Based on a true story The Invisible Mile tells the poignant story of five Australian and New Zealand cyclists who in 1928 formed the first English-speaking team to ride in the Tour de France. They were gallant, under-resourced and badly outnumbered but taken deep to the heart by the French nation. The novel describes in a wonderful poetic and visceral voice what it was like to ride in this race (the chaos, danger and rivalries), the extraordinary lengths to which the riders pushed themselves, suffering horrific injuries, riding through the night in pitch dark, and the ways they staved off the pain, through camaraderie, through sexual conquest, through drink, and through drugs (cocaine for energy, opium for pain). Added to the team is the fictional narrator who is cycling towards his demons in a northern France still scarred by the First World War. His brother was a fighter pilot damaged by his experiences in France, his sister has died, and this self-imposed test of endurance is slowly and painfully bringing him to his final, invisible mile where memory eventually comes to collide with the past

The masterful second novel in Pat Barker's classic 'Regeneration' trilogy - from the Booker Prize-winning and Women's Prize-shortlisted author of The Silence of the Girls WINNER OF THE 1993 GUARDIAN FICTION PRIZE 'Spellbinding and startlingly original' Sunday Telegraph 'Gripping, moving, profoundly intelligent' Independent on Sunday 'A new vision of what the First World War did to human beings, male and female, soldiers and civilians' A. S. Byatt, Daily Telegraph London, 1918. Billy Prior is working for Intelligence in the Ministry of Munitions. But his private encounters with women and men - pacifists, objectors, homosexuals - conflict with his duties as a soldier, and it is not long before his sense of himself fragments and breaks down. Forced to consult the man who helped him before - army psychiatrist William Rivers - Prior must confront his inability to be the dutiful soldier his superiors wish him to be. The Eye in the Door is a heart-rending study of the contradictions of war and of those forced to live through it. The Regeneration Trilogy: Regeneration The Eye in the Door The Ghost Road

Top voices in historical fiction deliver an unforgettable collection of short stories set in the aftermath of World War I-featuring bestselling authors such as Hazel Gaynor, Jennifer Robson, Beatriz Williams, and Lauren Willig and edited by Heather Webb. On the eleventh hour of the eleventh day of the eleventh month...November 11, 1918. After four long, dark years of fighting, the Great War ends at last, and the world is forever changed. For soldiers, loved ones, and survivors the years ahead stretch with new promise, even as their hearts are marked by all those who have been lost. As families come back together, lovers reunite, and strangers take solace in each other, everyone has a story to tell. In this moving anthology, nine authors share stories of love, strength, and renewal as hope takes root in a fall of poppies. Featuring: Jessica Brockmole Hazel Gaynor Evangeline Holland Marci Jefferson Kate Kerrigan Jennifer Robson Beatriz Williams Lauren Willig Heather Webb

Death still comes to Everyman, but this study of three twentieth-century German plays shows the harder challenge of living without salvation in an age of war and unprecedented mass destruction. Death comes to everyone, and in the late-medieval morality play of Everyman the familiar skeleton forces the universalized central figure to come to terms with this. Only his inner resources, in the forms of Good Deeds and Knowledge, ensure that he repents and is redeemed. Three important twentieth-century German plays echo Everyman - Toller's Hinkemann, Borchert's The Man Outside, and Frisch's The Arsonists/Firebugs - but the unprecedented scale of killing in the First and Second World Wars changed the view of death, while in the Cold War the nuclear destruction literally of everyone became a possibility. Brian Murdoch traces the heritage of Everyman in the three plays in terms of dramatic effect, changes in the image of Death, and especially the problem of living with existential guilt. Death, now over-fed, still has to be faced, but Everyman has the harder problem of living with the awareness of human wickedness without the possibility of salvation. All three plays have tended to be viewed in their specific historical contexts, but by viewing them less rigidly and as part of a long dramatic tradition, Murdoch shows that all present a message of lasting and universal significance. They pose directly to the theater audience questions not just of how to cope with death, but how to cope with life.

First published privately in 1929 as The Middle Parts of Fortune, Her Privates We is the novel of the Battle of the Somme told from the perspective of Bourne, an ordinary private. A raw and shockingly honest portrait of men engaged in war, 'that peculiarly human activity', the original edition was subject to 'prunings and excisions' because the bluntness of language was thought to make the book unfit for public distribution. This edition restores them. An undisputed classic of war writing and a lasting tribute to all who participated in the war, Her Privates We was originally published as written by 'Private 19022'. Championed by Ernest Hemingway, Ezra Pound, TS Eliot and TE Lawrence, it has become recognised as a classic in the seventy years since its first publication. Now republished, with an introduction by William Boyd, it will again amaze a new generation of readers with its depiction of the horror, the ordinariness and the humanity of war.

