From 1946 to 1957, Vita Sackville-West, the poet, bestselling author of All Passion Spent and maker of Sissinghurst, wrote a weekly column in the Observer describing her life at Sissinghurst, showing her to be one of the most visionary horticulturalists of the twentieth-century. With wonderful additions by Sarah Raven, Vita Sackville-West's Sissinghurst draws on this extraordinary archive, revealing Vita's most loved flowers, as well as offering practical advice for gardeners. Often funny and completely accessibly written with colour and originality, it also describes details of the trials and tribulations of crafting a place of beauty and elegance. Sissinghurst has gone on to become one of the most visited and inspirational gardens in the world and this marvellous book, illustrated with drawings and original photographs throughout, shows us how it was created and how gardeners everywhere can use some of the ideas from both Sarah Raven and Vita Sackville-West.

Provides a complete, easily replicated design process that sees the designer-as-author, the landscape-as-text, and the participant, user-as-reader. It is also unique in the foundation it sets for learning design, the application of that foundation to doing landscape, architectural or interior design, and the call for landscape architectural design to explicitly address a greater inclusion of people, those left to live with what is designed. Illustrated with locations and landmarks in Canada and the United States. A few are from England, France, Germany, Czechoslovakia, and Italy. They are of readily recognizable features such as walkways, paths, street scenes, and landmarks. Questions and thought-provoking situations provide instructors with discussion points and reader with self-reflective triggers that illuminate their taken-for-granted world.

Marta McDowell returns with a beautiful, gift-worthy account of how plants and gardening deepy inspired Frances Hodgson Burnett, author of the beloved children's classic The Secret Garden. Marta McDowell has revealed the many ways gardening has inspired some of our most cherished authors, including Beatrix Potter, Emily Dickinson, and Laura Ingalls Wilder. In her latest, she does the same with Frances Hodgson Burnett, the author of the classic children's book The Secret Garden. Unearthing The Secret Garden starts by chronicling Frances Hodgson Burnett's childhood and early life, with a focus on her growing interest in gardens and her development as a writer. McDowell also shares details of three gardens Hodgson Burnett created in Kent, Long Island, and Bermuda. A guide to the plants featured in The Secret Garden will delight gardeners. And in a unique addition, McDowell transcribes Hodgson Burnett's delightful essay, "In the Garden," which was published shortly after her death. AUTHOR: Marta McDowell lives, gardens, and writes in Chatham, New Jersey. She consults for public gardens and private clients, writes and lectures on gardening topics, and teaches landscape history and horticulture at the New York Botanical Garden, where she studied landscape design. Her particular interest is in authors and their gardens, the connection between the pen and the trowel. 150 photographs and illustrations

Foreword by Alan Titchmarsh For more than 45 years Hugh Johnson has written Trad's Diary, delighting in recording his observations of his own garden, as well as many others, and of the wider natural world. Free to turn his attention to whatever is happening in that season, or simply something that piques his interest, his subjects are as diverse as the sounds of water, forest walks, the names of roses, the taste for shade he shares with Handel, the colours of autumn, the smell of rain, the private garden discovered within Beijing's Forbidden City or the first crocuses of spring. Month by month, Hugh shares with the reader through his easy, evocative writing an eclectic mix of thoughtful, topical and whimsical insights that will delight not only gardeners but anyone with an interest in nature in all its costumes.

The Sunday Times Gardening Book of the Year Described by Vogue as 'the revelatory garden book for our age' and a 'splendid new book' (Sebastian Shakespeare, Daily Mail), The Private Gardens of England is a glorious celebration of the art of gardening through some of the country's hidden horticultural jewels. Thirty-five English private gardens, thoughtfully selected by the writer and designer Tania Compton, are vividly described in the words of their owners, who bring an astonishing sense of intimacy to their own creations as well as their collaborations with some of the leading garden designers of today. From the Bannermans' romantic Cornish castle to the windswept shores of Howick in Northumberland via Jasper Conran in Somerset and Tom Stuart-Smith in Hertfordshire, an eclectic range of gardens is revealed. The traditional English garden is seen through the fresh eyes of plantswomen such as Mary-Anne Robb at Cothay Manor and Arabella Lennox-Boyd at Gresgarth Hall, alongside Hilborough House in Norfolk and Ferne Park in Dorset that recently only existed as fields. The historic landscape gardens of Boughton House and St Paul's Walden Bury are explored alongside the contemporary and conceptual at Plaz Metaxu in Devon. From the private walled garden at Petworth to the wildflower-strewn meadows of Spye Park, each garden is a testament to the thriving art of English gardening. With contributions from the country's best garden photographers, The Private Gardens of England reveals gardening at its highest level. It will inform and inspire anyone with a love of gardening, beauty and excellence. 'The photographs are take-your-breath-away spellbinding . . . The minute level of detail here will satisfy real gardeners, elevating this book far above its competition.' Sarah Feeley, English Garden 'Captures a brilliant moment in our history, where plantsmanship, good design and love of plants have all come together . . . compelling format . . . the photography and production are superb.' Kathryn Bradley-Hole, Country Life One of Christopher Woodward's Books of the Year in the Evening Standard

