pianist and accompanist. Celebrated by his fellow musicians - among them Delius, Parry, Henry Wood and Grainger - Grieg was befriended by royalty, heaped with honours that included doctoral degrees from Cambridge and Oxford, pleaded in high quarters the cause of Norwegian independence, and found new friends who effected a profound change in his religious outlook. This book explores the impact he had on England as well as examining what the country meant to him, showing how England had a far greater influence on Grieg's life and career than hashitherto been recorded. It also offers an array of fascinating insights into the musical life and milieu of the time. LIONEL CARLEY is honorary archivist of the Delius Trust and respected author of many books about Delius.

'Ingenious, elegant, and pleasing - a treat for the most refined listeners and critical judges of musical composition'. Thus wrote Charles Burney in the 18th century about the music of Luigi Boccherini. Here, three centuries later, the renowned cellist Steven Isserlis, in his Foreword to Luigi Boccherini - Musica Amorosa, invites you to enter anew that world of 'sweet, joyous clarity' and 'fathomless beauty' that endow Boccherini's rococo style. 'This', says Isserlis, 'is the music of angels'. Born in 1743 in Italy, in Lucca, famed for its long and distinguished musical tradition, Boccherini spent two thirds of his life in Spain, a vibrant influence that perfuses many of his works. A composer of symphonies, chamber music and vocal works, he excelled as well in creating many sonatas and concertos for the cello. A pioneer in his day of modern cello playing, Boccherini introduced techniques that greatly heightened the cello's range and depth of expression. Incorporating recent international research, this comprehensive new biography sets the composer in his historical context during the turbulent social changes that accompanied the end of the ancien regime and the dawn of the republican era.

A fully annotated edition of more than 1600 letters from and to Gerald Finzi, spanning the composer's life from ca. the early 1920s up until his untimely death in 1956. Gerald Finzi's (1901-1956) masterpiece is the radiant and touching cantata Dies Natalis. He is also highly regarded for his Thomas Hardy song-settings, for his Intimations of Immortality, and for his fine cello and clarinet concertos. As a scholar, he championed the then neglected composers Hubert Parry and Ivor Gurney, and the eighteenth-century John Stanley, William Boyce and Richard Mudge, composers he revived with the amateur orchestra he founded. Diana McVeagh, Finzi's biographer, brings together more than 1600 letters from and to Gerald Finzi, spanning the composer's life from the early 1920s until his untimely death in 1956. His more than 160 correspondents include Ralph Vaughan Williams, Herbert Howells, Edmund Rubbra, Arthur Bliss and Howard Ferguson, Michael Tippett, Benjamin Britten and Sir John Barbirolli, the poet Edmund Blunden, and the artist John Aldridge, making this a portrait not only of Gerald Finzi but also of his group of composer, musician and artist friends in the first half of the twentieth century. In these mostly unpublished letters Finzi emerges as a multi-faceted and complex character, developing from a solitary, introverted youth into a man with strong views and wide interests: education, pacifism, vegetarianism, the Arts and Crafts movement and the English pastoral tradition, among others. From amusing trivia to the deeply serious ideas and principles Finzi set out at the onset of war and in the 1950s, these letters allow for first-hand insights into his personality and background. This definitive edition is fully annotated, offering context with substantial commentaries on the correspondence, illustrations by Joy Finzi, a chronology, bibliography and a catalogue of works.

'EYEWITNESS GOLD' SUNDAY TIMES WHO - OR WHAT - WAS THE REAL LOVE OF FREDDIE MERCURY'S LIFE? THE SENSATIONAL NEW BIOGRPHAY OF QUEEN'S FRONTMAN Millions of Queen and screen fans who watched the Oscar-winning film Bohemian Rhapsody believe that Mary Austin, the woman he could never quite let go of, was the love of Freddie Mercury's life. But the truth is infinitely more complicated. Best-selling biographer and music writer Lesley-Ann Jones explores the charismatic frontman's romantic encounters, from his boarding school years in Panchgani, India to his tragic, final, bed-ridden days in his magnificent London mansion. She reveals why none of his love interests ever perfected the art of being Freddie's life partner. In Love of My Life, the author follows him through his obsessions with former shop girl Mary, German actress Barbara Valentin and Irish-born barber boyfriend Jim Hutton. She explores his adoration of globally feted Spanish soprano Montserrat Caballe. She delves into his intimate friendship with Elton John, and probes his imperishable bonds with his fellow band members. She deconstructs his complicated relationship with the 'food of love' - his music - and examines closely his voracious appetite for - what some would call his fatal addiction to - sex. Which of these was the real love of Freddie Mercury's life? Was any of them? Drawing on personal interviews and first-hand encounters, this moving book brings to the fore a host of Freddie's lesser-known loves, weaving them in and out of the passions that consumed him. The result, a mesmerising portrait of a legendary rock star, is unputdownable. Love of My Life, published during the year of the 30th anniversary of his death and that would have seen his 75th birthday, is Lesley-Ann's personal and compassionate tribute to an artist she has revered for as long as she has written about music and musicians.