Towards the end of the war as the Germans are in their final retreat in November 1918, a British raiding party stumbles across a strange and eerie scene in a ruined chateau, under fire. Following the strains of a familiar tune, and understandably perplexed as to who would be playing the piano in the midst of shellfire, they discover a German officer lying dead at the keys, next to a beautiful woman in full evening dress, also deceased. But the officer is the spitting image of G B Bretherton, a British officer missing in action.... So follows a tale of mystery and identity, first published in 1930, which is not only an authentic account of conditions at the Front, but also a remarkable thriller, with a highly unusual plot, which won Bretherton comparisons to John Buchan and the best of the espionage writers. John Squire, the influential editor of the London Mercury said 'of the English war-books, undoubtedly the best is Bretherton.' The Morning Post thought it 'one of the best of the English war novels. I do not expect anything much better.' The Sunday Times pinpointed its dual attraction: it was both 'a mystery as exciting as a good detective story and an extraordinarily vivid account of trench-warfare'.

The second heartwarming book in The Royal Station Master's Daughters series. For readers of Maisie Thomas and Daisy Styles. It is 1917 and Maria has adapted well to her new life on the royal Sandringham estate where she works as a maid in the Big House for Queen Alexandra and is in awe of the many treasures around her. It is two years since she turned up at the royal station master's house to escape her secret past, destitute and with nowhere else to turn. Having proven herself to Harry Saward and his daughters, she is now welcomed by them as one of the family. But when Nellie, a mysterious relative turns up, on the run from the law, Maria's new-found happiness could be under threat. Meanwhile, the impact of World War I is felt deeply in the community as the fate of missing men from the Sandringham Company, who fought in Gallipoli, is still unknown. Harry's daughters pull together to support each other and women on the royal estate as they face their sorrows and challenges. Ada's husband, Alfie, is away fighting on the front line while Beatrice is now a VAD nurse at a cottage hospital. Jessie has become a land army girl, proudly doing a man's job, while pining for her sweetheart Jack. In a community torn apart by loss and tragedy, how will the station master's family survive and find the happiness they're all searching for? The Royal Station Master's Daughters at War is the second book in a brand-new WWI saga series, inspired by the Saward family, who ran the station at Wolferton in the late 19th and early 20th centuries. Through this family we get a glimpse into all walks of life - from royalty to the humblest of soldiers.

In the aftermath of World War I, nurse Bess Crawford is caught in a deadly feud between two families in this thirteenth book in the beloved mystery series from New York Times bestselling author Charles Todd. Restless and uncertain of her future in the wake of World War I, former battlefield nurse Bess Crawford agrees to travel to Yorkshire to help a friend of her cousin Melinda through surgery. But circumstances change suddenly when news of a terrible accident reaches them. Bess agrees to go to isolated Scarfdale and the Neville family, where one man has been killed and another gravely injured. The police are asking questions, and Bess is quickly drawn into the fray as two once close families take sides, even as they are forced to remain in the same house until the inquest is completed. When another tragedy strikes, the police are ready to make an arrest. Bess struggles to keep order as tensions rise and shots are fired. What dark truth is behind these deaths? And what about the tale of an older murder-one that doesn't seem to have anything to do with the Nevilles? Bess is unaware that when she passes the story on to Cousin Melinda, she will set in motion a revelation with the potential to change the lives of those she loves most-her parents, and her dearest friend, Simon Brandon...

In 1914 Paul Baumer and his classmates are marched to the local recruiting office by a sentimentally patriotic form-master. On a calm October day in 1918, only a few weeks before the Armistice, Paul will be the last of them to be killed. In All Quiet on the Western Front he tells their story. A few years after it was published in 1929 the Nazis would denounce and publicly burn Remarque's novel for insulting the heroic German army - in other words, for 'telling it like it was' for the common soldier on the front line where any notions of glory and national destiny were soon blasted away by the dehumanizing horror of modern warfare. Remarque has an extraordinary power of describing fear: the appalling tension of being holed up in a dugout under heavy bombardment; the animal instinct to kill or be killed which takes over during hand-to-hand combat. He also has an eye for the grimly comic: the consignment of coffins Paul and his friends pass as they make their way up the line for a new offensive; the young soldiers joyfully tucking into double rations when half their company are unexpectedly wiped out. Remarque's elegy for a sacrificed generation is all the more devastating for the laconic prose in which his teenaged veteran narrates shocking experiences which for him have become the stuff of daily life. Paul cannot imagine a life after the war and can no longer relate to his family when he returns home on leave. Only the camaraderie of his diminishing circle of friends has any meaning for him. He comes especially to depend on an older comrade, Stanislaus Katczinsky, and one of the most poignant moments in the book is when he carries the wounded Kat on his back under fire to the field dressing station, with starkly tragic outcome. The saddest and most compelling war story ever written.

