Borderlines weaves together the study of gender with that of the evolution of nationalism and colonialism. Its broad, comparative perspective will rechart the war experiences and identities of women and men during this period of transformation from peace to war, and again to peace.
Drawing on a wide range of materials, from government policy and propaganda to subversive trench journalism and performance, from fiction, drama and film to the record of activists in various movements and in various countries, Borderlines weaves together the study of gender with that of the evolution of nationalism and colonialism. Its broad, comparative perspective will rechart the war experiences and identities of women and men during this period of transformation from peace to war, and again to peace.

eBook available with sample pages: HB:0415911133

An up-to-date and concise account of WWI for teachers and students looking for a balanced introduction. It details both the military operations as well as the development of war aims, alliance diplomacy and the war on the home front.

This book addresses the many avenues that are still left unexplored when it comes to our understanding of the First World War in the Low Countries. With the ongoing the centenary of the Great War, many events have been organized in the United Kingdom to commemorate its military events, its socio-political consequences, and its cultural legacy. Of these events, very few have paid attention to the fates of Belgium or the Netherlands, even though it was the invasion of Belgium in August 1914 that was the catalyst for Great Britain declaring war. The occupation of Belgium had long-term consequences for its people, but much of the military and social history of the Western Front concentrates on northern France, and the Netherlands is largely forgotten as a nation affected by the First World War. By opening the field beyond the military and beyond the front, this collection explores the interdisciplinary and international nature of the Great War.

This is the first systematic scholarly study of the historiography of the First World War. The First World War remains controversial in its conduct and broader implications, and this volume explores many issues which continue to cause debate, such as Haig's generalship, the role of T.E. Lawrence in the Arab Revolt, and the failure of the Dardanelles campaign. It also examines the new approaches to the war stimulated by the fiftieth anniversaries in the 1960s, and follows them through to contemporary concern with the experiences of ordinary soldiers and their chroniclers. The contributors are leading historians of the First World War. They draw their material from a wide range of contemporary sources and subsequent accounts, and make full use of recent research. They provide new insights into the age-old problems of war and attitudes to warfare. Their purpose is to demonstrate how our understanding of war and our image of the First World War have been shaped by the historical writing of the twentieth century.

First published in 1919, this book traces the growth of War Debt during the First World War, examines the real meaning of the Debt and discusses the proposals for clearing it. As the chief contemporary proposal put forward for meeting the interest and repaying the principal of the Debt was the "Conscription of Wealth", or the "Capital Levy", this provides a main focus for the analysis. The author also examines whether the methods of financing war - by borrowing the required money - is sound and whether it should be replaced by taxation. A plan for the reform of income tax is put forward, designed to yield two-thirds of the revenue needed for a Peace Budget that also addresses the War Debt.

This is a magisterial new account of Europe's tragic descent into a largely inadvertent war in the summer of 1914. Thomas Otte reveals why a century-old system of Great Power politics collapsed so disastrously in the weeks from the 'shot heard around the world' on June 28th to Germany's declaration of war on Russia on August 1st. He shows definitively that the key to understanding how and why Europe descended into world war is to be found in the near-collective failure of statecraft by the rulers of Europe and not in abstract concepts such as the 'balance of power' or the 'alliance system'. In this unprecedented panorama of Europe on the brink, from the ministerial palaces of Berlin and Vienna to Belgrade, London, Paris and St Petersburg, Thomas Otte reveals the hawks and doves whose decision-making led to a war that would define a century and which still reverberates today.

Nineteenth-century Russian intellectuals were faced with a dilemma. They had to choose between modernizing their country, thus imitating the West, or reaffirming what was perceived as their country's own values and thereby risk remaining socially underdeveloped and unable to compete with Western powers. Scholars have argued that this led to the emergence of an anti-Western, anti-modern ethnic nationalism. In this innovative book, Susanna Rabow-Edling shows that there was another solution to the conflicting agendas of modernization and cultural authenticity - a Russian liberal nationalism. This nationalism took various forms during the long nineteenth century, but aimed to promote reforms through a combination of liberalism, nationalism and imperialism.

