This is the third in a series of books celebrating the finest gardens in Britain and follows on from the best-selling 'The Cotswold's Finest Gardens' and 'The Finest Gardens in Wales'. The Finest Gardens of the South West is an inspirational celebration of the very best gardens in the West Country of England, covering an area from Cornwall to the Wiltshire and Hampshire borders. Using informative, evocative text and stunning imagery, garden writer and broadcaster Tony Russell captures the very essence of the fifty finest gardens within this region and explores their history, design, plants and personalities. The diversity of gardens to be found in the South West and within this book is truly astonishing. Within these pages you will find gardens full of subtropical plants, such as Tresco on the Isles of Scilly and Overbeck's in Devon, modern-day creations at The Eden Project and University of Bristol Botanic Garden, historical restorations at The Lost Gardens of Heligan and Hestercombe in Somerset and botanically important gardens such as the Royal Horticultural Society's garden at Rosemoor and Trewithen in Cornwall. All the gardens featured within this book allow public access at some time during each year. The Finest Gardens of the South West is quite simply one of the finest books on the subject and essential reading for anyone interested in visiting and understanding gardens. Just like its predecessors, it will undoubtedly become a best-selling classic, a book that works equally as well on the coffee table or as a faithful companion in the car.

The Middle Ages was a time of great upheaval - the period between the seventh and fourteenth centuries saw great social, political and economic change. The radically distinct cultures of the Christian West, Byzantium, Persian-influenced Islam, and al-Andalus resulted in different responses to the garden arts of antiquity and different attitudes to the natural world and its artful manipulation. Yet these cultures interacted and communicated, trading plants, myths and texts. By the fifteenth century the garden as a cultural phenomenon was immensely sophisticated and a vital element in the way society saw itself and its relation to nature. A Cultural History of Gardens in the Medieval Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

The perfect book on how to make your garden the best it can be. 'Essential reading' Country Life 'Funny, encouraging, informative' Sunday Times Would your garden, small or large, in town or country, win a prize? Is there room for improvement? Everybody has favourite plants, but the ability to put them all together to ensure a splendid show throughout the year is a skill that must be acquired. THE WELL-CHOSEN GARDEN will guide you to making the most of your available space, help you avoid untimely gaps, colour clashes and many other pitfalls of garden planning. The perfect book for new and experienced gardeners alike.

England is a nation of gardeners and most of us garden in suburbia. A private paradise encompassed by privet, the suburban garden contains in its small compass the hopes and dreams of millions of gardeners past and present. From Victorian shrubberies to the 1980s 'Good Life', these small plots reveal the ever-changing aspirations and realities of the suburban dweller. Lauded by estate agents and satirised in literature, suburban plots are scattered with seating, sundials, goldfish ponds, and that most divisive of features: the overgrown hedge. With one foot in the country and one in the town, suburban garden style wavers from rural retreat to urban chic, decorative to productive, floral to formal. At its heart it is defined by its location and its size. Neglected by history, and sometimes in reality, this book celebrates the gardens that make up the green patchwork of suburbia. This book is part of the Britain's Heritage series, which provides definitive introductions to the riches of Britain's past, and is the perfect way to get acquainted with Suburban Gardens in all their variety.

This title encounters an urban landscape through the eye of a gardener.New to living and gardening in Philadelphia, Sharon White begins a journey through the landscape of the city, past and present, in Vanished Gardens. In prose, now as precise and considered as the paths in a parterre, now as flowing and lyrical as an Olmsted vista, White explores the city as a part of its ecosystem and animates the lives of individual gardeners and naturalists working in the area around her home.In one section of the book, White tours the gardens of colonial botanist John Bartram; his wife, Ann; and their son, writer and naturalist William. Other chapters focus on Deborah Logan, who kept a record of her life on a large farm in the late eighteenth century, and Mary Gibson Henry, twentieth-century botanist, plant collector, and namesake of the lily Hymenocallis henryae. Throughout White weaves passages from diaries, letters, and memoirs from significant Philadephia gardeners into her own striking prose, transforming each place she examines into a palimpsest of the underlying earth and the human landscapes layered over it.White gives a surprising portrait of the resilience and richness of the natural world in Philadelphia and of the ways that gardening can connect nature to urban space. She shows that although gardens may vanish forever, the meaning and solace inherent in the act of gardening is always waiting to be discovered anew.

