This lively collection of essays showcases recent research into the impact of the conflict on British women during the First World War and since. Looking outside of the familiar representations of wartime women as nurses, munitionettes, and land girls, it introduces the reader to lesser-known aspects of women's war experience, including female composers' musical responses to the war, changes in the culture of women's mourning dress, and the complex relationships between war, motherhood, and politics. Written during the war's centenary, the chapters also consider the gendered nature of war memory in Britain, exploring the emotional legacies of the conflict today, and the place of women's wartime stories on the contemporary stage. The collection brings together work by emerging and established scholars contributing to the shared project of rewriting British women's history of the First World War. It is an essential text for anyone researching or studying this history. This book was originally published as a special issue of Women's History Review.

This project explores the manner in which one form of political legitimacy came to overtake another, the enfranchisement of the Volk at the expense of monarchy during World War I Germany. The project begins with the "festive year" 1913, when the Wilhelmine regime celebrated the centennial of the Wars of Liberation as well as Kaiser Wilhelm II's Silver Jubilee. In these ceremonies the monarchy attempted to legitimize itself before the German public, but failed to achieve broad, popular participation. The study then shifts to the nationalist demonstrations of July-August 1914, their problematic relationship to the police, and the regime that ultimately came to fear these aggressive and spontaneous patriotic displays. Not only does the kaiser never engage the crowds, but he emerges as a distant and shadowy figure when juxtaposed to these vibrant throngs. The project then investigates the persistent translation of the war from an official to a popular version beginning in August 1914, which the government was unable to shape, direct, or control. These popular manifestations of the war included the interactions of rumors and crowds, celebrations of new wartime heroes independent of the kaiser, and new forms of popular mobilization that contributed to the ultimate collapse of the Wilhelmine monarchy in November 1918.

Matters of Conflict looks at the definitive invention of the twentieth century - industrialised war - and its vast and varied material legacy. From trench art and postcards through avant-garde art, museum collections and prosthetic limbs to battlefield landscapes, the book examines the First World War and its significance through the things it left behind. The contributions come from a multidisciplinary perspective, uniting previously compartmentalized disciplines such as anthropology, archaeology, cultural history, museology and art history in their focus on material culture. This innovative, hybrid approach investigates the 'social life' of objects in order to understand them as they move through time and space and intersect the lives of all who came in contact with them.
The resulting survey sets a new agenda for study of the First World War, and ultimately of all twentieth-century conflict.

Great Britain's economic blockade of Germany in World War I was one of the key elements to the victory of the Entente. Though Britain had been the leading exponent of blockades for two centuries, the World War I blockade was not effective at the outbreak of hostilities. Pre-war changes had led to the Admiralty supplanting the Royal Navy's leadership role in favor of direction from the civilian branch of government on the basis of international law.
The struggle between the primacy of international law and military expediency lasted for nearly two years, as the British tried to reconcile their pre-war stance as champion of neutral rights with measures necessary for a successful blockade. Not until 1916 did the operation have the potential to be a decisive factor in the defeat of Germany, when pressure from France, the Royal Navy, Parliament, British popular opinion, and the Admiralty forced the British government to abandon its defense of neutral rights over the interests of the state.
The arrival of the United States as an ally in April 1917 initiated the final evolution of the blockade. The Entente and the United States tightened the blockade with crushing effect on Germany, and by November 1918, it was evidently one of the chief factors behind the victory. This knowledge reinforced the decision to retain the blockade in the months following the armistice in order to force favorable terms from Germany. In both the war and in the peace, the economic blockade performed a critical role in World War I.

Begun within months of the war's outbreak, and not completed for a further 33 years, the writing of the Official Histories of World War I was a venture of unprecedented scale and complexity. Who, then, was responsible for producing such an enterprise? Did it aim to inform or did it have darker political motivations? Did the authors, who alone had access to records that were to remain classified for decades to come, seek to lay the facts and lessons of the war truthfully before the public? A number of critics have claimed that, on the contrary, the Official Histories were highly partial accounts written to protect reputations and cover up the true scale of British military incompetence. Andrew Green directly challenges these views, examining the progress by which official history was written, the motives and influences of its paymasters, and the literary integrity of its historians. The book focuses on four offical volumes covering arguably the most contentious battles of the war: Gallipoli, the Somme, Third Ypres (Passchendaele) and March 1918. What emerges from this is both a story of these great campaigns and an insight into the political intrigues and conflicting constraints that influenced the official writing of the Great War.

