Field Marshal Sir Henry Wilson, an Irishman who in June 1922 was assassinated on his doorstep in London by Irish republicans, was one of the most controversial British soldiers of the modern age. Before 1914 he did much to secure the Anglo-French alliance and was responsible for the planning which saw the British Expeditionary Force successfully despatched to France after the outbreak of war with Germany. A passionate Irish unionist, he gained a reputation as an intensely 'political' soldier, especially during the 'Curragh crisis' of 1914 when some officers resigned their commisssions rather than coerce Ulster unionists into a Home Rule Ireland. During the war he played a major role in Anglo-French liaison, and ended up as Chief of the Imperial General Staff, professional head of the army, a post he held until February 1922. After Wilson retired from the army, he became an MP and was chief security adviser to the new Northern Ireland government. As such, he became a target for nationalist Irish militants, being identified with the security policies of the Belfast regime, though wrongly with Protestant sectarian attacks on Catholics. He is remembered today in unionist Northern Ireland as a kind of founding martyr for the state. Wilson's reputation was ruined in 1927 with the publication of an official biography, which quoted extensively and injudiciously from his entertaining, indiscreet, and wildly opinionated diaries, giving the impression that he was some sort of Machiavellian monster. In this first modern biography, using a wide variety of official and private sources for the first time, Keith Jeffery reassesses Wilson's life and career and places him clearly in his social, national, and political context.

The World Crisis is considered by many to be Winston S. Churchill's literary masterpiece. Published across five volumes between 1923 and 1931, Churchill here tells the story of The Great War, from its origins to the long shadow it cast on the following decades. At once a history and a first-hand account of Churchill's own involvement in the war, The World Crisis remains a compelling account of the conflict and its importance. In the fourth volume of his history of World War I, Churchill covers the aftermath of the conflict, between the years 1918-1922. Churchill here considers the process of demobilization after the many hard years of war, and the long negotiation of the peace and the Treaty of Versailles, as well as President Woodrow Wilson's famed 14 Points, the founding of the League of Nations and the Revolution and Civil War in Russia.

Great Britain's economic blockade of Germany in World War I was one of the key elements to the victory of the Entente. Though Britain had been the leading exponent of blockades for two centuries, the World War I blockade was not effective at the outbreak of hostilities. Pre-war changes had led to the Admiralty supplanting the Royal Navy's leadership role in favour of direction from the civilian branch of government on the basis of international law. The struggle between the primacy of international law and military expediency lasted for nearly two years, as the British tried to reconcile their pre-war stance as champion of neutral rights with measures necessary for a successful blockade. Not until 1916 did the operation have the potential to be a decisive factor in the defeat of Germany, when pressure from France, the Royal Navy, Parliament, British popular opinion, and the Admiralty forced the British government to abandon its defence of neutral rights over the interests of the state. The arrival of the United States as an ally in April 1917 initiated the final evolution of the blockade. The Entente and the United States tightened the blockade with crushing effect on Germany, and by November 1918, it was evidently one of the chief factors behind the victory. This knowledge reinforced the decision to retain the blockade in the months following the armistice in order to force favourable terms from Germany. In both the war and in the peace, the economic blockade performed a critical role in World War I.

Recent scholarship has challenged the assumption that military commanders during the First World War were inflexible, backward-looking and unwilling to exploit new technologies. Instead a very different picture is now emerging of armies desperately looking to a wide range of often untested and immature scientific and technological innovations to help break the deadlock of the Western Front. Nowhere is this better illustrated than in the development of tank warfare, which both the British and the French hoped would give them a decisive edge in their offensives of 1917 and 1918. Whilst the British efforts to develop armoured warfare have been well chronicled, there has been no academic study in English on the French tank force - the Artillerie Speciale - during the Great War. As such, this book provides a welcome new perspective on an important but much misunderstood area of the war. Such was the scale of the French tanks' failure in their first engagement in 1917, it was rumoured that the Artillerie Speciale was in danger of being disbanded, yet, by the end of the war it was the world's largest and most technologically advanced tank force. This work examines this important facet of the French army's performance in the First World War, arguing that the AS fought the war in as intelligent and sensible a manner as was possible, given the immature state of the technology available. No amount of sound tank doctrine could compensate for the fragility of the material, for the paucity of battlefield communication equipment and for the lack of tank-infantry training opportunities. Only by 1918 was the French army equipped with enough reliable tanks, as well as aircraft and heavy-artillery, to begin to exercise a mastery of the new form of combined-arms warfare. The successful French armoured effort outlined in this study (including a listing of all the combat engagements of the French tank service in the Great War) highlights a level of military effectiveness within

