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Music > Folk
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The Con
(CD)
Tegan And Sara, Christopher Walla, Sara Quin, Tegan Quin; Performed by Tegan And Sara
1
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R130
Discovery Miles 1 300
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Out of stock
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Port
(CD)
Forabandit
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R279
Discovery Miles 2 790
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Out of stock
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Impossible Dream CD (2004)
(CD)
Patty Griffin; Contributions by Patty Griffin, Ethan Allen, Robbie Adams; Produced by Diane Weidenkopf, …
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R236
Discovery Miles 2 360
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Out of stock
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Patty Griffin's Impossible Dreamcomes with a word of caution from
the artist: "There's no ear candy this time," she says.A veteran
listener could be forgiven for wondering what in the world she's
talking about. Every Patty Griffin album offers, often
simultaneously, beauty and challenge. The depth of her lyric
writing and the intensity of her singing have never relented, and
if her last studio album, 1000 Kisses, ended on the exultant note
of the Mexican ballad, "Mil Besos," every second of that exultation
felt honestly earned for both singer and audience.But Impossible
Dreamdoes return her to a world of even greater emotional and
social turmoil, the world in which her "Truth #2" became, for her
friends the Dixie Chicks, the song that spoke most clearly about
what it's like to be censored. Griffin doesn't write protest music,
but songs like "Don't Come Easy" and "Cold As It Gets" come
straight out of a way of seeing the world with politicized eyes. At
times here, Griffin sounds like one of her great influences, James
Baldwin, never more so than on the opening track, "Love Throws a
Line," where the point is that either we catch on to the value of
loving one another or we're all sunk."There really has to be a time
of awakening in our civilization," she says, "or we're gonna lose
some things we take for granted. Most of all, we have to start
paying attention to each other and the planet."Like Baldwin,
Griffin makes it hard to see where the personal and the political
separate-or perhaps, shows us how they really don't. For Impossible
Dreamprobably ranks as her most personal album. From the beginning,
Patty Griffin songs have spoken in the voices of others-older
people, particularly, which happens again here in "Top of the
World" (which also has been done by the Dixie Chicks) and "Mother
of God." But many more of the songs this time speak straight from
the singer. At times, she speaks so directly, it's as if she's
peering into the listener's face to measure whether she's getting
through.In part, that's because she decided on this album she would
"edit less and return to some basic things where I started."
Prominent among these: black gospel music. Seeing Mavis Staples
live for the first time not long before the sessions began cinched
the deal. "I really love the music," Patty says. "Its messages are
heavy and painful, but at the end of Mavis singing something like
'God's Not Sleeping,' you feel happy." She'd moved away from that
influence because "at some point, I made a conscious decision not
to sing that music-nothing worse than bad white blues." But tracks
like "Love Throws a Line," clearly modeled on the jaunty rhythms of
Sister Rosetta Tharpe, and "Standing," with its portentous beat,
knife-edge guitar licks and testifying dynamic evoking classic
pre-pop Staples Singers, reflect the best kind of white adaptation
of black religious music.But that's only one flavor on the record.
She uses many of the same musicians who made the quiet music on
1000 Kissesto rock on tracks like "Cold As It Gets" and "Useless
Desires." The backing vocals of Emmylou Harris, producer Craig
Ross, and Buddy and Julie Miller add Americana flavor.Impossible
Dreamis personal in another way, too. The title song, or an
abbreviated vesion of it, is sung by her parents, dedicated amateur
singers who, Patty remembered, loved the Man of LaMancha original
cast album when she was a kid. That track stands dead center on a
record where home is a place lost, found, fled, and longed for. For
Patty, Impossible Dreamspeaks "from a time when people thought
about nobility, when they were trying to be above greed."Clearly,
that's not this time, but then another of Patty Griffin's great
subjects is feeling out of place. In the same lyric where she
wonders if she's ever going to make it home, she makes a promise,
the promise that lies at the heart of this record, the heart of her
art:If you break down, I'll drive out and find you/If you forget my
love, I'll try to remind you/I'll stay by you when it don't come
easy/When it don't come easy.That's not ear candy. It's soul food.
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Bareback
(CD)
Hank Dogs; Recorded by Hank Dogs
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R219
Discovery Miles 2 190
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Out of stock
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Jigdoll
(CD)
Hannah James
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R308
Discovery Miles 3 080
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Out of stock
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Elvisgrass
(CD)
Various Artists, Grass Masters
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R250
Discovery Miles 2 500
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Out of stock
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