Exploration of the New World offered far reaching possibilities for the acquisition of new plants and for trees, but the impact that the introduction of plants from the New World had, and still has, on the English garden is frequently forgotten. Gardens and landscapes were transformed by an influx of American roots and through the past three centuries gardens have displayed important links with the United States of America. The ancestral homes of George Washington, the residence of the American Ambassador in London, the American Museum in Britain and Bletchley Park are of cultural and political importance. Many Dollar Princesses - American heiresses - took an active part in the aristocratic role of garden creation and ex-patriots too, continue to leave a legacy of beautiful gardens. Finally, the book includes memorial gardens of honored Americans: Princess Pocahontas; Mohamet Weyonoman; John F. Kennedy; the Magna Carta Memorial built by the American Bar Association, and at Cambridge, the American Military Cemetery, dedicated to the American Armed Services. American Ancestry in the English Garden is unique in bringing together the story of the first influx of American plant species and an important collection of gardens influenced and/or created by Americans, reflecting social history and often overlooked links between Britain and the United States of America.

Gardeners are inherently curious. They make note of a plant label in a botanical garden and then go home to learn more. They pick up fallen blossoms to examine them closer. They spend hours reading plant catalogues. But they are often unable to accurately name or describe their discoveries. A Botanist's Vocabulary gives gardeners and naturalists a better understanding of what they see and a way to categorize and organize the natural world in which they are so intimately involved. Through concise definitions and detailed black and white illustrations, it defines 1300 words commonly used by botanists, naturalists, and gardeners to describe plants. The terms include simple concepts like petal and sepal, some that apply only to a particular group of plants or to entire ecosystems, and others that are only visible under a microscope. The simple and accessible language and highly detailed black and white illustrations make this the perfect guide for anyone looking for a deeper appreciation of the wonderful world of plants.

This book presents a chronological review of garden design which both simplifies the big picture and supplies a rationale, with examples, of the merits and demerits of each design period while reflecting on the social conditions which generated each one. It gathers together design ideas and their implementation over the last 500 years, presented in historical order and simplified to allow easy digestion by the reader, particularly if meeting the subject for the first time. As such the book demystifies history and identifies the relative importance of new approaches in design, particularly where they are seen to be progressive. Essential examples from each design period or style are included, based upon their contribution to the progress of design and relating to their value, particularly in the teaching of garden and landscape design principles. Thus the reader will be able to quickly grasp the essence of historical design styles, discover where they can go to see them for themselves and to appreciate how relevant they are to present day theories of design.By concentrating on Britain's own heritage the book offers a sound understanding of influences and thereby helps to inform design practice. Since the principles of design are universal, it will be of relevance in many countries throughout the world. The book is illustrated with photographs, diagrams and plans, creating a readily-accessible and informative volume.

A journey through the most unlikely of gardens: the oases of peace people create in the midst of war In this millennium, we have become war weary. From Afghanistan to Iraq, from Ukraine to South Sudan and Syria, from Kashmir to the West Bank, conflict is as contagious and poisonous as Japanese knotweed. Living through it are people just like us with ordinary jobs, ordinary pressures and ordinary lives. Against a new landscape of horror and violence it is up to them to maintain a modicum of normality and colour. For some, gardening is the way to achieve this. Working in the world's most dangerous war zones, freelance war correspondent and photographer Lally Snow has often chanced across a very moving sight, a testimony to the triumph of the human spirit in adversity, a celebration of hope and beauty: a war garden. In Kabul, the royal gardens are tended by a centenarian gardener, though the king is long gone; in Camp Bastion, bored soldiers improvise tiny gardens to give themselves a moment's peace; on both sides of the dividing line in Jerusalem families tend groves of olives and raise beautiful plants from the unforgiving, disputed landscape; in Ukraine, families tend their gardens in the middle of a surreal, frozen war. War Gardens is a surprising, tragic and beautiful journey through the darkest places of the modern world, revealing the ways people make time and space for themselves and for nature even in the middle of destruction. Illustrated with Lally Snow's own award-winning photography, this is a book to treasure.

