Autobiography of a Garden follows Patterson Webster's twenty-five-year journey as she transforms a beautiful but conventional country property into a 750-acre landscape that challenges what a garden is, or can be. A unique, personal memoir, this book details how a neophyte gardener moved from copying the ideas of other people to learning from them, and finally to striking out on her own. Combining traditions from French and English eighteenth-century gardens with contemporary perspectives, Webster communicates concepts and ideas that underpin the garden's design, sharing a process that evolved over seasons and years. She explores the meaning of creating a garden and the meaning that a garden can create, linking ideas about aging and the passage of time to the reality of growth and death in the landscape and thinking through how art in a garden can reframe questions of memory and our relationship to nature. Using the history of the property as a framework, Webster considers the impact made by those who lived on the land before her: the Abenaki, the early settlers, the cottagers, the farmers, the US southerners who came to Quebec to avoid the summer heat, and the northerners who defeated them in the Civil War. With engaging personal anecdotes, she describes the thinking behind each part of the garden and the examples that guided her, the mishaps and successes she encountered, and her plans for the future. Beautifully photographed and full of inspirational ways of thinking about gardens and gardening, Autobiography of a Garden blends history, horticulture, and art, encouraging readers to make their own surroundings more beautiful and more meaningful.

Yards are not quite wild, yet rarely tamed. Across diverse residential landscapes in North America and beyond, yards are regulated by the state and markets, defined by imaginary property lines on maps, and sometimes central to privilege and exclusion. As urban life is reimagined for greater sustainability, resilience, and adaptation, Living with Yards invites readers to more fully engage with the possibilities of how we can coexist with our urban habitats. Ursula Lang uses the yard as a faceted lens through which to examine the multiple and contradictory ways people live in urban environments, and how perceptions of those environments are shaped by contemporary environmental policies and projects. Visual ethnography and narrative illustrate how inhabitants of Minneapolis live with their yards as sites of social and environmental care while also negotiating difference. Throughout, Lang's subjects engage in diverse and creative everyday practices of cultivation and property ownership, often quite distinct from the environmental policies and projects in place. The process of reimagining cities as more sustainable and equitable must include knowledge of how people live within urban spaces. By conducting in-depth visits to more than forty yards and sharing her results, Lang provokes us to think about what else these realms of daily life might become. Living with Yards chronicles the interplay between the yard as habitat and our inhabitation of it, exploring the changes and innovations a better understanding of urban living might spark.

Parametric Design for Landscape Architects provides a sequence of tutorial-based workflows for the creation and utilization of algorithmic tools calibrated toward the field of landscape architecture. Contemporary practice and projective theory in landscape architecture require the processing and design of data associated with complex systems to adequately represent composite, emergent scenarios. Aligning to both traditional and nascent processes of analysis and digital modeling, this book unpacks and decodes the characterization of algorithmic-based automation, leveraging software that is widely accessible in both academia and professional practice. Curated throughout are workflows that apply to a multiplex of computation programs that widely support the design, analysis, and production of landscapes, primarily concentrated on digital modeling tools Grasshopper and Rhinoceros. It is a much-needed, visually accessible resource to aid in more efficient understanding and creation of tools that automate and re-examine traditional calculations, analyses, drawing standards, form-finding strategies, fabrication preparations, and speculative assessments/simulation. This primer provides professionals and students with multifaceted skill-sets that, when applied in practice, expand and expedite conventional and speculative design workflows applicable to spatial design, and more specifically landscape architecture. The book includes over 200 full-colour drawings, images, and tables to illustrate and support examples throughout.

As much as the nineteenth and early twentieth century gardens and their designs were a product and representation of industrialization and urbanization, they were also motors of change. Gardens became an industry in and of themselves. They were both the last resting places of the dead and cultivated plots for survival. Gardens were therapeutic environments regarded as civilizing, socializing and assimilating institutions, and they were designed and perceived as social landscapes and community playgrounds. Rich with symbolism, gardens were treated as the subject and the setting for literature and painting and were often considered works of art in themselves. In a time of empire, when plants were drawn from across the globe, gardens also reflected territorial conquest and expansion and they fostered national, regional and local identities. A Cultural History of Gardens in the Age of Empire presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

Treasures of Botanical Art reveals the history of botanical painting, its beauty and science, with works from two renowned collections and over one hundred significant artists, dating from the late 1400s through to today. Paintings featured from the Kew collection include works by well-known artists the Bauer brothers, Redoute, Ehret, Fitch, Lilian Snelling and Margaret Mee as well as many lesser known artists. Contemporary works are featured from the Sherwood collection by a host of international artists. Over 200 stunning botanical paintings are showcased in this gift book, accompanied with informative text on the origins, history and relevance of botanical art, as well as information on the plants themselves. Biographies of over 120 artists are provided at the end of the book, revealing the historical and international background of this genre. 'Two of the best botanical minds come together in this beautifully illustrated book...the illustrations, from the Kew Collection, are breath-taking and the text wonderfully informative'. Oxford Times 'This book is a tribute both to Shirley Sherwood and to Kew, and should be bought by everyone with an interest in botanical illustration'. Curtis's Botanical Magazine

Routes and roads make their way into and across the landscape, defining it as landscape and making it accessible for many kinds of uses and perceptions. Bringing together outstanding scholars from cultural history, geography, philosophy, and a host of other disciplines, this collection examines the complex entanglement between routes and landscapes. It traces the changing conceptions of the landscape from the Enlightenment to the present day, looking at how movement has been facilitated, imagined and represented and how such movement, in turn, has conditioned understandings of the landscape. A particular focus is on the modern transportation landscape as it came into being with the canal, the railway, and the automobile. These modes of transport have had a profound impact on the perception and conceptualization of the modern landscape, a relationship investigated in detail by authors such as Gernot BAhme, Sarah Bonnemaison, Tim Cresswell, Finola O'Kane, Charlotte Klonk, Peter Merriman, Christine Macy, David Nye, Vittoria Di Palma, Charles Withers, and Thomas Zeller.