In the years of and around the First World War, American poets, fiction writers, and dramatists came to the forefront of the international movement we call Modernism. At the same time a vast amount of non- and anti-Modernist culture was produced, mostly supporting, but also critical of, the US war effort. A History of American Literature and Culture of the First World War explores this fraught cultural moment, teasing out the multiple and intricate relationships between an insurgent Modernism, a still-powerful traditional culture, and a variety of cultural and social forces that interacted with and influenced them. Including genre studies, focused analyses of important wartime movements and groups, and broad historical assessments of the significance of the war as prosecuted by the United States on the world stage, this book presents original essays defining the state of scholarship on the American culture of the First World War.

A young sailor with the weight of the world on his shoulders, a brother in the line of fire, and the greatest naval battle of all time...Jutland, 1916: In the icy waters of the North Sea, the Royal Navy awaits the challenge of the Kaiser's High Sea Fleet. Sub-lieutenant Nick Everard could never have imagined the terror he would face as his destroyer races to launch its torpedoes into the blazing guns of a horizon obscured by dreadnoughts. But when the steering-gear on HMS Warspite jams, it is up to Nick, along with his brother, Hugh, to save thousands of lives. Dramatic, action-packed and brimming with suspense, The Blooding of the Guns launches the epic career of Nicholas Everard, and is perfect for fans of C. S. Forrester, Max Hennessy and Alan Evans. Praise for Alexander Fullerton'The most meticulously researched war novels that I have ever read' Len Deighton 'His action passages are superb and he never puts a period foot wrong' Observer 'The research is unimpeachable and the scent of battle quite overwhelming' Sunday Times

'A thoughtful and subtle historical romance with lots of brains and lots of heart.' Kate Forsyth 1917, Italy. Rebecca Quinn is an unconventional woman. At the height of World War I, she has given up the safety of her Sydney home for the bloody battlefields of Europe, following her journalist husband to the frontline as a war correspondent in Italy. Reporting the horrors of the Italian campaign, Rebecca finds herself thrown together with American-born Italian photographer Alessandro Panucci, and soon discovers another battleground every bit as dangerous and unpredictable: the human heart.

A moving and heartwarming World War I saga. For readers of Catherine Cookson and Dilly Court. 'When I'm the farmer,' began Mairi, and then she stopped, for she would never be the farmer. She was a girl. Ever since she was nine years old, Mairi McGloughlin has known she wants to be a farmer, but by the law of the land it's her scholarly brother Ian who will someday inherit. The next best thing might be to marry a farmer, and charming, confident Jack could be the perfect answer. But then there's Robin, her brother's best friend, more a man of books than of the land - and yet there's something about him. . . But with the outbreak of the Great War, their choices change completely and neither Mairi, Ian or Robin can hope to escape unscathed. As the world around them changes, only the land and love remain constant. But can it be enough to see them through? Previously published as Harvest of Courage.

The year is 1915, and the war is raging on . . . The war was not 'over by Christmas' after all and as 1915 begins, the Hunters begin to settle into wartime life. Diana, the eldest Hunter daughter, sees her fiance off to the Front but doesn't expect such coldness from her future mother-in-law. David's battalion is almost ready to be sent to the Front, but how will Beattie's fragile peace of mind endure? Below stairs, Ethel, the under housemaid, is tired of having her beaux go off to war so she deliberately sets her sights on a man who works on the railway, believing he won't be allowed to volunteer. Eric turns out to be decent, honest and he genuinely cares about Ethel - is this the man who could give her a new life? The Hunters, their servants and their neighbours soon realise that war is not just for the soldiers, but it's for everyone to win, and every new atrocity that is reported bolsters British determination: this is a war that must be won at all costs. Keep the Home Fires Burning is the second book in the War at Home series by Cynthia Harrod-Eagles, author of the much-loved Morland Dynasty novels. Set against the real events of 1915, this is an evocative, authentic and wonderfully depicted drama featuring the Hunter family and their servants.

