In the summer of 1980, the eyes of the world turned to the Gdansk shipyard in Poland which suddenly became the nexus of a strike wave that paralyzed the entire country. The Gdansk strike was orchestrated by the members of an underground free trade union that came to be known as Solidarnosc [Solidarity]. Despite fears of a violent response from the communist authorities, the strikes spread to more than 800 sites around the country and involved over a million workers, mobilizing its working population. Faced with crippling strikes and with the eyes of the world on them, the communist regime signed landmark accords formally recognizing Solidarity as the first free trade union in a communist country. The union registered nearly ten million members, making it the world's largest union to date. In a widespread and inspiring demonstration of nonviolent protest, Solidarity managed to bring about real and powerful changes that contributed to the end of the Cold War. Solidarity:The Great Workers Strike of 1980 tells the story of this pivotal period in Poland's history from the perspective of those who lived it. Through unique personal interviews with the individuals who helped breathe life into the Solidarity movement, Michael Szporer brings home the momentous impact these events had on the people involved and subsequent history that changed the face of Europe. This movement, which began as a strike, had major consequences that no one could have foreseen at the start. In this book, the individuals who shaped history speak with their own voices about the strike that changed the course of history.

Adnan Menderes' election to power in 1950 signalled a new epoch in the history of modern Turkey. For the first time a democratic government ruled the country, taking over Kemal Ataturk's political heirs, the People's Republican Party (CHP), and challenging the Kemalist elite's monopoly on the control of state institutions and society itself. However, this period was short-lived. In 1960, Turkey's army staged a coup d'etat and Menderes was hanged the following year. Here, Mogens Pelt beings by examining the era of the rule of the Democratic Party, and what led to its downfall. Among the chief accusations raised against Menderes by the army was that he had undermined the principles of the founder of modern Turkey, Ataturk, and that he had exploited religion for political purposes. Military Intervention and a Crisis Democracy in Turkey furthermore, and crucially, examines the legacy of the military intervention that brought this era of democratic rule to an end. Although the armed forces officially returned power to the civilians in 1961, this intervention - indeed, this crisis of democracy - allowed the military to become a major player in Turkey's political process, weakening the role of elected politicians. The officer corps claimed that the army was the legal guardian of Kemalism, and that it had the right and duty to intervene again, if the circumstances proscribed it and when it deemed that the values of Ataturk were threatened. Indeed, these were precisely that ground on which the armed forces justified its coup d'etats of 1971 and 1980. This unique exploration of the Menderes period sheds new light on the shaping of post-war Turkey and will be vital for those researching the Turkish Republic, and the influence of the military in its destiny.

Colonial agents worked for fifty years to make a Japanese Taiwan, using technology, culture, statistics, trade, and modern ideologies to remake their new territory according to evolving ideas of Japanese empire. Since the end of the Pacific War, this project has been remembered, imagined, nostalgized, erased, commodified, manipulated, idealized and condemned by different sectors of Taiwan's population. ""The volume covers a range of topics, ""including colonial-era photography, exploration, postwar deportation, sport, film, media, economic planning, contemporary Japanese influences on Taiwanese popular culture, and recent nostalgia for and misunderstandings about the colonial era. "Japanese Taiwan" provides an inter-disciplinary perspective on these related processes of colonization and decolonization, explaining how the memories, scars and traumas of the colonial era have been utilized during the postwar period. It provides a unique critique of the 'Japaneseness' of the erstwhile Chinese Taiwan, thus bringing new scholarship to bear on problems in contemporary East Asian politics.

"When I first began my career as an art appraiser in the '70s], America became enthralled with "Upstairs/Downstairs." Now, forty years later, new versions of the same story lines have recaptured our fascination. While these have been pure fiction, what follows are true vignettes of Old Money life from my years among the rich and quietly famous. And I can assure my readers the real Biddles, DuPonts, and Rockefellers exhibited all the grandeur, falderal-and occasional witlessness-of their made-up British counterparts."
-from "The Appraiser Calls, Encounters with Aristocracy"

"The knowledgeable and always entertaining John Hazard Forbes takes us along as he unlocks the secret enclaves of exclusive families, often exposing much more than the mere value of their possessions."
-E. Shaver, bookseller

"The Appraiser Calls" is the latest addition to the Old Money America book series. Each chapter is a true recollection of the author's encounters with the very rich and quietly famous. Within each self-contained chapter, the reader will meet remarkable people of elegance, whimsy, courage, foolishness, and tragedy - plus the cover-up of a nasty crime.

The Addendum section includes notes on Old Money savior faire, the secret language of America's oldest and richest families, and an actual room by room appraisal of every item inside an elegant New York City townhouse.