The Great War is a landmark history that firmly places the First World War in the context of imperialism. Set to overturn conventional accounts of what happened during this, the first truly international conflict, it extends the study of the First World War beyond the confines of Europe and the Western Front. By recounting the experiences of people from the colonies especially those brought into the war effort either as volunteers or through conscription, John Morrow's magisterial work also unveils the impact of the war in Asia, India and Africa. From the origins of World War One to its bloody (and largely unknown) aftermath, The Great War is distinguished by its long chronological coverage, first person battle and home front accounts, its pan European and global emphasis and the integration of cultural considerations with political.

As the hundredth anniversary approaches, it is timely to reflect not only upon the Great War itself and on the memorials which were erected to ensure it did not slip from national consciousness, but also to reflect upon its rich and substantial cultural legacy. This book examines the heritage of the Great War in contemporary Britain. It addresses how the war maintains a place and value within British society through the usage of phrases, references, metaphors and imagery within popular, media, heritage and political discourse. Whilst the representation of the war within historiography, literature, art, television and film has been examined by scholars seeking to understand the origins of the 'popular memory' of the conflict, these analyses have neglected how and why wider popular debate draws upon a war fought nearly a century ago to express ideas about identity, place and politics. By examining the history, usage and meanings of references to the Great War within local and national newspapers, historical societies, political publications and manifestos, the heritage sector, popular expressions, blogs and internet chat rooms, an analysis of the discourses which structure the remembrance of the war can be created. The book acknowledges the diversity within Britain as different regional and national identities draw upon the war as a means of expression. Whilst utilising the substantial field of heritage studies, this book puts forward a new methodology for assessing cultural heritage and creates an original perspective on the place of the Great War across contemporary British society.

This book provides a comprehensive and illuminating study of some of the most crucial campaigns on the Eastern Front during what was perhaps the most momentous year of World War I in that battleground. Turning Points: The Eastern Front in 1915 offers a well-researched and fascinating study of war in a distinct theater of operations and shows how it was impacted by diplomacy, coalition warfare, command, technology, and the environment in which it is conducted. In contrast to those on the Western Front, lines in the east in 1915 moved hundreds of miles. Although the work focuses more on the Central Powers, significant attention is also given to the Russians. The book follows the course of events on the Eastern Front during the critical year of 1915, proceeding chronologically from January 1915 to the end of active operations in October, with a brief mention of some action in December. In addition to the better-known campaigns in the Carpathians and Gorlice-Tarnow, the work covers lesser-known operations including the Second Battle of the Masurian Lakes, the Austro-Hungarian "Black-Yellow" offensive into eastern Galicia, and the German move into Lithuania. Naval action on the Baltic Sea is also covered. Offers a detailed account of a significant and often overlooked theater of World War I Relies on original documentary research conducted by the author in archives in Freiburg and Munich, Germany, and in Vienna, Austria Analyzes the key campaigns and battles on the Eastern Front in 1915 Builds on the author's 2010 Praeger book Breakthrough: The Gorlice-Tarnow Campaign, 1915