To Design Landscape sets out a distinctively practical philosophy of design, in accessible format. Based on the notion that landscape design is a form-based craft addressing environmental processes and utility, Dee establishes a framework for approaching such craft with modesty and ingenuity, using the concept of "aesthetics of thrift". Employing numerous case studies-as diverse as Hellerup Rose Garden in Denmark; Bloedel Reserve, Bainbridge Island, USA; Rousham Gardens, Oxfordshire, UK and Tofuku-ji, in Kyoto, Japan - to illustrate her ideas, the book is a beautiful portfolio of Dee's drawings, which are both evocative and to the point. The book begins with a 'Foundations' section, which sets out the basis of the approach. 'Principles' chapters then elaborate eleven significant considerations applicable to any design project, regardless of context and scale. Following on, 'Strategies' chapters reinforce the principles, and suggest further ways of designing, adaptable to different conditions. Dee ends with a focus on 'Elements', case studies and verb lists providing sources for the designer to consider how the components - vegetation, water, terrain, structures, soils, weather, and the sky - might be engaged, mediated and joined. Catherine Dee's book is for all those who would craft landscape, from the gardener, to the professional landscape architect, to the student of design

Explore Britain's spellbinding and spectacular ruins. From haunting standing stones to atmosphere abbeys, from abandoned country houses to crumbling mines and deserted military defences, this guide reveals strange beauty and dramatic history hidden in Britain s landscape.

Some of the featured include the dramatic Botallick Mine and Corfe Castle, and prehistoric Stonehenge in the South West. The fabulous keep of Rochester Castle, the extravagant Racton Monument and the remote shingle spit of Orford Ness are just some of the ruins that can be seen in the South East and East. Much of The Midlands and the North is dominated by Hadrian s Wall but there is still much to see, including Lyveden New Bield in Northamptonshire a protected Grade I-listed building and a stark reminder of the impact of religious turmoil in the 16th and 17th centuries. And we mustn't forget the beautifully preserved Neolithic village of Skara Brae the oldest ruin in the whole of the United Kingdom, which can be found in Scotland.

Organised by region and including overview maps, plot your own journey around Britain's remarkable ruins.

The gardens made on the fringes of Central Asia in the past 5000 years form a great arc. From the Fertile Crescent, it runs west to Europe and east to China and Japan. Asia's fringe was a zone of interchange: a vast landscape in which herders encountered farmers and the design of symbolic gardens began. It appears that as they became settlers, nomads retained a love of mobility, hunting and the wild places in which their ancestors had roamed. Central Asian and Indian ideas influenced the garden culture of China, Japan and South East Asia.
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In West Asia, Aryan settlers made hunting parks known as paradises. They were walled enclosures stocked with exotic plants and animals. In East Asia, great landscape parks were used for similar purposes and had a sacred role. Across Asia, gardens were influenced by religious and other beliefs: polytheist, Hindu, Buddhist, Muslim, Daoist, Shinto and Modernist. Early parks and gardens symbolized wild and civilized nature, sometimes conceived as the realms of the Sky God and the Earth Mother. Asian Gardens: History, Beliefs and Design explores the ways in which designs were guided by beliefs.
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Tom Turner has been researching and teaching the theory and history of garden design for some forty years. His visits, research, drawings and photographs are brought together in detailed studies of West Asia, South Asia and East Asia. The period covered extends from the earliest gardens to the present. Using maps, diagrams and photographs, the author explores how and why Asian gardens developed their characteristic forms and functions. Treating garden design as a 'word and image' subject, the account is coherent, comparative and readable. Further details of all the gardens are available on the gardenvisit.com website, which the author edits.

Lord Fairhaven had a vision for his garden. To create a modern version of the grand 18th-century landscape gardens, such as Stourhead and Stowe. With a keen eye, Lord Fairhaven put together one of the largest classical sculpture collections of its time, picking up works at a time when the costly Victorian country house was in decline. Pieces from Wanstead House, Stowe, Chesterfield House and many more have found a superb home at Anglesey.

This beautifully illustrated volume examines the garden as an enduring and evolving cultural resource, in two hundred works by more than one hundred artists. Prints, drawings, photographs, and paintings illuminate the changing aesthetics and uses of gardens from sixteenth-century Italian villas and Louis XIV's Versailles to such democratic urban parks as New York City's Central Park and San Francisco's Crissy Field, adapted from a former military base. Artists' representations of gardens have been organized first to highlight design concepts and individual features, then to focus on historic gardens and parks, and finally to survey the activities within those settings. Among the earliest works included is an engraving of a drawing made in 1570 by Pieter Bruegel the Elder of a garden being vigorously cultivated by many workers. Two centuries later, Giovanni Battista Piranesi and Jean-Honore Fragonard represented the Villa d'Este at Tivoli in a state of neglected grandeur; Hubert Robert's painting of Mereville depicted a garden he helped design. By 1900 Eugene Atget's photographs of Versailles and Camille Pissarro's paintings of the Tuileries convey the enduring structure of French formal gardens. In contrast, American artists Maurice Prendergast, John Singer Sargent, and James McNeill Whistler depicted the pleasures of social activities in that setting. Photographs by Michael Kenna and Bruce Davidson offer contemporary perspectives on these issues.