When Page Dickey moved away from her celebrated garden at Duck Hill, she left a landscape she had spent thirty-four years making, nurturing, and loving. She found her next chapter in southern Connecticut, on 17 acres of rolling fields and woodland around a former Methodist church. In Uprooted, celebrated garden writer Page Dickey reflects on this transition and on what it means for a gardener to start again. In these pages, fol low her journey: searching for a new home, discovering the ins and outs of the landscape surround ing her new garden, establishing the garden, and learning how to be a different kind of gardener. The sur prise at the heart of the book? Although Dickey was sad to leave her beloved garden, she found herself thrilled to begin a new garden in a wilder, larger landscape. Written with humour and elegance, Uprooted is an endearing story about transitions - and the satisfaction and joy that new horizons can bring.

Daniel Hinkley is widely recognised as one of the fore most modern plant explorers and one of the world's lead ing plant collectors. He has created two outstanding pri vate gardens - Heronswood and Windcliff. Both gardens, and the story of how one begat the other, are beautifully celebrated in Hinkley's new book, Windcliff. In these pages you will delight in Hinkley's recounting of the cre ation of his garden, the stories of the plants that fill its space, and in his sage gardening advice. Hinkley's spirited ruminations on the audac ity and importance of garden making - contemplations on the beauty of a sunflower turning its neck from dawn to dusk, the way a plant's scent can spur a memory, and much more - will appeal to the hearts of every gardener. Filled with Claire Takacs's otherworldly photography, Windcliff is spectacular for both its physical beauty and the quality of information it contains.

This book addresses the question 'Why draw?' by examining the various dynamic relationships between media, process, thought and environment. Highly illustrated, the book brings together authors from the fields of architecture, landscape architecture and art and demonstrates that designing through drawing is fundamentally different from designing on a screen.

The Marlborough Mound has recently been recognised as one of the most important monuments in the group around Stonehenge. It was also a medieval castle and a feature in a major 17th century garden. This is the first comprehensive history of this extraordinary site. Marlborough Mound, standing among the buildings of Marlborough College, has attracted little attention until recently. Records showed it to be the motte of a Norman castle, of which there were no visible remains. The local historians and archaeologists who had investigated it had found very little in the way of archaeological evidence beyond a few prehistoric antler picks, the odd Roman coin, and a scatter of medieval pottery. It was to be archaeology which provided the most dramatic discovery after the Mound Trust began to restore the mound in 2003. English Heritage were investigating Silbury Hill, and arranged to take cores from the Mound for dating purposes. The results were remarkable, as they showed that the Mound was almost a twin of Silbury Hill and therefore belonged to the extraordinary assembly of prehistoric monuments centred on Stonehenge. For the medieval period, this book brings together for the first time all that we know about the castle from the royal records and from chronicles. These show that it was for a time one of the major royal castles in the land. Most of the English kings from William I to Edward III spent time here. For Henry III and his queen Eleanor of Provence, it was their favourite castle after Windsor. It marks the end of the first stage of the work of the Mound Trust, which, following the restoration, turns to its second objective of promoting public knowledge of the Mound based on scholarly research. As to its final form as a garden mound next to the house of the dukes of Somerset, in the eighteenth century, this emerges from letters and even poems, and from the recent restoration. Much of this has been slow and painstaking work, however, involving the removal of the trees which endangered the structure of the Mound, the recutting of the spiral path and the careful replanting of the whole area with suitable vegetation. By doing this, the shape of the Mound as a garden feature has re-emerged, and can now be seen clearly. This book marks the end of the first stage of the work of the Mound Trust, which, following the restoration, turns to its second objective of promoting public knowledge of the Mound based on scholarly research.

