The Konpa Encyclopedia is a reference book that covers the history of Konpa music.
Readers will learn how the Konpa music started in 1955, the meaning of the word "KONPA," how Nemours Jean Baptiste created the formula, and the uniqueness of this genre of music.
The book will help you discover the great work of the Haitian musicians from the 1950s to this date.
If you are interested in knowing more about Konpa music, one of the most popular styles of music of the Caribbean, the "Konpa Encyclopedia" is a book that you must have in your collection.

Pablo's Fandango is an endearing story about a special boy who discovers the cycle of life when he stumbles upon a lifeless animal. He embarks on a journey through the Sierra Madre, and soon discovers that traditions, can also live and later perish. With his grandfather's help, he revives a centuries old genre of Mexican folk music, and through it his love for animals inspires an unexpected surprise for the entire village.

"Pygmy music" has captivated students and scholars of anthropology and music for decades if not centuries, but until now this aspect of their culture has never been described in a work that is at once vividly engaging, intellectually rigorous, and self-consciously aware of the ironies of representation. Seize the Dance! is an ethnomusical study focused on the music and dance of BaAka forest people, who live in the Lobaye region of the Central African Republic. Based on ethnographic research that Michelle Kisliuk conducted from 1986 through 1995, this book describes BaAka songs, drum rhythms, and dance movements--along with their contexts of social interaction--in an elegant narrative that is enhanced by many photographs, musical illustrations, and field recordings on a companion website.

"Music from the Heart" follows Emile Benoit, a fiddler from French Newfoundland, through a rapidly changing musical milieu as he moves from a small rural community to international musical and folk festivals. Seeing himself as a representative of French Newfoundland, Benoit viewed his music as an expression of that identity. In Benoit's tunes one finds reference to the people, places, communities, roads, and natural landmarks that have framed his life. The compositions included represent a range of work that evokes his youthful experiences and follow his career as he leaves home, plays with other musicians, and presents his stories to audiences around the world. Quigley has based his study on years of observation of Benoit's compositional practices, his own experiences performing with Benoit, interviews, and analysis of the thoughts and conceptions of the artist himself.

A true American original is brought to life in this rich and lively portrait of Pete Seeger, who, with his musical grace and inextinguishable passion for social justice, transformed folk singing into a high form of peaceful protest in the second half of the twentieth century. Drawing on his extensive talks with Seeger, "New Yorker" writer Alec Wilkinson lets us experience the man's unique blend of independence and commitment, charm, courage, energy, and belief in human equality and American democracy.
We see Seeger instilled with a love of music by his parents, both classically trained musicians; as a teenager, hearing real folk music for the first time; and as a young man, singing with Woody Guthrie and with the Weavers. We learn of his harassment by the government for his political beliefs and his testimony before the House Un-American Activities Committee in 1949. And we follow his engagement with civil rights, the peace movement, and the environment--especially his work saving the Hudson River and building the ship "Clearwater." He talks ardently about his own music and that of others, and about the power of music to connect people and bind them to a cause. Finally, we meet Toshi, his wife of nearly sixty years, and members of his family, at the house he built on a mountainside in upstate New York.
"The Protest Singer" is as spirited and captivating as its subject--an American icon, celebrating his ninetieth birthday.

"From the Hardcover edition."

The story of Ireland--its graces and shortcomings, triumphs and sorrows--is told by ballads, dirges, and humorous songs of its common people. Music is a direct and powerful expression of Irish folk culture and an aspect of Irish life beloved throughout the rest of the world.

Incredibly, the largest single gathering of Irish folk songs had been almost inaccessible because, originally newspaper based, it was available in only three libraries, in Belfast, Dublin, and Washington D.C. "Sam Henry's "Songs of the People"" makes the music available to a wider audience than the collector ever imagined. Comprising nearly 690 selections, this thoroughly annotated and indexed collection is a treasure for anyone who performs, composes, studies, collects, or simply enjoys folk music. It is valuable as an outstanding record of Irish folk songs before World War II, demonstrating the historical ties between Irish and Southern folk culture and the tremendous Irish influence on American folk music.