This is a compelling story about the decline and rebirth of a 100 year old garden. Until recently, the Blue Garden, an icon of Gilded Age splendour in Newport, Rhode Island, was known only from hand-tinted slides dating from 1917. Originally designed in collaboration with the garden's original owner by Frederick Law Olmsted, Jr, and the Olmsted firm--founded by his father, the great landscape architect responsible for Central Park, New York City--it has now been brought back to life. Landscape historian Arleyn A. Levee tells a fascinating and carefully researched narrative about the garden's origins, development, heyday, decay and ultimate renaissance. The Blue Garden skillfully interweaves the garden's design and social history, and stories of its founders and the Olmsted firm, with historical photos, original drawings and sketches, and images of the restored garden from 2015. This is a timeless and inspiring account of the devoted patrons, skilled artisans and great designers behind the creation and revival of a masterpiece, made possible by the vision of a devoted patron, and the relevance of historic preservation of gardens in the 21st century.

The West Country is famed for its orchards, but why are they here? As the campaign to save and celebrate English orchards gathers momentum, this book explores their fascinating and - until now - neglected history. Why is Glastonbury known as Avalon, the Isle of Apples? What made Redstreak Cyder the most popular drink of the seventeenth century? Who was Dr Ashmead, cultivator of the connoisseur's favourite apple, Ashmead's Kernel? How did a Somerset vicar come to make cider for Queen Victoria?This rich, wide-ranging book takes a long historic look at changing fashions and fortunes - asking why thirteenth-century monks and Edwardian landowners planted orchards, and why post-war governments paid farmers to destroy them. The author argues that Apple Day (October 21) should be made our national autumn holiday. He examines the role of Common Ground, the National Trust and other organisations in preserving and restoring orchards, and asks: what can we do to make our orchards as profitable as they were in centuries past?

The forgotten garden that inspired Charles Darwin becomes the modern-day setting for an exploration of memory, family, and the legacy of genius. Darwin never stopped thinking about the garden at his childhood home, The Mount, in Shrewsbury, Shropshire. It was here, under the tutelage of his green-fingered mother and sisters, that he first examined the reproductive life of flowers, collected birds' eggs, and began the experiments that would lead to his theory of evolution. A century and a half later, with one small child in tow and another on the way, Jude Piesse finds herself living next door to this secret garden. Two acres of the original site remain, now resplendent with overgrown ashes, sycamores, and hollies. The carefully tended beds and circular flower garden are buried under suburban housing; the hothouses where the Darwins and their skilful gardeners grew pineapples are long gone. Walking the pathways with her new baby, Piesse starts to discover what impact the garden and the people who tended it had on Darwin's work. Blending biography, nature writing, and memoir, The Ghost in the Garden traces the origins of the theory of evolution and uncovers the lost histories that inspired it, ultimately evoking the interconnectedness of all things.

Get out in your garden and discover the history hidden in the hedges. Did the Romans have rakes? Did the monks get muddy? Did potatoes seem really, really weird when they arrived on our shores? Drawn from Jenny Uglow's own love for plants, this lively 'potted' history of gardening in Britain takes us on a garden tour from the thorn hedges around prehistoric settlements to the rage for ornamental grasses and 'outdoor rooms' today. Tracking down the ordinary folk who worked the earth - from weeding women to florists - as well as aristocrats and grand designers and famous plant-hunters, A Little History of British Gardening is brought to life by gorgeously vivid illustrations and Uglow's insightful wisdom. Not only dealing with flowery meads, grottoes and vistas, landscapes and ha-has, parks and allotments, Uglow explains, for example, how the Tudors made their curious knots; how housewives used herbs to stop freckles; how the suburbs dug for victory in World War II. With a brief guide to particular historic or evocative gardens open to the public, this is a book to put in your pocket when planning a crisp, winter's day out - but also to read in your armchair with a well-earned glass of red, after a hard day's graft in your own garden. 'Enchanting, stirringly evocative and fascinating' Daily Mail 'This book will be a joy for any gardener' Independent

The earliest record of an enclosed space around a homestead come from 10,000 BC and since then gardens of varying types and ambition have been popular throughout the ages. Whether ornamental patches surrounding wild cottages, container gardens blooming over unforgiving concrete or those turned over for growing produce, gardens exist in all shapes and sizes, in all manner of styles. Today we benefit from centuries of development, be it in the cultivation of desirable blossom or larger fruits, in the technology to keep weeds and lawn at bay or even in the visionaries who tore up rulebooks and cultivated pure creativity in their green spaces. George Drower takes fifty objects that have helped create the gardening scene we know today and explores the history outside spaces in a truly unique fashion. With stunning botanical and archive images, this lavish volume is essential for garden lovers.

Important Note about PRINT ON DEMAND Editions: You are purchasing a print on demand edition of this book. This book is printed individually on uncoated (non-glossy) paper with the best quality printers available. The printing quality of this copy will vary from the original offset printing edition and may look more saturated. The information presented in this version is the same as the latest edition. Any pattern pullouts have been separated and presented as single pages. If the pullout patterns are missing, please contact c&t publishing.