This title was first published in 2000: In their stunning simplicity, George Romney's portraits of eighteenth-century gentry and their children are among the most widely recognised creations of his age. A rival to Reynolds and Gainsborough, Romney was born in 1734 on the edge of the Lake District, the landscape of which never ceased to influence his eye for composition and colour. He moved in 1762 to London where there was an insatiable market for portraits of the landed gentry to fill the elegant picture galleries of their country houses. Romney's sitters included William Beckford and Emma Hart, later Lady Hamilton. An influential figure, one of the founding fathers of neo-classicism and a harbinger of romanticism, Romney yearned to develop his talents as a history painter. Countless drawings bear witness to ambitious projects on elemental themes which were rarely executed on canvas. Richly illustrated, this is the first biography of Romney to explore the full diversity of his oeuvre. David A. Cross portays a complex personality, prone to melancholy, who held himself aloof from London's Establishment and from the Royal Academy, of which Sir Joshua Reynolds was President, and chose instead to find his friends among that city's radical intelligentsia.

Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, Ten, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In Long Road: Pearl Jam and the Soundtrack Of A Generation, music critic and journalist Steven Hyden celebrates the life, career, and music of this legendary group, widely considered to be one of the greatest American rock bands of all time. Long Road is structured like a mix tape, using 18 different Pearl Jam classics as starting points for telling a mix of personal and universal stories. Each chapter tells the tale of this great band - how they got to where they are, what drove them to greatness, and why it matters now. Much like the generation it emerged from, Pearl Jam is a mass of contradictions. They were an enormously successful mainstream rock band who felt deeply uncomfortable with the pursuit of capitalistic spoils. They were progressive activists who spoke in favor of abortion rights and against the Ticketmaster monopoly, and yet they epitomized the sound of traditional, male-dominated rock 'n' roll. They were looked at as spokesmen for their generation, even though they ultimately projected profound confusion and alienation. They triumphed, and failed, in equal doses - the quintessential Gen-X tale. Impressive as their stats, accolades, and longevity may be, Hyden also argues that Pearl Jam's most definitive accomplishment lies in the impact their music had on Generation X as a whole. Pearl Jam's music helped an entire generation of listeners connect with the glory of bygone rock mythology, and made it relevant during a period in which tremendous American economic prosperity belied a darkness at the heart of American youth. More than just a chronicle of the band's career, this book is also a story about Gen- X itself, who like Pearl Jam came from angsty, outspoken roots and then evolved into an establishment institution, without ever fully shaking off their uncertain, outsider past. For so many Gen-Xers growing up at the time, Pearl Jam's music was a beacon that offered both solace and guidance. They taught an entire generation how to grow up without losing the purest and most essential parts of themselves. Written with his celebrated blend of personal memoir, criticism, and journalism, Hyden explores Pearl Jam's path from Ten to now. It's a chance for new fans and old fans alike to geek out over Pearl Jam minutia-the B-sides, the beloved deep cuts, the concert bootlegs-and explore the multitude of reasons why Pearl Jam's music resonated with so many people. As Hyden explains, "Most songs pass through our lives and are swiftly forgotten. But Pearl Jam is forever."

Do you ever find yourself: Tumblin' out of bed and stumblin' to the kitchen? Searchin' for a cup of ambition? Sighin' and groanin' at the mundanity of life? We could all do with a bit more Dolly in our lives! With empowering advice on love, business, style and looking out for number one, these pages will help Dolly Parton lovers everywhere create the life they truly want.

