More than 8,000 men served in the Fifth Marine Regiment during World War I and the occupation of Germany. Marine units were among the first to arrive in war-torn Europe in 1917, and sustained greater casualties than other American units. This book tells the human story of the ""Devil Dogs"" in World War I and the years following through the recollections of veterans recorded over the past century. The influenza epidemic that raged during the war is discussed. An annotated roster of the regiment lists each Marine, with service details provided where known.

One of the central events of modern history, World War I has been poorly presented in English language films. Torn between the powerful isolationist movement in the U.S. and a growing hatred of the "Hun", contemporary films were mainly propaganda calling citizens to arms. Spurred partly by a patriotism, the American film industry used the outbreak of the war and the government's interest in promoting patriotic sacrifice as a means to expand and take the lead in the film industry worldwide. More a business model than an art form, these early efforts claimed a place of respectability for film among the arts. Twenty years later, though films produced about the war were few, they were technically superior and generally carried conflicting messages about the war's mission and value, while focusing more on storyline than history. This study of English Language World War I films examines nearly 350 films from 1914 to 2014. Descriptions and critiques of each of the films are included, with stories and details about the actors and directors.

With the end of the First World War, the centuries-old social fabric of the Ottoman world an entangled space of religious co-existence throughout the Balkans and the Middle East came to its definitive end. In this new study, Hans-Lukas Kieser argues that while the Ottoman Empire officially ended in 1922, when the Turkish nationalists in Ankara abolished the Sultanate, the essence of its imperial character was destroyed in 1915 when the Young Turk regime eradicated the Armenians from Asia Minor. This book analyses the dynamics and processes that led to genocide and left behind today s crisis-ridden post-Ottoman Middle East. Going beyond Istanbul, the book also studies three different but entangled late Ottoman areas: Palestine, the largely Kurdo-Armenian eastern provinces and the Aegean shores; all of which were confronted with new claims from national movements that questioned the Ottoman state. All would remain regions of conflict up to the present day.Using new primary material, World War I and the End of the Ottoman World brings together analysis of the key forces which undermined an empire, and marks an important new contribution to the study of the Ottoman world and the Middle East. "

This book gives students an informed insight into the British experience in the First World War. The contributors, all established First World War historians, have drawn on their own research and secondary sources to give a succinct account of politics, diplomacy, strategy and social developments during a period of dramatic change. Each chapter gives a concise account of its subject and the chapters are well supported by maps and tables. This is an important textbook for school students and undergraduates which bridges the gap between specialized research on the First World War and the needs of the student reader.

This highly illustrated volume covers the variety of armored cars used by Czech forces during World War I, and the Russian Civil War, as well as its post-WWI use in Italy and Slovakia. Along with details of armored car design, manufacturers, construction, and variants, the book covers Czech armored unit formations and their extensive operational use during the First World War. Special sections cover vehicle camouflage and markings, technical specifications, and uniforms and biographies of noted personalities.

Based on a wide range of primary sources, this book shows the way in which diplomacy, economics, finance and strategy became intertwined during the First World War. The author examines the diplomatic, economic, financial and military relations between Britain and Russia and argues that the key to understanding the alliance is the British determination to win the war and the role Russia played in achieving this aim. British strategy is shown to be more the result of her relations with her allies, especially during the first years of the war, than a quarrel between East and West. This revision of the accepted interpretation of the strategy leads to a reassessment of the views of Lloyd George, Kitchener and Grey. The author concludes that in 1917 the British interest in Russia remained as it was earlier in the war: the maintenance of a powerful ally on the eastern front.

The story of Russia's First World War remains largely unknown, neglected by historians who have been more interested in the grand drama that unfolded in 1917. In Russia's First World War: A Social and Economic History Peter Gatrell shows that war is itself 'revolutionary' - rupturing established social and economic ties, but also creating new social and economic relationships, affiliations, practices and opportunities. Russia's First World War brings together the findings of Russian and non-Russian historians, and draws upon fresh research. It turns the spotlight on what Churchill called the 'unknown war', providing an authoritative account that finally does justice to the impact of war on Russia's home front

America and World War I, the first volume in the new Routledge Research Guides to American Military Studies series, provides a concise, annotated guide to the vast amount of resources available on the Great War. With over 2,000 entries selected from a wide variety of publications, manuscript collections, databases, and online resources, this volume will be an invaluable research tool for students, scholars, and military history buffs alike. The wide range of topics covered include war films and literature, to civil-military relations, to women and war. Routledge Research Guides to American Military Studies will include concise, easy-to-use bibliographic volumes on different American military campaigns throughout history, as well as tackling timely subjects such as women in the military and terrorism.

