This collection of writings covers the war on the Western Front. Whereas, traditionally, attention has been given to strategic or political matters, these essays highlight tactical issues. They show that the British high command could boast more achievements in tactics than is usually assumed.

This collection of writings covers the war on the Western Front. Whereas, traditionally, attention has been given to strategic or political matters, these essays highlight tactical issues. They show that the British high command could boast more achievements in tactics than is usually assumed.

Nineteenth-century Russian intellectuals were faced with a dilemma. They had to choose between modernizing their country, thus imitating the West, or reaffirming what was perceived as their country's own values and thereby risk remaining socially underdeveloped and unable to compete with Western powers. Scholars have argued that this led to the emergence of an anti-Western, anti-modern ethnic nationalism. In this innovative book, Susanna Rabow-Edling shows that there was another solution to the conflicting agendas of modernization and cultural authenticity - a Russian liberal nationalism. This nationalism took various forms during the long nineteenth century, but aimed to promote reforms through a combination of liberalism, nationalism and imperialism.

This highly illustrated volume covers the variety of armored cars used by Czech forces during World War I, and the Russian Civil War, as well as its post-WWI use in Italy and Slovakia. Along with details of armored car design, manufacturers, construction, and variants, the book covers Czech armored unit formations and their extensive operational use during the First World War. Special sections cover vehicle camouflage and markings, technical specifications, and uniforms and biographies of noted personalities.

Borderlines weaves together the study of gender with that of the evolution of nationalism and colonialism. Its broad, comparative perspective will rechart the war experiences and identities of women and men during this period of transformation from peace to war, and again to peace.
Drawing on a wide range of materials, from government policy and propaganda to subversive trench journalism and performance, from fiction, drama and film to the record of activists in various movements and in various countries, Borderlines weaves together the study of gender with that of the evolution of nationalism and colonialism. Its broad, comparative perspective will rechart the war experiences and identities of women and men during this period of transformation from peace to war, and again to peace.

eBook available with sample pages: HB:0415911133

An up-to-date and concise account of WWI for teachers and students looking for a balanced introduction. It details both the military operations as well as the development of war aims, alliance diplomacy and the war on the home front.

This new book contains not only a history of the legendary Lafayette Flying Corps, but also detailed biographies of the 269 volunteer American airmen and gunners of France's Service Aeronautique who flew in sixty-six pursuit and twenty-seven bomber/observation squadrons over the Western Front - also included are the thirty-eight pilots of the Escadrille Lafayette. It is an accurate and absorbing account of the lives and combat experiences of the men who later formed the nucleus of the American Expeditionary Force squadrons. This ground breaking work contains comprehensive research, including details of war casualties and survivors, and many unpublished photographs.

World War I directly and indirectly caused events and social and political trends which defined the history of the world for the rest of the century, including the Russian Revolution and the rise of communism to the Great Crash of 1929 which lead to the Great Depression and the rise of Hitler and Nazi Germany. It marked a turning point in world history as the end of the historical era of European dominance and the ushering in of a period which accelerated demands for freedom and autonomy in colonial settings. India played a significant role in the war and in the Allied victory on the battlefield. This book explores India's involvement in the Great War and the way the war impacted upon the country from a variety of different viewpoints including case studies focusing on key individuals who played vital roles in the war. The long and short term impacts of the war on different locations in India are also explored in the chapters which offer an analysis of the importance of the war on India while commemorating the sacrifices which were made. A new, innovative and multidisciplinary examination of India and World War I, this book presents a select number of case studies showing the intimate relationship of the global war and its social, political and economic impacts on the Indian subcontinent. It will be of interest to academics in the field of War Studies, Colonial and Imperial History and South Asian and Modern Indian History.