Submarines and U-boats-killers beneath the waves
Newbolt's excellent overview of the undersea conflict of the First World War is an essential book for any student of the subject. The author, a recognised authority on naval and maritime history, considers the evolution of the submarine as a weapon of naval warfare before turning his attention to the use of the submariner service during the war. The operations of British submarine bases are described as are the policies of the government of the day regarding the use of submarines in war. Tactical issues concerning the engagement of submarines against warships and vice-versa are also considered. The book describes the activities of British submarines in the Baltic and Mediterranean, and particularly as they were employed in the Dardanelles initiative. An important focus of Newbolt's book is the destructive influence of the highly effective German U-Boat blockade in the Atlantic Ocean. Whilst submarines were employed by the Royal Navy it would be fair to note that the principal objective of the Allies was to pursue the destruction of enemy submarines. The activities of anti-submarine trawlers, smacks and drifters is discussed as are the more aggressive roles of the destroyers, P-Boats, Q-Boats and the activities of the Auxiliary Patrol. Newbolt concludes with the work of the ultimate submarine killer-the submarine itself, before describing the closing stages of the war with the destruction of enemy bases in Belgium. Recommended.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

This ground-breaking comparative perspective on the subject of World War II war crimes and war justice focuses on American and German atrocities. Almost every war involves loss of life of both military personnel and civilians, but World War II involved an unprecedented example of state-directed and ideologically motivated genocide-the Holocaust. Beyond this horrific, premeditated war crime perpetrated on a massive scale, there were also isolated and spontaneous war crimes committed by both German and U.S. forces. The book is focused upon on two World War II atrocities-one committed by Germans and the other by Americans. The author carefully examines how the U.S. Army treated each crime, and gives accounts of the atrocities from both German and American perspectives. The two events are contextualized within multiple frameworks: the international law of war, the phenomenon of war criminality in World War II, and the German and American collective memories of World War II. Americans, Germans and War Crimes Justice: Law, Memory, and "The Good War" provides a fresh and comprehensive perspective on the complex and sensitive subject of World War II war crimes and justice. . Provides historic photographs related to war crimes and trials . An extensive bibliography of primary sources and secondary literature in English and German related to World War II war crimes and trials

Our Way of life and our very existence are under threat. Get educated and resist.

In Aldous Huxley's Brave New World, published in 1932, we are provided with a view into a possible future that shows humanity under total control. It's a world in which babies are created in the laboratory to fit specific job functions and a small number of savages live in the restricted wild lands. "Journey to a Brave New World" uses examples of news reports and the real history- not always the version taught in the classroom -to show how we are being managed and manipulated to allow for a total tyrannical takeover and massive depopulation that could lead us to Huxley's vision.

For over six years, author David Watts has undertaken deep research into the real history of the world and the ways in which it is being manipulated toward a future that only benefits an elite few. He provides many news reports, official documents and quotes from the so called 'elites' to piece the puzzle together. He presents a cohesive exploration of what to expect in the future if we don't become involved in determining our own fate.

"Journey to a Brave New World" seeks to help everyone to put the pieces together, deprogram, and understand both how we are being manipulated and how we can change direction now.

No Accident, Comrade argues that chance became a complex yet conflicted cultural signifier during the Cold War, when a range of thinkers--politicians, novelists, historians, biologists, sociologists, and others--contended that totalitarianism denied the very existence and operation of chance in the world. They claimed that the USSR perpetrated a vast fiction on its population, a fiction amplified by the Soviet view that there is no such thing as chance or accident, only manifestations of historical law (hence the popular American refrain used to refer to Marxism: "It was no accident, Comrade").
By reading an expansive range of American novels published between 1947-2005, alongside nonfiction texts by the likes of Jerzy Kosinski, Daniel Bell, Ian Hacking, and mid-century game theorists, No Accident, Comrade explains how associations of chance with democratic freedom and the denial of chance with totalitarianism circulated in Cold War America. Chance became tied to the liberties of U.S. democracy, whereas its eradication or denial became symptomatic of Soviet tyranny. With works by Nabokov, Ellison, Pynchon, Didion, DeLillo, Colson Whitehead, and many others, Steven Belletto shows how writers developed innovative strategies for dealing with and incorporating these ever-present beliefs about chance and its role in their culture. These newly developed narrative techniques allowed them to theorize, satirize, and make sense of the constantly changing relationship between the individual and the state during a largely rhetorical conflict.