During the Allied victory celebrations there were few who chose to raise a glass to the staff. The high cost of casualties endured by the British army tarnished the reputation of the military planners, which has yet to recover. This book examines the work and development of the staff of the British army during the First World War and its critical role in the military leadership team. Their effectiveness was germane to the outcome of events in the front line but not enough consideration has been paid to this level of command and control, which has largely been overshadowed by the debate over generalship. This has painted an incomplete picture of the command function. Characterised as arrogant, remote and out of touch with the realities of the front line, the staff have been held responsible for the mismanagement of the war effort and profligate loss of lives in futile offensives. This book takes a different view. By using their letters and diaries it reveals fresh insights into their experience of the war. It shows that the staff made frequent visits to the front line and were no strangers to combat or hostile fire. Their work is also compared with their counterparts in the French and German armies, highlighting differences in practice and approach. In so doing, this study throws new light upon the characteristics, careers and working lives of these officers, investigating the ways in which they both embraced and resisted change. This offers evidence both for those who wish to exonerate the British command system on the basis of the learning process but also for those critical of its performance, thus advancing understanding of British military history in the First World War.

The First World War quickly escalated from a European war into a global conflict that would cause fundamental changes in the Middle East, Africa, Asia and the Americas. Its end signalled the dissolution of the Ottoman Empire, which had controlled most of the Arab Middle East. Over the wartime period, millions of people across the Empire died as a result of warfare, epidemics, famines and massacres. However, for the Ottoman leaders their entry into the war was not just a response to a life-or-death struggle, but rather presented them with an opportunity to transform the empire into a new type of state. Syria in World War I brings together leading scholars working with original Turkish, Arabic, Armenian and German sources, to present a comprehensive examination of this key period in Syria's history. Together, the chapters demonstrate how the war represented a radical break from the past for the Syrian lands, which underwent crucial political, economic, social and cultural transformations. It contextualises various facets of the then Unionist ruler of Syria, Djemal Pasha, as well as exploring the impact of the Ottoman leaders' divergent policies on the Syrian lands and people, which would undergo a series of political, economic and ecological catastrophes whose traces are still evident in the region's collective memory. Introducing a significant body of new information and considerably expanding the parameters of current debates, Syria in World War I is of key interest to students and scholars of Middle East History, as well as History of the Late Ottoman Empire and World War I History.

The First World War has been described as the "primordial catastrophe of the twentieth century." Arguably, Italian Fascism, German National Socialism and Soviet Leninism and Stalinism would not have emerged without the cultural and political shock of World War I. The question why this catastrophe happened therefore preoccupies historians to this day. The focus of this volume is not on the consequences, but rather on the connection between the Great War and the long 19th century, the short- and long-term causes of World War I. This approach results in the questioning of many received ideas about the war's causes, especially the notion of "inevitability."

In World War I, 104 African American doctors joined the United States Army to care for the 40,000 men of the 92nd and 93rd Divisions, the Army's only black combat units. The infantry regiments of the 93rd arrived first and were turned over to the French to fill gaps in their decimated lines. The 92nd Division came later and fought alongside other American units. Some of those doctors rose to prominence; others died young or later succumbed to the economic and social challenges of the times. Beginning with their assignment to the Medical Officers Training Camp (Colored) - the only one in U.S. history - this book covers the early years, education and war experiences of these physicians, as well as their careers in the black communities of early 20th century America.

The period immediately following the end of the First World War witnessed an outpouring of artistic and literary creativity, as those that had lived through the war years sought to communicate their experiences and opinions. In Germany this manifested itself broadly into two camps, one condemning the war outright; the other condemning the defeat. Of the former, Erich Maria Remarque's All Quiet on the Western Front remains the archetypal example of an anti-war novel, and one that has become synonymous with the Great War. Yet the tremendous and enduring popularity of Remarque's work has to some extent eclipsed a plethora of other German anti-war writers, such as Hans Chlumberg, Ernst Johannsen and Adrienne Thomas. In order to provide a more rounded view of German anti-war literature, this volume offers a selection of essays published by Brian Murdoch over the past twenty years. Beginning with a newly written introduction, providing the context for the volume and surveying recent developments in the subject, the essays that follow range broadly over the German anti-war literary tradition, telling us much about the shifting and contested nature of the war. The volume also touches upon subjects such as responsibility, victimhood, the problem of historical hiatus in the production and reception of novels, drama, poetry, film and other literature written during the war, in the Weimar Republic, and in the Third Reich. The collection also underlines the potential dangers of using novels as historical sources even when they look like diaries. One essay was previously unpublished, two have been augmented, and three are translated into English for the first time. Taken together they offer a fascinating insight into the cultural memory and literary legacy of the First World War and German anti-war texts.