In addition to the songs themselves and their original commentary, "Sam Henry's "Songs of the People"" includes a glossary, bibliography, discography, index of titles and first lines, melodic index, index of the original sources of the songs and information about them, geographical index of sources, and three appendixes related to the original song series in the "Northern Constitution."

Estimates put the canon of traditional Irish dance tunes at at least seven thousand compositions. Given this diversity, a common problem faced by musicians and ethnomusicologists is identifying tunes from recordings. This work attempts to solve this problem by developing a Content Based Music Information Retrieval (CBMIR) system adapted to the characteristics of traditional Irish dance music. Included is a comprehensive review of the domain of traditional Irish music and three chapters of related work in the fields of feature extraction, melodic similarity and music information retrieval. A new software system is presented called MATT2 (Machine Annotation of Traditional Tunes) whose goal is to annotate recordings of traditional Irish dance music with useful metadata. A new algorithm is also presented called TANSEY (Turn ANnotation from SEts using SimilaritY profiles) that annotates sets of tunes played segue as is the custom in traditional Irish dance music.

The Traditional Tunes of the Child Ballads begins where Francis Child's The English and Scottish Popular Ballads leaves off. Bronson has collected all available tunes for each of Child's ballads, annotated and organized them, with notes describing the history and development of each tune and tune family. This is an indispensable text for ballad scholars, performers, and students of the ballad tradition.

The Traditional Tunes of the Child Ballads begins where Francis Child's The English and Scottish Popular Ballads leaves off. Bronson has collected all available tunes for each of Child's ballads, annotated and organized them, with notes describing the history and development of each tune and tune family. This is an indispensable text for ballad scholars, performers, and students of the ballad tradition.

The Traditional Tunes of the Child Ballads begins where Francis Child's The English and Scottish Popular Ballads leaves off. Bronson has collected all available tunes for each of Child's ballads, annotated and organized them, with notes describing the history and development of each tune and tune family. This is an indispensable text for ballad scholars, performers, and students of the ballad tradition.

In the autumn of 1961, an obscure recording by a little-known college folk group climbed to the top of the Billboard charts. Upon returning to campus for their senior year, the five Highwaymen found themselves with the number one song not only in the U.S. but throughout most of the world. It was the pinnacle of the last Folk Revival of the 20th century, the time of "Great Folk Music Scare." The era that began with Woody Guthrie, Pete Seeger, and the Weavers, and which would eventually give birth to the legend of Bob Dylan, and those who followed, reached its popular, commercial zenith between 1960-1964. "NUMBER #1" tells the story of folk music-- especially at its commercially successful-- through the lens of the Highwaymen and their experiences. The history of folk music is traced from its roots, through the crucible of the Great Depression and World War II, and into the 1950s and 1960s, where it experienced its greatest popularity. The story continues as the legacy of folk music continues into the 21st century. The Highwaymen-- yes, the originals-- are still singing together and still celebrating the folk tradition with songs old and new. Relive the songs of yesterday, celebrate the sounds of today, and look forward to the music of tomorrow with "NUMBER #1."

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

The Traditional Tunes of the Child Ballads begins where Francis Child's The English and Scottish Popular Ballads leaves off. Bronson has collected all available tunes for each of Child's ballads, annotated and organized them, with notes describing the history and development of each tune and tune family. This is an indispensable text for ballad scholars, performers, and students of the ballad tradition.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Take your partner by the hand and get ready to join the hoedown with this guide to square dancing, a fun and traditional way for friends, neighbours and families of all ages to keep fit and relax. First published in 1949, American Square Dances Of The West And Southwest is a simple and clear introduction to square dancing moves and calls. With the help of instructions and diagrams, learn how to dance traditional figures such as Swing Old Adam, Dive For The Oyster and Four Little Sisters With A Do-Si-Do. Or maybe you'd rather find out how to lead dances as a caller? This book will show you how. Plus, to get you started, there's sheet music for seven favourite tunes included.