British army chaplains have not fared well in the mythology of the First World War. Like its commanders they have often been characterized as embodiments of ineptitude and hypocrisy. Yet, just as historians have reassessed the motives and performance of British generals, this collection offers fresh insights into the war record of British chaplains. Drawing on the expertise of a dozen academic researchers, the collection offers an unprecedented analysis of the subject that embraces military, political, religious and imperial history. The volume also benefits from the professional insights of chaplains themselves, several of its contributors being serving or former members of the Royal Army Chaplains' Department. Providing the fullest and most objective study yet published, it demonstrates that much of the post-war hostility towards chaplains was driven by political, social or even denominational agendas and that their critics often overlooked the positive contribution that chaplains made to the day-to-day struggles of soldiers trying to cope with the appalling realities of industrial warfare and its aftermath. As the most complete study of the subject to date, this collection marks a major advance in the historiography of the British army, of the British churches and of British society during the First World War, and will appeal to researchers in a broad range of academic disciplines.

Why did millions of men agree to fight the most horrific war in history? And go on doing it, in many cases, for years? The question of consent is one of the many issues of the Great War that still haunt us today.
The soldiers of 1914-1918 created a large body of newspapers and magazines by, for and about themselves. Often misleadingly called 'trench journals', these rich archival sources have received surprisingly little sustained scholarly attention. Through the first comprehensive investigation and analysis of the English language trench periodicals of the war - British, Canadian, Australia, New Zealand and American - The Soldiers' Press presents a cultural interpretation of the means and methods through which consent was negotiated between the trenches and the home front.
The few existing book-length studies tend to use trench newspapers as sources of information to answer historical questions. The Soldiers' Press treats soldier journalism on its own terms and provides a new answer to one lasting conundrum of World War I.

Contested Objects breaks new ground in the interdisciplinary study of material culture. Its focus is on the rich and varied legacy of objects from the First World War as the global conflict that defined the twentieth century. From the iconic German steel helmet to practice trenches on Salisbury Plain, and from the 'Dazzle Ship' phenomenon through medal-wearing, diary-writing, trophy collecting, the market in war souvenirs and the evocative reworking of European objects by African soldiers, this book presents a dazzling array of hitherto unseen worlds of the Great War. The innovative and multidisciplinary approach adopted here follows the lead established by Nicholas J. Saunders' Matters of Conflict (Routledge 2004), and extends its geographical coverage to embrace a truly international perspective. Australia, Africa, Italy, Germany, France, Belgium and Britain are all represented by a cross-disciplinary group of scholars working in archaeology, anthropology, cultural history, art history, museology, and cultural heritage. The result is a volume that resonates with richly documented and theoretically informed case studies that illustrate how the experiences of war can be embodied in and represented by an endless variety of artefacts, whose 'social lives' have endured for almost a century and that continue to shape our perceptions of an increasingly dangerous world.

While Belgium is bleeding and hoping, while Poland suffers and dreams of liberation, while Serbia is waiting for redemption, there is a little country the soul of which is torn to pieces - a little country that is so remote, so remote that her ardent sighs cannot be heard. It is the country of perpetual sacrifice, the country that saw Abraham build the altar upon which he was ready to immolate his only son, the country that Moses saw from a distance, stretching in beauty and loveliness, - a land of promise never to be attained, - the country that gave the world its symbols of soul and spirit. Palestine! No war correspondents, no Red Cross or relief commi-ttees have gone to Palestine, because no actual fighting has taken place there, and yet hundreds of thousands are suffering there that worst of agonies, the agony of the spirit.

Museums, Modernity and Conflict examines the history of the relationship between museums, collections and war, revealing how museums have responded to and been shaped by war and conflicts of various sorts. Written by a mixture of museum professionals and academics and ranging across Europe, North America and the Middle East, this book examines the many ways in which museums were affected by major conflicts such as the World Wars, considers how and why they attempted to contribute to the war effort, analyses how wartime collecting shaped the nature of the objects held by a variety of museums, and demonstrates how museums of war and of the military came into existence during this period. Closely focused around conflicts which had the most wide-ranging impact on museums, this collection includes reflections on museums such as the Louvre, the Stedelijk in the Netherlands, the Canadian War Museum and the State Art Collections Dresden. Museums, Modernity and Conflict will be of interest to academics and students worldwide, particularly those engaged in the study of museums, war and history. Showing how the past continues to shape contemporary museum work in a variety of different and sometimes unexpected ways, the book will also be of interest to museum practitioners.