Although Pablo Picasso spotted Dora Maar at a cafe in January 1936 it is highly likely that she had come to his attention prior. As Brassai, a Hungarian-French photographer, recalled, It was at Les Deux-Magots that, one day in autumn 1935, [he] met Dora On an earlier day, he had already noticed the grave, drawn face of the young woman at a nearby table, the attentive look in her light-colored eyes, sometimes disturbing in its fixity. When Picasso saw her in the same cafe in the company of the surrealist poet Paul Eluard, who knew her, the poet introduced her to Picasso (Brassai, a.k.a. Gyula Halasz, Conversations with Picasso [University of Chicago Press, 1999]). Tinged with a seductive mix of violence and dark eroticism, this first meeting has attained mythical status in the story of the artists life. It reads like an unreal fantasy. A mysterious and feline beauty, which Man Ray had captured in the pictures he took of her, a companion of Georges Bataille, Dora was an accomplished photographer, close to the Surrealists revolutionary aesthetics. Picasso addressed her in French, which he assumed to be her language; she replied in Spanish, which she knew to be his. For the next decade, the painter would translate not just his fascination with the woman who had seduced him on the spot, but also his desire to escape the grip of someone who, for the first time, could intellectually aspire to be his equal. Dora would appear in his works as a female Minotaur, a Sphinx, a lunar goddess and a muse. Because of her intense artistic sensibility, her poetic gifts and her ability to participate in suffering, she was especially qualified to resonate Picassos own inner torments during these troubled years.

* THE SUNDAY TIMES BESTSELLER * THE NEW YORK TIMES BESTSELLER * 'Adam has drawn for us an imperative how-to for creativity... I am aware of no human outside of fiction more qualified to pen this rousing paean to making. I adore this book,' Nick Offerman, star of Parks and Recreation MythBusters' Adam Savage - Discovery Channel star and one of the most beloved figures in science and tech - shares his golden rules of creativity, from finding inspiration to following through and successfully turning your idea into reality. Adam Savage is a maker. From Chewbacca's bandolier to a thousand-shot Nerf gun, he has built thousands of spectacular projects as a special effects artist and the co-host of MythBusters. Adam is also an educator, passionate about instilling the principles of making in the next generation of inventors and inspiring them to turn their curiosity into creation. In this practical and passionate guide, Adam weaves together vivid personal stories, original sketches and photographs from some of his most memorable projects, and interviews with many of his iconic and visionary friends in the arts and sciences - including Pixar director Andrew Stanton, Nick Offerman, Oscar-winner Guillermo Del Toro and artist Tom Sachs - to demonstrate the many lessons he has picked up from a lifetime of making. Things like: don't wait until everything is perfect - in your workshop or in your life - to begin. Plan with pencil and paper. Sweep up every day. Learn from doing. Share your toys. There is an exact tool for every task (Adam probably has four of them in his wondrous shop), but if you need to pound in a nail and all you have handy is a skill saw - hammer away. The most important thing, always, is just that you make something. Every Tool's a Hammer is sure to guide and inspire you to build, make, invent, explore and, most of all, enjoy the thrills of being a creator.

The illustrated story of Eric and Ernie's early years as variety entertainers, and the first ever biography to reveal how they became Britain's best loved comedy double act. Eric Morecambe & Ernie Wise were Britain's greatest ever double act, but there's never been a book which really revealed the era that made them such a special part of our national culture. Until now. Although they ended up on TV, they started out in variety, and their record-breaking Christmas shows were a secret homage to that forgotten world. For a quarter of a century, from the early Forties until the late Sixties, they were a live act first and foremost, playing pantomime and summer season, variety theatres and seaside piers. 'You're making us look like a cheap music hall act,' Ernie used to complain, in mock protest. 'Well, we are a cheap music hall act,' Eric would reply. Morecambe and Wise Untold is a book about Eric and Ernie's live years. What was it really like, that lost world which they came from? How did it shape them? What were the other acts like? And the theatres? And the shows? Why did they survive, while so many other variety acts vanished? This is the story of the spit and sawdust places where they served their showbiz apprenticeship, told through the reminiscences of the people they met along the way. Morecambe and Wise Untold contains brand new interviews with Ken Dodd and Bruce Forsyth (who worked with Eric and Ernie in Variety) plus Michael Grade, Ernest Maxin and John Ammonds, who got to know them as a live act, and went on to mastermind their phenomenally successful TV shows. There are interviews with Gail and Gary Morecambe (Eric's children), Joan Morecambe (Eric's widow) and a rare and revealing interview with Doreen Wise - the first time that Ernie's widow has ever been interviewed for a book about Morecambe & Wise. The text is accompanied by a wealth of rare and previously unseen photos by Gary Morecambe from his father's family archive and from the collections of friends, fellow performers and fans who captured the emerging story of a legendary showbiz partnership in the making.