In 1914, journalist and mystery writer Mary Roberts Rinehart traveled to Europe alone to cover World War I for the Saturday Evening Post. This collection of her writing encompasses her observations on her travels-from being received by King Albert in Belgium and recording his first authorized statement on the war, to meeting Winston Churchill, to traveling to the English and French front lines as the first correspondent permitted there. Rinehart's book was a humanitarian plea to Americans to join the war effort three years before the American Expeditionary Force set sail for Europe, an unpopular view vindicated by subsequent events.

Lieutenant John Huddleston Taber was a New Yorker assigned to the 168th ""Third Iowa"" Infantry Regiment of the American Expeditionary Force's 42nd ""Rainbow"" Division during World War I. His diary provides a detailed narrative of a young officer maturing through his war experiences, from the voyage across the submarine filled Atlantic, to training in France, to front line combat. In a clear, unaffected voice, Taber records his dealings with superiors and enlisted men, billets in French and German towns, life in the tenches, intense shelling, machine gun fire, gas warfare, leaves to Paris, the occupation of Germany, and his return to New York.

The course of events of the Great War has been told many times, spurred by an endless desire to understand 'the war to end all wars'. However, this book moves beyond military narrative to offer a much fuller analysis of of the conflict's strategic, political, economic, social and cultural impact. Starting with the context and origins of the war, including assasination, misunderstanding and differing national war aims, it then covers the treacherous course of the conflict and its social consequences for both soldiers and civilians, for science and technology, for national politics and for pan-European revolution. The war left a long-term legacy for victors and vanquished alike. It created new frontiers, changed the balance of power and influenced the arts, national memory and political thought. The reach of this acount is global, showing how a conflict among European powers came to involve their colonial empires, and embraced Japan, China, the Ottoman Empire, Latin America and the United States.

The author of this book, Ernst A. Lehmann, was close to the Zeppelin story from its early days and had great faith in the ever increasing success of the Zeppelin on international routes. It is sadly ironic that this talented man and strong advocate of the Zeppelin should die in Hindenburg disaster shortly after he had produced the draft for this book. He died following the fire that destroyed the Hindenburg on 6 May 1937; he survived the fire itself but was badly burned and died the following day. Lehmann was a Zeppelin commander during the First World War bombing England on numerous occasions, and even met some of the supreme German commanders such as General Erich Ludendorff. He was well acquainted with Count Zeppelin and all of the designers and management of the Zeppelin Company. After the war he worked for the Zeppelin Company under Hugo Eckener, who took over the management following Count Zeppelin's death in 1917. Lehmann was closely involved in the voyages of the Graf Zeppelin, including the famous round the world voyage, and pioneered services to the Unites States and the regular service to South America.Lehmann makes his Nazi sympathies quite clear, but tactfully does not touch upon his differences with Hugo Eckener regarding the use of the airships for Nazi electioneering-for Eckener was strongly against it. Nor does he touch upon Goring's manoeuvring which broke up the Zeppelin Company, thereby leaving Eckener as an outsider. He believes in the superiority of German engineering and beyond that the superiority of everything German.Lehmann served as commanding officer on more than 100 of the flights of the Graf Zeppelin between 1928 and 1936. In 1935, when Hermann Goring created the Deutsche Zeppelin Reederei to increase Nazi influence over Zeppelin operations, Captain Lehmann was named director of the new airline. In 1936, he commanded 10 round-trip flights to Lakehurst on the new Hindenburg.The text is well-written, approachable, and provides a comprehensive account of the Zeppelin story until the 1937 disaster which cost the author his life.

Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers' songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers' songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.

First published in 1933, this title presents the inner workings and diplomatic culture of the League of Nations in Geneva, at a time when the increasing strain of international relations was beginning to take its toll and disillusionment towards the League was growing. Written as a series of short sketches, Max Beer's communicates a variety of insights into the League of Nations. Delving into the machinations and bewildering configurations of diplomatic relations that predominated, while at the same time maintaining a very human perspective, this volume represents a unique resource for students of this period in European politics.

Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers' songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers' songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.

Brushes With War is a unique history of World War I in broad brush strokes. Over 230 original paintings, drawings, sculpture, and trench art by the combatants of World War I cover all aspects of the war and most major battles from Mons (1914) to the Meuse-Argonne (1918). The artists were American, Austrian, Australian, Belgian, British, Canadian, French, German, and Russian soldiers. These were not professional artists, but amateurs depicting their own daily struggles as they saw them. Just as snapshot photos are often more realistic than posed professional portraits, these works of art are more genuine impressions of the war than the official art and illustrations of the time.

Despite the substantial output of revisionist scholarship over the last decade reappraising the performance of the British Army on the Western Front during the First World War, there still remains a stubborn perception that its commanders were incompetent, inflexible and unimaginative. Whilst much ink has been spilled vilifying or defending individual commanders, or looking for overarching trends and 'learning curves', this is the first work to examine systematically the vertical nature of command - that is the transmission of plans from the high-command down through the rank structure to the front line. Through such an investigation, a much more rounded measure of the effectiveness of British commanders can be gained; one moves the argument beyond the overly simplistic 'casualties to ground gained' equation that is usually offered. The Battle of Fromelles (19-20 July 1916) was selected as the case study as it was relatively small in scale, in the right period, and retains sufficient primary sources available to sustain the analysis. It also witnessed the first time Australian forces were used in offensive operations on the Western Front, and thus looms large in wider Commonwealth perceptions of 'Bumbling British Generals'. The book follows the progress of the battle plan from its inception in the strategic designs of the supreme commander down through the various intermediate level commands at operational and tactical headquarters until it became the orders that sent the infantry forward into the attack. In so doing it provides a unique insight into the strengths and weaknesses of British command structure, allowing a much more scholarly judgement of its overall effectiveness.

The Citizen Soldiers explores the military reform movement that took its name from the famous Business Men's Military Training Camps at Plattsburg, New York. It also illuminates the story of two exceptional men: General Leonard Wood, the rambunctious and controversial former Rough Rider who galvanized the Plattsburg Idea with his magnetic personality; and Grenville Clark, a young Wall Street lawyer.

The Plattsburg camps strove to advertise the lack of military preparation in the United States and stressed the military obligation every man owed to his country. Publicized by individuals who voluntarily underwent military training, the preparedness movement rapidly took shape in the years prior to America's entry into the First World War. Far from being war hawks, the Plattsburg men emphasized the need for a "citizen army" rather than a large professional establishment. Although they failed in their major objective -- universal military training -- their vision of a citizen army was largely realized in the National Defense Act of 1920, and their efforts helped to establish selective service as the United States' preferred recruitment method in World War I, World War II, the Korean War, and the Vietnam War.

Featuring a new preface by the author, this new edition of a seminal study will hit shelves just in time for the World War I Centennial.

The origins of the First World War remain one of the greatest twentieth century historical controversies. In this debate the role of military planning in particular and of militarism in general, are a key focus of attention. Did the military wrest control from the civilians? Were the leaders of Europe eager for a conflict? What military commitments were made between the various alliance blocks? These questions are examined in detail here in eleven essays by distinguished historians and the editor's introduction provides a focus and draws out the comparative approach to the history of military policies and war plans of the great powers.

A Highland Regimental Scout recounts his experience of the Retreat from Mons. This is a superb account of the early stages of the First World War in Europe. Its author was a infantryman of the British Army who had been a serving soldier for seven years before the outbreak of war. His principal speciality was as a scout within his famous Highland regiment-the Black Watch. As an author he is able to deliver a gripping story in an impactful, spare style, ideal for conveying this narrative of non-stop combat as French's 'contemptible little army' fought stubbornly from Mons to the Marne. The quality and professionalism of the British Regular Army of the period shines through on every page of this story of dogged retreat during a time of fluid manoeuvring. Cassells' was a war of charging Uhlan cavalry, of famous regiments like the Scots Greys playing their traditional cavalry role, of advancing grey waves of German infantry, and the of a hugely outnumbered army falling back, undaunted in spirit and bloodily contesting every inch of ground. This book cannot be recommended too highly--not only is it a riveting account of the Retreat from Mons the ordinary fighting infantryman knew, but it is a first rate narrative of personal experiences at the sharp end of war in the early Twentieth century.