Women from across the social spectrum had their lives transformed by World War I. The literary culture of the early 20th century led a surprising number of women to write about their experiences, recording everything from their emotional responses and political impulses to their new experiences of the world of work. Writing by women as diverse as Sylvia Pankhurst, Virginia Woolf and Vesta Tilley are blended with extracts from the private diaries and letters of unknown women, to provide a sometimes tragic, sometimes comic testimony. From patriotic rhetoric to the gritty realism of the Front Line, this anthology juxtaposes fact and fiction and aims to present a rounded picture of World War I as it was lived and fought by women across Britain.

Four families in the Great War 1914-1918. Foreword by Charles Messenger

The World Crisis is considered by many to be Winston S. Churchill's literary masterpiece. Published across five volumes between 1923 and 1931, Churchill here tells the story of The Great War, from its origins to the long shadow it cast on the following decades. At once a history and a first-hand account of Churchill's own involvement in the war, The World Crisis remains a compelling account of the conflict and its importance. The third volume of The World Crisis covers the climax and the end of the war, from 1916-1918. Churchill here explores some of the most important moments of the conflict, including the battles of Verdun, Jutland, Passchendaele and the Somme as well as the American entry into the war that marked the beginning of its end. Churchill here also recounts his time on the front line during his brief exile from political office and his return to government in Lloyd-George's wartime coalition as Minster of Munitions.

Now available in paperback, this study of the cultural impact of the Armistice of 11 November 1918 contains fourteen new essays from scholars working in literature, music, art history and military history. The Armistice brought hopes for a better future, as well as sadness, disappointment and rage. Many people in all the combatant nations asked hard questions about the purpose of the war. These questions are explored in complex and nuanced ways in the literature, music and art of the period. This book revisits the silence of the Armistice and asks how its effect was to echo into the following decades. The essays are genuinely interdisciplinary and are written in a clear, accessible style. -- .

The 'Macedonian question' has been much studied in recent years as has the political history of the period from the Balkan Wars in 1912-13 to the Treaty of Lausanne in 1923. But for a variety of reasons, connected with the political division of Greece and the involvement of outside powers, the events at and behind the Macedonian front have been side-lined. The recent commemorations of the centenary of the end of the First World War in the UK illustrate how by comparison with the enormous and moving emphasis on the western front, Macedonia has been not wholly but largely ignored. This volume illuminates this comparatively neglected period of Greek history and examines the strategic and military aspects of the war in Macedonia and the political, social, economic and cultural context of the war.

Germany in the Great War Illustrated - Mobilisation and the Western Advance is the first volume of a projected six-part series that details, graphically, the Central Powers - Germany and Austro-Hungary - fighting to the west during the concluding months of 1914. This superbly illustrated and highly researched book covers the schema of a 'quick victory' on the WestFront (Western Front). From preparatory build-up, to mobilisation and to subsequent annexation and occupation, (90 per cent of northern France and the Kingdom of Belgium), this title manifest the 'German' perspective - a pictorial digest. Evincing German offense against the BEF (British Expeditionary Force), French and Belgium armies at the Battle of Mons, heralding the mass exodus of British troops from region, the siege of Antwerp and the breakthrough toward Paris. Each successive chapter includes a short, introductory narrative, documenting holistically events and is accompanied by a wealth of fully captioned and rarely before seen photographs: over 500 images.