Yes: A Visual Biography I: 1968 - 1981 documents the progressive rock pioneer's first twelve years from the release of their eponymous debut album through to 1980's Drama: A suitable name for a band whose career has been full of drama as documented in Popoff's narrative that charts Yes's ups and downs as the band glided out of the sixties with a full-on assault on the seventies music scene that saw them become one of the biggest global acts-selling out venues around the world from New York's Madison Square Garden to London's Wembley Arena. Popoff takes you on a journey from the early days of the band with original members Chris Squire, Jon Anderson, Bill Bruford, Peter Banks and Tony Kaye; to the hugely successful seventies when the likes of Steve Howe, Patrick Moraz, Rick Wakeman and Alan White all added their individual stamps on the band's identity. Then the surprise union with The Buggles that saw Yes enter the eighties a world apart from the way they had entered the seventies but continuing to delight their legion of fans.

Daily Mail Showbiz Memoir of the Year 'A beautiful book' Chris Evans 'Terrifically entertaining' Mail on Sunday 'An arresting photographic voyage through the life and loves of this enigmatic English star' S magazine 'Though not a conventional autobiography, we learn what makes the national treasure tick' Daily Express In the early days of my career, I didn't think I stood a hope in hell. Look at me: I'm short, stocky, slightly overweight, deep of voice, passionate, dark haired, olive skinned, hardly your typical Englishman. What chance did I have, going into the world of British theatre? David Suchet has been a stalwart of British stage and screen for fifty years. From Shakespeare to Oscar Wilde, Freud to Poirot, Edward Teller to Doctor Who, Harold Pinter to Terence Rattigan, Questions of Faith to Decline and Fall, right up to 2019's The Price, David has done it all. Throughout this spectacular career, David has never been without a camera, enabling him to vividly document his life in photographs. Seamlessly combining photo and memoir, Behind the Lens is the story of David's remarkable life, showcasing his wonderfully evocative photographs and accompanied by his insightful and engaging commentary. In Behind the Lens, David discusses his London upbringing and love of the city, his Jewish roots and how they have influenced his career, the importance of his faith, how he really feels about fame, his love of photography and music, and his processes as an actor. He looks back on his fifty-year career, including reflections on how the industry has changed, his personal highs and lows, and how he wants to be remembered. And, of course, life after Poirot and why he's still grieving for the eccentric Belgian detective. An autobiography with a difference, this is David Suchet as you've never seen him before - from behind the lens. 'The book offers more insight into the mind and philosophy of this remarkable man than a more conventional biographical approach could have achieved' Country Life

No other art movement in history has contained two artists as different as Magritte and Miro. This is because Surrealism was not in origin an art movement, but a philosophical strategy. It was a way of life - a rebellion against the establishment that had given the world the hideous slaughter of the First World War. Instead of trying to analyse the work of the Surrealists, bestselling author and Surrealist artist Desmond Morris concentrates on them as people - as remarkable individuals. What were their personalities, their predilections, their character strengths and flaws? Did they enjoy a social life or were they loners? Were they bold eccentrics or timid recluses? Drawing on the author's personal knowledge of the Surrealists, this book captures their life histories, idiosyncrasies and often-complex love lives, vividly illustrated with images of the artists and their works. The arts of Surrealism were both spectacular and international, shaped by the darkest, most irrational workings of the unconscious. Shocking, witty and always entertaining, Morris's tales illuminate the striking variation in approaches to the Surrealist philosophy, both in the artists' work and in their lives. With 72 illustrations