Australia's War, 1914-18 explores Australia's involvement in the First World War and the effect this had on the nation' s society. In this very accessible book, Joan Beaumont, Pam Maclean, Marnie Haig-Muir and David Lowe focus on: where Australians fought and why; the tensions and realignments within Australian politics in the period of 1914-18; the stresses of the war on Australian society, especially on women and those whom wartime hysteria cast in the role of the 'enemy' at home; the impact of the war on the country's economy; the role played by Australia in international diplomacy; and finally, the creation and influence of the Anzac legend.Once dominated by the battlefield and official accounts of the war correspondent and official historian, C.E.W. Bean, Australian writing on the war has acquired a new depth and sophistication. Studies of the home front reveal a society riven by divisions without precedent in the nation's history.This single volume will be invaluable to tertiary students and of enormous interest to the reader concerned with the social, political and military history of Australia.

The International Society for First World War Studies' ninth conference, 'War Time', drew together emerging and leading scholars to discuss, reflect upon, and consider the ways that time has been conceptualised both during the war itself and in subsequent scholarship. War Time: First World War Perspectives on Temporality, stemming from this 2016 conference, offers its readers a collection of the conference's most inspiring and thought-provoking papers from the next generation of First World War scholars. In its varied yet thematically-related chapters, the book aims to examine new chronologies of the Great War and bring together its military and social history. Its cohesive theme creates opportunities to find common ground and connections between these sub-disciplines of history, and prompts students and academics alike to seriously consider time as alternately a unifying, divisive, and ultimately shaping force in the conflict and its historiography. With content spanning land and air, the home and fighting fronts, multiple nations, and stretching to both pre-1914 and post-1918, these ten chapters by emerging researchers (plus an introductory chapter by the conference organisers, and a foreword by John Horne) offer an irreplaceable and invaluable snapshot of how the next generation of First World War scholars from eight countries were innovatively conceptualising the conflict and its legacy at the midpoint of its centenary.

This book explores how print journalism was a powerful and persistent influence on public attitudes to, and memories of, the First World War in a range of participant nations, including Britain, France, Germany, Ireland, the United States and Australia. With contributions from an international group of history, journalism and literary studies scholars, the book identifies and analyses five distinct roles played by the print media: producing and narrating histories of the war or its constituent episodes; serialising and reviewing memoirs or fictional accounts written by participants; reporting and framing the rituals and ceremonies of local and national commemoration; providing a platform for various war-related advocacy groups or campaigns, from veterans' associations to early Civil Rights movements; and using the war as a lens through which to interpret future conflicts. This innovative collection demonstrates the significance of journalism in shaping the public understanding of the First World War after 1918, and shows how the representations and narratives of the conflict reflected the political and social changes of the post-war decades. This book was originally published as a special issue of Journalism Studies.

During the first twelve months of World War I President Woodrow Wilson had a sincere desire to maintain American neutrality. The president, however, soon found this position unsustainable. As Wilson sought to mediate an end to the European conflict he realized that the war presented an irresistible opportunity to strengthen the US economy though expanded trade with the Allies. As this carefully argued study shows, the contradiction between Wilson's idealistic and pragmatic aims ultimately drove him to abandon neutrality in late 1915 - helping to pave the way for America's entrance into the war.

This monograph examines the relationship between music and memory as it relates to the Gallipoli Campaign (1915-6). Drawing upon a wide variety of sources in many languages, it explores the multiple ways in which music is employed to remember and to forget, to celebrate and to commemorate a victory (on the part of the Central Powers) and a defeat (on the part of the Allied forces) in the Dardanelles during the First World War (1914-8). Further, it argues that commemoration itself can be viewed as an 'instrument of war'. In particular, it investigates the complex positionality of individual actors during the centennial commemorations of the Gallipoli landings (24 April, 2015) where the Australians and the Turks most notably have employed music to reimagine the past, both nationalities invoking the 'Gallipoli spirit' (tr. 'Canakkale ruhu') to advance a nationalist agenda and a resurgent militarism through the selective memorialization of an imperial past. The book interrogates through music the ambivalent position of minorities. With specific reference to the Irish (amongst the British) and the Armenians (amongst the Ottomans), it shows how song might serve both to articulate a nationalist defiance and an imperialist consensus during a tumultuous period of irredentism. By uncovering the complex pathways of musical transmission, it demonstrates through musical analysis how the colonized could become the colonizer (in the case of the Irish) or a minority might conform to a majority (in the case of the Armenians). Further, the publication looks at the uneasy alliance between the Turks and the Germans. It focuses on a German musician (as an imperial bandmaster) and Germanic entrepreneurs (in the recording industry) who entertained or who served the German Mission in Istanbul. Here, it considers by way of musical composition the shared wish on the part of the Germans and the Turks to create a Lebensraum in Asia.