Locus Amoenus provides a pioneering collection of new perspectives on Renaissance garden history, and the impact of its development. Experts in the field illustrate the extent of our knowledge of how the natural world looked and how humans related to their environment. * A ground-breaking collection of new perspectives on garden history * Essays demonstrate the extent of our knowledge of how the natural world looked and how humans related to their environment * The book's broad coverage includes botany and herbals, literary reflections of changing ideas of landscape and nature, and human's place within it * Contributors come from a wide range of experts, including archaeologists, scholars and the librarian and archivist to the Royal Horticultural Society * Reflects the growing emergence of this field, which has been assisted both by archaeology and ideas from green studies and environmental criticism * Richly illustrated throughout

A steep hillside garden in Singapore. A garden defined by shape and light in Marrakech. A haunting tree museum in Switzerland. These are just a few of the outstanding gardens featured in Gardenlust, a sumptuous exploration of the world's best new gardens. Intrepid plant expert Christopher Woods explores the best modern gardens from around the world, introducing us to private and public spaces that offer unparalleled innovation and beauty. Traveling from the Americas and Europe to Africa and the Arabian Peninsula, from Asia to Australia and New Zealand, readers will discover the people and plants that bring these gardens to life and the stories that make them memorable. Featuring fifty gardens and packed with hundreds of stunning photographs, Gardenlust is a remarkable and unforgettable botanical tour.

Clare Leighton was one of the finest engravers of the twentieth century. In the 1930s, when she settled in the countryside with her long-term partner, the political journalist Henry Noel Brailsford, she turned her creativity to the land. Gardening became her passion. Her obsession. This is the story of the garden she carved from meadowland deep in the Chiltern Hills. 'Phrases and images fill you with delight . . . This is the most honest writing I've ever read '--Carol Klein.

A delightful journey through the glamorous story of the English country house party by the bestselling historian. Croquet. Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend: 'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

Teaching Landscape: The Studio Experience gathers a range of expert contributions from across the world to collect best-practice examples of teaching landscape architecture studios. This is the companion volume to The Routledge Handbook of Teaching Landscape in the two-part set initiated by the European Council of Landscape Architecture Schools (ECLAS). Design and planning studio as a form of teaching lies at the core of landscape architecture education. They can simulate a professional situation and promote the development of creative solutions based on gaining an understanding of a specific project site or planning area; address existing challenges in urban and rural landscapes; and often involve interaction with real stakeholders, such as municipality representatives, residents or activist groups. In this way, studio-based planning and design teaching brings students closer to everyday practice, helping to prepare them to create real-world, problem-solving designs. This book provides fully illustrated examples of studios from over twenty different schools of landscape architecture worldwide. With over 250 full colour images, it is an essential resource for instructors and academics across the landscape discipline, for the continuously evolving process of discussing and generating improved teaching modes in landscape architecture.

SHORTLISTED FOR THE EDWARD STANFORD PHOTOGRAPHY TRAVEL BOOK OF THE YEAR 'A fabulous, bonsai-filled book' Daily Mail The complement to the BBC2 series, Japanese Gardens: written by the nation's favourite gardener Monty Don, and beautifully produced with over 200 original photographs from Derry Moore. Traditional Japanese gardens combine aesthetics with ethics in a perfectly curated celebration of nature. A Japanese garden is the natural world made miniature: rocks represent mountains, ponds represent seas. In this personal and lyrical exploration of both the traditional and the modern aspects of Japanese gardening, Monty Don takes a look at the traditions and culture which inform some of the most beautiful gardens from all over Japan, from Kenroku-en to the Zen gardens of Tokyo and the historic beauty of Kyoto. Monty Don and Derry Moore guide us through the history and spectacular seasons of Japanese gardens, from the famous cherry blossom celebration hanami to the autumnal crimson magnificence of momijigari. Monty Don also explores the creative forms uniquely associated with Japanese gardens, from stone-masonry and ikebana to the intricate skill of bonsai. Stunningly photographed by Derry Moore, Japanese Gardens is a fascinating exploration of a unique relationship with gardens. 'An illuminating insight not only into the history and horticulture of some remarkable gardens but also into the Japanese culture and psyche' Gardens Illustrated ALSO BY MONTY DON & DERRY MOORE PARADISE GARDENS: THE WORLD'S MOST BEAUTIFUL ISLAMIC GARDENS As seen on the highly acclaimed BBC2 series, a glorious celebration of the richness of Islamic culture through some of the most beautiful gardens on earth. 'Sun-filled escapism' Country Life 'Simply breathtaking' Love it!

The Routledge Research Companion to Landscape Architecture considers landscape architecture's increasingly important cultural, aesthetic, and ecological role. The volume reflects topical concerns in theoretical, historical, philosophical, and practice-related research in landscape architecture - research that reflects our relationship with what has traditionally been called 'nature'. It does so at a time when questions about the use of global resources and understanding the links between human and non-human worlds are more crucial than ever. The twenty-five chapters of this edited collection bring together significant positions in current landscape architecture research under five broad themes - History, Sites and Heritage, City and Nature, Ethics and Sustainability, Knowledge and Practice - supplemented with a discussion of landscape architecture education. Prominent as well as up-and-coming contributors from landscape architecture and adjacent fields including Tom Avermaete, Peter Carl, Gareth Doherty, Ottmar Ette, Matthew Gandy, Christophe Girot, Anne Whiston Spirn, Ian H. Thompson and Jane Wolff seek to widen, fuel, and frame critical discussion in this growing area. A significant contribution to landscape architecture research, this book will be beneficial not only to students and academics in landscape architecture, but also to scholars in related fields such as history, architecture, and social studies.