In response to the devastating trauma of World War I, British and American authors wrote about grief. The need to articulate loss inspired moving novels by Virginia Woolf and William Faulkner. Woolf criticized the role of Britain in the "war to end all wars," and Faulkner recognized in postwar France a devastation of land and people he found familiar from his life in a Mississippi still recovering from the American Civil War. In Character and Mourning, Erin Penner shows how these two modernist novelists took on the challenge of rewriting the literature of mourning for a new and difficult era.Faulkner and Woolf address the massive war losses from the perspective of the noncombatant, thus reimagining modern mourning. By refusing to let war poets dominate the larger cultural portrait of the postwar period, these novelists negotiated a relationship between soldiers and civilians-a relationship that was crucial once the war had ended. Highlighting their sustained attention to elegiac reinvention over the course of their writing careers-from Jacob's Room to The Waves, from The Sound and the Fury to Go Down, Moses-Penner moves beyond biographical and stylistic differences to recognize Faulkner and Woolf's shared role in reshaping elegiac literature in the period following the First World War.

During World War I, as young men journeyed overseas to battle, American women maintained the home front by knitting, fundraising, and conserving supplies. These became daily chores for young girls, but many longed to be part of a larger, more glorious war effort. A new genre of children's books entered the market, written specifically with the young girls of the war period in mind. Through fiction, girls could catch spies, cross battlefields, man machine guns, and blow up bridges. These adventurous heroines built the framework for the feminist revolution, creating avenues of leadership for women and inspiring individualism and self-discovery. The work presented here analyzes the powerful response to such literature, how it sparked the engagement of real girls in the United States and Allied war effort, as well as how it reflects their contemporaries' awareness of girls' importance.

Between the ending of the Great War and the start of the Second World War in 1939, the Royal Navy remained the largest in the world. But with the League of Nations seeming to offer a solution to all future conflicts, a country weary of war and without an obvious enemy there seemed no need for a large battlefleet. The strategic focus shifted eastwards, to Japan, with its growing battlefleet as the new threat to the British Empire and to the Royal Navy's supremacy. From 1924 a strategic plan, War Memorandum (Eastern), was written and refined. The plan called for the Royal Navy, still the largest in the world, even after the Washington Naval Treaties, to move eastwards to a defended base at Singapore, cut off Japan and force her battlefleet into a decisive fleet battle. As a strategy War Memorandum (Eastern) had many flaws. Its real importance lay in the fact that it provided a justification for the Royal Navy to maintain its leading position in the world and to be in the forefront of the development of new tactical thinking. Through planning for a war with Japan the Royal Navy was able to test its readiness for a future war. Many of the lessons learnt during this period were ultimately put to good use against a different foe in 1939.

This book is the first collection of essays to focus exclusively on Irish women's experiences in the First World War period, 1914-18, across the island of Ireland, contextualising the wartime realities of women's lives in a changing political landscape. The essays consider experiences ranging from the everyday realities of poverty and deprivation, to the contributions made to the war effort by women through philanthropy and by working directly with refugees. Gendered norms and assumptions about women's behaviour are critically analysed, from the rhetoric surrounding 'separation women' and their use of alcohol, to the navigation of public spaces and the attempts to deter women from perceived immoral behaviour. Political life is also examined by leading scholars in the field, including accounts from women on both sides of the 'Irish question' and the impact the war had on their activism and ambitions. Finally, new light is shed on the experiences of women working in munitions factories around Ireland and the complexity of this work in the Irish context is explored. Throughout, it is asserted that while there were many commonalities in women's experiences throughout the British and Irish Isles at this time, the particular political context of Ireland added a different, and in many respects an unexamined, dimension. This book was originally published as a special issue of Women's History Review.

This book is an illustrated biography of the legendary Luftwaffe fighter pilot Werner Moelders in more than 480 rare photographs, documents and commentaries. Who was this once much-admired and honored man? Why did the German people show such a great interest in his fate during World War II? This illustrated book provides answers. Here Oberst Werner Moelders is objectively portrayed: as a pilot, soldier, and man.

The Great War is a landmark history that firmly places the First World War in the context of imperialism. Set to overturn conventional accounts of what happened during this, the first truly international conflict, it extends the study of the First World War beyond the confines of Europe and the Western Front. By recounting the experiences of people from the colonies especially those brought into the war effort either as volunteers or through conscription, John Morrow's magisterial work also unveils the impact of the war in Asia, India and Africa. From the origins of World War One to its bloody (and largely unknown) aftermath, The Great War is distinguished by its long chronological coverage, first person battle and home front accounts, its pan European and global emphasis and the integration of cultural considerations with political.