The brand new release from bestselling author Rosie Clarke. Friendship, tears, laughter and enduring love help the Harpers girls survive...LONDON 1917 As the Americans enter the War, there is renewed energy in the war effort. With husbands and sons fighting for freedom, the women of Harpers are left to tackle the day-to-day affairs at home and work. With Ben Harper away, Sally fears she is being followed by a mysterious woman. Who is she and what does she want? Maggie Gibbs collapses seriously ill in the frontline hospitals and is brought back to England close to death. Can she be saved and what does the future hold for her and her broken heart? Marion Jackson's father is on the run from the Police already wanted for murder. She fears he will return to threaten his family once more. And Beth Burrows is pregnant with her second child, worried and anxious for her husband Jack, who has been many months at sea. As Christmas 1917 approaches what will the future hold for Harpers, its girls and their men at War?

Susan Hill's classic novel Strange Meeting tells of the power of love amidst atrocities. 'He was afraid to go to sleep. For three weeks, he had been afraid of going to sleep . . .' Young officer John Hilliard returns to his battalion in France following a period of sick leave in England. Despite having trouble adjusting to all the new faces, the stiff and reserved Hilliard forms a friendship with David Barton, an open and cheerful new recruit who has still to be bloodied in battle. As the pair approach the front line, to the proximity of death and destruction, their strange friendship deepens. But each knows that soon they will be separated . . . 'A remarkable feat of imaginative and descriptive writing' The Times 'The feeling of men under appalling stress at a particular moment in history is communicated with almost uncanny power' Sunday Times 'Truly Astonishing' Daily Telegraph

"One of Hungary's most important twentieth-century writers" New York Times "Magda Szabo's fiction shows the travails of modern Hungarian history from oblique but sharply illuminating angles" Economist Eszter Encsy is an acclaimed actress, funny and outrageous, quick-witted but callous. Yet even flushed with the success of adulthood, Eszter craves acceptance of herself as she really is and of the person she has been. The only child of an impoverished aristocrat and a harried music teacher failing to make ends meet, Eszter grew up poor and painfully aware of it in a provincial Hungarian town. The feelings of resentment and envy acquired during her fraught childhood have hardened into an obsessional hatred for one person, the beautiful, saintly and pampered Angela, Eszter's former classmate and the wife of the man who becomes her lover. Set against newly communist 1950s Hungary, The Fawn embraces the lies and falsehoods people were obliged to live with in those nightmarish times, and displays Szabo's uncanny ability to convey how the past can haunt and consume us. Translated from the Hungarian by Len Rix.

The New York Times bestselling authors of The Glass Ocean and The Forgotten Room return with a glorious historical adventure that moves from the dark days of two World Wars to the turbulent years of the 1960s, in which three women with bruised hearts find refuge at Paris' legendary Ritz hotel. The heiress . . . The Resistance fighter . . . The widow . . . Three women whose fates are joined by one splendid hotel France, 1914. As war breaks out, Aurelie becomes trapped on the wrong side of the front with her father, Comte Sigismund de Courcelles. When the Germans move into their family's ancestral estate, using it as their headquarters, Aurelie discovers she knows the German Major's aide de camp, Maximilian Von Sternburg. She and the dashing young officer first met during Aurelie's debutante days in Paris. Despite their conflicting loyalties, Aurelie and Max's friendship soon deepens into love, but betrayal will shatter them both, driving Aurelie back to Paris and the Ritz- the home of her estranged American heiress mother, with unexpected consequences. France, 1942. Raised by her indomitable, free-spirited American grandmother in the glamorous Hotel Ritz, Marguerite "Daisy" Villon remains in Paris with her daughter and husband, a Nazi collaborator, after France falls to Hitler. At first reluctant to put herself and her family at risk to assist her grandmother's Resistance efforts, Daisy agrees to act as a courier for a skilled English forger known only as Legrand, who creates identity papers for Resistance members and Jewish refugees. But as Daisy is drawn ever deeper into Legrand's underground network, committing increasingly audacious acts of resistance for the sake of the country-and the man-she holds dear, she uncovers a devastating secret . . . one that will force her to commit the ultimate betrayal, and to confront at last the shocking circumstances of her own family history. France, 1964. For Barbara "Babs" Langford, her husband, Kit, was the love of her life. Yet their marriage was haunted by a mysterious woman known only as La Fleur. On Kit's death, American lawyer Andrew "Drew" Bowdoin appears at her door. Hired to find a Resistance fighter turned traitor known as "La Fleur," the investigation has led to Kit Langford. Curious to know more about the enigmatic La Fleur, Babs joins Drew in his search, a journey of discovery that that takes them to Paris and the Ritz-and to unexpected places of the heart. . . .