"How Can I Keep from Singing?" is the compelling story of how the son of a respectable Puritan family became a consummate performer and American rebel. Updated with new research and interviews, unpublished photographs, and thoughtful comments from Pete Seeger himself, this is an inside history of the man Carl Sandburg called "America's Tuning Fork." In the only biography on Seeger, David Dunaway parts the curtains on his life.
Who is this rail-thin, eighty-eight-year-old with the five-string banjo, whose performances have touched millions of people for more than seven decades? Bob Dylan called him a saint. Joan Baez said, "We all owe our careers to him." But Seeger's considerable musical achievements were overshadowed by political controversy when he became perhaps the most blacklisted performer in American history. He was investigated for sedition, harassed by the FBI and the CIA, picketed, and literally stoned by conservative groups. Still, he sang.
Today, Seeger remains an icon of conscience and culture, and his classic antiwar songs, sung by Bruce Springsteen and millions of others, live again in the movement against foreign wars. His life holds lessons for surviving repressive times and for turning to music to change the world.
"This biography is a beauty. It captures not only the life of the bard but the world of which he sings."
-Studs Terkel
"A fine and meticulous biography . . . Dunaway has taken [Seeger's] materials and woven them into a detailed, interesting, and well-written narrative of a most fascinating life."
"-American Music"
"An extraordinary tale of an extraordinary man [that] will intrigue not only his legions of followers but everyone interested in one man's battles and victories."
"-Chicago Sun-Times"

"Calypsonians have long been the voice of the people, delivering the complaints, criticisms and even the solutions to political leaders. In its earliest manifestations, calypso music emerged in response to a cultural climate that demanded creative modes of expression that could both resist and record political and historical changes taking place in Trinidad and Tobago. Since the 1920s and 1930s, calypsonians typically have composed songs that chronicle their observations and opinions on current events focusing on specific occurrences, from local scandals to current affairs while also examining broader trends. Not only has calypso served as an unofficial record of historical events, it emerged as a cultural weapon that yielded tremendous sway within the general audiences of the Caribbean region. This collection includes contributions from calypsonians, critics, novelists and poets alike, all engaged in representing Caribbean culture in its myriad forms. It represents an array of convergences across critical perspectives, political and social agendas, generations and national boundaries. The work of numerous calypsonians and other singers are explored, including Sparrow; Kitchener; Chalkdust; Denise Belfon; and writers such as Samuel Selvon, V.S. Naipaul, Jean Rhys, Errol John, Paul Marshall, Earl Lovelace and Lashkmi Persaud. The comparative analyses provide an interdisciplinary approach to Cultural Studies making the volume essential reading for students, scholars and calypso enthusiasts. "

Ewan MacColl is one of the outstanding British singers and songwriters of the mid to late 20th century, and his work has been covered by artists including Roberta Flack, Johnny Cash and the Pogues. He was also a committed political activist. For sixty years he was at the cultural forefront of numerous political struggles, producing plays, songs and radio programmes on subjects ranging from the Spanish Civil War to the Poll Tax. A founder-member of Theatre Workshop, MacColl was the famous company's resident dramatist, and his plays earned the admiration of contemporaries including George Bernard Shaw, Sean O, Casey and Hugh MacDiarmid. MacColl lived an energetic and colourful life. authorisation of his collaborator and widow, Peggy Seeger. It charts MacColl's early years, his involvement in the Communist Party, in radical theatre, his pioneering radio programmes, as well as his extensive work in the British folk-revival. Exhaustively researched and energetically written, this is an illuminating account of a major and controversial twentieth-century political artist.

(Waltons Irish Music Books). Twenty famous Irish songs and ballads in easy arrangements for piano, voice and guitar are included in this collection. Songs include: A Bunch of Thyme * Carrickfergus * Cockles and Mussels * Connemara Cradle Song * Danny Boy (Londonderry Air) * I'll Take You Home Again, Kathleen * The Last Rose of Summer * Matt Hyland * The Sally Gardens * Slievenamon * Spancil Hill * The Spinning Wheel * The Black Velvet Band * The Jug of Punch * The Lark in the Clear Air * The Mountains of Mourne * The Old Woman from Wexford * The Rising of the Moon * and more.