The International Society for First World War Studies' ninth conference, 'War Time', drew together emerging and leading scholars to discuss, reflect upon, and consider the ways that time has been conceptualised both during the war itself and in subsequent scholarship. War Time: First World War Perspectives on Temporality, stemming from this 2016 conference, offers its readers a collection of the conference's most inspiring and thought-provoking papers from the next generation of First World War scholars. In its varied yet thematically-related chapters, the book aims to examine new chronologies of the Great War and bring together its military and social history. Its cohesive theme creates opportunities to find common ground and connections between these sub-disciplines of history, and prompts students and academics alike to seriously consider time as alternately a unifying, divisive, and ultimately shaping force in the conflict and its historiography. With content spanning land and air, the home and fighting fronts, multiple nations, and stretching to both pre-1914 and post-1918, these ten chapters by emerging researchers (plus an introductory chapter by the conference organisers, and a foreword by John Horne) offer an irreplaceable and invaluable snapshot of how the next generation of First World War scholars from eight countries were innovatively conceptualising the conflict and its legacy at the midpoint of its centenary.

This 2007 book provides the most comprehensive examination of American Expeditionary Forces (AEF) combat doctrine and methods ever published. It shows how AEF combat units actually fought on the Western Front in World War I. It describes how four AEF divisions (the 1st, 2nd, 26th, and 77th) planned and conducted their battles and how they adapted their doctrine, tactics, and other operational methods during the war. General John Pershing and other AEF leaders promulgated an inadequate prewar doctrine, with only minor modification, as the official doctrine of the AEF. Many early American attacks suffered from these unrealistic ideas that retained too much faith in the infantry rifleman on the modern battlefield. However, many AEF divisions adjusted their doctrine and operational methods as they fought, preparing more comprehensive attack plans, employing flexible infantry formations, and maximizing firepower to seize limited objectives.

Despite No.6 Squadron RNAS being the first British fighter squadron to deploy a production twin gun scout on the Western Front (beating the Royal Flying Corp's elite 56 Squadron by a couple of weeks) and the first squadron to take the notoriously unreliable Siddeley Puma powered D.H.9 into battle, almost nothing has been published about the activities of this important Royal Naval Air Service squadron. The lack of published information can perhaps be explained by the fact that a large block of the squadron's daily reports are inexplicably missing from their box in Britain's National Archives. After much effort and time, Mike Westrop discovered the missing documents in a Royal Flying Corps War Diary. This pilots' log books, and many previously unpublished photographs has enabled the author to produce the first in-depth look at the activities and accomplishments of this forgotten squadron. The Royal Naval Air Service had a reputation for fielding the most colorful Allied machines in France and Belgium, and the reputation was upheld by the Nieuport scouts of No.6 Squadron. A collection of superb new colour profiles from Mark Miller depicts the squadron's Nieuport 17Bis scouts to perfection.

Following the defeat of Napoleon in 1814, an event that signalled an end to nearly fourteen years of French domination, Florence seemed to enter a new cultural 'golden age' and by 1824 was described as 'an Earthly Paradise' by the political and liberal writer, Pietro Giordano. Politically, economically and culturally, the city prospered in this new era. After 1814 it seemed as if the Enlightenment had found a new beginning in Florence. Aubrey Garlington, a scholar of long standing in the music of early nineteenth-century Florence, considers the roles played by John Fane, Lord Burghersh, an English aristocrat, diplomat and dilettante composer together with his wife, Priscilla, in the development of the richly homogeneous culture that blossomed in Florence at this time. Burghersh, known today for being instrumental in the founding of the English Royal Academy of Music, composed six operas that were performed privately on numerous occasions at the English Embassy, his best known work being "La Fedra". Lady Burghersh became known for her painting and dilettante theatrical performances. Garlington provides a thorough re-examination of the categories 'professional' and 'dilettante' which were so important in the concept of music at this time. The notions of boundaries between public and private activity are discussed, and the operas themselves are examined specifically. Through the contemplation of the Burghershs's sixteen year stay in Florence, the significance of dilettante orientations are demonstrated to have been essential components for the city's musical and social life. Garlington draws together an impressive compilation of documentation regarding the part music played in shaping society and culture. In this way, the book will appeal not only to opera historians, musicologists and critics working on the nineteenth century, but also to historians and scholars of cultural theory.