Much has been written about London's terraced houses with their simple dignity, their economical use of space, and their sense of comfort and human scale. Yet the small gardens that lie before or behind the houses in this great city have until now been overlooked. In this groundbreaking account of the development of the private garden in London, eminent garden historian Todd Longstaffe-Gowan provides a delightful remedy to the oversight. Recognizing the contribution of modest domestic gardens to the texture of eighteenth-and early nineteenth-century London, Longstaffe-Gowan explores in full detail the small gardens, their owners, and their significance to the development of the metropolis. Some two hundred illustrations enhance this rich and fascinating discussion.

Town gardening was conventionally maligned as a trifling pursuit conducted within inhospitable and infertile enclosures. This view changed during the eighteenth century as middle class Londoners found in gardening activities an outlet for personal enjoyment and expression. This book describes how gardening affected the lives of many, becoming part of the ritual of the daily round and gratifying material aspirations.

Within the spatial design disciplines, research through design as a tool and practice has often been neglected. This book provides a much-needed companion to the theories, methods and processes involved in using design-based research in landscape, architecture and urban design. Aimed specifically at researchers completing PhD projects, supervisors and designers working in practice, it covers applied approaches to help you to use design research in your work. With fully illustrated examples of original international design research PhDs from a variety of programme types, such as individual, structured and practice-based, Design Research for Urban Landscapes offers PhD candidates and supervisors a clear foundational pathway.

Compiling nine authoritative essays spanning an extensive academic career, author Kenneth R. Olwig presents explorations in landscape geography and architecture from an environmental humanities perspective. With influences from art, literature, theatre staging, architecture, and garden design, landscape has come to be viewed as a form of spatial scenery, but this reading captures only a narrow representation of landscape meaning today. This book positions landscape as a concept shaped through the centuries, evolving from place to place to provide nuanced interpretations of landscape meaning. The essays are woven together to gather an international approach to understanding the past and present importance of landscape as place and polity, as designed space, as nature, and as an influential factor in the shaping of ideas in a just social and physical environment. Aimed at students, scholars, and researchers in landscape and beyond, this illustrated volume traces the idea of landscape from the ancient polis and theatre through to the present day.

Expanding Disciplinarity in Architectural Practice presents an argument for the role of an architect as a generalist with a particular ability to bring spatial intelligence to bear on the significant issues of planning, settlement, and identity. The book draws on strategy and planning, landscape, infrastructure, urbanism, historical conservation, and interpretation, architecture, and the creative reuse of existing structures to encourage you to incorporate a holistic approach to your designs. Tracing a series of projects developed by his practice 5th Studio, author Tom Holbrook argues the critical importance of involving spatial practitioners in large scale strategies and designs to combine interdisciplinary thinking and concrete experience of buildings. The book incorporates interviews with prominent figures in the field of architecture, eleven UK case studies, and over 200 beautiful illustrations including the author's own award-winning designs. With twenty years of evolving practical experience, together with associated research, teaching, and writing, Holbrook shows you how a participatory infrastructure creates a crucial bridge between strategic thinking and the reality of the built environment. This book is a must-read for professionals seeking to incorporate broader design strategy into their practice.

What do the celebrated actors, the bestselling novelist, the Nepalese Sherpa and the famous model have in common? Like millions of us, they love their gardens - and with good reason, too. Gardening is an art form through which we can all express ourselves. In the words of that grande dame of gardeners Penelope Hobhouse, 'Gardening makes people happy.' And, as gardening editor of The Sunday Times, Caroline Donald has been allowed beyond the gate of many a private paradise to share this passion. Included in The Generous Gardener are the stories, in words and pictures, of more than forty private gardens, including those belonging to Jim Carter and Imelda Staunton, Jilly Cooper, William Christie, Harrison Birtwistle, Kelly Brook, Natasha Spender, Catherine FitzGerald and Dominic West, Julian and Isabel Bannerman, Penelope Hobhouse, Bob Flowerdew, Roy Lancaster, Luciano Giubbilei, and Dan Pearson.