In this study, Sharon Ouditt examines the traumatic and constantly shifting nature of women's experience during the World War I. By examining propaganda, journals, women's magazines, unpublished memoirs and contemporary fiction, the author reveals the challenge to feminine identity which the War demanded and attempted to restrict. Rather than achieve sudden and unproblematic independence through their entry into the public sphere of work and politics, women found themselves having to construct complex ideological structures in order to legitimate their role as "temporary" citizens - whether as crusading nurses, landworkers or pacifist activists. At once historically committed and theoretically informed, this text should appeal to anyone interested in the ways in which women managed their involvement during the First World War, in the relationship between literature and history, and in the ambiguity and flexiblity of "femininity" in the context of dramatic social change.

In August 1914, Berlin, Ontario, settled largely by people of German origin, was a thriving, peaceful city. By the spring of 1915 it was a city torn apart by the tensions of war. By September 1916, Berlin had become Kitchener. It began with the need to raise a battalion of 1,100 men to support the British war effort.

Meeting with resistance from a peace-loving community and spurred on by the jingoistic nationalism that demanded troops to fight the hated "Hun," frustrated soldiers began assaulting citizens in the streets and, on one infamous occasion, a Lutheran clergyman in his parsonage. Out of this turmoil arose a movement to rid the city of its German name, and this campaign, together with the recruiting efforts, made 1916 the most turbulent year in Kitchener's history.

This is the story of the men and women involved in these battles, the soldiers, the civic officials, the business leaders, and the innocent bystanders, and how they behaved in the face of conditions they had never before experienced.

This study surveys the many revolutionary attempts carried out against the Ottoman Empire in the Fertile Cresecnt and the Arabian Peninsula during World War I. Special emphasis is laid upon the subversive activities of the Arab secret societies which preceded the outbreak of Sharif Husayn's Arab revolt in 1916. The revolt is thoroughly examined and analyzed, regarding both its military operations and its human composition, which influenced its course.

At its dawn in the early twentieth century, the new technology of aviation posed a crucial question to American and British cavalry: what do we do with the airplane? Lacking the hindsight of historical perspective, cavalry planners based their decisions on incomplete information. Harnessing the Airplane compares how the American and British armies dealt with this unique challenge. A multilayered look at a critical aspect of modern industrial warfare, this book examines the ramifications of technological innovation and its role in the fraught relationship that developed between traditional ground units and emerging air forces. Cavalry officers pondered the potential military uses of airplanes and other new technologies early on, but preferred to test them before embracing and incorporating them in their operations. Cavalrymen cautiously examined airplane capabilities, developed applications and doctrine for joint operations, and in the United States, even tried to develop their own, specially designed craft. Throughout the interwar period, instead of replacing the cavalry, airplanes were used cooperatively with cavalry forces in reconnaissance, security, communication, protection, and pursuit - a collaboration tested in maneuvers and officially blessed in both British and American doctrine. This interdependent relationship changed drastically, however, during the 1930s as aviation priorities and doctrine shifted from tactical support of ground troops toward independent strategic bombardment. Henning shows that the American and British experiences with military aviation differed. The nascent British aviation service made quicker inroads into reconnaissance and scouting, even though the British cavalry was the older institution with more-established traditions. The American cavalry, despite its youth, contested the control of reconnaissance as late as the 1930s, years after similar arguments ended in Britain. Drawing on contemporary government reports, memoirs and journals of service personnel, books, and professional and trade journals and magazines, Harnessing the Airplane is a nuanced account of the cavalry's response to aviation over time and presents a new perspective on a significant chapter of twentieth-century military history.