The Oxford Handbook of Contemporary British and Irish Poetry offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland. The book's introduction offers an anthropological participant-observer approach to its variously conflicted subjects, while exploring the limits and openness of the contemporary as a shifting and never wholly knowable category. The five ensuing sections explore: a history of the period's poetic movements; its engagement with form, technique, and the other arts; its association with particular locations and places; its connection with, and difference from, poetry in other parts of the world; and its circling around such ethical issues as whether poetry can perform actions in the world, can atone, redress, or repair, and how its significance is inseparable from acts of evaluation in both poets and readers. Though the book is not structured to feature chapters on authors thought to be canonical, on the principle that contemporary writers are by definition not yet canonical, the volume contains commentary on many prominent poets, as well as finding space for its contributors' enthusiasms for numerous less familiar figures. It has been organized to be read from cover to cover as an ever deepening exploration of a complex field, to be read in one or more of its five thematically structured sections, or indeed to be read by picking out single chapters or discussions of poets that particularly interest its individual readers.

Explores the ways television documents, satirizes, and critiques the political era of the Trump presidency. In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind. The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors-an international group of scholars from a variety of academic disciplines-illuminate the indelible links that exist between television, American politics, and the nation's broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television's complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era. Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection.

Alla Osipenko is the gripping story of one of history's greatest ballerinas, a courageous rebel who paid the price for speaking truth to the Soviet state. The daughter of a distinguished Russian aristocratic and artistic family, Osipenko was born in 1932, but raised almost in a cocoon of pre-Revolutionary decorum and protocol. In Leningrad she studied directly under Agrippina Vaganova, the most revered and influential of all Russian ballet instructors. In 1950, she joined the Mariinsky (then-Kirov) Ballet, where her lines, shapes, movement both exemplified the venerable traditions of Russian ballet and projected those traditions into uncharted and experimental realms. She was the first of her generation of Kirov stars to enchant the West when she danced in Paris in 1956. Five years later, she was a key figure in the sensational success of the Kirov in its European debut. But Osipenko's sharp tongue and candid independence, as well as her almost-reckless flouting of Soviet rules for personal and political conduct, soon found her all but quarantined in Russia. An internationally acclaimed ballerina at the height of her career, she found that she would now have to prevail in the face of every attempt by the Soviet state and the Kirov administration to humble her. Throughout the book, Osipenko talks frankly and freely in a way that few Russians of her generation have allowed themselves to. She discusses her traumatic relationship to the Soviet state, her close but often-fraught relationship with her family, her four husbands, her lovers, her colleagues, her son's arrest for selling dollars in Leningrad and subsequent death. This biography features a cast of characters drawn from all sectors of Soviet and post-Perestroika society.

In 1870, the Orthodox Bulgarian Exarchate was established by the Sultan's decree without the consent of the Patriarchate of Constantinople. The inability to reach a compromise led to a schism within Orthodoxy and divided Ottoman Christian communities into traditionalists versus nationalists, Greeks versus Slavs and Arabs. Those conflicts were exacerbated by the Russo-Turkish war of 1877-1878, refugee movements, and the increasingly deadly rivalry of irredentist Balkan states. Containing Balkan Nationalism focuses on the implications of the Bulgarian national movement that developed in the context of Ottoman modernization and of European imperialism in the Near East. The movement aimed to achieve the status of an independent church, separating ethnic Bulgarians from the jurisdiction of the Patriarchate of Constantinople. Independent church status meant cultural and legal autonomy in the Islamic structure of the Ottoman Empire. Denis Vovchenko highlights the efforts put forth by ecclesiastics, publicists, and diplomats in Russia, the Ottoman Empire, Greece, and Bulgaria in developing and implementing various plans to reconcile ethnic differences within existing religious and dynastic frameworks. The arrangements were often inspired by modern visions of a political and cultural union of Orthodox Slavs and Greeks. Whether put into effect or simply discussed, they demonstrate the strength and flexibility of supranational identities and institutions on the eve of the First World War. The book should encourage contemporary analysts and policymakers to explore the potential of such traditional loyalties to defuse ethnic tensions today and to serve as organic alternatives to generic mechanical models of power-sharing and federation.

The true account of World War II as seen through eyes of thirty-four mid-Western Americans. Covering the war on a year by year basis, it is the story of how the war affected these individuals and their families, many times in their own words. Covered is not only the military who went off to war, but also the wives, the sweethearts, and the children of the military, as well as those who stayed behind to hold down the home front - the factory worker, the German POW guard, the farmer. It is the story of how they willingly struggled with rationing, how they willingly assisted each other when the need arose, how they willingly collected recyclables and other goods for the war effort, without any expectation of compensation. It is also the story of the military members, why and when they entered the service as well as how they served their country in the time of need - the B-17 ball turret gunner, the Higgins boat pilot, the Marine landing on Okinawa and Guam, the Japanese held POW, the WAC and the WAAC. In summary, it is the story of their war A war that "nobody, nobody shirked their duty."