This is the first systematic scholarly study of the historiography of the First World War. The First World War remains controversial in its conduct and broader implications, and this volume explores many issues which continue to cause debate, such as Haig's generalship, the role of T.E. Lawrence in the Arab Revolt, and the failure of the Dardanelles campaign. It also examines the new approaches to the war stimulated by the fiftieth anniversaries in the 1960s, and follows them through to contemporary concern with the experiences of ordinary soldiers and their chroniclers. The contributors are leading historians of the First World War. They draw their material from a wide range of contemporary sources and subsequent accounts, and make full use of recent research. They provide new insights into the age-old problems of war and attitudes to warfare. Their purpose is to demonstrate how our understanding of war and our image of the First World War have been shaped by the historical writing of the twentieth century.

Europe from War to War, 1914-1945 explores this age of metamorphosis within European history, an age that played a crucial role in shaping the Europe of today. Covering a wide range of topics such as religion, arts and literature, humanitarian relief during the wars, transnational feminism, and efforts to create a unified Europe, it examines the social and cultural history of this period as well as political, economic, military, and diplomatic perspectives. Thematically organized within a chronological framework, this book takes a fully comparative approach to the era, allowing the reader to follow the evolution of key trends and ideas across these 30 turbulent years. Each period is analyzed from both an international and a domestic perspective, expanding the traditional narrative to include the role and impact of European colonies around the world while retaining a close focus on national affairs, everyday existence within Europe itself and the impact of the wars on people's lives. Chapters include discussion of regions such as Scandinavia, the Balkans, and Iberia that are less frequently covered, emphasizing the network of connections between events and places across the continent. Global in scope, accessibly written and illustrated throughout with photographs and maps, this is the perfect introductory textbook for all students of early twentieth-century European history.

Australia's War, 1914-18 explores Australia's involvement in the First World War and the effect this had on the nation' s society. In this very accessible book, Joan Beaumont, Pam Maclean, Marnie Haig-Muir and David Lowe focus on: where Australians fought and why; the tensions and realignments within Australian politics in the period of 1914-18; the stresses of the war on Australian society, especially on women and those whom wartime hysteria cast in the role of the 'enemy' at home; the impact of the war on the country's economy; the role played by Australia in international diplomacy; and finally, the creation and influence of the Anzac legend.Once dominated by the battlefield and official accounts of the war correspondent and official historian, C.E.W. Bean, Australian writing on the war has acquired a new depth and sophistication. Studies of the home front reveal a society riven by divisions without precedent in the nation's history.This single volume will be invaluable to tertiary students and of enormous interest to the reader concerned with the social, political and military history of Australia.

This book demonstrates how people were kept ignorant by censorship and indoctrinated by propaganda. Censorship suppressed all information that criticized the army and government, that might trouble the population or weaken its morale. Propaganda at home emphasized the superiority of the fatherland, explained setbacks by blaming scapegoats, vilified and ridiculed the enemy, warned of the disastrous consequences of defeat and extolled duty and sacrifice. The propaganda message also infiltrated entertainment and the visual arts. Abroad it aimed to demoralize enemy troops and stir up unrest among national minorities and other marginalized groups. The many illustrations and organograms provide a clear visual demonstration of Demm's argument.