The final volume in a four part set covering the First World War, this book includes the Allied attempts to capture Constantinople, the bloody campaigning in Northern Italy, the defence of the Suez Canal and the defeat of the Turkish army in Palestine. The war in North Africa is also covered.

Warrant for Genocide provides a unique, interdisciplinary approach to understanding the underlying causes of the World War I Armenian genocide. It traces genocide to the origin and history of the long-standing Turko-Armenian discord with the massacres treated as a means to resolve the conflict between a powerful, dominant group and a weak, vulnerable minority.

The World War I destruction of the Armenian people in the Ottoman Empire was neither an accident nor an aberration. The seeds of the large-scale deportations and massacres of Armenians can be found in the 1919u1920 Turkish Courts Martial documents of leaders of the Young Turk Ittihadist regime. These were replete with xenophobic nationalism, calls for the use of arms to achieve that end, and references to Islam to incite the masses against Armenians. The utmost secrecy, camouflage, and deflection with respect to their plans were evident in what was not said. This was a drastic departure by the regime from its publicly proclaimed posture of egalitarianism, heralding the dawn of a new era of multiethnic harmony and accord in the decaying empire.

Dadrian carefully details these calculated deliberations and the concomitant shift from Ottomanism to Turkism in the radical wing of the regime. He illustrates how this rekindled enmities between dominant Turks and subject minorities. The desire to neutralize or eliminate the opposition helped pave the way to a new and radical nationality policy. To Dadrian, the act of genocide was a draconian method of resolving a lingering conflict.

No analysis of the Armenian genocide can be adequate without understanding the origin, elements, evolution, and escalation of the Turko-Armenian conflict. Dadrian details this admirably, showing that in the final analysis, the Armenian genocide was a cataclysmic by-product of this conflict. Genocide and Holocaust scholars, Armenian area specialists, and human rights activists will consider this an essential addition to the literature.

In 1915, shortly after the outbreak of World War I, between twelve hundred and two thousand women representing twelve nations journeyed to The Netherlands to plead for peace at The Hague. At this first International Congress of Women they called for "continuous mediation" until peace was restored, and they met with representatives of the warring governments in an idealistic attempt to halt the military clash. Although they did not stop the war, their proposals are still used as guidelines for most diplomatic negotiations between hostile nations. Three highly talented, progressive women led the American delegation: two Nobel Peace Prize winners--Jane Addams (cofounder of Hull-House in Chicago) and Emily G. Balch (a distinguished sociologist who taught at Wellesley College)--as well as Alice Hamilton (the first industrial physician in the United States and also the first woman to join the faculty of Harvard University).This book is the first-hand report by these three remarkable women of their mission for peace. Balch and Hamilton devote several chapters to a description of their travels, their visits with various heads of state, and meetings with pacifists in different countries. In a controversial chapter, Addams sharply criticizes the older male patriarchal leadership that manipulates young men to fight needless wars. Addams concludes the volume by advocating women's full participation as voting citizens to promote the cause of peace and the spirit of internationalism. This edition is enhanced by an introduction by University of Nebraska scholar Mary Jo Deegan, this new edition of a valuable historical document will be of interest to students of women's studies, history, and international relations.

More than eight decades later, the Great War - particularly the great battles such as the Somme and Verdun - continues to fascinate us and cast long shadows over our world today. In this volume, Peter Simkins re-examines the early years of the war's Western Front, shedding interesting new light on the nature, course, and effects of the fighting in France and Belgium from 1914 to 1916.

With the aid of almost 100 photographs from the news archives of Mirrorpix, this book offers readers the opportunity to read a critique and review of the inspirational, moving, shocking and sometimes humorous words of the men and women who experienced The Great War first hand. This book presents a poignant, nostalgic record of the lives of military commanders, ordinary soldiers, politicians, royalty and civilian families whose lives were torn asunder in a four-year conflict that redrew the map of the world.

Given the destruction and suffering caused by more than four years of industrialised warfare and economic hardship, scholars have tended to focus on the nationalism and hatred in the belligerent countries, holding that it led to a fundamental rupture of any sense of European commonality and unity. It is the central aim of this volume to correct this view and to highlight that many observers saw the conflict as a 'European civil war', and to discuss what this meant for discourses about Europe. Bringing together a remarkable range of compelling and highly original topics, this collection explores notions, images, and ideas of Europe in the midst of catastrophe.

In this second volume devoted to the Western Front of World War I, Peter Simkins describes the last great battles of attrition at Arras, on the Aisne, and at Passchendaele in 1917. The book moves on to relate the successive offenses launched by Germany during the spring and summer of 1918 in an effort to achieve victory or a favorable peace before American manpower proved decisive. Questioning and debunking several myths and assumptions about the conduct of war on the Western Front, the author also looks at the aftermath and legacy of the 'war to end wars'.