In the past two years Frederik Meijer and his curator Joe Becherer have assembled a significant private collection of large outdoor sculpture, which is available for public viewing at the Frederik Meijer Gardens in Grand Rapids. This beautiful book presents more than 100 color illustrations, with details of many of the sculptures within the collection.

Recognized by both the art world and the general public, this garden has a diverse landscape of artwork from sculptors such as Rodin, Fredericks, Haring, di Suvero, Moore, Maillol, Hepworth, Dine, Haring, and others. Using more well known materials such as bronze and stainless steel as well as unusual materials like industrial porcelain, the artists provide the garden with many exciting visuals that the book will allow readers to bring home.

A brief history describes the development of the sculpture park. Biographies of the artists whose art grace this private collection are included, which serves to broaden the viewer's understanding of the pieces. Attention is given both to the artists' development of their craft and to the part each sculpture plays in the garden as a whole.

A captivating journey to uncover the essence of wilderness, by one of this country's most original nature writers. In The Wildest Place on Earth Mitchell sets out on a journey to uncover the essence of wilderness. Instead of traveling to remote, untamed parts of the world, Mitchell ends up exploring the green realms of his childhood and the gardens of Italy. He is pulled inward and toward home, back to what Thoreau called "contact"--an abiding, enduring, and daily connection with the world. He comes to realize that the wildest place may be right in his own backyard.A Merloyd Lawrence Book

Oft quoted but seldom credited,Charles Dudley Warner’s My Summer in a Garden is a classic of American garden writing and was a seminal early work in the then fledgling genre of American nature writing. Warner—prominent in his day as a writer and newspaper editor—was a dedicated amateur gardener who shared with Mark Twain, his close friend and neighbor, a sense of humor that remains deliciously fresh today.

In monthly dispatches, Warner chronicles his travails in the garden, where he and his cat, Calvin, seek to ward off a stream of interlopers, from the neighbors’ huge-hoofed cows and thieving children, to the reviled, though “propagatious,” pusley weed. To read Warner is to join him on his rounds of his beloved vegetable patch, to feel the sun on his sore back, the hoe in his blistered hands, and yet, like him, never to lose sight of “the philosophical implications of contact with the earth, and companionship with gently growing things.”

This Modern Library edition is published with an extensive new Introduction by Allan Gurganus, author of Oldest Living Confederate Widow Tells All and The Practical Heart.

From the internationally acclaimed Czech writer Karel Capek comes this beautifully written and marvelously apt account of the trials and tribulations of the gardener’s life. First published in Prague in 1929, The Gardener’s Year combines a richly comic portrait of life in the garden, narrated month by month, with a series of delightful illustrations by the author’s older brother and collaborator, Josef. Capek’s gardeners—all too human, despite their lofty aspirations—often look the fool, whether they be found sopping wet, victims of the cobralike water hose, or hunched over, hands immersed in the soil, “presenting their rumps to the splendid azure sky.” In their repeated folly, Capek gives us not only cause for laughter but also, in the end, “testimony of the imperishable and miraculous optimism of the human race.”

This Modern Library edition is published with a new Introduction by Verlyn Klinkenborg, a New York Times editorialist and the author of Making Hay and The Last Fine Time.

Important Note about PRINT ON DEMAND Editions: You are purchasing a print on demand edition of this book. This book is printed individually on uncoated (non-glossy) paper with the best quality printers available. The printing quality of this copy will vary from the original offset printing edition and may look more saturated. The information presented in this version is the same as the latest edition. Any pattern pullouts have been separated and presented as single pages. If the pullout patterns are missing, please contact c&t publishing.

The Emma Bridgewater factory in Stoke-on-Trent is a mecca for lovers of its iconic pottery; but tucked within is a walled garden bursting with nectar-rich, jazzy-toned flowers and rare-breed chickens. This is where Arthur Parkinson - gardener, florist and poultry keeper - used to work his magic. Inspired by his friend, gardener and florist Sarah Raven, and childhood hen-keeping pen pal the late Dowager Duchess of Devonshire, Parkinson's domain was one of resplendent flowers, platoon feather-legged hens, handwritten blackboards, flower arranging and wasteland foliage foraging - all carried out in one of the most unlikely places a garden could happen to exist: a working pottery.