World War I and its aftermath witnessed a global revolution. This was reflected in the revolutionary war aims of most of the belligerents, the technological revolution that made the war so deadly, the revolutionary sentiment that grew among ordinary combatants, and the revolutionary pressures that led to the collapse of the Romanov, Habsburg, and Ottoman empires. In this revised edition of World War One, Lawrence Sondhaus synthesizes the latest scholarship on the war and incorporates insights from the vast body of work published during the war's centenary. He charts the political, economic, social and cultural history of the war at home and on the frontlines as well as the war's origins, ending and transformative effects on societal norms and attitudes, gender and labor relations, and international trade and finance. The accessible narrative is supported by chronologies, personal accounts, guides to key controversies and debates, and numerous maps and photographs.

World War I directly and indirectly caused events and social and political trends which defined the history of the world for the rest of the century, including the Russian Revolution and the rise of communism to the Great Crash of 1929 which lead to the Great Depression and the rise of Hitler and Nazi Germany. It marked a turning point in world history as the end of the historical era of European dominance and the ushering in of a period which accelerated demands for freedom and autonomy in colonial settings. India played a significant role in the war and in the Allied victory on the battlefield. This book explores India's involvement in the Great War and the way the war impacted upon the country from a variety of different viewpoints including case studies focusing on key individuals who played vital roles in the war. The long and short term impacts of the war on different locations in India are also explored in the chapters which offer an analysis of the importance of the war on India while commemorating the sacrifices which were made. A new, innovative and multidisciplinary examination of India and World War I, this book presents a select number of case studies showing the intimate relationship of the global war and its social, political and economic impacts on the Indian subcontinent. It will be of interest to academics in the field of War Studies, Colonial and Imperial History and South Asian and Modern Indian History.

Following the defeat of Napoleon in 1814, an event that signalled an end to nearly fourteen years of French domination, Florence seemed to enter a new cultural 'golden age' and by 1824 was described as 'an Earthly Paradise' by the political and liberal writer, Pietro Giordano. Politically, economically and culturally, the city prospered in this new era. After 1814 it seemed as if the Enlightenment had found a new beginning in Florence. Aubrey Garlington, a scholar of long standing in the music of early nineteenth-century Florence, considers the roles played by John Fane, Lord Burghersh, an English aristocrat, diplomat and dilettante composer together with his wife, Priscilla, in the development of the richly homogeneous culture that blossomed in Florence at this time. Burghersh, known today for being instrumental in the founding of the English Royal Academy of Music, composed six operas that were performed privately on numerous occasions at the English Embassy, his best known work being "La Fedra". Lady Burghersh became known for her painting and dilettante theatrical performances. Garlington provides a thorough re-examination of the categories 'professional' and 'dilettante' which were so important in the concept of music at this time. The notions of boundaries between public and private activity are discussed, and the operas themselves are examined specifically. Through the contemplation of the Burghershs's sixteen year stay in Florence, the significance of dilettante orientations are demonstrated to have been essential components for the city's musical and social life. Garlington draws together an impressive compilation of documentation regarding the part music played in shaping society and culture. In this way, the book will appeal not only to opera historians, musicologists and critics working on the nineteenth century, but also to historians and scholars of cultural theory.

Around 250,000 Belgian refugees who fled the German invasion spent the First World War in Britain - the largest refugee presence Britain has ever witnessed. Welcomed in a wave of humanitarian sympathy for 'Poor Little Belgium', within a few months Belgian exiles were pushed off the front pages of newspapers by the news of direct British involvement in the war. Following rapid repatriation at British government expense in late 1918 and 1919 Belgian refugees were soon lost from public memory with few memorials or markers of their mass presence. Reactions to Belgian refugees discussed in this book include the mixed responses of local populations to the refugee presence, which ranged from extensive charitable efforts to public and trade union protests aimed at protecting local jobs and housing. This book also explores the roles of central and local government agencies which supported and employed Belgian refugees en masse yet also used them as a propaganda tool to publicise German outrages against civilians to encourage support for the Allied war effort. This book covers responses to Belgian refugees in England, Scotland, Ireland and Wales in a Home Front wartime episode which generated intense public interest and charitable and government action. This book was originally published as a special issue of Immigrants and Minorities: Historical Studies in Ethnicity, Migration and Diaspora.