Originally published in 1981 and now re-issued with a new Preface, this book contains contributions on key issues such as the origins of the First World War, the psychological impact of that war on the Germans, the enigmatic personality of Walter Rathenau, anti-semitism and paramilitarism, as well as German Ostpolitik during the Weimar period. The collapse of the Weimar Republic is re-examined and this is followed by an analysis of the social basis of the SS leadership corps, German reactions to the defeat in 1945 as observed by the British authorities and finally a wide-ranging comparatiste essay on why Germany did not experience a 20th century revolution in spite of the tremendous upheavals it suffered.

'J.P.T. Bury's classic history takes the reader on a switchback ride across violently changing regimes and republics, cultural and artistic movements.' - BBC History Magazine

First published in 1940, the original blurb reads: Here is an inquiry how to make a just and lasting peace when the danger of further aggression by Herr Hitler's Germany has been removed. A feature of the book is the stress it lays on Germany's part in forming and fostering a new world order. When the World War ended, cries of "Hang the Kaiser" and "Squeeze the German Orange" hampered the peacemakers and helped to spoil the peace. If that mistake is not to be repeated, public opinion must be prepared for whatever apparent sacrifices may be involved in passing from the old civilization to the new. And if the foundations of the new system are to be well and truly laid, they must rest not only upon the undertakings of governments, but also upon the convictions and the sentiments, the thoughts and the feelings, of individual men and women. To that end people should begin now to think over and discuss with one another how the errors of Versailles are to be avoided and how we are to do better this time. This book by Dr Maxwell Garnett, for 18 years the secretary of the League of Nations Union and Dr H. F. Koeppler will help such thought and talk to prepare the way of lasting peace. Dr Koeppler shows how essential is Anglo-French solidarity in the interests of Germany herself. For the rest he is chiefly concerned with the conflict between German democracy and Prussian Junkerdom as he defines it. He suggests how this conflict may be resolved when the Nazi disciples of the Junkers have left the scene and how Germany may then play an equal part in a new Europe.

Originally published in 1963, this book examines the territorial settlement with Germany at the end of the First World War. It approaches it from the standpoint of British official attitudes and policy in order to discover the pre-Paris-Peace-Conference evolution of British governmental thinking on German boundary issues: to bring out the relationship between British attitudes and those of their allies and to determine British influence on the drafting of the territorial provisions of the ill-fated Treaty of Versailles.

Contesting the Origins of the First World War challenges the Anglophone emphasis on Germany as bearing the primary responsibility in causing the conflict and instead builds upon new perspectives to reconsider the roles of the other Great Powers. Using the work of Terrance Zuber, Sean McMeekin, and Stefan Schmidt as building blocks, this book reassesses the origins of the First World War and offers an explanation as to why this reassessment did not come about earlier. Troy R.E. Paddock argues that historians need to redraw the historiographical map that has charted the origins of the war. His analysis creates a more balanced view of German actions by also noting the actions and inaction of other nations. Recent works about the roles of the five Great Powers involved in the events leading up to the war are considered, and Paddock concludes that Germany does not bear the primary responsibility. This book provides a unique historiographical analysis of key texts published on the origins of the First World War, and its narrative encourages students to engage with and challenge historical perspectives.

In this new book, Spencer Coil examines various models of uniforms and equipment used by the multiethnic French armed forces in the First World War. A carefully chosen and researched selection of period photographs enables the reader to visualize a climactic era in history, as experienced by the poilus (French soldiers) serving in the trenches and on the battlefields. There are detailed chapters covering French machineguns, medical, artillery, motor corps, infantry, chasseur, armored car and tank units as well as the air service and the cavalry's hussars, dragoons and cuirassiers. Other chapters examine the French foreign legion, Zouaves, and Tirailleurs. A full color section shows heretofore unpublished photos of headdress, uniforms, equipment, and accoutrements used by the French armed forces in the First World War. This work is a must for all serious historians, collectors, wargamers, model builders, and re-enactors.

Are science and technology independent of one another? Is technology dependent upon science, and if so, how is it dependent? Is science dependent upon technology, and if so how is it dependent? Or, are science and technology becoming so interdependent that the line dividing them has become totally erased? This book charts the history of technoscience from the late nineteenth century to the end of the twentieth century and shows how the military-industrial-academic complex and big science combined to create new examples of technoscience in such areas as the nuclear arms race, the space race, the digital age, and the new worlds of nanotechnology and biotechnology.