This monograph examines the relationship between music and memory as it relates to the Gallipoli Campaign (1915-6). Drawing upon a wide variety of sources in many languages, it explores the multiple ways in which music is employed to remember and to forget, to celebrate and to commemorate a victory (on the part of the Central Powers) and a defeat (on the part of the Allied forces) in the Dardanelles during the First World War (1914-8). Further, it argues that commemoration itself can be viewed as an 'instrument of war'. In particular, it investigates the complex positionality of individual actors during the centennial commemorations of the Gallipoli landings (24 April, 2015) where the Australians and the Turks most notably have employed music to reimagine the past, both nationalities invoking the 'Gallipoli spirit' (tr. 'Canakkale ruhu') to advance a nationalist agenda and a resurgent militarism through the selective memorialization of an imperial past. The book interrogates through music the ambivalent position of minorities. With specific reference to the Irish (amongst the British) and the Armenians (amongst the Ottomans), it shows how song might serve both to articulate a nationalist defiance and an imperialist consensus during a tumultuous period of irredentism. By uncovering the complex pathways of musical transmission, it demonstrates through musical analysis how the colonized could become the colonizer (in the case of the Irish) or a minority might conform to a majority (in the case of the Armenians). Further, the publication looks at the uneasy alliance between the Turks and the Germans. It focuses on a German musician (as an imperial bandmaster) and Germanic entrepreneurs (in the recording industry) who entertained or who served the German Mission in Istanbul. Here, it considers by way of musical composition the shared wish on the part of the Germans and the Turks to create a Lebensraum in Asia.

The First World War was above all a war of logistics. Whilst the conflict will forever be remembered for the mud and slaughter of the Western Front, it was a war won on the factory floor as much as the battlefield. Examining the war from an industrial perspective, Arming the Western Front examines how the British between 1900 and 1920 set about mobilising economic and human resources to meet the challenge of 'industrial war'. Beginning with an assessment of the run up to war, the book examines Edwardian business-state relations in terms of armament supply. It then outlines events during the first year of the war, taking a critical view of competing constructs of the war and considering how these influenced decision makers in both the private and public domains. This sets the framework for an examination of the response of business firms to the demand for 'shells more shells', and their varying ability to innovate and manage changing methods of production and organisation. The outcome, a central theme of the book, was a complex and evolving trade-off between the quantity and quality of munitions supply, an issue that became particularly acute during the Battle of the Somme in 1916. This deepened the economic and political tensions between the military, the Ministry of Munitions, and private engineering contractors as the pressure to increase output accelerated markedly in the search for victory on the western front. The Great War created a dual army, one in the field, the other at home producing munitions, and the final section of the book examines the tensions between the two as the country strove for final victory and faced the challenges of the transition to the peace time economy.

Belgian Museums of the Great War: Politics, Memory, and Commerce examines the handling of the centennial of World War I by several museums along the Western Front in Flanders, Belgium. In the twenty-first century, the museum has become a strategic space for negotiating ownership of and access to knowledge produced in local settings. The specific focus on museums and commemorative events in Flanders allows for an in-depth evaluation of how each museum works with the remembrance and tourist industry in the region while carving a unique niche. Belgian Museums of the Great War writes the history of these institutions, analyzes the changes made in advance of the anniversary years, and considers the site-specificity of each institution and its architectural frame. Since museums not only transmit information but also shape knowledge, as Eileen Hooper-Greenhill has noted, the diverse narratives and community programs sponsored by each museum have served to challenge prior historiographies of the war. Through newly revamped interactive environments, self-guided learning, and an emphasis on the landscape, the museums in Flanders have a significant role to play in the ever-changing dialogue on the meaning of the history and remembrance of the Great War.

The Great War set in motion all of the subsequent violence of the twentieth century. The war took millions of lives, led to the fall of four empires, established new nations, and negatively affected others. During and after the war, individuals and communities struggled to find expression for their wartime encounters and communal as well as individual mourning. Throughout this time of enormous upheaval, many artists redefined their role in society, among them writers, performers, painters, and composers. Some sought to renew or re-establish their place in the postwar climate, while others longed for an irretrievable past, and still others tried to break with the past entirely. This volume offers a significant interdisciplinary contribution to the study of modern war, exploring the ways that artists contributed to wartime culture - both representing and shaping it - as well as the ways in which wartime culture influenced artistic expressions. Artists' places within and against reconstruction efforts illuminate the struggles of the day. The essays included represent a transnational perspective and seek to examine how artists dealt with the experience of conflict and mourning and their role in (re-)establishing creative practices in the changing climate of the interwar years.