"An illustrated analytical study, Words and the First World War considers the situation at home, at war, and under categories such as race, gender and class to give a many-sided picture of language used during the conflict." The Spectator First World War expert Julian Walker looks at how the conflict shaped English and its relationship with other languages. He considers language in relation to mediation and authenticity, as well as the limitations and potential of different kinds of verbal communication. Walker also examines: - How language changed, and why changed language was used in communications - Language used at the Front and how the 'language of the war' was commercially exploited on the Home Front - The relationship between language, soldiers and class - The idea of the 'indescribability' of the war and the linguistic codes used to convey the experience 'Languages of the front' became linguistic souvenirs of the war, abandoned by soldiers but taken up by academics, memoir writers and commentators, leaving an indelible mark on the words we use even today.

The second in a series of five titles, which will cover each year of the war graphically. Countless thousands of pictures were taken by photographers on all sides during the First World War. These pictures appeared in the magazines, journals and newspapers of the time. Some illustrations went on to become part of post-war archives and have appeared, and continue to appear, in present-day publications and TV documentary programmes many did not. The Great War Illustrated series includes in its pages many rarely seen images with individual numbers allocated and subsequently they will be lodged with the Taylor Library Archive for use by editors and authors. The Great War Illustrated 1915 covers the 1915 Gallipoli campaign and the battles that commenced on the Western Front that year. Some images will be familiar many will be seen for the first time by a new generation interested in the war that changed the world forever. With over 1,000 painstakingly restored images, this will be a definitive picture reference book on 1915 and will appeal to enthusiasts, collectors and student of the period alike.

Volume 3 of The Cambridge History of the First World War explores the social and cultural history of the war and considers the role of civil society throughout the conflict; that is to say those institutions and practices outside the state through which the war effort was waged. Drawing on twenty-five years of historical scholarship, it sheds new light on culturally significant issues such as how families and medical authorities adapted to the challenges of war and the shift that occurred in gender roles and behaviour that would subsequently reshape society. Adopting a transnational approach, this volume surveys the war's treatment of populations at risk, including refugees, minorities and internees, to show the full extent of the disaster of war and, with it, the stubborn survival of irrational kindness and the generosity of spirit that persisted amidst the bitterness at the heart of warfare, with all its contradictions and enduring legacies. This volume concludes with a reckoning of the costs and consequences of The Great War.

The First World War was above all a war of logistics. Whilst the conflict will forever be remembered for the mud and slaughter of the Western Front, it was a war won on the factory floor as much as the battlefield. Examining the war from an industrial perspective, Arming the Western Front examines how the British between 1900 and 1920 set about mobilising economic and human resources to meet the challenge of 'industrial war'. Beginning with an assessment of the run up to war, the book examines Edwardian business-state relations in terms of armament supply. It then outlines events during the first year of the war, taking a critical view of competing constructs of the war and considering how these influenced decision makers in both the private and public domains. This sets the framework for an examination of the response of business firms to the demand for 'shells more shells', and their varying ability to innovate and manage changing methods of production and organisation. The outcome, a central theme of the book, was a complex and evolving trade-off between the quantity and quality of munitions supply, an issue that became particularly acute during the Battle of the Somme in 1916. This deepened the economic and political tensions between the military, the Ministry of Munitions, and private engineering contractors as the pressure to increase output accelerated markedly in the search for victory on the western front. The Great War created a dual army, one in the field, the other at home producing munitions, and the final section of the book examines the tensions between the two as the country strove for final victory and faced the challenges of the transition to the peace time economy.