The World Crisis is considered by many to be Winston S. Churchill's literary masterpiece. Published across five volumes between 1923 and 1931, Churchill here tells the story of The Great War, from its origins to the long shadow it cast on the following decades. At once a history and a first-hand account of Churchill's own involvement in the war, The World Crisis remains a compelling account of the conflict and its importance. The second volume of Churchill's history covers 1915 - the first full year of a conflict that most of the antagonists had expected to be over in a matter of months. Churchill here covers the intractable deadlock on the western front, the use of tanks and gas on the battlefields and the unsuccessful attempts by both sides to break through. In addition, Churchill also considers his own involvement in the Dardanelles campaign (Gallipoli).

Over the past century, much attention has been paid to the literature written for adults in response to the First World War, but there has been comparatively little consideration of how the war influenced literature for young readers at the time. Based on extensive archival research, this study examines an array of wartime writing for young people and provides a new understanding of the complexities and nuances within children's literature of the period. In its discussion of nearly 150 primary sources from Britain, Canada, and the United States, this volume considers some well-known texts but also brings to light forgotten children's literature of the era, providing new insights into how WWI was presented to the young people whose lives were indelibly impacted by the crisis. Paying special attention to the varied ways in which child figures were depicted, it reflects on what these portrayals reveal about adult conceptualizations of youth, and it considers how these may have shaped young readers' own views of armed conflict, citizenship, and childhood. From the helpless victim to the heroic combatant, child figures appeared in many guises, exposing a range of adult concerns about nation, empire, and children's citizenship. Exploring everything from alphabet books for beginning readers, to recruitment materials for high school students, this book examines works from multiple genres and provides a uniquely comprehensive study of transatlantic children's literature produced during the first global war.

Soon after the guns in Belgium and France had signalled the commencement of what would become the world's single most destructive conflict to date, the British, Ottoman, German, Russian, Austro-Hungarian, French and Belgian Empires were at war. Empires in World War I marks a turn away from the pre-eminence of the Western Front in the current scholarship, and seeks to reconstitute our understanding of this war as a truly global struggle between competing empires. Based on primary research, this book opens up new debates on the effects of the Great War in colonial arenas. The book assesses the effects of the war on Native Americans in the United States for example, as well as on the relationship between India and Pakistan, the British justice system in Palestine and the 'imperial scramble' in the Asia-Pacific region. Empires in World War I will be essential reading for students and scholars of the twentieth century.

This book examines the British soldiers on the Western Front and how they responded to the war landscape they encountered behind the lines and at the front. Using a multidisciplinary perspective, this study investigates the relationship between soldiers and the spaces and materials of the warzone, analyzing how soldiers constructed a 'sense of place' in the hostile, unpredictable environment. Drawing upon recent developments within First World War Studies and the anthropological examination of the fields of conflict, an ethnohistorical perspective of the soldiers is built which details the various ways soldiers responded to the physical and material world of the Western Front. This study is also grounded in the wider debates on how the First World War is remembered within Britain and offers an alternative perspective on the individuals who fought in the world's first global conflagration nearly a century ago.

The First World War appears as a fault line in Britain 's twentieth-century history. Between August 1914 and November 1918 the titanic struggle against Imperial Germany and her allies consumed more people, more money and more resources than any other conflict Britain had hitherto experienced. For the first time, it opened up a Home Front that stretched into all parts of the British polity, society and culture, touching the lives of every citizen regardless of age, gender and class. Even vegetables were grown in the gardens of Buckingham Palace.

Britain and World War One throws attention on these civilians who fought the war on the Home Front. Harnessing recent scholarship, and drawing on original documents, oral testimony and historical texts, this book casts a fresh look over different aspects of British society during the four long years of war. It revisits the early war enthusiasm and the making of Kitchener 's new armies; the emotive debates over conscription; the relationships between politics, government and popular opinion; women working in wartime industries; the popular experience of war and the question of social change.

The book also explores areas of wartime Britain overlooked by recent histories, including the impact of the war on rural society; the mobilization of industry, and the importance of technology, as well as exploring responses to air raids, food and housing shortages; the challenges to traditional social and sexual mores and wartime culture. Britain and World War One is an essential book for all students and interested lay readers of the First World War.