Humans have long turned to gardens--both real and imaginary--for sanctuary from the frenzy and tumult that surrounds them. Those gardens may be as far away from everyday reality as Gilgamesh's garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens.
With "Gardens," Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history. The ancients, explains Harrison, viewed gardens as both a model and a location for the laborious self-cultivation and self-improvement that are essential to serenity and enlightenment, an association that has continued throughout the ages. The Bible and Qur'an; Plato's Academy and Epicurus's Garden School; Zen rock and Islamic carpet gardens; Boccaccio, Rihaku, Capek, Cao Xueqin, Italo Calvino, Ariosto, Michel Tournier, and Hannah Arendt--all come into play as this work explores the ways in which the concept and reality of the garden has informed human thinking about mortality, order, and power.
Alive with the echoes and arguments of Western thought, "Gardens" is a fitting continuation of the intellectual journeys of Harrison's earlier classics, "Forests" and "The Dominion of the Dead," Voltaire famously urged us to cultivate our gardens; with this compelling volume, Robert Pogue Harrison reminds us of the nature of thatresponsibility--and its enduring importance to humanity. "I find myself completely besotted by a new book titled "Gardens: An Essay on the Human Condition," by Robert Pogue Harrison. The author . . . is one of the very best cultural critics at work today. He is a man of deep learning, immense generosity of spirit, passionate curiosity and manifold rhetorical gifts."--Julia Keller, "Chicago"" Tribune""" "This book is about gardens as a metaphor for the human condition. . . . Harrison draws freely and with brilliance from 5,000 years of Western literature and criticism, including works on philosophy and garden history. . . . He is a careful as well as an inspiring scholar."--Tom Turner, "Times Higher Education""" "When I was a student, my Cambridge supervisor said, in the Olympian tone characteristic of his kind, that the only living literary critics for whom he would sell his shirt were William Empson and G. Wilson Knight. Having spent the subsequent 30 years in the febrile world of academic Lit. Crit. . . . I'm not sure that I'd sell my shirt for any living critic. But if there had to be one, it would unquestionably be Robert Pogue Harrison, whose study "Forests: The Shadow of Civilization," published in 1992, has the true quality of literature, not of criticism--it stays with you, like an amiable ghost, long after you read it. "Though more modest in scope, this new book is similarly destined to become a classic. It has two principal heroes: the ancient philosopher Epicurus . . . and the wonderfully witty Czech writer Karel Capek, apropos of whom it is remarked that, whereas most people believe gardening to be a subset of life, 'gardeners, including Capek, understand that life is asubset of gardening.'"--Jonathan Bate, "The Spectator""" ""

Almost 100 authentic dishes recall in food and drink the true flavours of Ireland. It includes classic recipes such as baked salmon and soda bread stand alongside the Irish specialities of Tyrone roast goose and carrageen jelly. Numerous fish and vegetable recipes are complemented by a diverse range of traditional cakes, puddings and centuries-old folk remedies. This is a charming and practical souvenir of Irish life.

From the sacred groves of Ancient Greece, to the secluded outside rooms of Sissinghurst, this work is a history of secret gardens. A wide variety of secret gardens is explored, from intimate retreats to treehouses, caves and grottoes. Five case studies demonstrate how design principles can be turned into reality. Practical advice, from planting to the skilful use of water and ornaments, aim to help the reader realize the potential of their own garden. A comprehensive plant directory is included.

This text contains papers presented at a conference organized by the RCME and the Garden History Society. The book examines the vanished parks of various periods, and explores a broad range of themes. These include the merits of different fieldwork techniques, the preservation of pre-emparkment features, the use and re-use of garden and parkland landscapes, and the changes wrought in different chronological periods at both regional and national level.

'Delightful... The Hidden Horticulturists pulsates with the extraordinary energy and excitement of the time.' Daily Mail Chosen as one of the Sunday Telegraph's 'Top Ten Gardening Books of the Year' _____________________ The untold story of the remarkable young men who played a central role in the history of British horticulture and helped to shape the way we garden today. In 2012, whilst working at the Royal Horticultural Society's library, Fiona Davison unearthed a book of handwritten notes that dated back to 1822. The notes, each carefully set out in neat copperplate writing, had been written by young gardeners in support of their application to be received into the Society's Garden. Amongst them was an entry from the young Joseph Paxton, who would go on to become one of Britain's best-known gardeners and architects. But he was far from alone in shaping the way we garden today and now, for the first time, the stories of the young, working-class men who also played a central role in the history of British horticulture can be told. Using their notes, Fiona Davison traces the stories of a selection of these forgotten gardeners whose lives would take divergent paths to create a unique history of gardening. The trail took her from Chiswick to Bolivia and uncovered tales of fraud, scandal and madness - and, of course, a large number of fabulous plants and gardens. This is a celebration of the unsung heroes of horticulture whose achievements reflect a golden moment in British gardening, and continue to influence how we garden today.