This book covers the organization, tactics, weapons, equipment, orders of battle, and uniforms of official and unofficial units, from early raiding parties to formal assault battalions. Rare photos depict badges and insignia not previously known, while primary documents describing regulations and training are provided in their entirety. New information on the origin of shock tactics is presented, gleaned from German archives and not previously published in English. Specific operations on all fronts are included, along with extracts from German army manuals for shock-troop arms such as flamethrowers, mortars, machine guns, grenade launchers, assault artillery, and tanks.

In this study, Sharon Ouditt examines the traumatic and constantly shifting nature of women's experience during the World War I. By examining propaganda, journals, women's magazines, unpublished memoirs and contemporary fiction, the author reveals the challenge to feminine identity which the War demanded and attempted to restrict. Rather than achieve sudden and unproblematic independence through their entry into the public sphere of work and politics, women found themselves having to construct complex ideological structures in order to legitimate their role as "temporary" citizens - whether as crusading nurses, landworkers or pacifist activists. At once historically committed and theoretically informed, this text should appeal to anyone interested in the ways in which women managed their involvement during the First World War, in the relationship between literature and history, and in the ambiguity and flexiblity of "femininity" in the context of dramatic social change.

This volume focuses on a formative period in the history and archaeology of northern Greece. The decade following 1912, when Thessaloniki became part of Greece, was a period marked by an extraordinary internationalism as a result of the population movements caused by the shifting of national borders and the troop movements which accompanied the First World War. The papers collected here look primarily at the impact of the discoveries of the Army of the Orient on the archaeological study of the region of Macedonia. Resulting collections of antiquities are now held in Thessaloniki, London, Paris, Edinburgh and Oxford. Various specialists examine each of these collections, bringing the archaeological legacy of the Macedonian Campaign together in one volume for the first time. A key theme of the volume is the emerging dialogue between the archaeological remains of Macedonia and the politics of Hellenism. A number of authors consider how archaeological interpretation was shaped by the incorporation of Macedonia into Greece. Other authors describe how the politics of the Campaign, in which Greece was initially a neutral partner, had implications both for the administration of archaeological finds and their subsequent dispersal. A particular focus is the historical personalities who were involved and the sites they discovered. The role of the Greek Archaeological Service, particularly in the protection of antiquities, as well as promoting excavation in the aftermath of the 1917 Great Fire of Thessaloniki, is also considered.

Americans today harbor no strong or consistent collective memory of the First World War. Ask why they fought or what they accomplished, and "democracy" is the most likely if vague response. The circulation of confusing or lofty rationales for intervention started from the moment President Woodrow Wilson secured a war declaration in April 1917. Yet amid those shifting justifications, Love and Death in the Great War argues, was a more durable and resonant one: Americans would fight for home and family. Intervention came at a moment when arbiters of tradition regarded those very institutions-the white family in particular-under pressure from all sides: industrial work, women's employment, immigration, urban vice, woman suffrage, and most incendiary, the imagined threat of black sexual aggression. Alleged German crimes in France and Belgium seemed to further imperil women and children. Americans would fight, many said, to protect the family literally, but also indirectly. War promised to restore convention, stabilize gender roles, and sharpen male character. Love and Death in the Great War tracks such ideas of redemptive war across public and private spaces, policy and implementation, home and front, popular culture and personal correspondence. Huebner merges untold stories of men and women from Missouri, Wisconsin, Alabama, Louisiana, and other places with a history of wartime culture. Studying the radiating impact of war alongside the management of opinion, he recovers the conflict's emotional dimensions-its everyday rhythms, heartbreaking losses, soaring possibilities, and broken promises. Telling the war story as a love story, however, generated contradictions and challenges, some subtle, some transformative, some violent. African Americans and women serving in the army disrupted narratives of white chivalric rescue. Military life proved inhospitable to virtue. Death and injury brought destruction not regeneration. An army of mostly drafted men sought recompense for lives interrupted as much as patriotic or personal credibility. After the Great War, the mobilization of real and symbolic families would never quite look the same again.